âIt is hard work,â actor/director Alan Mandell says of performing on stage. âIâve told someone who asked me about learning lines that it was easier when I was 85.â Yet here he goes once more onto the boards in a new production of Samuel Beckettâs Endgame. The show begins previews this weekend and officially opens at the Kirk Douglas Theatre on May 1.
âIâm getting there,â Mandell says regarding the preparation for his role. He plays Hamm, one of four characters who are perhaps facing oblivion. (Two of the characters live in trashcans, so it would seem theyâre halfway there.) âI wake up in the middle of the night going, âWhat was that line?ââ he says. âI wake up and [the script] is by my bed. I try to go back to sleep.â
The script by his bed contains notes and changes made by Beckett himself. âHe was always making notes,â Mandell says. âHe was forever correcting and eliminating. I remember when we were in Rome there were all these people in the audience with scripts in their hands. Afterwards some of them came back and said they liked the performance, but you left out these sections. I said, âOh, no, Beckett made some cuts.â They followed it so religiously. The fact that he had cut sections was a shock to people, but he was always doing that.â
The first time he appeared in Endgame, Mandell found himself rehearsing with the playwright. âWhen I first did Nagg, the Nell hadnât arrived,â he says. (Nagg is Hammâs father; Nell is Hammâs mother.) âBeckett turned to me and said we should do the Nell/Nagg scenes. âWhy donât we pull up two chairs? Iâll do Nell and you do Nagg.â Talk about being on the spot. We did the whole scene, and at the end he said, âYou are going to be very good.â It doesnât get any better than that.â
The pace of Endgame was important to the playwright, and itâs just as important to Mandell. âHe called it a chamber piece in eight movements, and he marked the eight movements in my script. Beckett mentioned if it is longer than 90 minutes, youâre doing something wrong. So I put myself on recordâthe runtime has to be less than 90 minutes. I donât care if it is 80 or 90 minutes, as long as you keep the rhythm and the poetry of the piece there, thatâs fine.â
âThe other thing about this production that I love,â Mandell says, âis that Iâm 88. Jimmy Greene, who plays Nagg, is 89, and Charlotte Rae, who is one of the Nells, is 90 on the 22 of this month. This must be one of the oldest casts in America!â (Rae alternates the role of Nell with Anne Gee Byrd.)
Speaking with Mandell you get a sense of how much Beckett meant to him. âI loved him,â he says. âThis was the most honest, decent manâa wonderful man. He was a totally loyal friend and very generous. Heâd get a royalty check of several thousand dollars and send it to somebody he felt needed it. He never asked for anything. He did all these things that people never knew about. He cared deeply about the people who worked for him and the people who did his work and were loyal to him.â
Though Mandell is considering one more stage role on Broadway, he says Endgame will make the conclusion of his stage career in L.A. âThis is it,â he says. âThere are other things I want to do. Iâm at that time of my life when I look at my so-called bucket list, and there are places I want to go. I better travel while Iâm able to do it. I wonât put myself through this again.â
Photo Credit: Craig Schwartz