<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" > <channel> <title>Andy Blankenbuehler Archives - Cultural Attaché</title> <atom:link href="https://culturalattache.co/tag/andy-blankenbuehler/feed/" rel="self" type="application/rss+xml" /> <link>https://culturalattache.co/tag/andy-blankenbuehler/</link> <description>The Guide to Arts and Culture events in and around Los Angeles</description> <lastBuildDate>Tue, 04 Feb 2025 01:01:33 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.2</generator> <item> <title>BEST BETS: FEBRUARY 3rd – FEBRUARY 9th</title> <link>https://culturalattache.co/2025/02/03/best-bets-february-3rd-february-9th/</link> <comments>https://culturalattache.co/2025/02/03/best-bets-february-3rd-february-9th/#respond</comments> <dc:creator><![CDATA[Craig Byrd]]></dc:creator> <pubDate>Mon, 03 Feb 2025 15:00:00 +0000</pubDate> <category><![CDATA[Featured]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Stage]]></category> <category><![CDATA[What's Hot]]></category> <category><![CDATA[Andy Blankenbuehler]]></category> <category><![CDATA[Bob Martin]]></category> <category><![CDATA[Cincinnati Symphony Orchestra]]></category> <category><![CDATA[Cristian Mǎcelaru]]></category> <category><![CDATA[Custom of the Coast]]></category> <category><![CDATA[Duke Ellington]]></category> <category><![CDATA[Geffen Playhouse]]></category> <category><![CDATA[Guggenheim Museum]]></category> <category><![CDATA[Jason Moran]]></category> <category><![CDATA[Jeremy O'Harris]]></category> <category><![CDATA[Joshua Bergasse]]></category> <category><![CDATA[Marc Shaiman]]></category> <category><![CDATA[MASS MoCA]]></category> <category><![CDATA[Michael Frayn]]></category> <category><![CDATA[National Sawdust]]></category> <category><![CDATA[Never Alone]]></category> <category><![CDATA[Noises Off]]></category> <category><![CDATA[Randall Goosby]]></category> <category><![CDATA[Rick Elice]]></category> <category><![CDATA[Scott Wittman]]></category> <category><![CDATA[Smash]]></category> <category><![CDATA[Susan Stroman]]></category> <category><![CDATA[The Great Yes The Great No]]></category> <category><![CDATA[The Wallis]]></category> <category><![CDATA[William Kentridge]]></category> <category><![CDATA[Works & Process]]></category> <guid isPermaLink="false">https://culturalattache.co/?p=21148</guid> <description><![CDATA[<p>Jason Moran plays Duke Ellington, Noises Off and previews of upcoming works top this week's list.</p> <p>The post <a href="https://culturalattache.co/2025/02/03/best-bets-february-3rd-february-9th/">BEST BETS: FEBRUARY 3rd – FEBRUARY 9th</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></description> <content:encoded><![CDATA[ <p>Here are Cultural Attaché’s <em>Best Bets: February 3<sup>rd</sup> – February 9<sup>th</sup></em></p> <div class="wp-block-image"> <figure class="alignleft size-medium"><img fetchpriority="high" decoding="async" width="300" height="169" src="https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-300x169.jpg" alt="" class="wp-image-21153" srcset="https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-300x169.jpg 300w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-1024x576.jpg 1024w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-768x432.jpg 768w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-1536x864.jpg 1536w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-696x392.jpg 696w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-1068x601.jpg 1068w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process-747x420.jpg 747w, https://culturalattache.co/wp-content/uploads/2025/02/Andy-Blankenbuehler-Courtesy-Works-Process.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption class="wp-element-caption">Andy Blankenbuehler (Courtesy Works & Process)</figcaption></figure></div> <p><strong><em>WORKS & PROCESS</em></strong> – Guggenheim Museum – New York, NY; National Sawdust – Brooklyn, NY and MASS MoCA – North Adams, MA – February 3<sup>rd</sup> – February 9<sup>th</sup></p> <p>If you’re a fan of the performing arts on the East Coast, you’ll want to be at The Guggenheim Museum and National Sawdust this week. If you can’t make it to New York, but are in the Boston area, one of this week’s events is also taking place at MASS MoCA.</p> <p><em><a href="https://www.tix.com/ticket-sales/guggenheim/3515/event/1407538">SMASH</a></em> (February 3<sup>rd</sup>) The creators of the new musical inspired by the television show of the same name will discuss the show. Cast members will also perform excerpts from the musical. That team includes composers Marc Shaiman and Scott Wittman (who wrote songs for the television show); book writers Rick Elice and Bob Martin; choreographer Joshua Bergasse and director <a href="https://culturalattache.co/2016/01/15/susan-stroman-took-a-few-bullets-for-putting-woody-allen-on-broadway/">Susan Stroman</a>. </p> <p><em><a href="https://www.tix.com/ticket-sales/guggenheim/3515/event/1407539"></a><a href="https://www.tix.com/ticket-sales/guggenheim/3515/event/1407539">NEVER ALONE</a> </em>(February 7<sup>th</sup>) Director/choreographer Andy Blankenbuehler (<em>Hamilton</em>) collaborates with writer Kate Quinn on this new dance piece. It tells the story of a British naval officer and a woman who excels art breaking codes who have an unlikely relationship during World War II. Blankenbuehler will discuss the show and highlights will be performed.</p> <p><em>WILLIAMSTOWN THEATER FESTIVAL: JEREMY O’HARRIS</em> (<a href="https://massmoca.org/event/wtf-jeremy-o-harris/">February 7<sup>th</sup> at MASS MoCA</a> / <a href="https://www.tix.com/ticket-sales/guggenheim/3515/event/1407540">February 9<sup>th</sup> at Guggenheim Museum</a>)Harris, the playwright who challenged theatergoers with his highly-acclaimed <em>Slave Play</em>, will discuss his way of working in advance of the world premiere later this year at the Williamstown Theatre Festival. Excerpts from the play will also be performed. This is, in my humble opinion, a must-see event that takes place at both venues.</p> <p><em><a href="https://www.nationalsawdust.org/event/works-process-and-experiments-in-opera-present-custom-of-the-coast-concert-performance">CUSTOM OF THE COAST</a></em> (February 9<sup>th</sup>) This event at National Sawdust in Brooklyn will offer modern opera lovers the first look at a new opera by composer Kamala Sankaram and librettist Paul Muldoon. Their opera combines two stories of very different folks from Ireland: Anne Bonny, an 18<sup>th</sup> century pirate and Savita Halapannavar, a dentist who died in 2012 after being refused an abortion. There will be a conversation with the creators after the performance.</p> <p>Quick tip: Next Monday there will be a <em>Works & Process at the Guggenheim</em> for the new musical <em><a href="https://www.tix.com/ticket-sales/guggenheim/3515/event/1407541">Boop! The Betty Boop Musical</a></em> with Jerry Mitchell.</p> <div class="wp-block-image"> <figure class="alignleft size-medium"><img decoding="async" width="300" height="169" src="https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-300x169.jpg" alt="" class="wp-image-21152" srcset="https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-300x169.jpg 300w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-1024x576.jpg 1024w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-768x432.jpg 768w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-1536x864.jpg 1536w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-696x392.jpg 696w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-1068x601.jpg 1068w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse-747x420.jpg 747w, https://culturalattache.co/wp-content/uploads/2025/02/MIchael-Frayn-Photo-by-Geraint-Lewis-Courtesy-Geffen-Playhouse.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption class="wp-element-caption">Michael Frayn at The Edinburgh International Book Festival, Scotland, Britain – 2010 (Photo by Geraint Lewis/Shutterstock (1895927me) – Courtesy Geffen Playhouse)<br></figcaption></figure></div> <p><strong><em>NOISES OFF</em></strong> – Geffen Playhouse – Westwood, CA – Now – March 2<sup>nd</sup></p> <p>This production of Michael Frayn’s madcap comedy from the 1980s began its life at Steppenwolf Theatre Company in Chicago. The cast has made its way west to entertain audience with the high-octane laughs in this story of a theater company that can’t seem to get things right. (<em>Noises Off</em> can be considered the godfather of <em>The Play That Goes Wrong</em>).</p> <p>Director Anna D. Shapiro, who won a Tony Award for her work on <em>August: Osage County</em>, directs this production.</p> <p>Given everything Los Angeles has been dealing with so far this year, two and a half hours of laughs is certainly welcome. Complimentary tickets are available for patrons impacted by the LA wildfires.</p> <p>For tickets and more information, please go <a href="https://www.geffenplayhouse.org/shows/noises-off/">HERE</a>.</p> <p><strong><em>THE GREAT YES, THE GREAT NO</em></strong><em><u> </u></em>– The Wallis – Beverly Hills, CA – February 5<sup>th</sup> – February 8<sup>th</sup></p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe title="The Great Yes, The Great No @ The Wallis" width="696" height="392" src="https://www.youtube.com/embed/QwKgylg_g7k?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe> </div></figure> <p>Here’s a fascinating combination of personalities, artists and genres: André Breton, Claude Lévi-Strauss, Wifredo Lam, Victor Serge, Anna Seghers (all depicted in this work); theater maker Phala Ookeditse Phala, dancer/choral conductor Nhlanhla Mahlangu<em> </em>and artist William Kentridge (they create this) in a work that is described as “part play, part Greek choir, part chamber opera.”</p> <p>Whatever the end results, this is bound to be fascinating. </p> <p>For tickets and more information, please go <a href="https://thewallis.org/show-details/the-great-yes-the-great-no">HERE</a>.</p> <div class="wp-block-image"> <figure class="alignleft size-medium"><img loading="lazy" decoding="async" width="300" height="169" src="https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-300x169.jpg" alt="" class="wp-image-21151" srcset="https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-300x169.jpg 300w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-1024x576.jpg 1024w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-768x432.jpg 768w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-1536x864.jpg 1536w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-696x392.jpg 696w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-1068x601.jpg 1068w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ-747x420.jpg 747w, https://culturalattache.co/wp-content/uploads/2025/02/Jason-Moran-Courtesy-SF-JAZZ.jpg 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /><figcaption class="wp-element-caption">Jason Moran/Courtesy SF JAZZ)</figcaption></figure></div> <p><strong><em>JASON MORAN PLAYS DUKE ELLINGTON</em></strong> – Multiple Venues – February 6th – April 11th</p> <p>The music of Duke Ellington will be celebrated by pianist/composer <a href="https://culturalattache.co/2020/01/30/jason-moran-has-a-reason-to-believe/">Moran</a> in several concerts: some of them solo piano performances and others with local jazz or big bands.</p> <p>The schedule is:</p> <p><a href="https://www.sfjazz.org/tickets/productions/24-25/jason-moran-w-marcus-shelby-new-orchestra/">SF JAZZ</a> – San Francisco (February 6<sup>th</sup> – 9<sup>th</sup>) with the Marcus Shelby New Orchestra. The February 7<sup>th</sup> performance will be available <a href="https://www.sfjazz.org/athome/fridays-live/jason-moran-duke-ellington/">for streaming</a> at 7:30 PM PT</p> <p><a href="https://thesoraya.org/whats-on/en/jason-moran/">THE SORAYA</a> – Northridge, CA (February 13<sup>th</sup>– with the CSUN Jazz “A” Band</p> <p><a href="https://gmc.sonoma.edu/jason-moran/">GREEN MUSIC CENTER</a> – Sonoma, CA (February 15<sup>th</sup>) This is his solo recital entitled <em>Duke Ellington: My Heart Sings</em></p> <p><em><a href="https://pac.uga.edu/event/jason-moran/">HODGSON CONCERT HALL</a> </em>– Athens, GA – February 27<sup>th</sup> – also <em>My Heart Sings</em></p> <p><a href="https://www.berklee.edu/BPC/events/jason-moran-duke-ellington-my-heart-sings">BERKLEE PERFORMANCE CENTER</a> – Boston, MA – March 1<sup>st</sup> – also <em>My Heart Sings</em></p> <p><a href="https://www.arshtcenter.org/tickets/2024-2025/jazz-roots/jason-moran/">ADRIENNE ARTSH CENTER</a> – Miami, Fl – March 21<sup>st</sup> – also <em>My Heart Sings</em></p> <p><a href="https://www.apollotheater.org/event/ellington-in-focus">THE APOLLO</a> – New York, NY – April 11<sup>th</sup> – <em>Ellington in Focus</em> which finds Moran collaborating with the incredible photography of Gordon Parks.</p> <p>Click on each venue name for tickets and more information.</p> <div class="wp-block-image"> <figure class="alignleft size-medium"><img loading="lazy" decoding="async" width="300" height="169" src="https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-300x169.jpg" alt="" class="wp-image-21150" srcset="https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-300x169.jpg 300w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-1024x576.jpg 1024w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-768x432.jpg 768w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-1536x864.jpg 1536w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-696x392.jpg 696w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-1068x601.jpg 1068w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists-747x420.jpg 747w, https://culturalattache.co/wp-content/uploads/2025/02/Cristian-Macelaru-Photo-©Cristina-Tanase-Courtesy-Primo-Artists.jpg 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /><figcaption class="wp-element-caption">Cristian Mǎcelaru (Photo ©Cristina Tanase/Courtesy Primo Artists)</figcaption></figure></div> <p><strong><em>DVOŘÁK NEW WORLD SYMPHONY</em></strong> – Cincinnati Symphony Orchestra – Cincinnati, OH – February 8<sup>th</sup> and 9<sup>th</sup></p> <p>To be honest, this massive popular symphony is not amongst my favorites. But this concert has other reasons to be on this week’s Best Bets. It marks the return of Cristian Mǎcelaru to CSO for the first time since he was named the next Music Director. He begins his tenure during the 2025-2026 season.</p> <p>Also on the program is <em>Southwestern Shakedown</em> from Wynton Marsalis’ <em>Blues Symphony</em>; Chausson’s <em>Po</em><em>è</em><em>me</em> and Florence Price’s <em>Violin Concerto No. 2</em> with soloist Randall Goosby.</p> <p>The performance on February 9<sup>th</sup> will be livestreamed on CSO’s <a href="https://www.youtube.com/watch?v=RbtB0MlnsG8">YouTube channel</a> at 2 PM ET/11 AM PT.</p> <p>For tickets and more information, please go <a href="https://www.cincinnatisymphony.org/tickets-and-events/buy-tickets/cso/2425-cso-season/dvorak-new-world-symphony/">HERE</a>.</p> <p>That’s it for Best Bets: February 3rd – February 9th.</p> <p>Enjoy your week and go see a show!</p> <p>Main Photo: Jeremy O’Harris and Raphael Picciarelli (Photo by Matthew Leifheit-Courtesy Works & Process)</p> <p>The post <a href="https://culturalattache.co/2025/02/03/best-bets-february-3rd-february-9th/">BEST BETS: FEBRUARY 3rd – FEBRUARY 9th</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></content:encoded> <wfw:commentRss>https://culturalattache.co/2025/02/03/best-bets-february-3rd-february-9th/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>Cats</title> <link>https://culturalattache.co/2019/02/27/cats/</link> <comments>https://culturalattache.co/2019/02/27/cats/#respond</comments> <dc:creator><![CDATA[Craig Byrd]]></dc:creator> <pubDate>Wed, 27 Feb 2019 15:57:34 +0000</pubDate> <category><![CDATA[Featured]]></category> <category><![CDATA[Musicals: 5-6-7-8]]></category> <category><![CDATA[Andrew Lloyd Webber]]></category> <category><![CDATA[Andy Blankenbuehler]]></category> <category><![CDATA[Betty Buckley]]></category> <category><![CDATA[Cats]]></category> <category><![CDATA[Gillian Lynne]]></category> <category><![CDATA[Hamilton]]></category> <category><![CDATA[In the Heights]]></category> <category><![CDATA[John Napier]]></category> <category><![CDATA[Natasha Katz]]></category> <category><![CDATA[Old Possum's Book of Practical Cats]]></category> <category><![CDATA[Pantages Theatres]]></category> <category><![CDATA[Segerstrom Center for the Arts]]></category> <category><![CDATA[T. S. Elliot]]></category> <category><![CDATA[Trevor Nunn]]></category> <guid isPermaLink="false">https://culturalattache.co/?p=4585</guid> <description><![CDATA[<p>Pantages Theatre<br /> <br /> Now - March 24</p> <p>The post <a href="https://culturalattache.co/2019/02/27/cats/">Cats</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></description> <content:encoded><![CDATA[<p>When the doors of the Winter Garden Theatre opened on September 23, 1982, no one could have predicted that the show having its first preview would then go on to run until September 10, 2000. With 7,485 performances by the time the run concluded, <em>Cats</em> had entered the record books by becoming the then longest-running show in Broadway history. A revival in 2016 would not, of course, measure up to the first run’s success. That revival is now touring and has now found its way to the <a href="https://www.hollywoodpantages.com/events/detail/cats" target="_blank" rel="noopener">Pantages Theatre</a> where it will run through March 24th.</p> <p>Composer Andrew Lloyd Webber took the writing of T.S. Eliot (from <em>Old Possum’s Book of Practical Cats</em>) as the source of his musical. The show was directed by Trevor Nunn who contributed lyrics to two of the show’s songs. Perhaps best known is the one song that has become a standard, <em>Memory </em>(performed by <a href="https://culturalattache.co/2019/01/22/betty-buckley-works-hard-to-make-hello-dolly-joyous/" target="_blank" rel="noopener">Betty Buckley</a> who won a Tony Award for her portrayal of “Grizabella.”)</p> <p><iframe loading="lazy" src="https://www.youtube.com/embed/5mlllRdIfqw" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <p>Nunn returns to direct this revival as does scenic and costume designer John Napier. New for this production is the lighting design by Natasha Katz. Most intriguing is the new choreography by Andy Blankenbuehler. He is a three-time Tony Award winner for his work on <em>Bandstand</em>, <em>In the Heights</em> and a little show called <em>Hamilton</em>. His work here is based on the original landmark choreography by Gillian Lynne.</p> <p>The story revolves around the selection of one cat to be reborn. But it isn’t the story that has compelled audiences around the world. It is the entire look and feel of the show. <em>Cats</em> won 7 Tony Awards for the original production.</p> <p><em>Cats</em> will also play the <a href="https://www.scfta.org/events/2019/cats" target="_blank" rel="noopener">Segerstrom Center for the Arts</a> in Costa Mesa for one week beginning April 9th.</p> <p>Production photo by Matthew Murhpy/Courtesy of the Pantages Theatre</p> <p>The post <a href="https://culturalattache.co/2019/02/27/cats/">Cats</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></content:encoded> <wfw:commentRss>https://culturalattache.co/2019/02/27/cats/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>