My top choice doesn’t easily fit into any genre, but it’s an oldie that you’ll either love or hate:

TUBULAR BELLS – Mike Oldfield (Universal Music Group)

It’s hard to believe that Tubular Bells came out 50 years ago. But here we are. This is a special 50th Anniversary Edition on vinyl of the music that many people associate with its use in the film The Exorcist (which is also 50 years old this year.) It’s hard to get that haunting melody out of your head.

In addition to the two suites found not he original album, a second record contains a demo for Tubular Bells 4, the music as used in the opening ceremonies of the 2012 Olympic Games in London, a remix, the original single and more.

Here are the rest of this week’s picks of New In Music This Week: May 26th:

CLASSICAL: INFINITE BACH – Maya Beiser (Islandia Music Records)

Cellist Maya Beiser not only explores Johann Sebastian Bach’s Solo Cello Suites, she explores the sound that can be created in both the recording process and the listening process. Infinite Bach will be released in different ways: on Apple Music you can get it digitally in Dolby Atmos spatial audio. Other platforms will have the album in what’s described as an “immersive binaural mix.” Having heard Infinite Bach it’s not a traditional recording of these cherished works, but it is certainly a fascinating one. Audiophiles will want to take Beiser’s journey into Infinite Bach.

CLASSICAL: CHILDHOOD TALES – Isata Kanneh-Mason (Decca Classics)

There are 46 tracks on this album from pianist Kanneh-Mason. They range in length from 24 seconds to 4 minutes and 21 seconds. They are predominantly miniature works. Childhood Tales begins with Mozart’s Ah! Vous diary-je, mama performed as a theme and 12 variations. You might not recognize the name, but you’ll know the melody instantaneously as we refer to it as Twinkle, Twinkle Little Star.

In addition to Mozart, Kanneh-Mason performs works by Claude Debussy (Children’s Corner) and Robert Schumann (Kinderszenen, Op. 15). Don’t be fooled…there’s nothing childish about her performances of these pieces. They might be short, but don’t think they come without challenges.

CLASSICAL: FROM AFAR: REWORKS – Various Artists and Vikingur Ólafsson – Deutsche Grammophon

If you read our recent interview with pianist Ólafsson, you’ll have seen that he talked about this album of remixes of his recordings from his 2022 album From Afar as “basically reversing the creative process.” Six different contemporary composers have written new material to accompany some or all Ólafsson’s original recordings. Those composers are Christian Badzura, Álfheiður Guðmundsdóttir, Snorri Hallgrímsson, Helgi Jonsson, Michael A. Muller, and Herdís Stefánsdóttir. Don’t expect to be dancing across your living room listening to these works. Do expect to get into a very peaceful and contemplative state instead.

JAZZ: SHE SEES – Erik Friedlander (Skipstone Records)

Cellist Friedlander is not going to let anything get in the way of making joyous music. Friedlander was diagnosed with Parkinson’s in 2016. Last summer he had Deep Brain Stimulation Surgery. This album, filled with titles like Baskets, Biscuits, Rain; Soak! Soak! and Wit & Whimsy showcase an enthusiasm for living life.

Joining Friedlander on this record are Diego Espinosa on percussion, Ava Mendoza on guitar and Stomu Takeishi on bass. Espinosa and Mendoza played in Friedlander’s 2020 album Sentinel.

JAZZ: AFTER|LIFE – Brian McCarthy (Truth Evolution Recording Collective)

Saxophonist/composer McCarthy is definitely ambitious. His most 2017 album The Better Angels of Our Nature used music old and new to explore the Civil War. On this follow-up album he’s going boldly to where no man has gone before: to the stars. There are eight tracks on this record with the three-movement suite After Life anchoring the recording. It closes with a song entitled Lucy, but she’s not in the sky with diamonds.

His nine piece band, featured on Better Angels, is almost entirely reunited for this record. They are: bassist Matt Aronoff, saxophonist Andrew Gutauskas, pianist Justin Kauflin, saxophonist Stantawn Kendrick, trombonist Cameron McManus, trumpeter Bill Mobley, drummer Jared Shooing and saxophonist Daniel Ian Smith. This is a cool record!

Those are my selections of the best of what’s New In Music This Week: May 26th. What are you listening to? Drop us a line in the comments. Enjoy the music and enjoy your weekend!

Main Photo: Part of the album art for Tubular Bells

The post New In Music This Week: May 26th appeared first on Cultural Attaché.

On tap (no pun intended) is a wonderful tap performance from New York’s Joyce Theater by Ayodele Casel; a musical where popular princesses from animated films imagine a different definition of “Happily Ever After;” the return of Tony Award-winner Lena Hall with some new “Obsessions;” a live performance from The Royal Opera House of work by Brecht and Weill; a concert performance of one of Verdi’s least-performed operas and the first of a two-part live performance of a play adapted from Milton’s Paradise Lost.

My top pick this weekend comes from San Francisco Opera. Edgar Allan Poe’s The Fall of the House of Usher inspired an unfinished opera by Claude Debussy and a newer work by Gordon Getty. Both operas are being streamed this weekend and their rarity easily makes this the most interesting option for the weekend.

I’ll begin with my top pick for the week and the balance of my Best Bets: April 9th – April 12th are listed in the order in which they are available.

Here are my Best Bets: April 9th – April 12th:

*TOP PICK* OPERA: House of Usher – San Francisco Opera – April 10th – April 11th

Conducted by Lawrence Foster; starring Brian Mullian, Jason Bridges, Antony Reed, Jamielyn Duggan, Jacqueline Piccolino, Edward Nelson and Joel Sorensen. This David Poutney production is from the 2014-2015 season.

You know Cultural Attaché covers operas on a very regular basis. So it’s exciting to let you know about two one-act operas that are rarely performed and have not, to my knowledge, been streamed before this offering from San Francisco Opera.

Composers Claude Debussy and Gordon Getty each wrote operas inspired by Edgar Allan Poe’s The Fall of the House of Usher. Poe tells the story of Roderick Usher through the eyes of his friend and reveals what may or may not have happened to Usher’s sister Madeline.

Debussy’s work, La chute de la maison Usher, is an unfinished opera that he worked on from 1908-1917. The opera was completed and orchestrated, based on the composer’s draft, by Robert Orledge in 2004. The premiere of the completed opera was in 2014 paired with Getty’s version at the Welsh National Opera. It is this production that came to San Francisco Opera with different casting.

Philip Glass also composed a work inspired by The Fall of the House of Usher. A film, directed by James Darrah, is available for streaming from Boston Lyric Opera for $10. These two one-act operas, our top pick for the weekend, are available for free but only through Sunday, April 11th.

BALLET: Concerto – Royal Ballet – Now – April 25th

This work by legendary choreographer Kenneth MacMillan was one of two pieces that premiered at the first performance after he was named Director of Berlin’s Deutsche Opera Ballet in 1966. For Concerto he used Dmitri Shostakovich’s Piano Concert No. 2 in F as his inspiration.

This new post came after his wildly successful years at Sadler’s Wells Theatre Ballet where he created nine new ballets.

This Royal Ballet performance is from 2019 and features soloists James Hay, Mayara Magri and Anna Rose O’Sullivan. They are joined by principals Ryoichi Hirano and Yasmine Naghdi.

Sarah Crompton, writing in The Guardian, said of this production: “…a plotless piece of sharp geometric angles and airy leaps, danced to Shostakovich’s Piano Concerto No 2. Set by Jürgen Rose against a perfect pale lemon backdrop, with the dancers in orange, russet and yellow, it has a breezy sophistication, with a delicate cross work of steps for soloists and a large corps de ballet. It seems simple but is devilishly complicated.”

The performance is available now for streaming. The price is £3 which equals $3.47.

PLAY READING: Angry, Raucous and Shamelessly Gorgeous – Broadway’s Best Shows – Now – April 12th

Sisters Debbie Allen and Phylicia Rashad star in the reading of Pearl Cleage’s 2019 play Angry, Raucous and Shamelessly Gorgeous which is being read as part of the Spotlight on Plays series from Broadway’s Best Shows.

After their production of scenes from August Wilson’s Fences ignited a major controversy actress Anna Campbell and director Betty Samson fled to Amsterdam for what they thought would be short-term assignment. 25 years later they are invited back to the United States where their version, nicknamed Naked Wilson, is going to open a women’s theater festival. But the festival wants to work with a much younger actress than Campbell. You don’t think that’s going to go over well, do you?

Also participating in the reading are Heather Alicia Simms and Alicia Stith. Camille A. Brown directs.

Tickets are $15 with proceeds going to the Actors Fund. The show will remain available through Monday, April 12th.

DANCE: Chasing Magic – The Joyce Theater Foundation – Now – April 21st

Fans of tap dance will definitely want to check out Chasing Magic by Ayodele Casel streaming now from The Joyce Theater in New York. I saw the film and it’s simply amazing.

For this world premiere, Casel has collaborated with director Torya Beard, dancer/choreographer Ronald K. Brown, singer/songwriter Crystal Monee Hall, composer/musician Arturo O’Farrill, percussionist Sent Stoney and composer Annastasia Victory.

Viewers can expect both traditional tap and also a contemporary style of tap – both of which will put a smile on your face, just as it does the dancers performing.

Tickets are $25/household.

BALLET: Carmen – State Street Ballet – Now – April 14th

Georges Bizet’s opera Carmen serves as the inspiration for this work by William Soleau (Co-Artistic Director of State Street Ballet). The work had its premiere in 2014 and this is a film from a performance at The Granada Theatre in Santa Barbara from that year.

For those unfamiliar with the opera, here is the synopsis:

Set in Seville, Spain, Carmen is a gypsy who has caught everyone’s eye. A soldier, Don José, plays coy and gives her no attention. Her flirtation causes troubles for both when Don José’s girlfriend, Micaëla arrives. Tensions escalate between the two women and after a knight fight, José must arrest Carmen. When she seduces him it sets off a series of events that will not end well for the gypsy woman.

Leila Drake dances the title role. Ryan Camou dances the role of Don José. Randy Herrera dances the role of the Toreador Escamillo and Cecily Stewart MacDougall dances the role of Micaëla.

There is no charge to watch the performance which will remain available through midnight on April 14th.

CHAMBER MUSIC: Simone Porter and Hsin-I Huang – Soka Performing Arts Center – Now – June 30th

As part of their Signature Encore Series, the Soka Performing Arts Center is making this 2019 concert by violinist Simone Porter and pianist Hsin-I Huang available through June 30th.

Their performance features works by Mozart (Sonata No. 24 in F Major, K. 376); Leoš Janáček (Violin Sonata, JW VII/7); Esa-Pekka Salonen (Lachen Verlent); Ernest Bloch (“Ningun” from Baal Shem); Maurice Ravel (Tzigane) and Sergei Prokofiev (3 pieces from Romeo & Juliet, Op. 64).

This concert is free to watch on both the Soka website and also their YouTube channel.

CLASSICAL MUSIC: The Heart of the Matter – St. Louis Symphony Orchestra – Now – May 8th

Three of the four pieces being performed in this concert by the St. Louis Symphony Orchestra are very well known to classical music fans.

Edward Elgar’s Serenade for Strings; Pyotr Ilyich Tchaikovsky’s Andante cantabile and Giacomo Puccini’s I crisantemi (The Chrysanthemums). The last work was written originally for string quartet, but is rarely heard in that version.

Less known is the first piece on the program: Within Her Arms by composer Anna Clyne.

This work has been compared to Samuel Barber’s Adagio for Strings for the depth of its emotion. It’s a composition that inspired violinist Jennifer Koh to tell the New York Times, “Sometimes things reach you and it’s colorful or intricate or structured in an interesting way or the orchestration is wonderful. But the extraordinary thing about Anna’s music is that it is incredibly moving. And I hadn’t had that reaction for a long time.”

Stéphane Denève leads the SLSO in this performance. Tickets are $15.

MUSICAL: Disenchanted – Stream.Theatre – April 9th – April 11th

Cinderella, The Little mermaid, Pocahontas, The Princess Who Kissed the Frog and Snow White are just some of the princesses who are changing the definition of happily ever after in this musical with book, lyrics and music by Dennis T. Giacino.

Disnenchanted opened off-Broadway in 2014 and was the recipient of numerous nominations including Best New Musical. The production that is streaming this weekend is from England.

The cast or women playing the princesses are Courtney Bowman, Natalie Chua, Allie Daniel, Shanay Holmes, Sophie Isaacs, Aisha Jawando, Grace Mouat, Millie O’Connell, Jenny O’Leary, and Jodie Steele. Tom Jackson Greaves directs.

There are only three performances. The show will be streamed at 2:30 PM EDT/11:30 AM PDT on Friday, Saturday and Sunday. Tickets are £18 (including service charges) which equals almost $25.

OPERA/DANCE: The Seven Deadly Sins and Mahagonny Songspiel – Royal Opera House – April 9th – 2:30 PM EDT/11:30 AM PDT

The Royal Opera House offers its first live broadcast of the year with this double bill of works by Bertolt Brecht and Kurt Weill.

The Seven Deadly Sins is called a ballet chanté. That means it is a sung ballet. The work had its world premiere in Paris in 1933. As you might imagine from the title, each of the seven deadly sins (envy, gluttony, greed, lust, pride, sloth and wrath) is explored through the story of two sisters: Anna I and Anna II. The first Anna (Stephanie Wake-Edwards) is a singer and the second a dancer (Jonadette Carpio).

Also in the company are Tenors Filipe Manu and Egor Zhuravskii; baritone Dominic Sedgwick, and bass Blaise Malaba who are joined by dancer Thomasin Gülgeç.    

This is satire at its best and it was also the last significant collaboration between Brecht and Weill.

Mahagonny Sonspiel premiered in 1927 in Baden-Baden, Germany. A perfect companion piece to The Seven Deadly Sins, Brecht and Weill were offering their opinion on the pursuit of pleasure. Amongst the songs in this work is The Alabama Song which many will know from the version recorded by Jim Morrison and The Doors.

For this performance, mezzo-soprano Kseniia Nkolaieva will sing the role of Bessie.

Choreographer Julia Cheng has kept the streaming experience in mind while creating this production.

Tickets are $11.53. The performance will be available for streaming through May 9th.

COCKTAILS AND CONVERSATION: Virtual Halston – Cast Party Network on YouTube – April 9th – 5:00 PM EDT/2:00 PM PDT

I adore Julia Halston and her Friday soirees have been a staple of my winding down and getting ready for the weekend. So I’m sad that this weekend, her 40th episode, will be her last for the time being.

However, I’m thrilled that she’s going on a hiatus to work on a new theater project.

For this episode Halston will welcome producers Ruby Locknar and Jim Caruso for a look back on those 40 episodes that have featured everyone from Charles Busch to Jane Monheit to Michael Urie and so many more.

The show is free to watch but donations to the Pulmonary Fibrosis Foundation are encouraged.

BROADWAY VOCALS: Lena Hall: Obsessed – April 9th – 7:00 PM EDT/4:00 PM PDT

When Tony Award winner Lena Hall (Hedwig and the Angry Inch) launched her Obsessed series of EPs in 2018, she offered her versions of both well-known songs and deep-tracks of such artists as Beck, David Bowie, Nirvana, Pink, Radiohead, Jack White and more.

Given her voice, it was probably a surprise she didn’t also record the music of Heart – the duo best known for songs like Baracuda, Crazy on You and Magic Man.

But she’s going to be singing their songs in a live concert on Friday night. This video, from a Broadway Sessions performance at the Laurie Beechman Theatre gives you a taste of what she can do with this music (it does contain some profanity):

Does this foreshadow a second Obsessed series? This is a one-time only concert. There will be no streaming if you can’t see it as it happens. And you should. Lena Hall rocks!

Tickets are $20 and $50. The higher-priced VIP tickets allows for interaction with Hall during the concert.

JAZZ: Claudia Villela: The Music of Jobim – SFJAZZ – April 9th – 8:00 PM EDT/5:00 PM PDT

There are certain artists who can use just one name and you know immediately who it is. Brazilian composer Jobim is one of them. (For the record his full name is Antônio Carlos Brasileiro de Almeida Jobim).

Amongst his best-known songs are Corcovado, Desafinado and The Girl from Ipanema.

Singer Claudia Villela will pay tribute to Jobim in this concert from 2019. She is joined by special guest guitarist Chico Pinheiro. Her band includes Celso Alberti on drums and percussion; Gary Brown on bass; Gary Meek on saxophone and flute and Jasnam Daya Singh on piano and keys.

There will be an encore presentation Saturday, April 10th at 1:00 PM EDT/10:00 AM PDT.

This concert is available to digital members of SFJAZZ. Membership is $5 for one month of programs or $60 for one year.

CHAMBER MUSIC: Beethoven Serioso – Los Angeles Chamber Orchestra – Debuts April 9th – 9:30 PM EDT/6:30 PM PDT

As they did with their most recent episode of Close Quarters, the camera moves in and amongst the musicians in this performance of Beethoven’s String Quartet No. 11 in F minor, Op. 95 nicknamed Serioso. The orchestration is by Gustav Mahler. Margaret Batjer leads LACO in this performance.

Given the significance the camera plays in this film, I want to give attention to cinematographer Michael Thomas whose deft work breathes new life into ensemble performance. Visual artist Ken Honjo also contributed to this episode.

If you haven’t checked out this terrific series, all previous videos are available for streaming. There’s no charge to watch Beethoven Serioso or any of the other videos.

DANCE: Awakening – Nai-Ni Chen Dance Company – April 10th – 7:30 PM EDT/4:30 PM PDT

For over 30 years, New Jersey’s Nai-Ni Chen Dance Company has been at the forefront of creating works that express through contemporary dance that long history of the Chinese American cultural tradition.

This program will find the company offering two world premieres (Luminescence and Shadow Force) along with two works from 2019 (Truth Bound and Introspection). The works are united in their exploration of ideas we have all probably faced during the pandemic: identity, information, optimism, outside forces that complicate our lives, truth and more.

Tickets are $10 to watch the performance. If you are a member of the South Orange Performing Arts Center, you can watch for free.

THEATER: From Number to Name – East West Players – April 10th – April 11th

Wednesday afternoon I published an interview with the provocative performance artist Kristina Wong who is helming From Number to Name.

Through a series of interviews and over the course of six-and-a-half weeks, Wong and her collaborators have put together this dramatic show that explores the impact of incarceration on the Asian/Pacific Islander community in America. It is a story filled with shame, regret and finds those who are released from prison rarely having a familial support system to reintegrate into society.

There are two performances of From Number to Name. The first is on Saturday at 10:00 PM EDT/7:00 PM PDT. The second is on Sunday at 5:00 PM EDT/2:00 PM PDT.

Tickets begin at $5 and go up in price based on your ability to include a donation to East West Players.

CHORAL: Amore della Vita, Love of Life – The Verdi Chorus – April 11th – 1:00 PM EDT/10:00 AM PDT

For those clamoring for all things Italian, this weekend’s virtual concert by The Fox Singers from the Verdi Chorus will delight. They will be performing a program of Italian art songs.

Amongst the composers are Ruggero Leoncavallo (best known for his one-act opera Pagliacci), Pietro Mascagni (best known for Cavalleria rusticana), Gioachino Rossini (best known for the theme song to The Lone Ranger*) and Paolo Tosti (best known for his over 50 art songs).

Featured performers in this concert are sopranos Tiffany Ho, Megan Lindsey McDonald and Sarah Salazar; mezzo-soprano Ariana Stultz; and tenors Elias Berezin and Joseph Gárate. Anne Marie Ketchum leads the ensemble with Laraine Ann Madden accompanying.

If this concert (and perhaps Stanley Tucci’s Searching for Italy) makes you hungry, The Verdi Chorus is publishing The Verdi Chorus Pandemic Cookbook. How many of the recipes are Italian, I couldn’t tell you. But if they can cook like they sing…. The book is available for pre-order here.

CABARET: Ali Stroker – Seth Concert Series – April 11th – 3:00 PM EDT/12:00 PM PDT

Ali Stroker won a Tony Award for her performance as Ado Annie in the 2019 revival of Rodgers and Hammerstein’s musical Oklahoma! She became the first performer in a wheelchair to win a Tony Award. (She was paralyzed in an automobile accident when she was two years old.)

This wasn’t her first Broadway performance. She appeared in the 2015 revival of Spring Awakening. This was the Deaf West Theatre production that was first performed at the Wallis Annenberg Center for the Performing Arts.

She is Seth Rudetsky‘s guest for this weekend’s concert and conversation.

I saw Stroker in both shows and she is simply amazing. This will be well worth watching.

In addition to the live concert on Sunday afternoon there will be an encore showing Sunday at 8:00 PM EDT/5:00 PM PDT. Tickets for either showing are $25.

OPERA: Atilla Highlights in Concert – Lyric Opera of Chicago – April 11th – 3:00 PM EDT/12:00 PM PDT

Giuseppe Verdi’s Atilla had its world premiere in Venice in 1846. The opera tells the story of Atilla the Hun (how many other Atillas do you know?) and his ill-fated relationship with Odabella, a prisoner whose father died at the hands of Atilla. Foresto and Ezio, having their own reasons for wanting revenge on Atilla, defer to Odabella who will stop at nothing to see Atilla die.

Atilla is not amongst Verdi’s most popular nor the most commonly-performed. In fact, the Metropolitan Opera only staged Atilla for the first time in 2010. The Lyric Opera of Chicago staged their first production ten years earlier.

On Sunday they will premiere a concert of excerpts from Atilla that will feature bass-baritone Christian Van Horn singing the role of Attila, soprano Tamara Wilson singing Odabella, tenor Matthew Polenzani singing Foresto, and baritone Quinn Kelsey singing Ezio. Pianist William C. Billingham and Jerad Mosbey accompany the singers.

Enrique Mazzola leads the concert which will be available on the Lyric Opera of Chicago’s YouTube channel and Facebook page.

CLASSICAL MUSIC: A Tour of Iran – New West Symphony – April 11th – 6:00 PM EDT/3:00 PM PDT

Michael Christie leads the New West Symphony in a performance of work exploring the influence of Iranian poetry and music on the West. Joining the performance are mezzo-soprano Sasha Cooke and two Iranian instrumentalists: Pejman Hadadi (tombak and dad) and Masoud Rezaei (setar).

The program features a mix of classical works by Mozart (The Magic Flute Overture), Rameau (Suite from Zoroastre), Handel (“Ombra mai fu” from Xerxes) and Gounod(selections from Faust) with works by Iranian composers Khayam (Seven Valleys of Love for Strings), Ranjbaran (Enchanted Garden: Joy) and excerpts from Rezaei’s album Nothingness.

Tickets to stream the concert are $25 per household and will include a post-performance reception with Christie and the guest artists.

CLASSICAL MUSIC/CONTEMPORARY CLASSICAL MUSIC: Jennifer Koh Solo Recital – Shriver Hall Concert Series – April 11th – 5:30 PM EDT/2:30 PM PDT

Violinist Jennifer Koh appears in this very intriguing concert which finds her playing two compositions by Johann Sebastian Bach and peppering the concert with twelve new compositions that she commissioned in 2020 for her Alone Together project.

Bach’s Partita No. 3 and the Sonata No. 3 are sharing space with works by Kati Agócs, Katherine Beach, Hanna Benn, Patrick Castillo, Vijay Iyer, Angelica Negrón, Andrew Norman, Ellen Reid, Darian Donovan Thomas with electronics by Layale Chaker, Ian Chang, George Lewis and Cassie Wieland.

Tickets are $15. The recital will remain available through April 18th.

PLAY: Smokefall – Goodman Theatre – April 12th – April 25th

Critics found themselves searching for superlatives when Noah Haidle’s Smokefall opened in 2013. From the writing to the performances and the production, the acclaim was universal.

In Haidle’s play, Violet is pregnant with twins and anticipating a major shift in her life. What she doesn’t know is that her husband is getting ready to leave her.

Adding to her worries is that her daughter has chosen not to speak and her father is suffering from senility. Just what an expectant mother wants in her life as she’s about to give birth to twins.

Starring in Smokefall are Catherine Combs, Anne Fogarty, Katherine Keberlein, Guy Massey, Mike Nussbaum, Eric Slater. (In case you are wondering, two of the actors play Fetus One and Fetus Two). Directing is Anne Kaufmann.

There’s no charge to stream Smokefall, but you do need to reserve your streaming opportunity.

PLAY READING: Paradise Lost – Red Bull Theater – April 12th – 7:30 PM EDT/4:30 PM PDT

John Milton’s Paradise Lost, an epic poem about temptation and the fall of man seen through the eyes of Adam & Eve and Satan, was probably something you read in college.

It has proven to be catnip for playwrights who want to find a way of putting this extraordinary work on stage.

Enter Michael Barakiva who offered up a 13-hour adaptation in 2013 with Upstart Creatures.

New York’s Red Bull Theater is offering a live reading of the play with the first part on Monday. (I’m betting that the play has been edited since its first presentation eight years ago). The second part will be performed live on Monday, April 26th.

Starring as Satan is Jason Butler Harner. Said Arrika Ekulona is God. The cast includes Stephen Bel Davies, Sheldon Best, Gisela Chípe, Robert Cuccioli, Carol Halstead, Gregory Linington, Daniel José Molina, Sam Morales, Howard Overshown and Cherie Corinne Rice. Barakiva directs.

Tickets are pay what you can. After the initial live performance, the livestream will remain available until 7:00 PM EST/4:00 PM PST the Friday immediately following the live performance.

CABARET AND CONVERSATION: Jim Caruso’s Pajama Cast Party – April 12th – 8:00 PM EDT/5:00 PM PDT

Joining Jim Caruso for this Monday’s Pajama Cast Party are up-and-coming musical theater performer D’Marreon Alexander, Jackie Burns (Wicked), singer Jacob Daniel Cummings and country singers Chase McDaniel and Emily West.

The show is free to watch and if you can’t make it Monday night, the show (and Virtual Halston for that matter) will remain available for streaming on the Cast Party Network on YouTube.

That’s my official list of Best Bets: April 9th – April 12th. But you know I always have a few reminders:

The Metropolitan Opera continues its From Page to Stage series with their 2013-2014 season production of Shostakovich’s The Nose on Friday; their 2007-2008 season production of Gounod’s Roméo et Juliette on Saturday and their 2017-2018 season production of Verdi’s Luisa Miller on Sunday.

Monday the Metropolitan Opera begins a series of operas based on fairy tales called Once Upon a Time. They start with the 2017-2018 of Massenet’s Cendrillon. I’ll have the full line-up for you on Monday.

This is your last weekend to watch Christopher Durang’s Vanya and Sonia and Masha and Spike free on Broadway on Demand. The Lincoln Center Theater production stars Billy Magnussen, Kristine Nielsen, David Hyde Pierce and Sigourney Weaver. If you need a good laugh this weekend, this play will offer you many of them. (Use code VANYAFREE on the BOD website)

Also be sure to check with previous Best Bets to find other options that might still be available. As you can see from this week’s list, there are always shows you can watch well after this weekend is over.

That’s officially a wrap on this week’s Best Bets: April 9th – April 12th. Enjoy your weekend!

Photo: An image from House of Usher (Photo by Cory Weaver/Courtesy San Francisco Opera)

*You don’t think I’m serious do you?

The post Best Bets: April 9th – April 12th appeared first on Cultural Attaché.

Our top pick this week is Heartbeat Opera’s Breathing Free, a powerful 45-minute film that is having its West Coast debut courtesy of The Broad Stage. Opera, spirituals, movement and imagery combine to explore the challenges Black men have of simply breathing without fear. I saw the film last year and can tell you this is easily one of the strongest works you’ll see all year.

If you are a fan of The Supremes and want to catch quite possibly Mary Wilson’s last performance (she passed away earlier this week), you will want to catch A Catalina Soulful Valentine fundraiser on Friday night.

It’s not all dance and topical issues this week, in fact, our first listing might find you mixing your own cocktails. Get your ice out of the freezer, get your cocktail shaker on standby and dig in!

Here are my Best Bets: February 12th – February 15th (we’re including Monday since it’s also a holiday weekend):

PLAY: Dixie’s Happy Hour – Segerstrom Center for the Arts – Now – February 21st

Dixie Longate hosting a happy hour? That will certainly have heavy emphasis on the happy. And probably on the adult side, too. Dixie, though a Southern girl at heart, has a quick wit and is never shy about sharing her thoughts.

With everything that has gone on the world since Dixie was last selling Tupperware locally, I can only imagine what she’ll have to say.

And what drinks she’ll make. I don’t believe Dixie has been in the Alabama slammer, but I bet she knows how to make a fierce one! Actually, she does have a pre-show margarita recipe to share.

There are performances every night through February 21st at 7:00 PM PST. Tickets are $35.

BALLET: Digital Program 02 – San Francisco Ballet – Now – March 3rd $29 for 72 hour access

The world premiere of Colorforms, a new work by Myles Thatcher, is featured in San Francisco Ballet’s Digital Program 02. The work, set to Variations for Vibes, Pianos and Strings by Steve Reich, seeks to illuminate the parallels between the creation and consumption of art. The film, directed by Ezra Hurwitz, was shot in multiple San Francisco locations including the War Memorial Opera House where the San Francisco Ballet regularly performs.

Opening the program is Dwight Rhoden‘s Let’s Begin at the End which features music by Johann Sebastian Bach, Philip Glass and Michael Nyman. The work was created for SF Ballet’s 2018 Unbound and had its debut on April 26th of that year.

Closing out the program is Sandpaper Ballet by Mark Morris with music by Leroy Anderson. The work was created in 1999 for San Francisco Ballet. Composer Anderson is probably best-known for having written the popular holiday song, Sleigh Ride. Sandpaper Ballet was composed in 1954.

Tickets are $29 and allow for 72 hours of streaming.

BALLET: Raymonda Act III – Royal Opera House – Now – March 14th

Marius Petipa’s ballet, Raymonda, had its world premiere in St. Petersburg in 1898 and is set to the music of Alexander Glazunov. In 1948 the Kirov Ballet revived the ballet with new choreography by Konstantin Sergeyev. This latter choreography is the one most commonly used in performances of the ballet.

Ballet star Rudolf Nureyev dance the ballet with the Kirov. He would later stage a full-length version for the Royal Ballet in 1964. Five years later he tweaked the very popular third act. It is that version that will be seen in this film which comes from a 2003 tribute to Nureyev. (The event took place ten years after his death.)

The two acts leading up to the segment being presented depicts the story of two lovers, Raymonda and Jean de Brienne who plan to get married. Unfortunately Abderman shows up at her birthday party and makes his intentions clear. Jean de Brienne does not arrive for one more day. He does arrive just in time (in Act 2) to break up Abderman’s kidnapping attempt of Raymonda. A duel ensues between the two men and Abderman is killed.

So what’s left in Act III? A big celebration. The full ballet isn’t performed as often as is this third act.

Pavel Sorokin conducts with Natalia Osipova as Raymonda and Vadim Muntagirov as Jean de Brienne.

Tickets to stream this performance are £3 which at press time equals approximately $4.15

THEATRE TALK: Virtual Halston – Cast Party Network on YouTube – February 12th – 5:00 PM EST/2:00 PM PST

Fans of the original cast of The Producers will certainly recognize Julie Halston’s guests for this week’s Virtual Halston: Cady Huffman (who originated the role of Ulla and won both the Drama Desk Award and the Tony Award as Best Featured Actress in a Musical) and Brad Oscar (who originated the role of Franz Liebkind). Oscar would later assume the role of Max Bialystock (the role Nathan Lane created) as the show continued its successful run on Broadway.

The two will be reunited on this Friday’s virtual happy hour with Halston. It’s a holiday weekend, your work is being mostly done by remote, why not mix a drink early and join in the fun?

PLAY: Yorick, La Historia de Hamlet – REDCAT – February 12th – February 14th

Hamlet’s soliloquies form the basis for this one-man show created by and starring Chilean actor Francisco Reyes. Yorick, the late court jester in Shakespeare’s play, is the narrator of Yorick, La Historia de Hamlet. Co-creator Simón Reyes wrote the script.

Joining Reyes in the performance are puppets that he manipulates. The puppets were created by Ismael Reyes.

The film is also uniquely lit by only candlelight. Music was composed by Miguel Miranda with songs by Rocío Reyes.

The work is performed in Spanish with English subtitles. There are only three showings of this highly-acclaimed film by Reyes. Friday, February 12th at 8:00 PM EST/5:00 PM PST; Saturday and Sunday at 6:00 PM EST/3:00 PM PST. Tickets range from $8 for students up to $15 for general admission.

JAZZ: SF Jazz Collective – SFJAZZ – February 12th – 8:00 PM EST/5:00 PM PST

This weekend’s Fridays at Five concert celebrates the work of two very influential and different artists: Sly and the Family Stone and Miles Davis. As befitting such groundbreaking artists, this concert runs nearly two hours.

The San Francisco Jazz Collective, an octet, performs music from Stand! and Davis’ In a Silent Way. Both albums were released in 1969.

This concert, from November 2019, celebrates the 50th anniversary of both works. Stand! featured the songs I Want to Take You Higher and Everyday People. Davis was more austere with his recording – it only had two tracks, but ran 38 minutes.

The members of the SF Jazz Collective are bassist Matt Brewer; trumpeter Etienne Charles; drummer Obed Calvaire; vocalist Martin Luther McCoy; guitarist Adam Rogers; tenor saxophonist David Sánchez; pianist Edward Simon and vibraphonist Warren Wolf.

There is also a cameo appearance by Family Stone drummer Greg Errico. 

Tickets are $5 (which includes a one-month digital membership) or $60 (which includes an annual digital membership). This concert will stream just once.

JAZZ/CABARET: A Catalina Soulful Valentine – February 12th – 9:00 PM EST/6:00 PM PST

Los Angeles nightclub, Catalina Jazz Club, has been severely impacted by the pandemic. They are doing everything they can to keep the doors open and amongst them is Friday night’s A Catalina Soulful Valentine.

For weeks they have been touting the appearance of Mary Wilson of The Supremes as one of their performers. Of course, she passed away earlier this week. But, her set was filmed in advance and will be seen in its entirety to both support Catalina Jazz Club and to honor her.

Sally Struthers and singer/musician Mr. Chris Norton serve as hosts. The list of performers includes Lucie Arnaz, Carole J. Bufford, Linda Purl, James Snyder, Nita Whitaker and more.

The show will air on Catalina’s Facebook page and Chris Isaacson Presents’ YouTube channel. There is no charge to watch the concert, but donations are definitely encouraged.

JAZZ: Douglas J. Cuomo’s Seven Limbs featuring Nels Cline and Aizuri Quartet – CAP UCLA – February 12th – 10:00 PM EST/7:00 PM PST

Composer Douglas J. Cuomo’s Seven Limbs was meant to have its world premiere last year. We all know what happened to preclude that. This digital performance of the work had its world premiere earlier this week from The Moss Arts Center at Virginia Tech.

UCLA’s Center for the Art of Performance is making the film available on Friday with on demand opportunities beginning on Sunday for one week.

What is Seven Limbs? It is a 75-minute work for electric guitar and string quartet. Cuomo composed this specifically for the artists who perform it: Wilco guitarist Nels Cline and the Aizuri Quartet.

But what is it? Best to let the composer describe it for you:

“This piece is inspired by an ancient Buddhist purification ceremony called The Seven Limbs. It’s part of a meditation practice I do every day. The practice has lots of words; the piece has none. The feel of this ceremony is what I kept going to as I composed, and then at some point I realized I was setting text without using words. For me Seven Limbs is a dream-like piece; I can look inward to a new terrain and find out what’s there. Stillness, turmoil, suppleness, euphoria, high drama. I wrote it for Nels Cline and the Aizuri Quartet because, for composers, to write for great players is another kind of dream. Together, we offer you our dream, in the hope it makes some connection with you.”

CAP UCLA is making this performance free to view.

OPERA: Save the Boys – Opera Philadelphia – February 12th

Last week our top pick was musician/composer Tyshawn Sorey’s two-night gig at the Village Vanguard. He returns to our Best Bets this weekend with the debut of his twenty-minute song cycle Save the Boys.

Sorey uses Frances Ellen Watkins Harper’s 1887 poem of the same name as the inspiration for this work.

Harper was an Black women’s rights activist and abolitionist.

Performing Save the Boys is the vocalist for whom it was written: countertenor John Holiday. If his name sounds familiar, perhaps you saw him on the most recently concluded season of The Voice. In 2019 I interviewed Holiday. You can read that interview here.

Holiday is accompanied on the piano by Opera Philadelphia’s Grant Loehnig.

Tickets are $10 which allows for a seven-day rental.

OPERA: Cosí fan tutte – San Francisco Opera – February 13th – February 14th

Conducted by Nicola Luisotti; starring Ellie Dehn, Susannah Biller, Marco Vinco, Francesco Demuro and Philippe Sly. This revival of the 2004 John Cox production is from the 2012-2013 season.

Mozart’s Cosí fan tutte had its world premiere in Vienna in 1790. Lorenzo Da Ponte, who wrote the libertti for The Marriage of Figaro and Don Giovanni, wrote the libretto.

Ferrando and Guglielmo are vacationing with their fiancées, Dorabella and Fiordiligi. They are sisters. Don Alfonso challenges the men to a bet revolving around the women and their ability to be faithful. Using disguise, deception and a wicked sense of humor, Mozart’s opera ends happily ever after for one and all.

Joshua Kosman, writing for the San Francisco Chronicle, raved about Sly’s performance as Guglielmo , “In the ensemble cast of six, the standout performance was the precocious and phenomenally assured company debut of Adler Fellow Philippe Sly as Guglielmo. Adler Fellows don’t often get cast at this level, but then again, Adler Fellows this gifted and accomplished are rare indeed.

“Sly’s singing was at once robust and lyrical, with a beautiful range of tonal colors and the ability to combine virility and tenderness in a single phrase.”

CLASSICAL MUSIC: Anna Clyne’s Stride – Detroit Symphony Orchestra – February 13th – 7:30 PM EST/4:30 PM PST

It must be daunting for a composer to have a world premiere or relatively new work precede one of the stalwart compositions in classical music. Such is the status of British composer Anna Clyne who’s Stride will be performed by members of the Detroit Symphony Orchestra prior to their performance of Bach’s Brandenburg Concerto No. 6 in B-flat Major, BWV 1051.

But it is Clyne’s composition that is most interesting about this concert. The Australian Chamber Orchestra commissioned Clyde to write a piece as part of their celebration of the 250th anniversary of Beethoven’s Birth. The Covid-19 pandemic forced the cancellation of many of their performances last year, but they were able to return on November 14th with the world premiere of Stride.

The work weaves themes from Beethoven’s Pathetique Sonata throughout and also includes nods to other composers, most notably Bernard Herrmann (best known for his film scores for director Alfred Hitchcock).

Tickets are $12 to stream the concert.

DANCE: John Henry – Dance Theatre of Harlem on Stage Access – Debuts February 13th – 8:00 PM EST/5:00 PM PST

Dance Theatre of Harlem gave the world premiere performance of Arthur Mitchell’s John Henry on June 28, 1988. Before getting into her review, Anna Kisselgoff of the New York Times reported, “…its premiere at the company’s opening at the City Center Tuesday night roused cheering fans out of their seats during the curtain calls. Mr. Mitchell, the troupe’s founder and artistic director, stayed in the spirit of things by throwing himself into a choreographed clog dance to acknowledge the applause.”

With music by Milton Rosenstock, Dance Theatre of Harlem will make available, via Stage Access, a performance filmed in Denmark at Danmarks Radio. The performance will remain available through February 19th.

Stage Access offers up a 7-day free trial with two subscription options: an annual plan of $69.99 or a monthly plan of $7.99

TOP PICK: OPERA/MOVEMENT: Breathing Free – The Broad Stage – February 13th – 10:00 PM EST/7:00 PM PST

Earlier this week I published an interview with Michael Blakk Powell, a formerly incarcerated man who was a member of the Kuji Mens Chorus at Marion Correctional Institute in Ohio. Through his participation in that chorus, he found himself learning German to perform music from Beethoven’s Fidelio.

One of the two pieces in which that performance can be seen and heard is in Heartbeat Opera’s powerful Breathing Free. This 45-minute film combines movement and opera to explore the challenges Black men in particular face in simply being allowed to breathe freely.

Joining the Beethoven heard in Breathing Free are works by Black composers and lyricists Harry T. Burleigh, Florence Price, Langston Hughes, Anthony Davis and Thulani Davis. The project also uses Negro spirituals.

The cast includes bass-baritone Derrell Acon, tenor Curtis Bannister, soprano Kelly Griffin and dancers Randy Castillo, Tamrin Goldberg, Brian HallowDreamz Henry. Breathing Free was directed by Ethan Heard. Music Direction was by Jacob Ashworth and Daniel Schlosberg (who also did the arrangements of the music from Fidelio).

Tickets prices range from $10 – $75 based on what you can afford to pay. I strongly urge you to consider carving out time on Saturday night to see Breathing Free.

CABARET: Laura Osnes – Seth Rudetsky Concert Series – February 14th – 8:00 PM EST/5:00 PM PST

You have to be a pretty versatile performer to believably portray Cinderella in one musical and Bonnie Parker in another. Add to that the ability to be Nellie Forbush in South Pacific and Sandy in Grease. Broadway star Laura Osnes has done them all.

She received Tony Award nominations for her performances in Rodgers + Hammerstein’s Cinderella and also for Frank Wildhorn’s musical about the outlaws Bonnie and Clyde.

Osnes is Seth Rudetsky’s concert guest this week. In addition to Sunday’s live performance there is an encore presentation February 15th at 3:00 PM EST/12:00 PM PST. Tickets are $25 for either showing.

THEATRE: Justin Hicks’ Use Your Head for More – Baryshikov Arts Center – February 15th – March 1st

Looking at composer/creator/performer Justin Hicks’ website, he describes himself as “a multidisciplinary artist, and performer who uses music and sound to investigate themes of presence, identity, and value.” For this digital world premiere, Hicks has created a performance based on a transcript of a conversation he had with his mother. Use Your Head For More is offered up as a series of audiovisual portraits.

His work runs 30 minutes and was filmed at Hicks’ home in Bronx, New York. Two vocalists, Jasmine Enlow and Jade Hicks, collaborated with Hicks on Use Your Head for More.

There is no charge to watch Use Your Heard for More.

For those interesting in digging further into the project, there will be a live-streamed conversation between Hicks and Meshell Ndegeocello on February 24th at 8:00 PM EST/5:00 PM PST. You must register to watch the conversation. Registration for that opens up on February 15th.

CABARET/OPERA/JAZZ: Jim Caruso’s Pajama Cast Party – February 15th – 8:00 PM EST/5:00 PM PST

It’s sad that we don’t often have Monday listings, because Pajama Cast Party would be on the list every week. Which means you need to check out Jim Caruso and his fabulous guests. This week they include opera star Zachary James, jazz singer/songwriter Lauren Kinhan, actress/singer Avery Sommers and comedian Gianmarco Soresi. They will share stories, songs, jokes and more during the show.

Cast Party is a weekly ritual for New Yorkers and it takes place at Birdland. This is a modified version, but no less entertaining – just less physically tangible. It’s also the 45th episode Caruso has done…so far. No doubt he’d love to be back at Birdland as much as the rest of us would!

That’s the complete list of my Best Bets: February 12th – February 15th. But you know I’ve got a few reminders for you as well!

Pianist Richard Goode performs works of Bach and Claude Debussy on Saturday in a performance from New York’s 92nd Street Y.

The Metropolitan Opera concludes their second week of Black History Month with performances of Akhnaten by Philip Glass on Friday (strongly recommended); Berlioz’s Les Troyens on Saturday and Wagner’s Die Walküre on Sunday. Plus here’s an early preview of Week 49 at the Met. They will be celebrating Franco Zeffirelli and launch the week with the 2007-2008 season production of Puccini’s La Bohème.

This week’s episode of In Concert at the Hollywood Bowl is called Música sin Fronteras (Music without Borders) and concludes the Los Angeles Philharmonic’s series on PBS. (Check your local listings).

The films.dance festival continues with this week’s Pássaro Distante. They debut a new film, and one of my favorites, Match on Monday, February 15th.

That ends all my Best Bets: February 12th – February 15th. There’s culture to enjoy with the family; culture to enjoy with that special someone and certainly great options for those going solo this year. Whatever you choose, be safe and have a wonderful weekend.

Main Photo: An image from Breathing Free (Courtesy The Broad Stage)

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Music seems to be the best way to express holiday cheer (in a year when we truly need it) and multiple venues are using music to do just that. Fans of plays do not fear, we have a few options for you and there’s also a preview of a musical-in-development that was 10,000 years in the making.

Here are my Best Bets at Home: December 18th – December 20th:

MUSICAL: Iceboy! – PlayhouseLive – Now Available

As part of their original programming, Pasadena Playhouse’s PlayhouseLive offers a look into a musical in development called Iceboy!

Them musical tells the story of a Broadway star, Vera Vimm, who adopts a 10,000 year old Neanderthal, IceBoy. After being thawed out he becomes a fast-rising star whose popularity and fame begins to eclipse Vimm’s career.

Megan Mullally (Young Frankenstein) plays Vimm; Adam Devine plays Iceboy. Nick Offerman (Annapurna) and Laura Bell Bundy (Legally Blonde) are also in this preview. Three-time Tony nominee Kevin Chamberlin directs.

IceBoy! was written by by Mark Hollmann (Tony Award-winner for Urinetown), Erin Quinn Purcell (Duet!) and Jay Reiss (The 25th Annual Putnam County Spelling Bee). This 22-1/2 minute preview features four songs from the musical.

This is free to view, but you do need to register at PlayhouseLive.

MAGIC/PLAY: Elephant Room: Dust from the Stars – Center Theatre Group Digital Stage – Now – December 20th

Some show are just so out there that you have two choices: you go with it or you resist. According to the New York Times, it might be futile to resist the charms of Elephant Room: Dust from the Stars.

Elisabeth Vincentelli, writing for the paper, said, “The show, part of the Fringe Festival in Philadelphia, packs a lot in just over an hour and is the most resourceful, gleefully entertaining new theater piece I have seen during the pandemic. Yes, it all happens on Zoom. Yes, there are tricks, some of them involving the audience. And yes, it’s possible to laugh alone in front of your computer.”

That’s good information to have because the video about the show might leave you scratching your head (or thinking you’ve wandered into magic-meets-Spinal Tap):

Perhaps you have. This meta-show, which appears to be taking place in our present-day world, will hopefully explain just what the meta is for.

Tickets are $10 for non-members/free for members. Performances take place on Friday, December 18th at 7:00 PM PST; Saturday, December 19th and Sunday, December 20th at 1:00 PM PST and 7:00 PM PST.

INTERNATIONAL HOLIDAY MUSIC: Nochebuena en Casa – The Soraya – December 18th – 8:00 PM EST/5:00 PM PST

Acclaimed writer/director/producer Dan Guerrero is your host for this at-home version of The Soraya’s annual holiday concert.

The artists performing include Ballet Folklórico de Los Ángeles, Aida Cuevas, Mariachi Garibaldi de Jaime Cuéllar, Suzanna Guzmán and José “Pepe” Martínez Jr. with Susie García. Some of them will welcome you into their homes for their performances, others were filmed safely on the stage at The Soraya.

There is no cost to watch this festive show which begins streaming on Friday, December 18th at 5:00 PM PST.

JAZZ: Kenny Barron: Quartets – Village Vanguard – December 18th – December 19th – 8:00 PM EST/5:00 PM PST

When Dizzy Gillespie and Stan Getz needed a pianist they turned to Kenny Barron. The eleven-time Grammy Award nominee, who has recorded with more artists than this page can hold, has two performances this weekend from New York’s Village Vanguard.

He is performing in quartet formation, but the two performances will feauture slightly, but significantly, different line-ups.

At the core of both performances will be Kiyoshi Kitagawa on bass and Jonathan Blake on drum. Rounding out the quartet on Friday will be vibraphonist Steve Nelson (who appeared on Barron’s 1982 recording Golden Lotus). For Saturday’s performance saxophonist Immanuel Wilkins joins Barron. Omega, by Wilkins, was named Best Jazz Album of 2020 by the New York Times.

Tickets for each concert are $10.

GOSPEL MUSIC: Blind Boys of Alabama Holiday Show – SFJAZZ – December 18th – 8:00 PM EST/5:00 PM PST

This week’s Fridays at Five concert from SFJAZZ is a bit of a departure from their regular jazz programming, but the concert being shown is an annual holiday tradition at the venue.

Blind Boys of Alabama will perform a concert of gospel and holiday music as only they can. If you’ve never heard them, you should. They are terrific.

The five-time Grammy Award-winning ensemble perform in this concert from 2018. They have recorded two Christmas albums: the 2003 Christmas release, Go Tell It on the Mountain, and their 2014 Talkin’ Christmas, which was a collaboration with blues great Taj Mahal.

The concert will stream only once at the allotted time. To view the Fridays at Five concerts you need either a monthly membership ($5) or an annual membership ($60).

PLAY READING: A Christmas Carol – Primary Stages – December 18th – December 22nd

Pulitzer Prize finalist Theresa Rebeck has co-written (with Erin Daley) a new version of Charles Dickens’ A Christmas Carol which will have a live-reading on Friday, December 18th as a fundraiser for New York’s Primary Stages and their programming aimed at younger audiences.

Starring as Scrooge is four-time Tony-nominated actor Raúl Esparza (Speed-the-Plow; Company).

Joining him are Mary Bacon (Rock ‘n’ Roll), Abadi Bacon Leynse, Kimberly Chatterjee (Life Sucks), W. Tré Davis (Seared), David Mason (Seared), Krysta Rodriguez (Spring Awakening) and Matthew Saldivar (Bernhardt/Hamlet). Rebeck is directing the reading.

The Friday, December 18th, performance is live at 8:00 PM EST/5:00 PM PST. Tickets for the live reading are $100. Beginning December 19th, and through December 22nd, the reading will be available for free viewing.

CLASSICAL MUSIC: Bach’s Brandenburg 5 – Los Angeles Chamber Orchestra – December 18th – 9:30 PM EST/6:30 PM PST

Los Angeles Chamber Orchestra continues their Close Quarters series with this concert that features Johann Sebastian Bach’s Brandenburg Concerto No. 5 in D Major and Claude Debussy’s Syrinx.

Music Director Jaime Martín will perform Syrinx which is a brief work by the French composer for solo flute.

Featured musicians performing the Bach will be Martín on flute; Conductor Laureate Jeffrey Kahane on fortepiano and Tereza Stanislav on violin.

Joining them will be Margaret Batjer, Susan Rishik and Josefina Vergara on violin; Erik Rynearson and Robert Brophy on viola; Andrew Shulman and Armen Ksajikian on cello and David Grossman on bass.

This series involves newly-created visuals to accompany each performance. This fourth episode of the Close Quarters series features the art of Ardeshir Tabrizi.

The concert is free and can be watched on the LA Chamber Orchestra website, their YouTube channel or their Facebook page.

JAZZ: Cyrus Chestnut & Dezron Douglas – MEZZROW – December 19th – 5:00 PM EST/2:00 PM PST and 7:00 PM EST/4:00 PM PST

Jazz pianist and bassist Dezron Douglas team up for two shows from New York’s Mezzrow. They last performed together at sister club Small’s in July. (You can watch that and many other archived videos from Smalls and Mezzrow with a membership.)

Chestnut has released 34 records. He and Douglas have recorded together since 2007’s Cyrus Plays Elvis. They have five other recordings together. Douglas, amongst his many performances, appears in Beyonce’s Homecoming.

I’m a fan of both musicians. Though somewhat crudely filmed, you always get great music from these performances live at Small’s and Mezzrow.

There is no charge to watch the concert. However, those who have the means can purchase tax-deductible “reservations” for $50 for each set.

JAZZ: Big Band Holidays – Jazz at Lincoln Center – December 19th – December 26th

Every year Jazz at Lincoln Center celebrates the holidays with a big band concert filled with seasonal songs. This year is no exception, but it will be virtual instead of live.

Wynton Marsalis leads the Jazz at Lincoln Center Orchestra in the concert. Special guests include Rubén Baldes, Kurt Elling, Ashley Pezzotti and Catherine Russell.

Premieres at 7:00 PM EST/4:00 PM PST on December 19th and will remain available for streaming through December 26th. Tickets are $25 for non-members; $20 for members.

PLAY: Interviewing Miss Davis – Fountain Theatre – December 19th – 8:00 PM EST/5:00 PM PST

I’m sure I don’t have to tell you who Miss Davis is. (Okay, I will.) Bette Davis, of course. This play by Laura Maria Censabella is based on her experiences.

Just after leaving college with dreams of being a writer, she gets a job interview with the screen legend to be her assistant. Would this job be a fast track to her dreams or sideline her aspirations?

And what of her possible new employer? A woman who famously said, “In this business until you’re known as a monster, you’re not a star.”

Karen Kondazian plays Davis in this reading. Wonjung Kim plays the woman being interviewed and Aleisha Force is the longtime assistant who is leaving Davis.

There is no charge to watch Interviewing Miss Davis. There will be a Hollywood holiday theme party along with the reading.

FILMED RADIO PLAY: It’s a Wonderful Life – Laguna Playhouse – December 19th – January 1st

Who doesn’t watch It’s a Wonderful Life during the holidays? Well, even if you are one of those who doesn’t consider the play a seasonal tradition, you might want to check out this version from the Laguna Playhouse.

Nick Cearley and Lauren Molina, who are known together as The Skivvies, have filmed a radio play version that has been adapted by Joe Landry to suit their talents. Since The Skivvies usually perform in their underwear, I’m not sure I can guarantee which talents Landry is relying on.

One thing that does serve as a foundation for his work is the screenplay from the original Frank Capra movie written by Frances Goodrich, Albert Hackett, Capra and Jo Swerling.

For the uninitiated, It’s a Wonderful Life tells the story of George Bailey. He’s suicidal and it’s only because of the intervention of his guardian angel, Clarence, that Bailey learns just how valuable his life has always been. The film starred Jimmy Stewart and features the classic line, “every time a bell rings an angel gets his wings.”

Maybe in this version every time a bell rings a cast member removes an article of clothing.

Tickets are $20.

VOCALS CONCERT: Audra Mae: Songs of Joy and Peace with Dylan Meek – The Sorting Room at The Wallis – December 19th – 11:00 PM EST/8:00 PM PST

Christina Aguilera, Avicii, Kelly Clarkson, Celine Dion and Miranda Lambert are just some of the performers who have recorded songs written/co-written by Audra Mae. The singer-songwriter, who happens to be the great great niece of Judy Garland, is also a singer with multiple albums of her own.

She performs a concert of holidays songs and is joined by Dylan Meek, a singer/jazz pianist who was mentored by Johnny O’Neal. The concert is part of The Sorting Room series from The Wallis in Beverly Hills and is produced in conjunction with For the Record Live.

Mae has two special guests joining for the show: Darren Criss and Tracie Thoms.

Tickets are $25 and will allow for streaming for 24 hours from the start time.

BROADWAY VOCALS: Adam Pascal with Seth Rudetsky – December 20th – 8:00 PM EST/5:00 PM PST

Broadway fans, and particularly Rent-heads, know Adam Pascal from his role as Roger in the original production of Jonathan Larson’s Rent. His other Broadway credits include the Elton John and Tim Rice musical, Aida, Cabaret, Chicago, Memphis, Something Rotten! and most recently, Pretty Woman.

He’s Seth Rudetsky‘s guest for this week’s concert and conversation. Pascal knows Rudetsky well. He appeared in his musical, Disaster!

This replaces the concert with Pascal that was originally scheduled for November.

If Sunday’s live stream doesn’t work for you, they will re-stream the concert on Monday, December 21st at 3:00 PM EST/12:00 PM PST.

Tickets are $25.

Those are my Best Bets at Home: December 18th – December 20th. Stay safe. Stay healthy. Enjoy your weekend. Happy Holidays!

Photo: Jesse Vargas and Megan Mullally in Iceboy (Photo by Jeff Lorch/Courtesy Pasadena Playhouse)

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This weekend’s Best Bets include traditional ballet and hip-hop dance; a celebration of one of America’s greatest playwrights; an opera legend in concert; a production of an opera by Stravinsky; a chamber music concert from Carnegie Hall; one of Broadway’s most provocative events and a live concert with a Broadway star who knows his way around roller skates.

Here are your Best Bets at Home: July 31st – August 2nd:

The Sleeping Beauty – Royal Ballet – Now – August 6th

Fourteen years ago, the Royal Ballet dusted off their 1946 original staging of Sleeping Beauty. While the costumes and designs by Oliver Messel remained in tact, they combined the choreography of Marius Petipa from the 19th century with new sections created by Frederick Ashton, Anthony Dowell and Christopher Wheeldon.

The music of Pyotr Ilyich Tchaikovsky remains front and center as does the story of a young girl, Aurora, who has a curse placed on her. On her 16th birthday she will prick her finger on a spindle and die. The Lilac Fairy can’t reverse the curse, but she does create an opposing spell that spares Aurora from death, but she will remain asleep until a handsome prince kisses her.

Fumi Kaneko dances the role of Aurora. Kristen McNally dances the role of Carabosse who puts the curse on the girl. The Lilac Fairy is danced by Gina Storm Jensen. The Prince is danced by Federico Bonelli.

The Kindness of Strangers – TennesseeWilliams.net – July 31st – August 14

When the 2020 Tennessee Williams & New Orleans Literary Festival had to be cancelled, actor Bryan Batt (Mad Men) suggested rounding up long-time participants in the festival and taking it online. The result is Friday’s The Kindness of Strangers. The event takes place live on Friday, July 31st at 8:00 PM EDT/5:00 PM PDT. It will remain available online for free through August 14th.

If you need me to tell you the source of the event’s title, perhaps The Kindness of Strangers isn’t for you. But for a quick refresher course on Williams, he is the playwright who gave us The Glass Menagerie, Summer and Smoke, The Rose Tattoo, Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer, Sweet Bird of Youth, The Night of the Iguana and, of course, A Streetcar Named Desire.

The festival was launched in 1986, so they have a length list of participants and many of them are joining for The Kindness of Strangers.

Batt will serves as the host. The scheduled performers includes: Samantha Beaulieu, Troi Bechet, Curtis Billings, Betty Buckley (Camino Real), Leslie Castay, Michael Cerveris, Patricia Clarkson, Patrick Cragin, Brenda  Currin, Lisa  D’Amour, Arsène DeLay, Gwendolyne Foxworth, Alison Fraser, Lawrence Henry Gobble, John Goodman (who was a terrific “Big Daddy” in Cat on a Hot Tin Roof at the Geffen Playhouse), Rodney Hicks, Kenneth  Holditch, Corey Johnson, Idella Johnson, Peggy Scott Laborde, Donald Lewis, Ti Martin, Elizabeth McCoy, Jessica Mixon, Whitney Mixon, Wendell Pierce (who gives a great performance in the film Clemency), Francine Segal, Janet  Shea, Harry Shearer, Carol Sutton, Beverly Trask, Kathleen Turner (Cat on a Hot Tin Roof), Cassie Worley, and Jake Wynne-Wilson.

The Kindness of Strangers is free to watch, but donations are encouraged.

Janine Jansen and Jean-Yves Thibaudet play Grieg, Debussy, and Chausson – Medici.tv – Now – August 2nd

This week’s Carnegie Hall concert made available on Medici.tv finds violinist Janine Jansen and pianist Jean-Yves Thibaudet performing a chamber musical recital from 2018. They are joined by the Dover Quartet for performances of music by Edvard Grieg, Claude Debussy and Ernest Chausson.

The program offers Debussy’s Sonata for Violin and Piano in G Minor; Grieg’s Violin Sonata No. 2 in G Major and Chausson’s Concert for Violin, Piano and String Quartet in D Major.

This concert was part of Carnegie Hall’s Perspectives series which allows an artist to program a series of concerts. This was the next-to-last of Jansen’s series.

Zoo Nation: The Mad Hatter’s Tea Party – Royal Ballet – July 31st

Hip-hop meets Lewis Carroll in this adaptation inspired by the author’s Alice’s Adventures in Wonderland.

Zoo Nation/The Kate Prince Company was commissioned to put this dance piece together by The Royal Ballet to accompany Christopher Wheeldon’s full-length ballet named after Carroll’s book.

The Mad Hatter’s Tea Party centers around a young psychotherapist in his first job at the Institute for Extremely Normal Behaviour. His patients are all familiar characters to fans of this book: the March Hare, the Mad Hatter, Tweedledum and Tweedledee and the Queen of Hearts. He hopes his PhD in normalization will help him understand his patients better. Perhaps there isn’t anything to understand beyond that normal may not be all it is cracked up to be.

Kate Prince directed and choreographed the show. Music is by Josh Cohen and DJ Walde with all three creators collaborating on the lyrics.

Zoë Anderson from the The Independent in London said of the show, “Prince blends big group numbers with explosive solos. The whole company is strong, with dazzling turns by some of its best regular performers.”

Renée Fleming in Concert – Metropolitan Opera – August 1st – 1:00 PM EDT/10:00 AM PDT

As part of the Metropolitan Opera’s ongoing series of Met Stars Live in Concert, Renée Fleming will be accompanied by pianist Robert Ainsley for a live recital from Washington, D.C.’s Dumbarton Oaks.

Lyric soprano Fleming is amongst the most popular opera singers in the world.

A graduate of Juilliard, she won the Metropolitan Opera Auditions in 1988. That same year she made her debut with the Houston Grand Opera Company in The Marriage of Figaro. She sang the role of The Countess. Three years later she made her Metropolitan Opera debut in the same opera and the rest is history.

She is a 17-time Grammy Award nominee with four wins. She’s a fierce advocate for the study of health and music and how they are intertwined. Fleming is also passionate about education. She can be found on Broadway (the most recent revival of Carousel) and has collaborated with a wide range of artists including Joe Jackson, Elvis Costello, Brad Mehldau and more.

The recital is scheduled to include works by Handel (Semele), Massenet (Manon), Richard Strauss (Der Rosenkavalier), Korngold (Die Tote Stadt), Cilea (Adriana Lecouvreur), Puccini (Giannia Schicchi) along with a folk song by Joseph Canteloube and a little nod to Hollywood with Over the Rainbow from The Wizard Oz by Harold Arlen and Yip Harburg.

Tickets to watch the concert are $20. With your ticket you will be able to watch the performance live and have access to it for 12 days.

Broadway Bares: Zoom In – Broadway Cares/Equity Fights AIDS – August 1st – 9:30 PM EDT/6:30 PM PDT

One of the most popular annual events in the Broadway community is a burlesque show called Broadway Bares. Director/choreographer Jerry Mitchell created the event to raise money for Broadway Cares/Equity Fights AIDS.

Broadway Bares finds Broadway dancers performing uniquely choreographed routines that all gradually peel away their clothes.

Nobody appears fully nude in show, as per the truest tradition of burlesque. Men and women perform the numbers which are choreographed by some of the Broadway community’s best.

This is always one of the toughest tickets to get in New York. But this year, we’re all invited. Broadway Bares: Zoom In takes place on Saturday and will feature newly created pieces filmed/performed adhering to social distancing guidelines, plus there will be films of classic routines from the nearly 30-year history of the event.

There is no charge to watch the event, but donations are encouraged.

The Rake’s Progress – Glyndebourne – August 2nd – August 9th

Igor Stravinsky’s opera had its world premiere in Venice in 1951. Poet W. H. Auden and poet/librettist Chester Kallman wrote the libretto. All three were inspired by artist William Hogarth’s paintings from the 1730s – a series entitled A Rake’s Progress.

The opera traces the fall of Tom Rakewell. When he encounters Nick Shadow, he leaves behind Anne Truelove. Shadow and Rakewell soak up all that London has to offer.

But Rakewell is unaware that Shadow is actually the Devil. One series of events leads to another and our protagonist finds himself in a mental word.

In this 2010 production from Glyndebourne, Topi Lehtipuu sings the role of Rakewell. Matthew Rose sings Shadow and Miah Persson sings the role of Truelove.

This is a revival of John Cox’s 1975 production that was designed by artist David Hockney. Vladimir Jurowski lead the London Philharmonic Orchestra.

Tim Ashley, writing for The Guardian, said of this revival, “Designed by David Hockney and directed by John Cox, Glyndebourne’s production of The Rake’s Progress dates from 1975 and is still widely regarded as the benchmark staging of Stravinsky’s great, if difficult, opera.

“Hockney’s designs mediate between the 18th century and the 20th, just as the score self-consciously shuttles between Mozartian models and modernism. Cox’s understanding, meanwhile, of when to keep us detached and when to let emotions through remains wonderfully acute.”

Cheyenne Jackson with Seth Rudetsky – BroadwayWorld.com – August 2nd – 8:00 PM EDT/5:00 PM PDT

If you only know Cheyenne Jackson from his roles on Glee or American Horror Story, there’s much more than that to him. For it is Broadway where he truly rose to fame.

Jackson made his Broadway debut as a replacement in the musical Aida. He was also a replacement in Thoroughly Modern Millie.

Audiences started taking serious notice when he starred in the musical All Shook Up in 2005. The stage musical Xanadu was next in 2007 (which showcased his roller skating abilities). He starred alongside Kate Baldwin in the wonderful 2009 revival of Finian’s Rainbow. His most recent show was The Performers in 2012.

Jackson joins music director/composer/pianist and Broadway expert Seth Rudetsky for his weekly Online Seth Concert Series. The show will be a combination of conversation and song. Sunday’s performance will be live. If you can’t watch the show live, there is an encore showing on Monday, August 3rd at 3:00 PM EDT/12:00 PM PDT.

Tickets are $20 for either performance.

As you can see, this week’s Best Bets at Home: July 31st – August 2nd is a short but sweet list. But I have a few reminders before we go:

This weekend’s opera productions from the Metropolitan Opera are Dvořák’s Rusalka on Friday; Verdi’s Ernani on Saturday and Wagner’s Die Walküre on Sunday.

SF Jazz continues their multi-part Wayne Shorter Celebration on Fridays at Five with Branford Marsalis and Terence Blanchard on Friday at 8:00 PM EDT/5:00 PM PDT.

The Fred Hirsch Trio will perform live sets from the Village Vanguard on Friday and Saturday at 9:00 PM EDT/6:00 PM PDT.

The Julius Rodriguez Trio performs live from Smalls on Sunday at 7:45 PM EDT/4:45 PM PDT.

I hope you enjoy this weekend’s Best Bets at Home: July 31st – August 2nd. Stay safe and healthy!

Photo: Artwork from the Tennessee Williams & New Orleans Literary Festival 2020 Cover/Courtesy of the Festival

The post Culture Best Bets at Home: July 31st – August 2nd appeared first on Cultural Attaché.

What can you watch this weekend? Musicals old and new; an innovative approach to live performance of a play; three classical music concerts; two operas and one opera recital; a dance film festival where every film was shot with mobile devices plus a revival of a classic work of dance from the 1970s.

If that isn’t enough, we’ll remind you of two jazz concerts, three more operas and a marathon audio stream of Richard Wagner’s Ring Cycle.

To access any of the on-line events, click on the title of the individual event you want to see.

So what will you watch? Here are this weekend’s Best Bets at Home: July 24th – July 26th:

She Loves Me – PBS Great Performances – July 24th (check local listings)

Roundabout Theatre Company’s 2016 revival of She Loves Me was one of the most enjoyable musical productions of that season. This weekend PBS is airing a film of that production which starred Laura Benanti, Gavin Creel, Byron Jennings, Jane Krakowski and Zachary Levi.

The musical was written by composer Jerry Bock with lyricist Sheldon Harnick (Fiddler on the Roof) and book writer Joe Masteroff (Cabaret). It is based on the book Parfumerie by Miklós László and tells the story of two people who have a truly antagonistic relationship at work, but don’t know they are the anonymous pen pals who are falling in love through the letters they write each other. Sound familiar? Perhaps you’ve seen The Shop Around the Corner or You’ve Got Mail.

This production (the second revival of the show) was directed by Scott Ellis with choreography by Warren Carlyle. I cannot recommend it enough. This was truly a wonderful production. See it!

The Weir – Irish Repertory Theatre – July 24th – July 25th

New York’s Irish Rep has had great success with Conor McPherson’s The Weir. Their 2013 production was nominated for Best Outstanding Revival at the Lucille Lortel Awards. The run of the show was so successful that they revived it again two years later. Now comes a version specifically designed for our pandemic age.

The play is set in a pub in Ireland. The bartender is sharing ghost stories with two regulars. They also discuss an imminent new arrival, a woman named Valerie who is renting a nearby house with the help of another former local, Finbar. Over the course of the play, with the men vying for her attention, the stories get more intense and some, deeply personal.

Dan Butler, Sean Gormley, John Keating, Tim Ruddy, and Amanda Quaid star in this new version directed by Ciarán O’Reilly – completed with all social distancing required to keep everyone safe. Critics have raved about how innovative this particular production is.

You must make a reservation to see one of the performances at least two hours in advance in order to get a link to watch The Weir. Performances are Friday, July 24th at 8:00 PM EDT/5:00 PM PDT and Saturday, July 25th at 3:00 PM EDT/12:00 PM PDT. Tickets have a suggested donation price of $25.

Broadbend, Arkansas – Transport Group Theatre – Now – August 16th

Broadbend, Arkansas is a timely musical from 2019 that tells the story of a woman whose father was killed during a routine traffic stop by a police officer when she was a child. Three decades later she is now coming to grips with another attack by a police officer, this time on her teenage son.

Justin Cunningham and Danyel Fulton star in this musical which features a libretto by Ellen Fitzhugh and Harrison David Rivers. The music was written by Ted Shen, who also wrote additional lyrics. This is a film from the 2019 production.

The show was described as “jazz-infused” and paying “homage to Stephen Sondheim” by Laura Collins-Hughes in her New York Times review.

There is no fee to stream the musical. However, Transport Theatre Group is encouraging donations to the Black Theatre Network.

Orchestre National de France at Carnegie Hall – Medici.tv – July 24th – July 26th

This week’s Carnegie Hall Fridays concert on Medici.tv comes from a January 2016 performance by the Orchestra National de France. Under the direction of conductor Daniele Gatti, this concert features works by composers from the 19th and 20th century. Joining the orchestra for this performance was violinist Julian Rachlin.

The program opens with the Prelude to Act III of Richard Wagner’s The Mastersingers of Nuremberg. This was performed in tribute to conductor Kurt Masur who had passed away one month prior to this concert. One aspect of Masur’s legacy was serving as Music Director of the New York Philharmonic from 1991-2002. He was named Music Director Emeritus after stepping down in 2002.

The rest of this concert features Claude Debussy’s Prélude à l’après-midi d’un faune and Dmitri Shostakovich’s Violin Concerto No. 1 in A Minor featuring Rachlin. He continues with an encore of Eugène Ysaÿe’s Sonata for Solo Violin in D Minor.

After Rachlin’s encore the orchestra performs Tchaikovsky’s Symphony No. 5 in E Minor and performs the Prélude to Gabriel Fauré’s Pelléas et Mélisande, Suite for Orchestra.

If you regularly read this column you know that Medici.tv and Carnegie Hall make these concerts available for free viewing over the weekend. However, you do need to sign up with an e-mail to access the film.

Faust – Royal Opera House – Now – July 29th

Charles Gounod’s Faust had its world premiere in Paris in 1859. The libretto was written by Jules Barbier and Michel Carré who used both Carré’s play Faust et Marguerite and Johann Wolfgang von Goethe’s Faust, Part One as inspiration.

This oft-told story is about a man who sacrifices his soul to the devil, Méphistophélès, in order to maintain his youth and the love of Marguerite.

But you know what happens when you make a deal with the devil…it’s not going to end well.

This 2019 revival of David McVicar’s 2004 production stars Michael Fabiano as Faust, Erwin Schrott as Méphistophélès and Irina Lungu as Marguerite. Dan Ettinger conducts the Orchestra of the Royal Opera House and the Royal Opera Chorus.

This opera has five acts and runs nearly three-and-a-half hours, but reviews for this revival were very positive. 

50 Years of Mostly Mozart – Lincoln Center at Home – July 24th

In 1966 Lincoln Center launched their Mostly Mozart Festival. The original mandate was to exclusively celebrate the work of Wolfgang Amadeus Mozart. Over the years they have expanded that mandate to include composers who influenced Mozart, who were his contemporaries and later composers who were influenced by him.

This concert from 2016 features Mozart’s first and last symphonies.

Symphony No. 1 in E-Flat Major was written when Mozart was just eight years old. His final symphony is nicknamed Jupiter Symphony and is formally known as the Symphony No. 41 in C Major.

Music Director Louis Langré leads the Mostly Mozart Festival Orchestra in this performance. Pianist Richard Goode joins the orchestra for a performance of Mozart’s Piano Concert No. 12 in A Major.

Los Angeles Chamber Orchestra Summerfest Concert #2 – Los Angeles Chamber Orchestra – July 25th – 8:00 PM EDT/5:00 PM PDT

This second of Los Angeles Chamber Orchestra’s newly filmed concerts features Joshua Ranz, the orchestra’s principal clarinetist. Each concert in their Summerfest series was filmed practicing social distancing behavior on the stage of Zipper Hall at the Colburn School.

The centerpiece of this second concert will be Mozart’s Clarinet Quintet.

Written in 1789, this is the composer’s only finished clarinet quintet. The work calls for two violins, a viola and cello in addition to the clarinet.

Joining Ranz in this performance are Tereza Stanislav and Cheryl Norman-Brick on violin; Robert Brophy on viola and Andrew Shulman on cello.

The concert will open with a performance of Florence Price’s Adoration. Ranz arranged her composition for Clarinet and String Quartet. You can read about Price in our preview of LACO’s first concert in this series here.

If you are unable to watch the performance as it debuts, it will be archived at LACO’s website.

The Makropulos Case – SF Opera – July 25th – July 26th

Czech composer Leoš Janáček wrote this opera between 1923-1925. It was his penultimate opera. He also wrote the libretto which was based on Karel Čapek’s play Věc Makropulos. The opera had its world premiere in Brno in late 1926.

The story is rather convoluted in The Makropulos Case.

It involves a nearly century-long lawsuit, a missing will, an opera singer admired by many men, a bastard son, allegations of forgery, suicide and a life-extending potion.

San Francisco Opera gave the American premiere of this opera in 1966. This production, directed by Olivier Tambosi, is from 2010 with Jiří Bělohlávek conducting. The cast includes Thomas Glenn, Miro Dvorsky, Susannah Biller and Karita Matilla.

Reviews were overwhelmingly positive for this production and all singled out Matilla who made her role debut in this production.

Mobile Dance Film Festival – 92Y Harkness Dance Center – July 25th – August 31

This is the third year of the 92Y Harkness Dance Center’s Mobile Dance Film Festival. All of the films showcased in the festival were shot on mobile devices.

Films from Europe (Germany, Hungary, Italy); South America (Brazil, Uruguay); Asia (Indonesia, Japan) plus Russia, Australia and Papau New Guinea are included with American entries.

Some of the films in the festival are part of a Quarantine Screen section which features films made during the Covid-19 pandemic. There is also the first-ever documentary film. Bent But Not Broken is a film that looks at dancers with scoliosis.

You need to register to access the Mobile Dance Film Festival and there is a $5 fee for doing so. That will give you full access to four hours of programming from July 25th through August 31st.

Lawrence Brownlee and Friends – Lyric Opera of Chicago’s Facebook Page – July 26th 7:00 PM EDT/4:00 PM PDT

Opera singer Lawrence Brownlee has assembled a talented group of friends for this live concert on Sunday. The tenor, who made his Metropolitan Opera debut in a 2007 production of Rossini’s Il Barbiere di Siviglia, will be joined by alumni from Lyric Opera of Chicago’s Ryan Opera Center.

They include soprano Whitney Morrison, mezzo-soprano J’Nai Bridges and baritone Will Liverman. Three current students at the Center will also participate. Craig Terry, Chris Reynolds and members of the Lyric Opera Orchestra will also perform from their homes.

The purpose of this concert is to celebrate Black artistry. Not only is Brownlee performing, he is also the artistic advisor of this concert.

Lawrence Brownlee and Friends will stream live on Lyric’s YouTube and Facebook channels.

Dougla – Dance Theatre of Harlem YouTube Page – July 26th

For those of a certain age, Geoffrey Holder is known for directing the original Broadway production (and its 1984 revival) of The Wiz and for directing the 1978 musical Timbuktu! Or you might know him from his 7-Up commercials from the 1970s advertising the soft drink as the “uncola.”

Holder was also a prolific choreographer and Dougla, which the Dance Theatre of Harlem revived in 2018, is one of his best-known works. It was first performed in 1974 and this revival was carefully overseen by Holder’s song, Leo and his widow, Carmen de Lavallade.

Trinidad was were Holder was born and the word Dougla refers to people of both African and South Asian descent. Specifically in his ballet, Dougla depicts a wedding between a couple where one partner is of Indian descent and the other is African.

The music was written by Holder and Tania León and primarily utilizes flutes and percussion. For this 2018 production, León directed the live performance of the music.

That’s this week’s Best Bets at Home: July 24th – July 26th.

Want more? How about a few reminders before we go:

Cécile McLorin Salvant and Sullivan Fortner are the featured concert on this week’s Fridays at Five from SFJazz. You can read our preview published earlier this week here.

The Ron Carter Trio performs live on July 24th and 25th from the Village Vanguard in New York. You can read our preview from earlier this week here.

LA Opera audio-streams their 2010 complete Ring Cycle by Richard Wagner on Saturday beginning at 11:00 AM EDT/8:00 AM PDT. For our complete preview please go here.

Metropolitan Opera’s streaming productions this weekend are Verdi’s Falstaff on Friday; Strauss’ Der Rosenkavalier on Saturday and Puccini’s La Fannciula del West on Sunday. For details you can go here.

That’s officially it for our Best Bets at Home: July 24th – July 26th. Enjoy your weekend! Enjoy culture! And if you like what you read here at Cultural Attaché, be sure to tell your friends!

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