They include Jim Parsons in Harvey, jazz pianist Chano Domínguez (if you don’t know him, you should!), the pentulimate episode of Close Quarters from Los Angeles Chamber Orchestra and For the Record Live’s Brat Pack.

Here is the full list of our Best Bets: May 21st – May 24th:

*TOP PICK* – A Tribute to John Williams – Boston Pops – Now – June 19th

We showcased this concert in yesterday’s preview of our Best Bets. Here is the the top line. Composer John Williams and his music are celebrated in this concert by his one-time home, The Boston Pops. Keith Lockhart will be on the podium for this program of Williams’ film scores ranging from the well-known (Star Wars) to lesser-known tracks.

A special part of this program is the inclusion of interviews with Williams about many of these scores and his memories of creating them with filmmakers such as George Lucas and Steven Spielberg.

A 7-day pass is required to watch A Tribute to John Williams. Those passes are $9

PLAY: Harvey – Roundabout Theatre Company on Broadway on Demand – Now – June 13th

Mary Chase’s play about a man’s friendship with an invisible rabbit (who gives the play its name) first opened on Broadway in 1944 with Frank Fay in the role of Elwood P. Dowd. (Trivia note for theater buffs: Antoinette Perry, the woman for whom the Tony Award is named, was the director.)

A 1970 revival of the play starred James Stewart who starred as Elwood in the 1950 film classic.

It would be 42 years before Harvey would find its way back to Broadway. Jim Parsons (The Big Bang Theory) starred as Elwood with Jessica Hecht and Charles Kimbrough co-starring. This Roundabout Theatre Company production from 2012 is streaming for free on Broadway on Demand.

Charles Isherwood, in his New York Times review, hailed Parsons’ performance:

“The breakout star of the popular sitcom “The Big Bang Theory,” the soft-spoken Mr. Parsons makes an ideal Elwood, the drinker and dreamer who passes his days in the company of Harvey, doing little more than sitting around saloons making friendly conversation with whoever happens by. Mr. Parsons possesses in abundance the crucial ability to project an ageless innocence without any visible effort: no small achievement for an actor in these knowing times.

You will need to register to stream the play. After you do so you’ll receive streaming instructions.

BALLET: Swan Lake – San Francisco Ballet – Now – June 9th

When San Francisco Ballet debuted Helgi Tomasson’s new Swan Lake ballet, it was a runaway hit. Interest in this production was so intense that they sold out nearly every performance.

In the ballet, Odette is a princess turned into a swan by a sorcerer. Prince Siegfried falls in love with Odette. At night she turns back into her human form and it was upon seeing this transformation that the romance begins. Other spells and deception awaits the leads in Swan Lake. While love triumphs, it isn’t necessarily the happiest of endings, but it is certainly romantic.

Tchaikovsky’s music is still present, but it is Tomasson’s vision that was different after he updated the choreography by Lev Ivanov and Marius Petipa.

The cast for this streaming performance features Yuan Yuan Tan in the dual roles of Odette and Odile. Tiit Helimets dances the role of Prince Siegfried. Alexander Reneff-Olson dances the role of Von Rothbart and the Pas de Trois is performed by Dores André, Taras Domitro and Sasha De Sola. Martin West conducts.

Tickets are $29 which allows for 72 hours of access to Swan Lake.

PLAY READING: The Sisters Rosensweig – Spotlight on Plays on Broadway’s Best Shows – Now – May 24th

Jason Alexander, John Behlmann, Lisa Edelstein, Kathryn Hahn, Kathryn Newton, Tracee Chimo Pallero, Chris Perfetti and James Urbaniak star in a reading of Wendy Wasserstein’s play. The reading is directed by Anna D. Shapiro (Tony Award-winner for her direction of August: Osage County).

The Sisters Rosensweig opened at the Ethel Barrymore Theatre in 1993. This was her first Broadway play since wining the Tony Award and the Pulitzer Prize for The Heidi Chronicles.

The play depicts a reunion of three sisters who haven’t seen each other in years. Through the course of the play they come to understand that the bond of being sisters is more important than any of the reasons they’ve stayed apart.

Mel Gussow, in his review for the New York Times said of the play:

“Ms. Wasserstein’s generous group portrait is not only a comedy but also a play of character and shared reflection as the author confronts the question of why the sisters behave as they do. The immediate answer is that they are Rosensweigs and are only doing what is expected of them. The play offers sharp truths about what can divide relatives and what can draw them together.”

Wasserstein passed away in 2006 at the age of 55 due to complications of lymphoma.

Tickets are $18 which allows for repeated viewings through May 24th at 6:00 PM ET/3:00 PM PT. Proceeds benefit The Actors Funds, TDF Wendy Wasserstein Project and Steppenwolf Theatre Company.

JAZZ: Chano Domínguez – SFJAZZ – May 21st – 8:00 PM ET/5:00 PM PT

Spanish born pianist Chano Domínguez has long put postbop, flamenco and fusion influences together to create a wholly original approach to jazz music. In this concert from 2018, Domínguez celebrates the work of Miles Davis.

Joined by bassist Alexis Cuadrado, drummer Henry Cole, flamenco singer Blas Córdoba and dancer Daniel Navarro, Domínguez will offer his take on such classic Davis tracks such as So What, All Blues and Freddie the Freeloader from Davis’ 1959 classic album Kind of Blue.

The concert is streaming right around dinner time on the East Coast (8:00 PM) and happy hour on the West Coast (5:00 PM). As a wine pairing for this concert I suggest a crisp Albariño for those who prefer white wine and a dry Rioja for those who prefer red.

If you can’t make the Fridays at Five showing, there will be an encore presentation on Saturday, May 22nd at 1:00 PM ET/10:00 AM PT.

Tickets are $5 which includes a one month digital membership.

BROADWAY VOCALS: Elizabeth Stanley – Broadway Stories & Songs with Ted Sperling – May 21st – 8:00 PM ET/5:00 PM PT

I first saw Elizabeth Stanley in the 2006 revival of Stephen Sondheim and George Furth’s Company. Since then she’s appeared on Broadway in Cry-Baby, Million Dollar Quartet, the 2014 revival of On the Town and she was starring in Jagged Little Pill when the pandemic hit. That show, for which she was nominated for a Tony Award for Best Actress in a Musical, will re-open on October 21st.

Stanley is an amazing singer and one who performs songs in the truest sense of the word. She doesn’t just sing, she imbues them with whatever the song calls for: comedy, drama, pathos, etc..

She joins Ted Sperling for this weekend’s Broadway Stories & Songs with Ted Sperling. The show will first air at 8:00 PM ET/5:00 PM PT on Friday. It will also be rerun on Saturday at 2:00 PM ET/11:00 AM PT. The $25 ticket price allows you to view both showings.

CLASSICAL MUSIC: Shin, Reid + Britten – Los Angeles Chamber Orchestra – Debuts May 21st – 9:30 PM ET/6:30 PM PT

In this penultimate episode of LA Chamber Orchestra’s Close Quarters series, the music of Benjamin Britten and Pulitzer Prize winner Ellen Reid is performed along with the world premiere of Hyo by Peter S. Shin.

Shin was the recipient of the 2020/2021 Sound Investment Honor which finds donors investing in the creation of a new work and following its progress leading up to its premiere.

Les Illuminations by Britten is a 16-minute song cycle that had its world premiere in 1940. Joining LACO for this performance is soprano Nicole Cabell. She’s performed in opera houses around the world in Porgy and Bess, La Traviata, Don Giovanni and more.

Lumee’s Dream from Reid’s opera p r i s m is the last work on the program.

Dance is included in this episode with choreography by Rebecca Steinberg performed by Layne Paradis Willis and Joe Davis.

Visuals are by Jian Lee and the LACO is lead by Grant Gershon.

There is no charge to watch this show. If you haven’t look at the other 12 episodes in this ambitious and very satisfying series, I urge you to do so.

MUSICAL: Brat Pack – The Wallis Annenberg Center for the Performing Arts – May 21st – May 23rd

Don’t you forget about films like The Breakfast Club, Pretty in Pink, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off and more. You won’t be able to if you stream Brat Pack this weekend.

For the Record Live created a cottage industry of shows dedicated to the soundtracks from various films centered around individual directors. Amongst the most popular was their show celebrating John Hughes. That show serves as the inspiration for Brat Pack which tells the story of the high school experiences of the archetypal Basket Case, Geek, Jock, Mister and Rebel. Does that sound like a club with whom you might like to have breakfast?

Brat Pack was filmed live on stage at The Wallis with James Byous, Emily Lopez, Parissa Koh, Patrick Ortiz, Doug Kreeger and Kenton Chen. As with any For the Record Live production, they are accompanied by a killer band.

Tickets are $20 which allows for viewing all weekend long. One note of caution: the show does contain adult subject matter and language.

OPERA: Janáček’s The Cunning Little Vixen – Glyndebourne – May 23rd – June 6th

Vladimir Jurowski conducts; starring Emma Bell; Lucy Crowe, Sergei Leiferkus and Mischa Shelomainaksi. This Melly Still production is from the 2011-2012 season.

Leoš Janáček’s opera had its world premiere in Prague in 1924. The Cunning Little Vixen has a libretto by the composer based on a serialized novel by Rudolf Těsnohlídek called Liška Bystrouška.

In The Cunning Little Vixen a foster, while taking a nap, is taken by a young vixen to be her pet. Once she gets older she pursues a more independent life. The vixen gets mistaken for a gypsy girl and her life becomes a whirlwind she never expected.

We’ve covered literally hundreds of opera productions here at Cultural Attaché. I can say with absolute certainty that this is the first time we’ve offered up a production of Cunning Little Viven. This is not a commonly performed opera.

Fiona Maddocks, in her review for The Guardian, said of this production:

“Melly Still’s staging, designed with folkloric charm by Tom Pye and atmospherically lit by Paule Constable, wins enough plus points to balance out the minuses. The action is often chaotic and unfocused. There is no allowance made for the speed at which the text moves. Lacking the requisite fluency in Czech – feeble, I know – one had to cling on to the surtitles at the risk of missing the action. The shooting of the Vixen passed almost without notice, though this may be the point: another ordinary day in the genocidal war of man and beast.”

There is no charge to watch Cunning Little Vixen which will be available for streaming through June 6th.

BROADWAY FUNDRAISER: Broadway Barks – May 23rd – 7:00 PM ET/4:00 PM PT

This annual event supports the adoption of shelter animals. Broadway Barks was started by good friends Mary Tyler Moore and Bernadette Peters in 1998. Every year they have had in-person events where Broadway stars and shelter pets combine to entertain and find homes for the four-legged friends.

This is the second virtual edition and they have an incredible line-up:

Sebastian Arcelus, Annaleigh Ashford, Alec Baldwin, Christine Baranski, Bill Berloni, Stephanie J. Block, Carol Burnett, David Burtka, Victoria Clark, Glenn Close, Lily Collins, Harry Connick Jr., Sheryl Crow, Jason Danieley, Ted Danson, Ariana DeBose, Daveed Diggs, Gloria Estefan, Harvey Fierstein, Calista Flockhart, Whoopi Goldberg, Josh Groban, Kathryn Grody, Emmylou Harris, Neil Patrick Harris, Megan Hilty, James Monroe Iglehart, Hugh Jackman, Christopher Jackson, Allison Janney, Nathan Lane, Bob Mackie, Audra McDonald, Charlie McDowell, Brian Stokes Mitchell, Bebe Neuwirth, Mandy Patinkin, David Hyde Pierce, Randy Rainbow, Kelly Ripa, Chita Rivera, Lea Salonga, Phillipa Soo, and Mary Steenburgen. 

Peters will serve as the host.

Broadway Barks will stream on Broadway.com and Broadway Cares/Equity Fights AIDS’ Facebook and YouTube pages. 

Those are our Best Bets: May 21st – May 24th. As usual, a few reminders before we conclude:

Tales from the Wings: Celebrating Lincoln Center Theater with Patti LuPone, Audra McDonald and others remains available through Sunday, May 23rd only. Don’t miss it.

LA Opera’s Signature Series adds a recital by Julia Bullock on Friday to still available performances by Russell Thomas, Susan Graham and Christine Goerke.

Next week the fourth and final episode of Myths and Hymns from MasterVoices debuts. If you haven’t seen the first three episodes, take a look.

The Romero Quartet launches their 60th anniversary celebration with a streaming concert from Belly Up in Solano Beach on Sunday. For details and our interview with Pepe Romero, please go here.

The Metropolitan Opera productions streaming this weekend are the 2016-2017 season production of Verdi’s Nabucco on Friday; Donizetti’s Lucia di Lammermoor from the 1982-1983 season (with Joan Sutherland) on Saturday and the 1995 production of Tchaikovsky’s The Queen of Spades on Sunday. This will conclude the Unhinged Mad Scenes week.

Monday the Met begins Rare Gems week with a 2008-2009 season production of Massenet’s Thaïs. We’ll have the full line-up on Monday for you.

Lastly if you’ve read our interview with Isabel Leonard (and please do, she has a lot to say), you’ll remember that Saturday the Met streams Three Divas at 1:00 PM ET/10:00 AM PT featuring Leonard with Ailyn Pérez and Nadine Sierra.

That’s truly the end of our Best Bets: May 21st – May 24th.

I hope you have a great weekend. Enjoy the culture!

Photo: Keith Lockhart conducting the Boston Pops (Photo by Stu Rosner/Courtesy Boston Pops)

The post Best Bets: May 21st – May 24th appeared first on Cultural Attaché.

The list starts with programs with specific start dates. Following those listings are programs that are already available but have end dates.

Here are my Dance Best Bets for the Holidays:

Don Quixote – The Royal Ballet – YouTube – December 25th – January 6th

England’s The Royal Ballet is making their 2019 production of Don Quixote available for free on their YouTube channel.

This production was first introduced in 2013 and is based on the novel by Miguel de Cervantes. It tells the story of Don Quixote and Sancho Panza, his servant, who set out on an adventure. When they meet a young couple who want to get married but her father has other ideas, they decide to get involved to make a happy ending not just for the two lovers, but also her father.

This Carlos Acosta production was inspired by the classic 1869 ballet by Marius Petipa. In 2019 Acosta made some revisions to his original choreography. Also introduced in 2019 were on-stage musicians. The music is by Czech composer Ludwig Minkus who also wrote the score for La Bayadère.

Clara’s Nutcracker Tea Party – Los Angeles Ballet – Now – January 1st

Rather than offer a traditional performance of The Nutcracker, Los Angeles Ballet has created Clara’s Nutcracker Tea Party.

Clara is the young girl at the center of the ballet. Joining her tea party are Marie, Columbine, Nutcracker, and Snow. During the party there will be excerpts from The Nutcracker and there is an interactive component that involved a package sent to viewers when this first aired in 2019. Though those packages are not available, there are suggestions on the website how to simulate that part of the experience at home.

Children will be encouraged to dance, make crafts and learn about the ballet they are watching.

Tickets are $39.99 and allow for replaying through New Year’s Day.

Dance Dreams: Hot Chocolate Nutcracker – Netflix – Now available

Famed choreographer Debbie Allen (did you catch that pun?) has created a new version of The Nutcracker for the Debbie Allen Dance Academy students to perform.

This documentary, airing on Netflix, follows Allen and her students through the creation of a production of her ballet, Hot Chocolate Nutcracker. Allen infuses the ballet with examinations of body image, diversity and inclusion. Hers is a ballet that speaks to the world we live in today.

When Hot Chocolate Nutcracker played in Southern California last year, Allen said in her notes on the website, “I have taken tradition and given it a new context, fresh lively characters, new music and spectacular dancing to bring a vibrant, unforgettable theater experience for all ages to enjoy.”

For the 2019 production the music used included Mariah Carey, Tena Clark, Shiamak Davar, James Ingram, Chau-Gian Thi Nguyen, Arturo Sandoval and Thump.

State of Darkness – The Joyce Theater – Now – January 10th

In 1988 choreographer Molissa Fenley debuted a solo project called State of Darkness. The 35-minute seriously intense work is set to the music of Igor Stravinsky’s Rite of Spring.

Fenley restaged her solo individually with seven dancers: 2020 Juilliard grad Jared Brown; Lloyd Knight of Martha Graham Dance Company; Sara Mearns of the New York City Ballet; Shamel Pitts, former Batsheva Dance Company member; Annique Roberts of Ronald K. Brown/EVIDENCE; Cassandra Trenary of American Ballet Theatre; and Michael Trusnovec of Paul Taylor American Dance Company. 

Anna Kisselgoff, writing in the New York Times in 1988, said of State of Darkness , “Molissa Fenley’s use of Stravinsky’s ‘Sacre du Printemps’ as music for a new dance solo succeeds beyond expectation. A dancer who has been unmatched on the experimental scene for her explosive, even primal, energy, Miss Fenley has found her true center here.”

Tickets are $12.

And, of course, there is The Nutcracker itself.

Though a staple of ballet companies around the world, The Nutcracker was not considered a success when it debuted in St. Petersburg in 1892. In fact, it wasn’t until the 1960s that it became embraced.

In the ballet, Clara is enamored with a nutcracker that her godfather has brought to a Christmas eve celebration. Others aren’t so interested and Fritz actually breaks the nutcracker. After all the guests have left for the evening – and just as midnight strikes – Clara checks in on the broken nutcracker. That’s when the world of toys, mice, fairies, Christmas trees and her beloved nutcracker come to magical life.

The music was written by Pyotr Illyich Tchaikovsky. If you’ve seen the Disney film Fantasia, you are well-acquainted with the music.

Not all Nutcracker ballets are the same. We’ve selected a few from which you can choose your own Nutcracker adventure.

George Balanchine’s The Nutcracker – New York City Ballet on Marquee TV – Now – January 3rd

Choreographer George Balanchine danced the role of The Prince in The Nutcracker in 1919. Thirty-five years later he created his own ballet of this popular holiday classic. It became so iconic that it is now referred to as George Balanchine’s The Nutcracker.

New York City Ballet is making this ballet available via Marquee TV. You have to register (if you don’t already have an account) on Marquee’s website. New accounts get a 30-day free trial. You can also rent it for $25 which allows for viewing for 48 hours after first starting the film.

Great Russian Nutcracker – Moscow Ballet – Now – January 1st

For $24.99 you can see how they dance The Nutcracker in Russia where the ballet first came to life. Tickets are available through December 29th, but you can stream the ballet through New Year’s Day.

The Hip Hop Nutcracker – Center Theatre Group – Now – January 3rd

Not a traditional Nutcracker! This is Jennifer Weber’s fusion of hip hop and contemporary dance. You’ll hear Tchaikovsky’s music, but it isn’t going to be just a full symphonic performance. A DJ and a violinist also provide accompaniment for a dozen dancers who perform, not in 19th Century German, but in contemporary New York City.

The performance opens with a brief set by MC Kurtis Blow and the production employees digital graffiti as part of its visuals.

The Hip Hop Nutcracker was recorded live at the New Jersey Performing Arts Center. The performance runs 83 minutes.

There are 19 showings remaining. Tickets are $20 which allows for viewing starting at a set performance time (the schedule can be found in title link) and allows for continued viewing for a total of 24 hours. VIP tickets are $50 and include continued viewing for 72 hours; a signed poster and access to a pre-filmed Q&A.

Nutcracker Online – San Francisco Ballet – Available through December 31st

San Francisco Ballet’s 2008 production will be available for streaming throughout the holidays.

This production was choreographed by Helgi Tomasson. The company features Elizabeth Powell as Clara, Yuan Yuan Tan as the Snow Queen, Pierre-François Vilanoba as the Snow King, Vanessa Zahorian as the Sugar Plum Fairy with the grand pas de deux danced by Maria Kochetkova and Davit Karapetyan.

Tickets are $49 and allow viewing for 48 hours. There are also interactive components included. Tickets are available here.

Those are my Dance Best Bets for the Holidays. I hope visions of sugar plum fairies dancing fill you with joy.

I also have recommendations for Classical, Jazz and Musicals/Cabaret if you want even more choices.

Photo by Kacper Szczechia (@wyroq)

The post Dance Best Bets for the Holidays appeared first on Cultural Attaché.

Before we get into your options, here is some basic information about the ballet.

Though a staple of ballet companies around the world, The Nutcracker was not considered a success when it debuted in St. Petersburg in 1892. In fact, it wasn’t until the 1960s that it became embraced.

In the ballet, Clara is enamored with a nutcracker that her godfather has brought to a Christmas eve celebration. Others aren’t so interested and Fritz actually breaks the nutcracker. After all the guests have left for the evening – and just as midnight strikes – Clara checks in on the broken nutcracker. That’s when the world of toys, mice, fairies, Christmas trees and her beloved nutcracker come to magical life.

The music was written by Pyotr Illyich Tchaikovsky. If you’ve seen the Disney film Fantasia, you are well-acquainted with the music.

Here are the listings:

Nutcracker Online – San Francisco Ballet – Available through December 31st

San Francisco Ballet’s 2008 production will be available for streaming throughout the holidays.

This production was choreographed by Helgi Tomasson. The company features Elizabeth Powell as Clara, Yuan Yuan Tan as the Snow Queen, Pierre-François Vilanoba as the Snow King, Vanessa Zahorian as the Sugar Plum Fairy with the grand pas de deux danced by Maria Kochetkova and Davit Karapetyan.

Tickets are $49 and allow viewing for 48 hours. There are also interactive components included. Tickets are available here.

More productions coming soon…..

(To have your production added to this list, please e-mail us)

Photo: San Francisco Ballet’s The Nutcracker (Photo ©Erik Tomasson/Courtesy SF Ballet)

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For those of you who will be missing the annual Tony Awards, we have a clip of James Corden celebrating the pleasure to be found in live performance.

First amongst your Best Bets at Home: June 5th – June 7th stars a man who stood a very good chance of walking away with the Tony Award for Best Actor in a Play.

Coriolanus – National Theatre Live – Now – June 11th

Tom Hiddleston (most recently seen on Broadway in Betrayal/”Loki” in Marvel’s Avengers movies) stars in this 2013 Donmar Warehouse production of Shakespeare’s play.

The title character is one of Rome’s greatest heroes and fiercest defenders. He answers the call as the city faces an old enemy. But Rome is not the only one with enemies, Coriolanus has them, too. As circumstances get worse for the citizens of Rome, Coriolanus must find a way to keep the people on his side and address their issues.

In Paul Taylor’s review for The Independent he wrote, “Hiddleston’s magnificent performance compels you to feel what an awful fate it is to be Coriolanus. There’s an extraordinary sequence here in which, blood-soaked after battle, he stands under a shower of water gasping with pain. We are suddenly privy to the lonely willpower of the man behind the myth.Hiddleston’s magnificent performance compels you to feel what an awful fate it is to be Coriolanus. There’s an extraordinary sequence here in which, blood-soaked after battle, he stands under a shower of water gasping with pain. We are suddenly privy to the lonely willpower of the man behind the myth.”

Joining Hiddleston in the cast are Mark Gatiss, Hadley Fraser, Alfred Enoch and Deborah Findlay. Coriolanus is directed by Josie Rourke.

Gustavo Dudamel and the Simón Bolivar Symphony Orchestra of Venezuela – Medici.tv – June 5th – June 7th

Carnegie Hall opened their 2016-2017 season with this concert celebrating dance. Dudamel, best known to audiences as the Music & Artistic Director of the Los Angeles Philharmonic, is also Music Director and Conductor of the Simón Bolivar Symphony Orchestra of Venezuela.

The program for this concert included Ravel’s La valse, Brahms’ Hungarian Dance No. 5 in G Minor; Copland’s Hoe-Down from Rodeo; Strauss Jr.’s Tritsch-Tratsch Polka, Op. 214; Ginastera’s Malambo from Estancia and Leonard Bernstein’s Mambo from West Side Story. The event closed with Gutierrez’s Alma Llanera from Aires de Venezuela as arranged by José Terencio.

Director’s Choice – San Francisco Ballet – June 5th – June 12th

San Francisco Ballet’s Artistic Director and Principal Choreographer Helgi Tomasson selected the three ballets to be included in this performance from February of 2020. Excerpts from the following ballets are included: Tomasson’s own Soirées Musicales and Concerto Grosso and the pas de deux from Christopher Wheeldon’s After the Rain.

Tomasson, a former dancer, became the Artistic Director of San Francisco Ballet in 1985. Wheeldon is also a former dancer having been a member of the Royal Ballet in London and New York City Ballet. He won a Tony Award for his choreography for An American in Paris.

Il trittico – Royal Opera – June 5th – June 19th

Il trittico is a trilogy of one-act operas by Giacomo Puccini. The three operas are Il tabarro, Suor Angelica and Gianni Schicchi. The latter is the best-known of the three as it is the most commonly performed.

Jealousy and murder are on tap in Il tabarro involving the love triangle of Michele (Lucio Gallo), his wife Giorgetta (Eva-Maria Westbroek) and her lover Luigi.

Suor Angelica is the dramatic story of a nun (Ermonela Jaho) dealing with loss.

Gianni Schicchi (Gallo) depicts what happens when someone dies and the will goes missing. And you think your relatives were difficult?

Richard Jones directed this 2016 production (a revival of his 2011 production) and Antonio Pappano conducted.

Agrippina – Great Performances at the Met (PBS) – June 7th (check local listings)

If you aren’t getting enough opera from the daily streaming operas made available by the Metropolitan Opera, PBS is adding another production for your viewing pleasure: Handel’s Agrippina. Joyce DiDonato stars in this David McVicar production from 2020. Henry Bicket conducts.

Agrippina (DiDonato) is the Roman empress who is fixated on the idea of having her highly unqualified son, Nerone (Kate Lindsey), take over the throne. To do that, she will stop at nothing to get her husband, Claudio (Matthew Rose), to cede it to him.

Zachary Woolfe, in his review for the New York Times said, “Three centuries on, Agrippina remains bracing in its bitterness, with few glimmers of hope or virtue in the cynical darkness. But it’s irresistible in its intelligence — and in the shamelessness it depicts with such clear yet understanding eyes.”

As with all PBS broadcasts, it is best to check your local listings. In Los Angeles this production will not air until June 9th at 11:00 PM with additional broadcasts on June 19th at 9:30 PM and June 20th at 4:00 AM. In New York it will air on June 14th at 12 PM.

Cosi fan tutte – Glyndebourne – June 7th – June 14th

Mozart’s opera (written with librettist Lorenzo da Ponte) debuted in Vienna in 1790. It was not warmly embraced and only became popular long after the composer’s death.

The opera hinges on a bet that Ferrando (Topi Lehtipuu) and Guglielmo (Luca Pisaroni) make with Don Alfonso (Nicolas Rivenq) about the fidelity of their fiancées, Dorabella (Anke Vondung) and Fiordiligi (Miah Persson).

This is a film of the 2006 production directed by Nicholas Hytner (The Madness of King George, The History Boys). The orchestra was lead by Iván Fischer.

Uncabaret – June 7th – 10:30 PM EDT/7:30 PM PDT

With everything going on in our world right now, the need for laughter is probably greater than ever. As she has done for more than a quarter century, Beth Lapides is assembling some of the brightest and funniest comedians she knows. They are coming together for an online version of Uncabaret.

For the uninitiated, Lapides describes the “un” part of her cabaret as “Unhomophobic, unxenophobic, unmysogynistic. Unhacky.”

Joining her for this week’s show are Sandra Bernhard, Julia Sweeney, Alec Mapa, Jen Kirkman, Alex Edelman, Tim Bagley and Jamie Bridgers. Music is provided by Mitch Kaplan and his band.

Registration on Eventbrite is required, but there is no fee to watch the performance. Donations, of course, are accepted.

Those are our selections for the Best Bets at Home June 5th – June 7th.

A couple reminders:

SFJazz has Fridays at Five with Marcus Shelby Quartet w/ Angela Davis in a program entitled Blues Legacies and Black Feminism. The concert features Terri Lyne Carrington, Tia Fuller, Tammy Hall, Paula West, Kim Nalley, & Tiffany Austin. This concert takes place June 5th at 8 PM EDT/5 PM PDT.

The Met Opera productions available this weekend are Thomas Adés’ The Exterminating Angel on Friday; Verdi’s Otello on Saturday and Massenet’s Thaïs on Sunday.

As I mentioned, Sunday would have been the Tony Awards. You can always find plenty of Tony Awards clips of performances to entertain yourself in the absence of the annual broadcast. One example: James Corden’s opening from the 2019 show which celebrates the joy of live performance.

There you have it. Enough Culture Best Bets at Home June 5th – June 7th to keep you entertained all weekend long.

Main photo: Tom Hiddleston in Coriolanus (Photo by Johan Persson/Courtesy of National Theatre Live)

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