With yesterday’s good news that those who are vaccinated can go around without masks with the exception of a few specified areas, it seems like only a matter of time before live events will come roaring back.

The question now is whether or not all the streaming events of the past 15 months will become a relic of the era or a regular part of our cultural experience. Only time will tell.

For now, there are still plenty of great programs available for viewing. Topping our list is MCC Theater’s Miscast 2021 Gala. There are two other gala events, a new musical reading, a vintage classical music concert, new music, a play reading and more.

Here are the Best Bets: May 14th – May 17th.

*TOP PICK* – Miscast 2021 – MCC Theater – May 16th – May 20th

Yesterday we posted a full preview of this event, but here’s what makes this show so entertaining: Broadway stars perform songs separately or with others they would never be cast to sing. For instance, Robert Fairchild sings this song from the musical Sweet Charity in a clip from last year’s “quarantine” edition of Miscast.

This year’s line-up includes Annaleigh Ashford (Sunday in the Park with George), Melissa Barrera (In the Heights), Gavin Creel (Hello, Dolly!), Robin de Jesús (The Boys in the Band), Renée Elise Goldsberry (Hamilton), Leslie Grace (In the Heights), Cheyenne Jackson (Finian’s Rainbow), Jai’Len Josey (SpongeBob SquarePants), LaChanze (Summer: The Donna Summer Musical), Idina Menzel (Wicked), Kelli O’Hara (Kiss Me, Kate), Billy Porter (Kinky Boots), Kelly Marie Tran (Raya and the Last Dragon), Aaron Tveit (Moulin Rouge) and Patrick Wilson (The Full Monty).

This is a free event, though donations are encouraged.

PLAY READING: Watch on the Rhine – Broadway’s Best Shows – Now – May 17th

Lillian Hellman’s Watch on the Rhine had its world premiere at the Martin Beck Theater on April 1, 1941. Her play tells the story of a German man, Mueller, married to an American woman, who is involved with anti-fascist causes in Europe. While visiting his wife’s relatives in Washington, D.C., another guest, also staying with the family, blackmails Mueller after discovering Mueller is planning to send money to aid underground operations in Germany.

For this reading as part of Spotlight on Plays, Ellen Burstyn, Alan Cox, Carla Gugino, Mary Beth Peil and Jeremy Shamos star in this reading directed by Sarna Lapine.

Tickets are $18 with the reading available for viewing through Monday at 6:00 PM ET/3:00 PM PT. Proceeds from the reading benefit The Actors Fund.

Trivia: Two years later a film version of Watch on the Rhine was released starring Bette Davis and Paul Lukas (reprising his role from Broadway). The film was nominated for four Academy Awards including Best Picture. Lukas won for Best Actor.

DANCE: Stephen Petronio Company – The Joyce Theater – Now – May 26th

There are five works being showcased in this new film by the Stephen Petronio Company, the New York-based dance company that was founded in 1984.

Two of the five pieces being performed are set to songs made famous by Elvis Presley: Are You Lonesome Tonight and Love Me Tender.

There are two versions of Are You Lonesome Tonight being performed. Love Me Tender was originally performed in 1993 in a collaboration with artist Cindy Sherman.

New Prayer For Now (Part 1) has its debut in this film. Petronio was inspired by Balm in Gilead and Bridge Over Troubled Water when creating New Prayer…. Monstah Black (who is also a dancer and choreographer in addition to being a musician) composed the music and performs with the Young People’s Chorus of New York City.

The program wraps up with a new version of Group Primary Accumulation by Trisha Brown and Pandemic Portraits, a film by Dancing Camera.

Tickets are $25.

CLASSICAL MUSIC: Berlin Philharmonic 1967 – Carnegie Hall – May 14 – May 21st

Herbert von Karajan leads the Berliner Philharmoniker in a performance of Tchaikovsky’s Piano Concerto No. 1 with soloist Alexis Weissenberg.

This is amongst the most popular concerti in the world. But if Weissenberg’s name isn’t familiar to today’s audiences, this quote from his obituary by Maraglit Fox in the New York Times defines his reputation:

“Mr. Weissenberg possessed a technical prowess rivaled by few other pianists. The ice of his demeanor at the keyboard (he sat, leaned forward and got down to business, playing with scarcely a smile or grimace) was matched by the fire that came off the keys.” (Weissenberg passed away in 2012.)

There is no charge to watch this performance. This is the first of a new series Carnegie Hall Selects featuring performances by artists who played major roles in the 130-year history of the venue.

BROADWAY VOCALS: Jose Llana: Broadway Stories & Songs with Ted Sperling – May 14th – 8:00 PM ET/5:00 PM PT

Broadway star Jose Llana is Ted Sperling‘s guest for Broadway Stories & Songs. Llana has been seen in The King and I, Rent, Street Corner Symphony, Flower Drum Song, The 25th Annual Putnam County Spelling Bee and Wonderland on Broadway.

I first saw him in Flower Drum Song at the Mark Taper Forum. I also saw him in the incredible show Here Lies Love at the Public Theater.

He also performed Adam Guettel’s song cycle Saturn Returns (later renamed Myths and Hymns) which is where he and Sperling first worked together.

If you can’t see the show on Friday, there is an encore showing scheduled for May 15th at 2:00 PM ET/11:00 AM PT. Tickets for either showing are $25. You can watch the show a second time if you buy tickets for the Friday night showing.

JAZZ: Robert Glasper: Everything’s Beautiful – SFJAZZ – May 14th – 8:00 PM ET/5:00 PM PT

This 2018 concert found innovative musician/composer Robert Glasper putting his own spin on works by Miles Davis for his album Everything’s Beautiful. Glasper’s music was featured in Don Cheadle’s film Miles Ahead from 2015.

If you don’t know Glasper or his work, he’s one of the most interesting artists working in jazz today. He’s also collaborated with Erykah Badu, Herbie Hancock, Kendrick Lamar, Ledisi and Jill Scott.

Joining Glasper in this performance are vocalist Bilal; Michael Severson on guitars; Burniss Travis on bass and Justin Tyson on drums.

If you can’t watch Friday night’s showing that is part of SFJAZZ’s Fridays at Five series, there is an encore showing on Saturday, May 15th at 1:00 PM ET/10:00 AM PT. Tickets require either a one-month digital membership for $5 or a $50 annual digital membership.

MUSICAL: Breathe: A New Musical – May 14th – July 9th

Playwright Timothy Allen McDonald (Roald Dahl’s Willy Wonka) and novelist Jodi Picoult (The Book of Two Ways) have teamed up for this new musical suite that features interlocking stories of five different couples navigating their way through the Covid pandemic and its impact on their lives.

The songs were written by Doug Besterman (The Big One-Oh!), Zina Goldrich (Ever After), Marcy Heisler (Hollywood Romance), Kate Leonard (Ratatouille: The TiKTok Musical), Douglas Lyons (Peter, Darling), Daniel J. Mertzlufft (Ratatouille: The TikTok Musical), Rebecca Murillo (Credence & Cecilia), Ethan Pakchar (Five Points), Rob Rokicki (The Lightning Thief: The Percy Jackson Musical) and Sharon Vaughn (My Heroes Have Always Been Cowboys).

Appearing in this online musical are Tony Award winners Kelli O’Hara and Brian Stokes Mitchell along with Denée Benton (Hamilton), Rubén J. Carbajal (Hamilton), Max Clayton (Moulin Rouge), Josh Davis (Beautiful: The Carole King Musical), Colin Donnell (Anything Goes), Matt Doyle (the upcoming revival of Company), Patti Murin (Frozen), T. Oliver Reid (Hadestown), and Daniel Yearwood (Once on This Island).

Tickets are $25 to watch Breathe. If you want to join the official opening night on Friday, May 14th at 8:00 PM ET/5:00 PM PT, those tickets are $40 and includes an post-premiere cast party and a download of the music from the show.

CONTEMPORARY SONG CYCLE: Dorothea – CAP UCLA – Debuts May 15th – 10:00 PM ET/7:00 PM PT

Ted Hearne, one of our most fascinating and interesting composes, has created a song cycle inspired by the poetry of Dorothea Lasky.

Lasky is an acclaimed poet who told the LA Review of Books, “I do believe it’s better not to be safe in your poems.” As a composer, Hearne also doesn’t play it safe.

They both are utterly compelling. This combination should double down on that and prove to be very exciting to watch.

Hearne was a Pulitzer Prize finalist for his 2018 composition Sound From the Bench. Both Los Angeles Opera and San Francisco Opera performed his opera The Source about Chelsea Manning.

Hearne will be singing vocals in this performance. Joining him are Eliza Bagg on vocals and synths; Ashley Bathgate on cello; Nathan Koci on piano/keyboards; Diana Wade on viola; Ron Wiltrout on drums and Ayanna Woods on bass.   

There is no charge to watch Dorothea. Donations to CAP UCLA are encouraged.

CLASSICAL MUSIC: Nadia Sirota, Gabriel Cabezas and Rob Moose – The Phillips Collections – Debuts May 16th – 4:00 PM ET/1:00 PM PT

Johann Sebastian Bach’s Trio Sonata No. 6 in G Major, BWV 530 serves as the foundation for this performance by violist Nadia Sirota, cellist Gabriel Cabezas and violinist Rob Moose.

The concert will begin and end with a movement from the sonata with a third movement at the halfway point.

Interspersed amongst the concert are works by three of today’s most interesting contemporary composers: Marcos Batler, Missy Mazzoli and Nico Muhly.

Sirota is also the music producer for Los Angeles Chamber Orchestra’s Close Quarters series.

There is no charge to watch this performance, however registration is required. The program will remain available for viewing through May 22nd.

PLAY READING: Sejanus, His Fall – Red Bull Theater – Debuts May 17th – 7:30 PM ET/4:30 PM PT

New York’s Red Bull Theater will present a new adaptation of Ben Johnson’s 17th-century play Sejanus, His Fall on Monday night. The adaptation is by Nathan Winkelstein, who also directs.

The play depicts a power struggle between Tiberius, the Emperor of Rome and Sejanus, his right-hand man. Sejanus covets being the emperor. Tiberius has no desire to make that a possibility. Factions line up behind each man and the power struggle begins with all of our own contemporary issues surrounding politics and power at play.

Participating in the reading are: Shirine Babb (Harry Potter and the Cursed Child), Grantham Coleman (The Great Society), Keith David (Seven Guitars), Manoel Felciano (To Kill a Mockingbird), Denis O’Hare (Assassins), Matthew Rauch (Junk), Liv Rooth (To Kill a Mockingbird), Laila Robins (Heartbreak House), Stephen Spinella (Angels in America), Emily Swallow (High Fidelity), Raphael Nash Thompson (The Red Letter Plays), Tamara Tunie (Radio Golf) and James Udom (The Rolling Stone).

Tickets are pay what you can with proceeds going to Red Bull Theater.

CONCERT/GALA: Stand Up, Stand Strong – Covenant House – May 17th – 8:00 PM ET/5:00 PM PT

Sara Bareilles, Stephanie J. Block, Jon Bon Jovi, Zach Braff, Terron Brooks, Rachel Brosnahan, Stephen Colbert, Charlie Day, Darius De Haas, Ariana DeBose, Mary Elizabeth Ellis, Morgan Freeman, Jon Hamm, Adrianna Hicks, James Monroe Iglehart, Capathia Jenkins, Jewel, Jeremy Jordan, Amanda Kloots, Ames McNamara, Laurie Metcalf, Lin-Manuel Miranda, Brian Stokes Mitchell, Abby Mueller, Alex Newell, Desus Nice and The Kid Mero, Kelli O’Hara, Laura Osnes, Dolly Parton, Jo Ellen Pellman, Ben Platt, Jason Ralph, Ryan Reynolds, Chita Rivera, Robin Roberts, Aliza Russell, Keala Settle, Tony Shalhoub, Meryl Streep, Ana Villafañe, Dionne Warwick, Marlon Wayans, Frank Wildhorn, Vanessa Williams, Daniel Yearwood and more will join co-hosts Audra McDonald and John Dickerson for this annual fundraiser for Covenant House.

The organization provides shelter for homeless youth living on the streets. They have helped more than one million youth since their inception more than 40 years ago.

This gala fundraiser will offer music, stories and more. There is no charge to watch the show, however donations are encouraged. For a list of the many ways you can watch Stand Up, Stand Strong, please go here.

VOCALS/STORIES: Jim Caruso’s Pajama Cast Party – May 17th – 8:00 PM ET/5:00 PM PT

Though Jim Caruso has multiple guests for this Monday’s 58th episode of Pajama Cast Party, I can sum up the reason to tune into this particular episode with two words: Marilyn Maye.

That’s the official list of Best Bets: May 14th – May 17th. Here are also a few reminders:

Lincoln Center Theater’s Tales from the Wings, which we previewed here, will remain available through Monday, May 17th. This is a must for theater fans.

The Los Angeles Philharmonic debuts Chamber Music: Piazzolla in their Filmed at the Ford series. You can find details here.

This weekend’s offering from the Metropolitan Opera include the documentary The Audition on Friday; Rossini’s Il Barbiere di Siviglia from the 2014-2015 season on Saturday and Donizetti’s Roberto Devereux from the 2015-2016 season on Sunday.

Sunday will also be the finals of the National Council Auditions at the Met at 3:00 PM ET/12:00 PM PT.

Monday begins Week 62 at the Met where the theme is Unhinged Mad Scenes. The first production being streamed is the 2006-2007 season production of Bellini’s I Puritani with Anna Netrebko.

There are just two weeks left to see Sutton Foster’s Bring Me to Light. You can find details in our preview here.

There you have a jam-packed list of Best Bets: May 14th – May 17th.

Enjoy your weekend and enjoy the shows!

Photo: Renée Elise Goldsberry (Photo by Justin Bettman/Courtesy MCC Theater)

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Los Angeles Virtuosi Orchestra (LAV) has a mission statement that reads: “LAV’s mission is to serve as a catalyst in supporting music education through collaborative partnerships with the community, schools, agencies, and other arts organizations, and by allocating 100% of net income from performances to support and develop the study of music.”

Tomorrow night, LAV will stream Rising Stars, a concert from Théâtre Raymond Kabbaz at 11:00 PM EDT/8:00 PM PDT. The program calls for works by Liszt and piano concerti by Mozart and Beethoven. Joining the orchestra are Ian Park and Jeong-hyun Lim who were the Junior Division and Senior Division winners of the Orange County Music & Dance School’s Rising Stars Piano Competition.

If Ponti’s name sounds familiar, it is because his father, Carlo Ponti Sr., was the producer of over 60 feature films. Amongst them was 1960’s Two Women starring his wife, Sophia Loren. The screen legend is the conductor’s mother.

Recently I spoke by phone with Ponti about LAV’s mission, the challenges music education faces and how to move forward in the Covid-era. Below are excerpts from that conversation that have been edited for length and clarity.

What did you see as missing in 2013 when you founded LAV?

I’ve always been a strong advocate of music education. It’s not a secret that it’s always been a challenge for a large school district to fund the arts – they have to fund the basic curriculum. I felt there was a need to create an orchestra as an educational tool to integrate students with professional players. Even in these challenging times, it can promote unity, it can provide discipline and perseverance. The orchestra can be a resource which is all the more needed to mend the fabric of society.

The arts and arts education get little, if any, support from federal and state governments. What is the price paid by society for that lack of support?

In Europe, where you have smaller areas, the government allocates support. In America it is much more difficult because the government must cover 50 little countries. It’s natural in America that arts and arts education have to look for funding from corporations and not the government. It’s very difficult for the government to allocate funds for orchestras. That being said, the government could very much allocate a bit of what they allocate for others things to the arts. I think not allocating more is hindering the American people because it is depriving them of the needed exposure to culture and music education.

You are forced to stream your upcoming concert. Does that give you greater outreach to serve LAV’s purpose?

We’re still fulling our mission in the same capacity, more or less. The silver lining of having to do online concerts is we can expand our audience bandwidth. We are able to go out to an unlimited number of people. People in Europe can see it.

When having to reduce the size of your orchestra to abide by social-distancing requirements, how did you choose the program for this upcoming concert?

We are doing two piano concerti – one by Beethoven, one by Mozart. We need an orchestra of 30-40 players. We’re doing this with 12 players. We’re doing the same programs we had planned and we have three concerts this season. We are going to keep those concerts and dates. Next year’s programs are a little bit bigger in the sense of orchestra requirements. We’ll try to make that work.

Your mother is in a very famous photograph with Jayne Mansfield which I’m sure you know. Is there someone in the conducting/performing world who would be Mansfield for you? Someone whose work you can’t believe, but would love to get a closer look?

That’s a very funny analogy. Just on a side note, in that photo she actually was not looking at you know what of Jayne Mansfield, she was just looking to the side.

There are so many great conductors. For me the one that really I’m most fascinated by is Herbert von Karajan. For me he really epitomizes the ideal conductor. He’s really who I would like to be in a way. He was so wonderful. Aside from being aesthetically very pleasing, what he brought forth as a conductor is so powerful and so compelling. The orchestra he was conducting really imparted such a sound, especially with the strings – this silvery shimmery sound and the articulation he got was so lush. He had such an amazing sense of music. There are a myriad of conductors, but he’s the one that has something special in my heart.

Last year you said that you realized, “life is not about what we create of ourselves, but about the legacy we leave for others.” What legacy did you get from your parents and what would you like your legacy to be, not just for your own children, but for the young musicians in the Los Angeles area?

The legacy I got from both my parents is to really live to try to achieve excellence and always do your best. That was clear in my mother’s work and her dedication to her craft; the enthusiasm in which she embarks on every project. She just finished a film with my brother, Edoardo, her first in ten years. It’s called The Life Ahead. She gives a wonderful performance. That is a testament that she never stops trying to do her best. It was something my father admonished.

Picasso said strive because you will never attain perfection. That striving gives you a sense of purpose. I am always trying to improve myself. That’s really what my brother and I inherited from our parents. That’s the message I try to impart to any young person or musician I work with. Strive toward excellence.

Photos of Carlo Ponti courtesy Los Angeles Virtuosi Orchestra

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