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Jazz Interview Highlights 2022

Beasley, Blanchard, Parlato and Stritch

UPDATED: Composer Kevin Puts Discusses “The Hours”

"The emotional situations; I live for these these things as a composer. I live for the moments when I can let these situations wash over me and let music come out. This is why I do it."

Julie Halston Talks Life, Love and Nude Beaches

"I have no plans to slow down in any way, shape or form. I will say botox helps. I'm not going to deny it. I embrace it."

Adam Kantor Dives Into “The Inheritance”

"I don't know that I've ever had the privilege and opportunity of playing a character who is not only so innately good, but is on a deep and rigorous journey to find and to be the best version of him possible."

Composer Shelley Washington Explores Duality

"So I hope this piece doesn't give permission, but acceptance, to people. Hopefully see themselves and feel seen."

Chris Bannow: Is “Jud” in “Oklahoma!” the Bad Guy?

"That's really why he is the, quote unquote bad guy, simply because he's the outsider in this community."

Eduardo Vilaro: Ballet Hispánico 50 & Beyond

"My hope as we continue to foster the artwork in terms of the organization that Ballet Hispánico is poised to be a voice. At one time we were fighting to be at the table. Now we have to create the table and invite everyone to come in."

Sally Struthers Has More to Do and Show

"There's all sorts of things that I thought I would be that I'm not. And I have made my peace with all that. But I still want to have dinner with Mel Brooks and be in Tyler Perry movies."

Conductor Lina González-Granados Considers “Lucia”…

"I honestly think that there is nothing more gaslighting than this opera. Even the orchestra speaks for her before she can."

Monica Bill Barnes is Born to Run

"I've always felt like you can understand the moment you're having in your life better when you're in conversation with people who are all at different moments in their lives."
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