The film covers Broadway shows from 1959 to the early 1980s and features interviews with Bea Arthur, Elizabeth Ashley, Alec Baldwin, Candy Brown, Carol Burnett, Glenn Close, André De Shields, Jane Fonda, Robert Goulet, Robert Guillaume, Cherry Jones, Baayork Lee, Donna McKechnie, Liza Minnelli, Robert Morse, Jerry Orbach, Robert Redford, Debbie Reynolds, Chita Rivera, Eva Marie Saint, Liev Schreiber, Elaine Stritch, Dick Van Dyke, Ben Vereen and Lesley Ann Warren.

Almost exactly two years later the man who made those films, Rick McKay, passed away suddenly. Broadway: Beyond the Golden Age was left unfinished and unreleased.

This weekend Great Performances on PBS will begin airing the documentary which was completed by friends and colleagues of McKay. [Check your local PBS listings for details.]

Two of the most important people who helped complete Broadway: Beyond the Golden Age were producers Jamie deRoy and Jane Klain. Last week I spoke by phone with both women to get the details on how they were able to finish McKay’s film and how they hope it brings to fruition everything McKay wanted the film to be.

What follows are excerpts from those conversations that have been edited for length and clarity.

How did you get involved with finishing Broadway: Beyond the Golden Age?

DeRoy: It sort of became this natural thing that we ended up doing to see that his wishes were carried out. Everybody had been asking for years about the film because the film had been going on for years.

Klain: Four of his producers and friends obviously realized what Rick would want is for the film to get out there. We all worked towards what Rick wanted. Since the first film was a theatrical release and it was so unlikely to get another, being on television was the ideal home for it. I know his first choice was PBS.

How far along had Rick gotten with the film before he passed away?

DeRoy: He had gotten pretty far, but it was not a finished film. It was way too long.

Klain: When Rick died I connected with a brilliant editor who would work on it pro bono, but that fell through. Another producer/director wanted to unravel it and make a different film and I said no. Rick was really a visionary. He had a unique way of storytelling. The way he edited was amazing.

He seemed to get almost everyone he ever wanted for these films. How did he do that?

DeRoy: Everybody that met him and he would interview would end up adoring him. He really charmed people. He loved the theater so much. He could talk to anybody.

Klain: He had somewhere between 100-150 interviews with these legends. Some were one to one-and-a-half hours, some were five hours.

Rick told me how thrilled he was to have found footage of Chita Rivera and Liza Minnelli performing together in the original production of Chicago when Gwen Verdon had to miss several performances.*

Klain: Candy Brown was a Fosse dancer. I had seen footage she had taken with her 8mm camera. I’m very good at tracking down people. They became such close friends. She let him have the footage – amongst it was footage with Chita and Liza which Liza had not seen before. Rick’s film has John Kander talking about it and Liza talking about it.

Rick was kind of a one-man band doing it all with his films, but the new film has 11 producers.

DeRoy: He pretty much was a one-man band. But listen, all of us were out there raising money and making introductions and helping. If I was in the room when he was doing an interview or showing the film I got acknowledged. If I wasn’t in the room, I wouldn’t have gotten acknowledged. Maybe it made a much better story.

Klain: If Rick had lived one of the big hurdles he was going to have to face was raising money for the post-production and all the licensing. That was a big deal for the first film. WNET 13 has done a lot of that. We’ve been in the decision making seat and PBS has been amazing.

Jamie I want to ask you a question I asked Rick five years ago. In an era where younger people don’t care about history because it was “before their time,” what would you tell them is the reason to care about Broadway and the people in this film?

DeRoy: It’s like the building blocks of everything. I’m always appalled at actors or singers who don’t know the history. When I was involved in the cabaret community and mentioned Margaret Whiting they would go, “who?” I don’t get it. It’s part of your learning process. These films could be shown in schools and you can learn a hell of a lot from it. We all learned by watching Ethel Merman. These were my idols. Even though they were before my time, so to speak, they are the ones who laid the groundwork for everyone to come up afterwards.

Jonathan Groff, who introduces the movie, wrote Rick a fan letter saying how much the film meant to him. Shortly before Rick died I took him to see Jonathan at the 92nd Street Y doing a show. They were talking afterwards about doing a follow-up interview because Jonathan was so young when he did his and he had some experiences since that first interview.

It’s just been a passion for all of us and it was certainly a passion of Rick’s. I’m only sorry he’s not here to see it come to life. And everybody can now enjoy it. Not only enjoy it, but learn from it. It’s all there and these films were meant to be seen.

*Liza Minnelli took on the role of Roxie Hart from August 8th to September 13th, 1975. There was announcement over the PA system that Gwen Verdon would be out at the performance. Audiences would grumble. The announcement continued to reveal that Minnelli was performing in her place. There were no press releases and no inserts in the Playbills.

Photo of Rick McKay courtesy WNET/PBS

The post How Rick McKay’s “Broadway: Beyond the Golden Age” Was Finished appeared first on Cultural Attaché.

New York’s Public Theater has given birth to some of theater’s finest accomplishments. From the Pulitzer Prize-winning That Championship Season to Caryl Churchill’s Top Girls to Caroline, Or Change and a couple musicals you might have heard of: A Chorus Line and Hamilton. They will be celebrating their history and looking passionately towards the future on Monday, June 1st with their online gala event We Are One Public.

No pun intended, but the public is invited to join The Public for this event. We Are One Public begins at 8 PM EDT/5 PM PDT on their website. Hosting is Jesse Tyler Ferguson. Tony Award-winning director Kenny Leon directs and the music director is another Tony Award-winner, Ted Sperling.

If you want to see a list that defines an embarrassment of riches, the participants for Monday’s fundraiser will serve as just that:

Todd Almond, Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Troy Anthony Burton, Michael Cerveris,  Glenn Close, Jenn Colella, Elvis Costello, Daniel Craig, Claire Danes, Carla Duren, Danaya Esperanza, Jane Fonda, Nanya-Akuki Goodrich, Holly Gould, Danai Gurira, Anne Hathaway, Stephanie Hsu, David Henry Hwang, Oscar Isaac, Brian d’Arcy James, Nikki M. James, Alicia Keys, John Leguizamo, John Lithgow, Lin-Manuel Miranda, Audra McDonald, Grace McLean, Brian Stokes Mitchell, Margaret Odette, Kelli O’Hara, Sandra Oh, Mia Pak, Suzan-Lori Parks, David Hyde Pierce, Phylicia Rashad, Jay O. Sanders, Liev Schreiber, Deandre Sevon, Martin Sheen, Phillipa Soo, Meryl Streep, Trudie Styler & Sting, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall, Kate Wetherhead and more.

During We Are One Public, there will be two special honors awarded. The first is to benefactors Audrey & Zygi Wilf whose philanthropy has greatly benefited The Public Theatre. The second is to actor Sam Waterston.

The actor, who will be the artistic honoree, has appeared in over a dozen productions at The Public Theater. His work there began in 1963 and usually finds him performing the works of William Shakespeare – most often during The Public Theater’s Shakespeare in the Park season. His most recent appearance was as Prospero in the 2015 production of The Tempest.

Obviously donations are encouraged before, during and after this event. There is also an on-line auction that is already open for bidding. Amongst the items available are a virtual conversation with Queen Latifah and director Lee Daniels; a decade of premium Shakespeare in the Park seats; a signed sketch of the set of Hamilton by David Korins and a Zoom chat with ballet dancers Ethan Stiefel and Gillian Murphy. There are many more items available.

We Are One Public is scheduled to run 90 minutes. There is a virtual dance party immediately following the event.

Photo from Cymbeline courtesy of the New York Public Library.

Photo of The Public Theatre Courtesy of The Public Theater

Update: This post has been updated to include the postponement of the event.

The post We Are One Public – POSTPONED appeared first on Cultural Attaché.

Viola Davis (How to Get Away With Murder) has two Tony Awards for her performances in Fences (2010 and King Hedley II (2001)

Elisabeth Moss (The Handmaid’s Tale) appeared on stage in The Heidi Chronicles in 2015 and David Mamet’s Speed-the-Plow revival in 2009.

Liev Schreiber (Ray Donovan) won a Tony Award for his performance in Glengarry Glen Ross (2005). Jeffrey Tambor (Transparent) was also in that production.

Jane Fonda (Grace and Frankie) first appeared on Broadway in There Was a Little Girl in 1960. She was nominated for her performance in 2009’s 33 Variations. She later reprised that role at the Ahmanson Theatre.

Her co-star Lily Tomlin (Grace and Frankie) won a Tony Award for The Search for Signs of Intelligent Life in the Universe (1985-1986). She also performed the show at what was then called the James A. Doolittle Theatre (now the Ricardo Montalban) on Vine Street.

John Litghow (The Crown) won a Tony Award for his first Broadway role in The Changing Room (1973). He won a second for the musical The Sweet Smell of Success in 2002. He appeared in with Glenda Jackson in Who’s Afraid of Virginia Woolf? in 1989 at the Doolittle. He most recently appeared at the Mark Taper Forum in Stories By Heart which will open next year on Broadway.

Carrie Coon (Fargo) appeared on Broadway in Who’s Afraid of Virginia Woolf? in 2012.

Geoffrey Rush (Genius) has only appeared on Broadway once. The show was Exit the King (2009) and he won a Tony Award.

The cast of Feud has spent quite some time on Broadway. Susan Sarandon was with Rush in Exit the King. Jessica Lange won a Tony Award for her performance in Long Day’s Journey Into Night (2016) and she appeared with Alec Baldwin (nominated for Saturday Night Live) in a 1992 revival of A Streetcar Named Desire. Alfred Molina was in Red in 2010 and he also played the part at the Mark Taper Forum. Stanley Tucci was nominated for his performance in Frankie and Johnny in the Clair de Lune. Jackie Hoffman is on Broadway now in Charlie and the Chocolate Factory (though I bet she’s missing today’s matinee!) She was also in the musicals Xanadu and Hairspray!

Ann Dowd (The Handmaid’s Tale) appeared in The Seagull (2008); Taking Sides (1996) and Candida (1993).

Uzo Aduba (Orange Is the New Black) appeared on a revival of Godspell (2011) and also in Coram Boy (2007.)

Ron Cephas Jones (This Is Us) appeared in a revival of Of Mice and Men in 2014 and was also in The Motherfucker with the Hat (2011) and Gem of the Ocean (2004.)

Television host James Corden won a Tony Award for One Man, Two Guvnors in 2012. He also appeared in The History Boys in 2006. The original cast also performed the show at the Ahmanson Theatre.

And some guy named Lin-Manuel Miranda, nominated for his guest appearance on Saturday Night Live, has a few Tony Awards on his mantle. He wrote In the Heights and some musical that’s playing now at the Pantages Theatre called Hamilton.

Good luck to all the nominees and remember, you can often catch some of your favorite actors before they become famous by going to a play or musical.

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