Every year Broadway’s best performers switch gender by having the men sing songs written for female characters and the women singing songs written for male characters. Add clever staging and you have one of each year’s most entertaining concerts.

For Broadway Backwards 2021, the concept allows for the combination of new material and great performances from previous editions of the show.

There is a rather simple storyline this year: Tony nominee Jenn Colella (Come From Away) will play a late night TV host who takes a young man living in isolated New York (Jay Armstrong Johnson of Quantico and The Phantom of the Opera) on an amazing journey. There will be an emphasis on LGBTQ stories in the event.

It strikes me a little like Dorothy’s journey in The Wizard of Oz. And wait until you see who he runs into along the way:

The opening number features Tony Award winners Stephanie J. Block (The Cher Show) and Lea Salonga (Miss Saigon) with Deborah Cox (Jekyll and Hyde).

Who else might he encounter? Debbie Allen, Amy Adams, Ward Billeisen, Matt Bomer, Brenda Braxton, Charl Brown, Tituss Burgess, Joshua Buscher-West, Len Cariou, Carolee Carmello, Jamie Cepero, Bryan Terrell Clark, Glenn Close, Darren Criss, Steven Cutts, Ariana DeBose, Loretta Devine, Cynthia Erivo, Jesse Tyler Ferguson, Garlen Gilliland, James Monroe Iglehart, Cheyenne Jackson, Cherry Jones, Andrew Keenan-Bolger, Andy Kelso, Eddie Korbich, Marty Lawson, L Morgan Lee, Raymond J. Lee, Aasif Mandvi, Michael McElroy, Eric McCormack, Debra Messing, Ruthie Ann Miles, Bonnie Milligan, Brian Stokes Mitchell, Debra Monk, Jessie Mueller, Javier Muñoz, Kelli O’Hara, Karen Olivo, Alfie Parker Jr., Jim Parsons, Brandon Pearson, Bernadette Peters, Eric Petersen, Eve Plumb, Waldemar Quinones-Villanueva, Andrew Rannells, Alex Ringler, Chita Rivera, Roslyn Ruff, Michael James Scott, Sis and Elizabeth Stanley, Ryan Steele, Dennis Stowe, Lillias White, Curtis Wiley and Tony Yazbeck.

You want more? How about special guests Chasten Buttigieg, Anderson Cooper, Ariana DeBose, Don Lemon, Sheryl Lee Ralph, Robin Roberts, Tony Shalhoub and Ben Vereen?

Being this is a Broadway event, we can’t leave out the rest of the company: Danyel Fulton, Shelon Henry, Diana Huey, Aaron Libby, Nathan Lucrezio, Melinda Porto, Shelby Ringdahl, Vishal Vaidya and Blake Zolfo.

Robert Bartley is the writer/director; he also created Broadway Backwards. Mary-Mitchell Campbell is the music supervisor and Ted Arthur is the music director.

As impressive as all of this is, the best thing about Broadway Backwards is that it is a great fundraiser for Broadway Cares/Equity Fights AIDS. To date these shows have raised nearly $4.4 million dollars! Each of the last three shows has raised over half a million dollars.

You can watch Broadway Backwards on the Broadway Cares/Equity Fights AIDS website and also on their YouTube channel. The show will remain available through 11:59 PM EDT on April 3rd only.

These three clips give you just a taste of what to expect. This is truly the highlight of the week. Tune in, donate if you can, and just wait to be blown away.

Photo: Broadway Backwards 2021 Logo (courtesy of Broadway Cares/Equity Fights AIDS)

The post The 2021 Virtual Broadway Backwards appeared first on Cultural Attaché.

But that’s not all! There are operas both old and new; dance both modern and ballet; vocalists singing standards and show tunes; several jazz concert options; contemporary classical music and witty banter to start your weekend off just right. We have nearly two dozen options for you!

With so many plays available, one of them was destined to be my Top Pick this week. It’s almost as if it had been written in the stars. Topping this week’s list is the Public Theater’s radio play and bilingual version of Shakespeare’s Romeo y Julieta with Juan Castano as Romeo and Lupita Nyong’o as Julieta.

So here are the Four Days of Best Bets: March 19th – March 22nd. The list begins with my Top Pick and is followed by events in the order in which they become available.

*TOP PICK* RADIO PLAY: Romeo y Julieta – Public Theater – Now Available

William Shakespeare’s best-known play is certainly Romeo and Juliet. In this radio play version you’ll get to hone in on exactly what makes this play so riveting: the story and the words. But there’s going to be a difference: this is a bilingual version called Romeo y Julieta.

Director Saheem Ali and Ricardo Pérez González have adapted Alfredo Michel Modenessi’s Spanish-language translation for this audio only production.

Starring as the title characters are Juan Castano as Romeo and Lupita Nyong’o as Julieta. Ivonne Coll plays the Nurse, Hiram Delgado is Tybalt, Irene Sofia Lucia is Mercutio, Julio Monge is Friar Lawrence and Javier Muñoz is Paris.

The rest of the cast includes Carlo Albán, Karina Arroyave, Erick Betancourt, Michael Braugher, Carlos Carrasco, John J. Concado, Guillermo Diaz , Sarah Nina Hayon, Kevin Herrera, Modesto Lacen, Florencia Lozano,  Keren Lugo, Benjamin Luis McCracken, Tony Plana and David Zayas.

The Public is making closed-captioning available in both English and Spanish and are also providing a script to use to follow along for those who might want that. Just be prepared for a tragic story that ends with these words:

“For never was a story more of woe

Than this of Juliet and her Romeo.”

There is no charge to listen to Romeo y Julieta, but donations are encouraged.

PLAY: The Picture of Dorian Gray – now – March 31st

Oscar Wilde’s classic story of a man who sells his soul in order that his good looks don’t fade gets a contemporary spin in this new version of the story by Henry Filloux-Bennett. This updated approach has Dorian as a social media influencer who doesn’t want to see his fame fade. It’s just as much a Faustian deal here as in Wilde’s original.

Starring in this production are Fionn Whitehead (Dunkirk), Alfred Enoch (seven of the Harry Potter films), Joanna Lumley (Absolutely Fabulous), Emma McDonald (Hamlet), Russell Tovey (Angels in America) and Stephen Fry (Wilde).

Tickets are £12 which at press time was equal to just under $17. There is a warning that there is strong language and references to mental illness and suicide. The production is recommended for audiences age 16 and higher.

PLAY: Women Without Men – Mint Theater Company – Now – March 21st

This is the first of several plays that New York’s Mint Theater Company has started streaming. Set in Ireland in the 1930s, Hazel Ellis’ play depicts the unmarried teachers at an all-girls school. It is their interactions with one another that reveals petty jealousies and very different personalities.

This production was staged in 2016 and was directed by Jean Thompson. Appearing in Women Without Men are Mary Bacon, Joyce Cohen, Shannon Harrington, Kate Middleton, Aedin Moloney, Alexa Shae Niziak, Kellie Overbey, Dee Pelletier, Beatrice Tulchin, Emily Walton and Amelia White.

There is no fee to watch the play. Registration; however, is required.

PLAY: Katie Roche – Mint Theater Company – Now – March 28th

Also from Mint Theater Company is this 2013 production of Teresa Devey’s 1936 play. Katie Roche tells the story of a servant girl who has big dreams and finds herself torn between two men.

The play had its premiere with Ireland’s Abbey Theatre and made its first appearance in the United States in 1937.

Starring are Margaret Daly, Patrick Fitzgerald, Jon Fletcher, David Friedlander, Jamie Jackson, John O’Creagh, Wrenn Schmidt, Diana Toibin. Jonathan Bank directs.

There is no fee to watch the play. Registration; however, is required.

PLAY: How to Catch Creation – Goodman Theatre – Now – March 28th

Half a century after a young woman’s girlfriend hits her with some very surprising news, four artists are coming to grips with the ramifications of that fateful day. That’s the premise of Christina Anderson’s How to Catch Creation which Chicago’s Goodman Theatre will be streaming on demand for two weeks.

This is not a reading of the play. Rather it is a capture of their 2019 production directed by Niegel Smith. The cast features Karen Aldridge, Ayanna Bria Bakari, Jasmine Bracey, Bernard Gilbert, Maya Vinice Prentiss and Keith Randolph Smith.

How to Catch Creation runs 2 hours and 15 minutes. There’s no charge to stream the production.

PLAY: Vanya and Sonia and Masha and Spike – Broadway on Demand – Now – April 18th

You might think you need to know a lot about the work of Anton Chekhov to appreciate Christopher Durang’s Vanya and Sonia and Masha and Spike. While it certainly helps, it’s absolutely not essential. While the play does take place near a cherry orchard, there is familial conflict about what to do with a cherished home and the three siblings depicted all have names taken from Chekhov’s work, this comedy has proven popular around the world.

Durang had a rather circuitous route to Broadway with this play. Vanya and Sonia and Masha and Spike had its world premiere at the McCarter Theatre in Princeton in 2012. One month after closing there it went off-Broadway to Lincoln Center’s Mitzi E. Newhouse Theatre. Two months after closing there it opened on Broadway and ultimately was named the Best Play at the Tony Awards.

One thing this play was able to do was keep its cast intact for all those moves. So the film that Lincoln Center is making available for free on Broadway on Demand features David Hyde Pierce, Billy Magnussen, Kristine Nielsen, and Sigourney Weaver.

I’ve seen this play two times and strongly recommend you allow yourself the time to relax, sit back and enjoy yourself.  In 2014 I interviewed David Hyde Pierce about the play and his direction of it when it played the Mark Taper Forum. You can read that interview here.

OPERA: Breaking the Waves – Los Angeles Opera – March 19th – April 12th

The 1996 Lars von Trier film Breaking the Waves told the dark story of a husband, who is recovering from an accident at work, who encourages his wife to have sex with other men during his recovery. It was a bold film that featured a shattering performance by Emily Watson.

Composer Missy Mazzoli and librettist Royce Vavrek created an opera based on this film. Their work had its world premiere at Opera Philadelphia in 2016.

The work won universal acclaim including these comments by Alex Ross in The New Yorker:

“The opera created a world: it had a tone, a profile. There was an uncommonly strong relationship between libretto and music: the work felt urgent, driven by conviction, essential.”

Los Angeles Opera had scheduled a live production of Breaking the Waves, but the pandemic got in the way. In its place they are making a film of the opera directed by James Darrah available for free streaming (registration is required).

The original cast returns: Kiera Duffy, John Moore, Eve Gigliotti, David Portillo, Zachary James and Marcus DeLoach.

As you might imagine with this subject matter, a word of caution. This production includes explicit language, nudity and sexual content, some of a violent nature. Recommended for mature audiences only.

CONVERSATION: Virtual Halston – Cast Party Network – March 19th – 5:00 PM EDT/2:00 PM PDT

If you’re going to have an afternoon salon filled with ribald conversation and witty repartee, it helps to have two masters participating. In this week’s edition of Virtual Halston with Julie Halston, she’s got a great guest: playwright/author/screenwriter Paul Rudnick.

His plays include I Hate Hamlet, Jeffrey, The Most Fabulous Story Ever Told and the upcoming book for the musical adaptation of The Devil Wears Prada. His screenplays include The Addams Family, The First Wives Club and In and Out.

Actor Peter Bartlett, who received a Drama Desk nomination for his performance in The Most Fabulous Story Ever Told, will also be joining.

JAZZ: A Night in New Orleans – Derek Douget – Lobero Theatre – March 19th

When winter turns to spring and Lent is approaching many people immediately think of New Orleans and its grand tradition of Mardi Gras. Even later in spring thoughts turn to the New Orleans Jazz and Heritage Festival.

Mardi Gras didn’t happen this year and JazzFest is postponed until the fall.

So what’s a fan of that glorious music supposed to do?

Lobero Theatre in Santa Barbara is riding to your rescue this weekend. Saxophonist Derek Douget and his band will bring all that wonderful music into your home beginning Friday evening with A Night in New Orleans.

Joining Douget are Victor Atkins on piano; Ashlin Parker on trumpet; Herlin Riley on drums and vocals; Jason Stewart on bass and Don Vappie on banjo/guitar and vocals.

Tickets are $15, but you’ll have to provide your own beads!

JAZZ: Cindy Blackman Santana and Guests – SFJAZZ – March 19th – 8:00 PM EDT/5:00 PM EDT

Drummer Cindy Blackman Santana is well connected. She’s recorded and toured with Joe Henderson, Pharoah Sanders, Joss Stone, Cassandra Wilson and more. She spent many years on the road as the drummer for Lenny Kravitz. She also toured with Santana and in 2010 Carlos Santana proposed to her.

But those aren’t the friends or guests that are part of this weekend’s Fridays at Five concert from SFJAZZ. She has recent Oscar-nominated composer/musician Terence Blanchard (Da 5 Bloods), guitarist Bill Frisell, the Kronos Quartet, saxophonist Joe Lovano and members of the SFJAZZ Collective joining for this concert from 2017.

There will be an encore presentation of this concert on Saturday, March 20th at 1:00 PM EDT/10:00 AM PDT. Tickets are available with a monthly digital membership ($5) or an annual membership ($60).

OPERA: Renée Fleming Live from the Met – PBS (check local listings) – March 19th from 2021

If you are a regular reader of Cultural Attaché you know that Renée Fleming is one of the most beloved sopranos in opera. Whether seen and heard in productions or recitals, she is regularly a fan favorite.

PBS is airing a recital Fleming gave from Dumbarton Oaks in Washington, D.C. last August.

The program includes works by George Frideric Handel, Erich Wolfgang Korngold, Jules Massenet, Giacomo Puccini and Richard Strauss. Robert Ainsley serves as her accompanist.

BROADWAY VOCALS: Andrew Rannells Live from Lincoln Center – PBS (check local listings) – March 19th from 2018

In December of 2017 Andrew Rannells performed in The Appel Room at Lincoln Center. The concert was filmed and first broadcast on PBS in 2018. The show returns to PBS this weekend.

Rannells is best known for his Tony Award-nominated performance in The Book of Mormon and for his appearance on the HBO series Girls. He was recently seen as Whizzer in Falsettos (his second Tony Award nomination) and in Ryan Murphy’s stage production and the subsequent film of The Boys in the Band.

This is a fun concert that shows the boy can sing more than just show tunes! Fans will want to check it out.

BALLET: The Red Shoes – Ahmanson Theatre – March 19th – March 21st $10

As part of their continuing Digital Series and their relationship with Matthew Bourne, Center Theatre Group and the Ahmanson Theatre are offering up a filmed performance of Bourne’s ballet The Red Shoes.

The ballet is inspired by the Michael Powell/Emeric Pressburger film from 1948 (which in itself was inspired by a story by Hans Christian Anderson).

Bourne uses the music of legendary film composer Bernard Herrmann (Citizen Kane, Psycho) for this ballet.

Ashley Shaw stars as a ballerina torn between her love for the composer who wrote her a ballet and the impresario who runs the ballet company and controls her career.

There will be five opportunities to stream The Red Shoes. Friday, March 19th at 8:00 PM PDT/11:00 PM EDT; Saturday March 20th at 5:00 PM PDT/8:00 EDT and 8:00 PM PDT/11:00 PM PDT and Sunday, March 21st at 1:00 PM PDT/4:00 PM EDT and 5:00 PM PDT/8:00 PM EDT.

Tickets are $10. This program will not be available for streaming outside the United States.

OPERA: Siegfried – San Francisco Opera – March 20th – March 21st

Conducted by Sir Donald Runnicles; starring Daniel Brenna, Greer Grimsley, Iréne Theorin, Ronnita Miller and David Cangelosi. This revival of Francesa Zambello’s 2011 production is from the 2017-2018 season.

This third opera in Wagner’s Der Ring des Nibelungen had its premiere in Bayreuth in 1876 where it was seen at the first-ever performance of The Ring Cycle.

The title character is front and center in the third opera in the Ring Cycle. He matures throughout the opera via the choices he makes. He encounters an enigmatic Wanderer, but doesn’t know this is Wotan in disguise. When Siegfried is able to reassemble pieces of Siegmund’s sword (Siegmund is his father) he uses it to kill Fafner who has the responsibility of protecting the gold that was stolen from the Rhinemadiens in Das Rheingold. He also comes into possession of the ring. But what will he do with it and how will that impact his pre-destined love for Brunnhilde?

Lisa Hirsch, writing for the San Francisco Classical Voice, said of the production:

“…perhaps the greatest strength of the production remains: a splendidly staged and remarkably sympathetic Siegfried that flew by. In 2011, part of its charm was the surprisingly sweet Siegfried of Jay Hunter Morris, a handsome man with a beautiful voice. With the young heroic tenor Daniel Brenna stepping into the role this year, some of the sweetness and charm is lost to a more conventionally brash portrayal of the character. Still, the opera really did come off as a scherzo, a comparatively light moment in the Ring despite the deaths of Mime and Fafner. The encounters between the Wanderer and Mime, Alberich, Erda, and Siegfried retain their tremendous emotional power and depth.”

VOCALS: Songs from the Heart – Ute Lemper – March 20th – 2:00 PM EDT/11:00 AM PDT

Whether in concert halls, recording albums or gracing the stage of a musical, Ute Lemper has easily become of our most passionate and accomplished performers.

That wide range of material she handles will be on display in Songs from the Heart on Saturday. The concert will be streaming from Europe and includes songs from the musicals Cabaret and Chicago; from The Threepenny Opera; songs made famous by Édith Piaf and Marlene Dietrich, a song Lemper composed and also a song by Joni Mitchell.

I’ve seen her in multiple concert performances and also in the Broadway revival of Chicago. She’s absolutely amazing.

Joining Lemper for this concert will be Vana Gierig on piano; Tim Ouimette on trumpet; Matt Parrish on bass and Todd Turkish on drums and percussion.

Ticket are $24.99 and allow for 48 hours of access.

JAZZ: Jeremy Pelt Quintet – Vermont Jazz Center – March 20th – 8:00 PM EDT/5:00 PM PDT

You’re probably asking yourself how often will I recommend a performance by Jeremy Pelt? As long as he keeps putting out great music like Griot – This Is Important! I will do so as long as possible.

This concert from the Vermont Jazz Center will focus exclusively on music from this new album.

Joining Pelt for this concert are Vicente Archer on bass; Victor Gould on piano; Chien Chien Lu on vibraphone and Allan Mednard on drums.

There is no charge to stream the concert; however donations are encouraged.

ONE PERSON PLAY: Anyone But Me – IAMA Theatre Company – March 21st – April 18th

Sheila Carrasco’s Anyone But Me is the first of two one-person shows by Latinx-American women that Los Angeles’ IAMA Theatre Company will start streaming this weekend. Carrasco stars in this show in which she depicts multiple women struggling to define themselves and realizing that where they are is not where they want to be.

Anyone But Me is directed by Margaux Susi.

Tickets start at $15 (based on your ability to donate to IAMA).

ONE PERSON PLAY: The Oxy Complex – IAMA Theatre Company – March 21st – April 18th

The second play, The Oxy Complex, is written and performed by Anna LaMadrid. The play is set in the not-too-distant future – specifically the 500th day of quarantine. They Oxy of the title is not Oxycontin (source of opioid addictions), but rather Oxytocin.

What is oxytocin? It is defined by Medical News Today as:

“…a neurotransmitter and a hormone that is produced in the hypothalamus. From there, it is transported to and secreted by the pituitary gland, at the base of the brain.

“It plays a role in the female reproductive functions, from sexual activity to childbirth and breast feeding.”

So what is LaMadrid exploring in her show? All the things a woman might miss while being quarantined for so long. There is a reason, after all, that Oxytocin is called the “love hormone.”

Michelle Bossy directs. Tickets begin at $15 (based on your ability to donate).

CONTEMPORARY CLASSICAL MUSIC: Bang on a Can Marathon Live Online – March 21st – 3:00 PM EDT/12:00 PM PDT

For their spring live online marathon, Bang on a Can is showcasing performances from New York and Berlin.

Here’s the line-up:

3:00 PM EDT/12:00 PM PDT

Daniel Bernard Roumain Why Did They Kill Sandra Bland? performed by Arlen Hlusko; Arnold Dreyblatt; Mazz Swift and Rohan Chander △ or THE TRAGEDY OF HIKKOMORI LOVELESS from FINAL//FANTASY performed by Vicky Chow

4:00 PM EDT/1:00 PM PDT

Kristina Wolfe Listening to the Wind performed by Molly Barth; Miya Masaoka; Aeryn Santillan disconnect. performed by Ken Thomson and Adam Cuthbert

5:00 PM EDT/2:00 PM PDT

Ken Thomson Birds and Ambulances performed by Robert Black; Tomeka Reid Lamenting G.F., A.A., B.T., T.M. performed by Vicky Chow; Steve Reich Vermont Counterpoint performed by Claire Chase; Christina Wheeler and Molly Joyce Purity performed by David Cossin

6:00 PM EDT/3:00 PM PDT

Tyshawn Sorey; Jeffrey Brooks Santuario performed by Mark Stewart; Moor Mother and Bill Frisell

BROADWAY VOCALS: Jackie Hoffman – March 21st – 3:00 PM EDT/12:00 PM PDT

I’ve had the pleasure of seeing Jackie Hoffman in the original companies of Hairspray and Xanadu on Broadway. She’s always a joy to watch. Sadly I didn’t get a chance to see her in The Addams Family, On the Town or Charlie and the Chocolate Factory.

But you’ll get to see what makes Hoffman such a delightful and witty performer on Sunday.

She is Seth Rudetsky’s guest as part of his Concert Series. I can only imagine what stories she’ll have to tell and what songs she’ll choose to sing. We can all find out either in the live broadcast or in the encore showing (also on Sunday) at 8:00 PM EDT/5:00 PM PDT.

Tickets are $25.

DANCE: Uncharted Territory: Dancers in Isolation – Eryc Taylor Dance – Premieres March 21st – 6:00 PM EDT/3:00 PM PDT

Eryc Taylor has conceived a new work born out of the crisis that has hit us all in the last year. This work, Uncharted Territory: Dancers in Isolation, was created via Zoom, and focuses on New York City dancers.

The company features Nicole Baker, Chris Bell, Taylor Ennen, AJ Guevara, Eryc Taylor and Alex Tenreiro Theis. Each dancer choreographed their own work. The film is revealed in five separate segments which explore themes of death, mental instability, paranoia, sexual frustration and stillness.

The music was composed by Daniel Tobias.

There is no charge to watch the premiere, though donations are encouraged. Uncharted Territory will remain available online through March 28th.

PLAY: Yours Unfaithfully – Mint Theater Company – March 22nd – May 16th

Though written in 1933, Miles Malleson’s Yours Unfaithfully remained unperformed until Mint Theatre Company produced the show in late 2016.

It seems strange that a story about a married couple exploring an open relationship came from 1933. The all-too-virtuous husband (Max von Essen) is a writer seemingly unable to get inspired. His wife (Elisabeth Gray) runs a progressive school. She suggests opening up their relationship.

Alexis Soloski, in her review for the New York Times, said:

“Under the polished direction of Jonathan Bank, and in the hands of a fine team of designers, its arguments remain provocative, while its structure feels familiar, its tone decorous. Maybe that only makes it more unusual. It’s a bit like a sex farce with real sorrow instead of slammed doors, and something like a drawing room comedy with moral conundrums peeking out beneath the cushions. It is often very funny; it is also very nearly a tragedy.

There is no fee to watch the play. Registration; however, is required.

BROADWAY AND JAZZ VOCALS: Jim Caruso’s Pajama Cast Party – March 22nd – 8:00 PM EDT/5:00 PM PDT

Jim Caruso celebrates 50 episodes of Pajama Cast Party with this Monday’s edition. Which makes the absence of his usual venue for his weekly in-person Cast Party, Birdland, all that more palpable.

But this is a party and the show will celebrate turning 50. Joining this week are singer/songwriter Ben Clark, Broadway/pop singer Joshua Colley (Les Misérables), singer/artist Jared Wayne Gladly, Broadway’s Jason Kravits (Relatively Speaking), Brazilian singer/songwriter Denise Reis and Braodway’s Dee Roscioli (Fiddler on the Roof).

That’s this weekend’s Four Days of Best Bets: March 19th – March 21st. But a few reminders before we go:

Los Angeles Philharmonic releases a new Sound/Stage episode entitled A Pan-American Musical Feast with special guest Chef José Andrés. The episode features performances of works by Tania León; Paul Desenne and Aaron Copland. For details on this episode and the whole series please go here.

The 92nd Street Y is still streaming last weekend’s performance by violinist Gil Shaham with The Knights. You can read details about their entire series here. Check out my recent interview with Shaham here.

The Metropolitan Opera concludes their Viewer’s Choice week with a 2006-2007 season production of Rossini’s Il Barbiere di Siviglia on Friday; a production of Tchaikovsky’s Eugene Onegin from the same season (and strongly recommended) and a production of Handel’s Agrippina from the 2019-2020 season on Sunday (also recommended). You can see details and clips from all three productions here.

On Monday the Met begins a weeklong celebration of Myths and Legends with a production of Gluck’s Orfeo ed Euridice from the 2008-2009 season. We’ll have full details on Monday with our preview of the the week’s full line-up.

I trust you’ll find something amongst the Four Days of Best Bets: March 19th – March 22nd to keep you entertained! Have a great weekend.

Photo: Artwork of the balcony scene from Romeo y Julieta by Erick Davila (Courtesy The Public Theater)

Correction: The name of Eryc Taylor Dance program is Uncharted Territory and not Unchartered Territory as we originally listed. Cultural Attaché has corrected the post above and regrets the error.

The post Four Days of Best Bets: March 19th – March 22nd appeared first on Cultural Attaché.

As I mentioned a couple weeks ago, cultural events are picking up now that we’ve entered the traditional fall season. This week proves that point as we have 13 different shows for you to consider. Plus a few reminders, just in case you don’t find something you like. But seriously, what are the odds of that?

So here are our Best Bets: October 16th – October 18th:

Shipwreck – The Public Theater – October 16th – 12:00 PM EDT/9:00 AM PDT

Starting on Friday – for an open-ended run – is a radio play from The Public Theater called Shipwreck. This is a recent work from playwright Anne Washburn who was named a Guggenheim Fellow in 2009.

The play was scheduled to be part of The Public Theater’s 2020 season and has been recorded and produced for listening at home.

In Shipwreck a group of friends have gathered in upstate New York. What starts out as a glorious day, suddenly turns dark and stormy. That applies to both the weather and to the relationships. It turns out that even close, liberal friends, can find their belief systems challenged in present-day America.

Performing Shipwreck are Mia Barron, Brooke Bloom, Phillip James Brannon, Rob Campbell, Bill Camp, Raúl Esparza, Jenny Jules, Sue Jean Kim, Bruce McKenzie, Joe Morton, Jeremy Shamos and Richard Topol. Saheem Ali directs.

When the Almeida Theatre in London produced Shipwreck in 2019, the play earned strong reviews. Amongst them was this comment from Michael Billington writing in The Guardian: “…this is an important play that not only examines the Trump phenomenon but also asks why he was elected: one character shocks his friends by explaining that he voted for Trump because a failing democracy needs a shock to the system. It is precisely the argument you sometimes hear in Britain about a no-deal Brexit being a catalyst for change.”

Andra Day – Los Angeles Philharmonic Sound/Stage – October 16th – 1:00 PM EDT/10:00 AM PDT

The fourth episode of the Los Angeles Philharmonic’s Sound/Stage online series starts running on Friday and it is the first one to feature a solo artist without the orchestra: singer/songwriter Andra Day.

Day is perhaps best known for her hit song, Rise Up. She’ll perform that song along with Gold (both songs are from her 2015 album Cheers to the Fall) and also Nina Simone’s classic song, Mississippi Goddam. She will also appear in an interview as part of the program.

Included in the program as well will be performances from Flypoet Summer Classic that was filmed at The Ford.

For details about the full Sound/Stage series, please check out our full preview here.

Henry IV – St. Ann’s Warehouse – October 16th – October 22nd – 7:30 PM EDT/4:30 PM PDT

Brooklyn’s St. Ann’s Warehouse has partnered with London’s Donmar Warehouse to stream Shakespeare Trilogy on Film, three of his plays performed by all-female casts. They began by streaming the 2013 production of Julius Caesar last week. (Don’t worry, you have another chance to see it).

This week the 2016 production of Henry IV is streaming.

Phyllida Lloyd (who, for better or worse, was the director of Mamma Mia! both on stage and screen) directed all three plays.

In this version of Henry IV, the two Shakespeare plays have been condensed into one 135-minute play. Harriet Walter, who is perhaps best known for her roles in Sense and Sensibility and Atonement, plays Henry.

Ben Brantley of the New York Times, called Walter “one of the great Shakespearean interpreters of her generation” in his review of this production when it played St. Ann’s Warehouse in 2015.

He also said of Lloyd’s Henry IV, which is set in a women’s prison, “It’s a multilayered act of liberation. Prisoners are allowed to roam the wide fields of Shakespeare’s imagination; fine actresses are given the chance to play meaty roles that have been denied them; and we get to climb out of the straitjackets of our traditional perceptions of a venerated play.”

The third play in this trilogy is The Tempest, which will become available on October 23rd – October 29th. But fear not, the entire trilogy (which includes Julius Caesar) will be available for streaming at will October 30th – November 1st. All viewings are free.

Mary Stallings and Bill Charlap Trio – SFJAZZ – October 16th – 8:00 PM EDT/5:00 PM PDT

This week’s Friday’s at Five concert from SFJAZZ features vocalist Mary Stallings with the Bill Charlap Trio (which includes Peter Washington on bass and Kenny Washington on drums). The concert is from March, 2018.

If Mary Stallings isn’t familiar to you, let me start by sharing this review from her concert.

“At 78, Stallings has entered territory that’s largely uncharted. Her voice sounds remarkably lithe and strong, and her gift for blues-tinged phrasing links her directly to matriarchs Billie Holiday and Dinah Washington.

“The only precedent for a world-class jazz vocalist sounding this good closing in on 80 is Ernestine Anderson (the extraordinary Sheila Jordan is still going strong at 89, but she’s a very different kind of jazz singer). Considering how relatively little Stallings has recorded, her performances feel like precious, ephemeral experiences, and she made the most of her time with Charlap’s trio, a unit that’s been touring and recording together for more than two decades.”

Those were the words of Andrew Gilbert writing in the San Francisco Classical Voice.

Stallings’ most recent album was last year’s Songs Were Made to Sing. She has kept some pretty fine company during her career: Tony Bennett, Billy Eckstine, Ella Fitzgerald, Dizzy Gillespie, Joe Williams and the list goes on. Her best known recording was Cal Tjader Plays, Mary Stallings Sings which came out in 1960.

This collaboration with the Bill Charlap Trio should be a great way to start your weekend.

Sticks & Stones – October 16th – 8:00 PM EDT/5:00 PM PDT

The story of David versus Goliath gets a new telling in the musical Sticks & Stones which was written by composer John McDaniel and lyricist/bookwriter Scott Logsdon.

A concert performance of Sticks & Stones will stream this weekend as a fundraiser for Broadway Cares/Equity Fights AIDS and Lady Gaga’s Born This Way Foundation.

Teen bullying is the theme of Sticks & Stones with the Biblical story serving as the setting for the story.

An impressive cast has been assembled for the concert. Audra McDonald plays David’s mother, Nizevet. Javier Muñoz, who was the first actor to take over the title role in Hamilton after Lin-Manuel Miranda left the show, plays David’s father, Jesse. George Salazar, who appeared in Be More Chill, plays King Saul. Joshua Colley (2014 revival of Les Misérables) is David and Mykal Kilgore (Motown: The Musical) is The Prophet Samuel.

The concert will be available for streaming through October 20th. There is no charge to watch Sticks & Stones, but donations are encouraged.

Aaron Diehl Trio – Caramoor – October 16th – 8:00 PM EDT/5:00 PM PDT

Because I think he is one of the finest pianists working today, I’ve written about Aaron Diehl a few times and have interviewed him. He plays both jazz and classical music. (You can read the interview here.)

For this concert he’ll be performing standards and some of his own compositions with Aaron Kimmel on drums and Paul Sikivie on bass.

Rather than reiterate his credits or offer more praise, just listen to the music.

This concert is streaming from Caramoor in Katonah, NY which is a bit more than 40 miles from Manhattan. They are presenting the Aaron Diehl Trio in association with Jazz at Lincoln Center.

Tickets are free for Caramoor members. If you’re not a member, there is a $10 fee to watch the live stream concert.

Ben Williams Live – Blue Note New York – October 16th – 8:00 PM EDT/5:00 PM PDT

At the 2009 Thelonious Monk Institute of Jazz International Bass Competition, the musicians had a mightily impressive jury to win over. Ron Carter, Charlie Haden, Dave Holland, Robert Hurst, Christian McBride and John Patitucci were the judges. They awarded 1st place to Ben Williams.

Williams will be performing live from Blue Note in New York on Friday.

In addition to the live stream listed above, there is an encore showing at 11:00 PM EDT/8:00 PM PDT.

Lest you think his competition victory was a fluke, he’s gone on to work with George Benson, Terence Blanchard, Dee Dee Bridgewater, Stefon Harris, Roy Hargrove, Chaka Kahn, Pharrell and many more.

His most recent album is I Am a Man which was released earlier this year. It’s a terrific album. He also released an instrumental-only version called I Am a Man: Mentals.

Tickets for either the live performance or the re-stream are $15.

Los Angeles Dance Festival Week #3 – October 16th – October 18th

The third week of Los Angeles Dance Festival is upon us. The show, which runs two hours, becomes available at 9:00 PM EDT/6:00 PM PDT on October 16th and will remain available until 3:00 AM EDT/12:00 AM PDT on October 19th.

This week’s line-up features Charlotte Katherine & Co (modern dance), Nannette Brodie Dance Theater (modern dance), Kybele Dance (multi-cultural contemporary dance), Poets In Motion, MarieElena Martingano & Camryn Eakes, John Castagna (contemporary ballet), Louise Reichlin & Dancers/Los Angeles Choreographers & Dancers (contemporary dance), The Dance Narrative Project, Lula Washington Dance Theatre (modern dance) and SIDFIT South Korean Artists: Lee Jihee, Kim Jubin. 

Atilla – SF Opera – October 17th – October 18th (begins 10:00 AM through 11:59 on 10/18)

This marks the second weekend of opera productions streamed by San Francisco Opera this fall. This weekend finds a rarely performed opera by Giuseppe Verdi: Atilla.

Verdi’s opera, his ninth, had its premiere in Venice in 1846. The libretto was based on Zacharias Werner’s play Attila, König der Hunnen (Attila, King of the Huns) and was written by Temistocle Solera.

Atilla isn’t an easy man to please. Odabella, a prisoner of war, hopes to kill Atilla in retribution for his killing of her father. Ezio, a Roman Envoy, wants to cause havoc in the empire with Atilla’s help. Instead he infuriates him.

Amongst those who have survived the carnage that is dividing the empire is Foresto. He reunites with Odabella who had assumed he was dead.

Meanwhile Attila has a dream where an old man tells him not to enter Rome. He disregards the advice and marches in. In doing so, he sets off a series of events that will ultimately lead to his death.

This 2012 production marked the return of Atilla to San Francisco Opera after 21 years. Ferruccio Furlanetto sings the title role. Ana Lucrecia García sings Odabella. Diego Torre is Foresto and Quinn Kelsey sings the role of Ezio. Gabriele Lavia directed and Nicola Luisotti conducted.

In looking up reviews of this production, my favorite quote comes from Joshua Kosman writing in the San Francisco Gate. He wrote, “…it was a swift, short onslaught marked by ferocity and thunder. The difference was that only the title character died, and everybody else had a grand time.”

Atilla runs 1 hour and 50 minutes. It will become available at 1:00 PM EDT/10:00 AM PDT and ends on Sunday, October 18th at 11:59 PM PDT/2:59 AM EDT on October 19th.

Speaking Truth to Power – Orpheus Chamber Orchestra – October 17th – October 22nd

Most classical music fans are well-acquainted with Ludwig van Beethoven’s Egmont Overture. Fewer are familiar with the subsequent nine pieces that follow which call for soprano, narrator and orchestra.

In Beethoven’s work (inspired by a play by Johann Wolfgang Goethe) he used the story of Lamoral, Count of Egmont, whose execution prior to the start of the Eighty Years’ War inspired a movement that led to Netherlands’ independence.

The composer was using this work as a statement against Napoleon.

The Orpheus Chamber Orchestra has commissioned a new translation to reflect our present-day world. Egmont was adapted by playwright/translator Philip Boehm.

Joining Orpheus for this performance are Liev Schreiber as the narrator and Karen Slack singing the soprano parts.

Schreiber won a Tony Award for his performance in the 2005 production of David Mamet’s Glengarry Glen Ross. He also starred in the Showtime series Ray Donovan.

Slack made her Metropolitan Opera debut in their 2006 production of Verdi’s Luisa Miller. She also sang the role of Emelda Griffith in Terence Blanchard’s Champion at San Francisco Opera. (That production will be streaming next week by SFJAZZ beginning on October 21st.)

The concert was recorded in Beechwood Park in Hillsdale, New Jersey, following social distancing guidelines.

Speaking Truth to Power begins streaming at 8:00 PM EDT/5:00 PM PDT on October 17th and remains available through October 22nd. Tickets to watch the performance are $15.

Lizz Wright – Mandolin – October 17th – 9:00 PM EDT/6:00 PM PDT $15

I’ve seen singer Lizz Wright several times in concert. From the first time I heard her 2003 record, Salt, I was hooked. She has a beautiful voice and has a unique ability to make each song she sings her own.

Rather inexplicably she has only recorded five other albums since her debut. The most recent was 2017’s Grace. She does appear on No Beginning No End 2 by José James which was released earlier this year.

If you don’t know Lizz Wright, I strongly encourage checking out this concert. If you do, you know how terrific it’ll be.

Ticket are $15.

March – Los Angeles LGBT Center Anita May Rosentein Campus Parking Lot – October 17th – November 15th

Our first live and in-person event (and the reason the title of this column was changed). The venue is the parking lot below the Anita May Rosentein Campus at the Los Angeles LGBT Center. Sixteen cars will be admitted per performance. The audio will be broadcast to you through your radio.

The title of this play is March and it was conceived and directed by Jon Lawrence Rivera. The cast has contributed to the writing of the play during exercises and rehearsals.

A pandemic is gripping the world in March. The time could be a quarter century into the future – or not. Three Trans/Gender Non-Confirming women need to find a place where The Military will not find them. Not much is known beyond that. A little mystique never hurt anyone, did it?

The cast of March includes Miss Barbie Q (MJ), Chad Christopher, Matthew Clark, Amir Levi, Marcelino Mendoza, Coretta Monk, and Roland Ruiz.

What makes this so appealing is that Rivera is one of the most interesting and talented writer/directors working in Los Angeles theater. I have no idea what to expect from March, but I have absolutely no doubt that it will be fascinating.

Performances take place only on Saturday and Sunday. There are two performances each night. One at 7:30 PM and one at 9:00 PM. The per car price to attend is $20.

Keala Settle & Seth Rudetsky – October 18th – 8:00 PM EDT/5:00 PM PDT

Anyone who saw The Greatest Showman knows who Keala Settle is. She introduced the song This Is Me to the world in her role as Lettie Lutz, the bearded lady in the film. She is Seth Rudetsky’s guest this week for his conversation/concert show.

If you only know Settle from that film, you’re missing out. She was memorable as Norma Valverde in Hands on a Hardbody. It’s a role that yielded multiple nominations including a Tony Award nomination for Best Featured Actress in a Musical. She’s appeared in the musicals Les Misérables, Waitress, Hairspray and South Pacific.

If the Sunday live performance does not work for you, there will be an encore showing of the concert on Monday, October 19th at 3:00 PM EDT/12:00 PM PDT. Tickets for each showing are $25.

That’s the official list of Best Bets: October 16th – October 18th. A few reminders before we go:

Donizetti Week at the Metropolitan Opera concludes this weekend with Maria Stuarda on Friday; Roberto Devereux on Saturday and Don Pasquale on Sunday. You can read our full preview here.

Table Top Shakespeare: At Home has the following plays this weekend: Henry VI, Part 2 on Friday; Henry VI, Part 3 on Saturday and Richard III on Sunday. You can read our preview here.

Part 2 of Evelina Fernández’s A Mexican Trilogy is now streaming from Latino Theater Company. The play is called Hope and will be available through October 22nd. For details read our preview here.

That is my complete list of your Best Bets: October 16th – October 18th. Whatever you choose to watch, I hope you enjoy!

Photo: Aaron Diehl (Photo by Maria Jarzyna/Courtesy AaronDiehl.com)

Update: Center Theatre Group has changed the dates for Luis Alfaro’s trilogy of plays. Though originally announced to start this week, they have been rescheduled to start November 6th. We have removed “Electricidad” from this weekend’s Best Bets.

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There’s also a terrific documentary about the 2008 Tony Award-winning Best Musical, In the Heights; 2017’s International Jazz Day Concert, a Baroque-era opera and some special live performances.

Here are your Best Bets at Home: August 7th – 9th:

Matthew Aucoin and Friends Living Room Recital – LA Opera – August 7th – 7:00 PM EDT/4:00 PM PDT

You might have seen the world premiere of Eurydice at LA Opera in February of this year. Or perhaps you attended Crossing at the Wallis Annenberg Center for the Performing Arts in 2018. Both were composed by Matthew Aucoin.

On Friday Aucoin is assembling some of his friends for a living room recital of music he’s written and compositions by Christoph Willibald Gluck and Olivier Messiaen.

Joining him are soprano Erica Petrocelli (Musetta in LA Opera’s 2019 production La Bohème), countertenor Anthony Roth Costanzo (star of Metropolitan Opera’s Akhnaten), tenors Paul Appleby (appearing in Metropolitan Opera 2016-2017 production of Don Giovanni that streams on Sunday) and Barry Banks (seen in Metropolitan Opera’s production of Rossini’s Armida), baritones Davóne Tines (star of Fire Shut Up in My Bones by Terence Blanchard) and Rod Gilfry (star of Crossing) and cellist Coleman Itzkoff

If you can’t watch it as it happens, this concert will be archived for viewing on LA Opera’s website.

Play Your Part – Los Angeles Philharmonic – August 7th – August 14th

If the Hollywood Bowl season had gone on as planned, Grammy Award-wining singer/songwriter Brandi Carlile was going to open this summer’s programming. The first official concert is always a fundraiser for the Youth Orchestra of Los Angeles (YOLA). Obviously that wasn’t possible, but that doesn’t mean the show won’t go on.

Play Your Part is both a concert and workshop that finds Carlile performing with members of the Los Angeles Philharmonic and members of YOLA in a concert that was filmed with social distance guidelines. Gustavo Dudamel and fellow conductor Thomas Wilkins both appear in the program.

This concert, which is free but still serves as a fundraiser for YOLA, will be available for one week.

My suggestion is you make a picnic outside, bring whatever you’d like to eat and drink and watch the concert under the stars and imagine being in the Cahuenga Pass. And don’t forget your credit card. YOLA is an important part of the cultural fabric of Los Angeles and deserves all the support it can get during these difficult times.

Great Performers in Recital at Tanglewood: Yo-Yo Ma and Emanuel Ax – Tanglewood Online Festival – Now – August 8th

Tanglewood in Massachusetts offers a full line-up of programming online. You have to sign up for their e-mails and then set-up a log-in with password to access the programming. There’s a wide array of primarily classical programming available. Much of it is free. Others, like the concert we’re suggesting here, has a fee.

In this particular concert cellist Ma and pianist Ax perform a program that includes Brahms’ Violin sonata in D minor, Opus 108: II. Adagio; Mendelssohn’s Song Without Words, Opus 109 and Beethoven’s Cello Sonata No. 3 in A, Opus 69. The price to view this performance is $12. You can sign up to get access to all performances for $100.

The link above takes you to the main page for Tanglewood Online Festival with instructions how to sign up and details of the full program.

Other concerts available this weekend include:

BSO Musicians in Recital from Tanglewood – August 7th – 8:00 PM EDT/5:00 PM PDT

The program includes works by Nico Muhly, Bonnie Bewick, Mark O’Connor and more. Ticket price: $5

Daniil Trifonov performs Bach’s The Art of the Fugue, BWV 1080 – August 7th – 8:00 PM EDT/5:00 PM PDT Ticket price: $12

Boston Symphony Orchestra performs Mahler’s Symphony #3. – August 8th – 2:30 PM EDT/11:30 AM PDT – Free

Andris Nelsons conducts with Susan Graham, mezzo-soprano

Many of the concerts remain available for a week or longer after their original availability.

In the Heights: Chasing Broadway Dreams – PBS – August 7th (check local listings)

On March 9, 2008, a musical called In the Heights opened at the Richard Rodgers Theatre in New York. Nominated for 13 Tony Awards, it won four including Best Musical. The musical made its creator and star, Lin-Manuel Miranda, a household name.

This documentary follows the cast as they assemble the musical and get ready for their opening night.

Along the way are moving personal stories about many of the participants including Christopher Jackson and Seth Stewart.

I saw this documentary several years ago and loved it. It should be very entertaining and interesting to watch it now and see that Javier Muñoz, Krysta Rodriguez and Joshua Henry – all of whom have gone on to reach far greater personal heights – were part of the ensemble.

PBS has this scheduled for August 7th. Check your local listings for exact time and date.

International Jazz Day from Cuba – PBS – August 7th (check local listings)

International Jazz Day is an annual event that takes place in a different city every year and it features performances by many of the leading artists in jazz.

In 2017 the event took place at the Gran Teatro de La Habana in Havana, Cuba. Quincy Jones and Will Smith were the hosts.

The line-up included Herbie Hancock, Esperanza Spalding, Gonzalo Rubalcaba, Chucho Valdes, Barbarito Torres, Oscar Valdés, Kenny Garrett and Ambrose Akinmusire.

A film of that concert will air on PBS on Friday. As with all PBS programming, best to check your local listings for exact date and time.

Bach, Haydn and Golijov – LA Chamber Orchestra – August 8th – 8:00 PM EDT/5:00 PM PDT

In Los Angeles Chamber Orchestra’s ongoing Summerfest Concerts, this weekend’s filmed performances finds a small ensemble performing a mix of music of Baroque, Classical and Contemporary music.

Franz Joseph Haydn’s String Quartet Op. 33 No. 3 “The Bird” opens the program. Osvaldo Golijov’s Mariel is next. The performance concludes with Johann Sebastian Bach’s Partita #3 in E Major for solo violin, “Gavotte en Rondeau.”

Worth noting is that Bach’s composition has been transcribed for marimba.

The performers for this concert are violinist Sarah Thornblade and Maia Jasper White; violist Erik Rynearson; cellists Giovanna Moraga Clayton and Armen Ksajikian with Wade Culbreath on marimba.

Giulio Cesare – Glyndebourne – August 9th – August 16th

Seems like this is George Frideric Handel’s weekend. With the Metropolitan Opera showing the composer’s Agrippina on Saturday, England’s Glyndebourne makes his opera Giulio Cesare available on Sunday.

The classic story of the love affair and political intrigue that centers around Egypt’s queen and Rome’s ruler comes to life in this opera written by the composer in 1724. The libretto was written by Nicola Francesco Haym. His inspiration was the libretto written by Giacomo Francesco Bussani for composer Antonio Sartorio. 

This production took place in 2005 and was directed by David McVicar. Sarah Connolly sings the role of Cesare and Danielle de Niese sings the role of Cleopatra. The Glyndebourne website indicates that this production is Bollywood meets Baroque. Doesn’t that sound intriguing?

Those are your Best Bets at Home: August 7th – August 9th, but we always have some reminders for you:

In addition to Saturday’s Agrippina from the Metropolitan Opera, they are offering Wagner’s Parsifal on Friday and Mozart’s Don Giovanni on Sunday.

Fans of Tennessee Williams can still catch The Kindness of Stranger event through August 14th.

SFJazz offers John Santos’ 60th Birthday Concert on their Fridays at Five program on August 7th.

The Bill Frisell Trio offers up concerts from the Village Vanguard on August 7th and August 8th.

Terri Lyne Carrington and Danilo Pérez perform on August 8th.

That’s the complete list of Best Bets at Home: August 7th – 9th. I hope you enjoy your weekend. Stay safe. Stay healthy. Enjoy the performances.

Photo: Gustavo Dudamel at YOLA (Photo by Danny Clinch/Courtesy of LA Philharmonic Association)

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Gonzalez has two shows this weekend (one at The Soraya on Saturday and a second show at Irvine Barclay Theatre on Sunday) and she has invited Muñoz to join as her special guest.

When I spoke yesterday with Muñoz by phone he was effusive in his praise of Gonzalez, looking forward to performing different material and most importantly being truly and unapologetically himself.

You and Mandy were original cast members in In the Heights. How did your friendship develop and what stood out to you about her as both an actor and a person?

Oh my gosh. It’s a dream to know Mandy. We nicknamed her “The Beast” as a cast during In the Heights.  Her work ethic, she is invincible, she’s a powerhouse and she puts everything – her heart, her soul, her guts – into everything she does. And she’s really a trustworthy confidant in my life. To have been friends and colleagues all these years is a genuine gift in my life.

How did your joining her for these shows come about?

There was a school opening for a new rehearsal space and theatre and part of the celebration was she and I sang together. I sang The Impossible Dream. For all the years we have known each other, we have know each other in the very specific style of Lin-Manuel Miranda. We rarely get to hear each other sing other types of material. And it really sparked a conversation between us about doing something together.

I jumped at the chance to perform with her and also to learn from her. The concert circuit isn’t something I do very often. She’s mastered this art and what a beautiful way to learn from one of my dearest old friends in the business.

What can people expect from the concerts?

Folks can expect the same powerhouse passionate performance from Mandy and I will bring in some Latin style and some classics that are dear to me. We’ll share our In the Heights and Hamilton journeys that are so special to us. This will show off a different style of what I do. There are other colors to what I do.

You live your life unapologetically on all levels. You are openly gay. You were open about your battle with cancer during the run of Hamilton and you are open about being HIV positive. No doubt there are people who discouraged you to do that. What would the price be to your soul if you weren’t as open as you are?

It would mean no happiness. It would be like a cancer growing in my heart. It’s how I’m built. It’s who I am. I see artists and celebrities do this pseudo-activism where they become a name and face for something, but they don’t get their hands dirty. This is literally how I was born and raised. I have been an activist since high school. This is as vital to me as much as my art is.

I assume you specifically chose the word cancer?

I didn’t use that lightly. It would kill me to not be part of the efforts and energies in the world to change things. To help those who need help. To give food to those who don’t have it. It’s part of my life’s blood. I won’t ever apologize for that. That’s the work I do.

You told GQ that you flew to California to have a face-to-face with the person who transmitted HIV to you a couple years after your diagnosis. When he said nothing, you said you realized, “how much pain he must be in.”  How do you think that compassion influences your approach to the characters you play and the songs you sing?

I really am drawn to the imperfection in all of us because I see it in myself and I look at it and I try to love it and own it. I see my friends doing the same – trying to throw away the parts of themselves that are not so accepted in our society according to our rules in society. I can’t help but see that and think it is beautiful. Humanity is beautiful. We are all imperfect.

The theatre I want to do is the theatre that confronts ourselves and our humanity. I hope we walk away with a little more love around our imperfections. That’s where my performances come from. Act 2 in Hamilton is pretty intense. But I’m sitting in the living history of what could have inspired those choices. How can I love that story? How can I sit in that skin and tell that story to the audience? That is the great gift and power of the art form of theatre.

When you returned to Hamilton after cancer treatments you started a garden on the roof of the Richard Rodgers Theatre. Did someone take that over when you left the show?

Unfortunately it is gone. When I left I took what I could from the garden that I could sustain in smaller pots and bring them home. A lot of fans gave me gifts for the garden, but there was no one there to take care of it. It is something I think about often and it was a cherished place. When I got to the final day of removing the soil and the space where it lived, I couldn’t do it. I was sad to let it go.

As a teenager you played a guard in The King and I and knew you’d found your destiny. If you could go back and give that teenager advice about what his life would be and how best to navigate it, what would you tell him?

I would tell him… (and he takes a long pause) I would talk to him about self-worth. I would say to him the hardest journey is going to be saying yes to what life and the universe is going to offer you. You are going to deserve it. I was a hard worker then and I am now. Nothing came as a gift. No one handed anything to me. I would tell myself to make choices that were true to your self-worth because you deserve it. You deserve to be happy.

Photos of Javier Muñoz courtesy of Javier Muñoz

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