For those of us who remember when we first heard of the show or first saw it, it seems inconceivable that it has been a quarter century since the show become a phenomenon and would go on to win the Tony Award for Best Musical and the Pulitzer Prize for Drama.

It also made stars out of Taye Diggs, Jesse L. Martin, Idina Menzel (in her Broadway debut), Adam Pascal (in his Broadway debut), Anthony Rapp and Daphne Rubin-Vega (in her Broadway debut). Rent ran for over 12 years on Broadway with a total of 5,123 performances.

To celebrate this silver anniversary, New York Theatre Workshop is holding a fundraiser called 25 Years of Rent: Measured In Love. The event will feature a reunion of numerous cast veterans from the many productions of the musical that have taken place.

Those scheduled to perform include: Gilles Chiasson (Steve and others on Broadway), Wilson Jermaine Heredia (originated the role of Angel/Tony Award), Rodney Hicks (Benny on Broadway), Christopher Jackson (Hamilton), Kristen Lee Kelly (Maureeen – Broadway), Tamika Lawrence (Mrs. Jefferson and others in the 2011 off-Broadway revival), Jesse L. Martin (originated the role of Tom Collins), Idina Menzel (originated the role of Maureen), Aiko Nakasone (Alexi Darling on Broadway), Eva Noblezada (Hadestown), Adam Pascal (originated the role of Roger), Ben Platt (Dear Evan Hansen), Billy Porter (Kinky Boots), Anthony Rapp (originated the role of Mark), Daphne Rubin-Vega (originated the role of Mimi), Ali Stroker (Oklahoma!), Tracie Thoms (Joanne on Broadway), Byron Utley (multiple roles on Broadway for the entire run), and Fredi Walker-Browne (Joanne on Broadway).

New songs from Joe Iconis (Be More Chill), The Lazours, Benj Pasek and Justin Paul (Dear Evan Hansen) and Rona Siddiqui will also be performed.

Additional participants will include: Sebastian Arcelus (Roger on Broadway), Annaleigh Ashford (Maureen in an off-Broadway revival in 2011), Assistant Director Martha Banta, Adam Chanler-Berat (Mark in the 2011 off-Broadway revival), Linda Chapman, Nicholas Christopher (Collins in the 2011 off-Broadway revival), Set Designer Paul Clay, Wilson Cruz (Angel on Broadway), Brandon Victor Dixon (Hamilton), casting director Wendy Ettinger, producer Stephen Graham, director Michael Greif, Janet Harckham, playwright Jeremy O. Harris (Slave Play), Neil Patrick Harris (Mark on tour), Victoria Leacock Hoffman (producer of tick, tick…Boom!, Mariko Kojima, Julie Larson (the composer’s sister), Telly Leung (Angel at the Hollywood Bowl), Kamilah Marshall, producer Kevin McCollum, Lin-Manuel Miranda (Hamilton), Anaïs Mitchell (Hadestown), Shakina Nayfack (Difficult People), NYTW Artistic Director James C. Nicola, playwright Dael Orlandersmith (Until the Flood), Councilmember Carlina Rivera, Jai Rodriguez (Angel on Broadway), producer Jeffrey Seller, director Leigh Silverman (Grand Horizons), Ephraim Sykes (Benny in the 2011 off-Broadway revival), casting director Bernie Telsey, producer Jennifer Ashley Tepper, director Ivo van Hove (West Side Story revival), Tom Viola (Broadway Cares/Equity Fights AIDS), Rent Music Supervisor Tim Weil, Rent Costume Designer Angela Wendt, Rent Choreographer Marlies Yearby and more.

My personal Rent memory surrounds my first time seeing the musical in New York on December 19, 1996. I was in New York with my friend, Matthew Barry. Like everyone I knew, I, too, was fascinated about seeing this musical that was the must-see show on everyone’s list. I didn’t know much about it beyond it depicted the lives of a group of people who lived in the East Village of New York. I also knew that it was inspired by Puccini’s opera, La Bohème. That was it.

Almost the entire original cast was performing that night. The only person out for that performance was Timothy Britten Parker (who played Gordon, the man, Mr. Grey and others). He was attending his sister’s opening night in Once Upon a Mattress (his sister is Sarah Jessica Parker).

By the end of the first act I was, along with majority of theatergoers, convinced that this was a special musical. Then the second act began with the company singing Seasons of Love.

They got to the bridge with the lyrics:

In truths that she learned
Or in times that she cried
In bridges he burned
Or the way that she died

My mother had passed away three months earlier. As you can imagine, I was a mess. All I could think about was mom. I’m sure there were people around me at the Nederlander Theatre who couldn’t understand what was going on with me. I was too caught up in my emotions to care. I somehow managed to pull myself together and enjoy the second act.

After the performance was over, Matt and I left the theatre and it was lightly snowing. It felt like a sign that everything was going to be just fine. Rent, with its own story of love and loss (both on stage and off) had offered one of many forms of catharsis I would rely on to get me through that first year after my mother’s death. To this very day whenever I hear any of Larson’s songs, I always think of my mother.

What are your personal memories and experiences of seeing Rent? Leave a comment on this post.

Tickets for 25 Years of Rent: Measure in Love are $25. The show will be available for streaming through March 6th at 8:00 PM EST/5:00 PM PST.

Photo: The cast of Rent at New York Theatre Workshop (Photo by Joan Marcus)

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Barbecue is this week’s offering in the Spotlight on Plays series from Broadway’s Best Shows. The streaming reading becomes available on December 10th and will remain available through Monday, December 14th.

This is a very funny play that has an early twist you don’t see coming. Reviews of the play have often given away that twist, but I say, the less you know the better.

On a very basic level the play is about a family intervention disguised as a barbecue. They are all there to help one family member who has a substantial drinking problem. Things from there don’t go quite as the characters planned, nor as the audience thinks they will. And there are more twists ahead.

Christopher Isherwood, writing in the New York Times, had issues with the second act, but admitted, “Mr. O’Hara, the author of last season’s audacious Bootycandy, has a heat-seeking imagination when it comes to style and structure.” (There are spoilers in his review, so if you want to be surprised, don’t read it.)

I enjoyed the play when I saw it at the Geffen Playhouse in 2016. That production was directed by Colman Domingo who appears in this reading.

The rest of the cast includes Carrie Coon (2013 revival of Who’s Afraid of Virginia Woolf?), Kimberly Hébert Gregory (By the Way, Meet Vera Stark), Annie McNamara (Tony nominee for Slave Play), S. Epatha Merkerson (Come Back Little Sheba), Laurie Metcalf (Three Tall Women), David Morse (The Iceman Cometh), Kristine Nielsen (Present Laughter), Tamberla Perry and Heather Simms – both of whom appeared in Barbecue at The Public Theater.

Tickets are only $5 with proceeds benefitting The Actor’s Fund.

Photo: Robert O’Hara (Courtesy Playwrights Horizons)

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Kushner’s play takes a look at the early days of the AIDS crisis through the eyes of a closeted-Mormon man married to a a woman who experiences Valium-induced visions, a gay couple where one of the two men has just been diagnosed as having AIDS, notorious attorney Roy Cohn, a direct but compassionate nurse and an angel who tells one of the characters he is a prophet.

Over the course of sixty minutes scenes from Kushner’s monumental work will be performed. Here’s the cast:

Glenn Close as Roy Cohn, Paul Dano as Prior Walter, Linda Emond as Phosphor, Jeremy O. Harris as Belize, Brian Tyree Henry as Prior Walter, Nikki M. James as Lumen, Laura Linney as Hannah Pitt, Vella Lovell as Harper Pitt, Patti LuPone as Fluor, S. Epatha Merkerson as Belize, Larry Owens as Belize, Andrew Rannells as Prior Walter, Daphne Ruben-Vega as Candle, Lois Smith as Harper Pitt and Brandon Uranowitz as Louis Ironson.

As you can tell, multiple actors take on the same role. This should be quite interesting. Kushner will provide an introduction to the program.

During the show there will be interstitial moments featuring Alan Cumming, Whoopi Goldberg and Jake Gyllenhaal.

There is no charge to watch The Great Work Begins. However, there is an exclusive post-show conversation with Kushner; Paul Wontorek, Editor-in-Chief of Broadway.com; Kevin Robert Frost, CEO of amfAR; director Ellie Heyman and several actors from the performance. A minimum donation of $100 is required to view this 45-minute post-show event. To make a donation, please go here.

amfAR, which was formed in 1985, has made finding a cure for HIV/AIDS as its priority. The funds they raise turn into grants that are focused on finding that cure. They have also been active on the political front having been instrumental in the Ryan White CARE Act and the Americans With Disabilities Act in 1990 and the NIH Revitalization Act of 1993.

The title of this event comes from the closing moments of Angels in America: Perestroika:

“We won’t die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. Bye now. You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.”

Photo: Playwright Tony Kushner (Photo by Emilio Madrid for Broadway.com/Courtesy Broadway.com)

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