Our top pick this week is:

CLASSICAL MUSIC: Conciertos Románticos – Jorge Federico Osorio (Cedille Records)

It is unfortunate that not much of the classical music written by Mexican composers is commonly performed or recorded. Mexican-born pianist Osorio has contributed an important new record that allows us more exposure to some of these great works.

This album features works by composers Ricardo Castro (1864-1907) and Manuel María Ponce (1882-1948). A piano concerto by each composer (performed with Orquesta Sinfónica de Minería) is followed by 3-4 works for solo piano. Carlos Miguel Prieto conducts.

I love this album and have listened to it several times. I hope more music by Castro and Ponce gets recorded in the future. You can consider Concertios Románticos your gateway drug into this music. 

Here are the rest of our selections for New In Music This Week: June 9th

BROADWAY:  New York, New York OBC (Wine & Peaches) UPDATE!!!

This new musical by Fred Ebb, John Kander and Lin-Manuel Miranda received nine Tony nominations including Best Musical. (With the Tony Awards on Sunday night, we’ll know soon enough how many it might win.)  The musical is based on the Martin Scorsese film from 1977 that yielded a title song so ubiquitous that it is doubtful anyone doesn’t know it?

Several of the songs from that film are included here including Happy Endings, But the World Goes Round and the title song, of course. This album contains nearly 90 minutes of music. Seven of the songs were written by Kander and Miranda.

Start spreading the news THAT the release date has changed to June 23rd!!!! You get an early preview here!

CLASSICAL MUSIC: Mussorgsky: Pictures at an Exhibition / Night on Bald Mountain – Cleveland Orchestra with Lorin Maazel (Craft Recordings)

This is a high-end vinyl release of this 1979 album featuring two of Modest Mussorgsky best-known works. Pictures at an Exhibition is a 10-movement suite that was originally written for piano. In 1922 composer Maurice Ravel (Bolero) created an adapation for orchestra which is the most common way of hearing this work. (I also strongly recommend hearing this work live only in outdoor venues. It gets quite loud!)

Night on Bald Mountain may be best-known to audiences as one of the pieces of music Walt Disney and his animators used for the final segment of Fantasia.

CLASSICAL MUSIC: Rachmaninoff: Piano Concerto No. 3 in D Minor / Scriabin: Etudes (Craft Recordings)

Pianist Lang Lang’s first two albums were live recordings. This high-end vinyl release is his second album which was released in April of 2002. Lang Lang was performing at The Royal Albert Hall in London with Yuri Temirkanov and the St. Petersburg Philharmonic.

Given all the various celebrations of Rachmaninoff’s 150^th anniversary, it’s only appropriate that his mammoth 3^rd piano concerto be part of this recording. It’s also a great way to revisit how a younger Lang Lang was performing at the time.

CONTEMPORARY CLASSICAL:  Lullabies for Piano and Cello – Gabríel Ólafs – (Decca Records)

This simple and simply beautiful album offers another chance to explore what’s happening in Iceland music. While browsing through an antique bookshop in Reykjavik, Ólafs found a book of Icelandic melodies from 1880. He’s now created beautiful instrumental arrangements and new compositions based on those melodies on this ten-track album.Cellist Steiney Sigurðardóttir joins the composer who plays the piano. The end result is an emotional album that takes us back to simpler times in our lives and leaves us with the hope that a simpler time might still be possible. 

JAZZ:  Short Stories – Vicente Archer (Cellar Music Group)

This is the first album by bassist Vicente Archer as a leader. He’s assembled two amazing musicians to join him for this record: pianist Gerald Clayton and bassist Bill Stewart. The album is produced by one of my favorite trumpeters, Jeremy Pelt.

There are nine different compositions on the album which each musician and producer Pelt having written them. There’s also a track by Nicholas Payton that is featured in two different versions on the album. 

Short Stories is well worth your time.

JAZZ: THE GENNETT SUITE – Buselli-Wallarab Jazz Orchestra (Patois Records)

Richmond, Indiana is probably not the first place that comes to mind in the history of jazz, but in reality the small town was home to Gennett Studios. Within that studio jazz legends such as Louis Armstrong, Bix Beiderbecke, and Jelly Roll Morton recorded some of their earliest work in the 1920s. It was an sophisticated facility, but the music captured there is legendary.

The Buselli-Wallarab Jazz Orchestra, led by Brent Wallarab celebrates that location and the music recorded there in this album of four movements:  Royal Blue; Blues Faux Bix; Hoagland and Mr. Jelly Lord. The third movement references the classic song Star Dust which was composed and recorded by Hoagy Carmichael at Gennett.

This is a fascinating and enjoyable album.

JAZZ:  Words From My Horn – Anthony Hervey (Outside in Music)

On the dozen tracks found on his debut album, trumpeter Hervey immediately impresses. The songs tell the story of his deeply personal connection with his mother and grandmother and continues with meditations on his hometown (Terre Haute, Indiana) and the role of hope in his life.

Hervey is joined on the album by alto sax player Sarah Hananah, pianist Sean Mason, bassist Philip Norris, drummer Miguel Russell and pianist Isaiah J. Thompson. The album is produced by drummer Ulysses Owens, Jr.

You might know Hervey from his gigs with Jon Batiste, Michael Buble, Wynton Marsalis, Chrisitan McBride and more. You’ll know much more about him when you listen to Words From My Horn.

Those are my choices of the best of what’s New In Music This Week: June 9th. What are you listening to?

Have a great weekend and enjoy the music.

Main Photo: Art from Gabríel Ólafs’s Lullabies for Piano and Cello

The post New In Music This Week: June 9th appeared first on Cultural Attaché.

I have to admit, we did sneak in one event that does actually take place live in a parking lot for those in the Los Angeles area. The other 23 are available for streaming from your home. And there’s great stuff, too.

Our two top picks are both holiday-themed, but couldn’t be more different. Manual Cinema’s Christmas Carol is an imaginative re-telling of Charles Dickens’ story that is suitable for the entire family. Taylor Mac’s Holiday Sauce…Pandemic! is truly for adults. (And you might want to have your favorite holiday sauce at your side.)

I also have Shakespeare, jazz, dance, opera, Broadway stars and more for you. So let’s get started.

Here are your Best Bets at Home: December 11th – December 13th:

PLAY: Stratford Festival’s Romeo and Juliet – Center Theatre Group – Now – March 7th

If you were unable to catch any of the streaming productions Canada’s Stratford Festival made available ealirer this year, Center Theatre Group is making a few of them available through their Digital Stage+ program (events that are free to donors/subscribers and $10 for non-subscribers).

The first of five Shakespeare plays being made available is Romeo and Juliet.

Antoine Yared and Sara Farb play the star-crossed lovers in Scott Wentworth’s production from 2017.

The Toronto Star said of this production, “At the production’s heart is the freshness and credibility of the relationship between Sara Farb and Antoine Yared as the title characters. They play them as youthful, impulsive, and vivacious, but far from a perfect hero and heroine. There are tantrums, shrieks, and teenage mood swings aplenty, many of which play as welcome moments of comedy. The usually central scenes of their meeting, marriage, and morning-after-consummation are handled swiftly, as pivot points in the driving forward action.”

PLAY: Who’s Holiday! – Broadway Cares/Equity Fights AIDS – December 11th – December 15th

The insanely talented Lesli Margherita stars in this one-person show that looks at the Dr. Seuss character Cindy Lou Who forty years after she first met The Grinch Who Stole Christmas. The play was written by Matthew Lombardo (Looped) and was written in rhyme to mirror the original story.

Parents should note this is an adult Cindy Lou Who – expect raunchiness and double-entendres.

Margherita won an Olivier Award for her role as Inez in Zorro the Musical. She originated the role of Mrs. Wormwood in Tim Minchin‘s Matilda the Musical. She also appeared in Dame at Sea.

Who’s Holiday! was performed off-Broadway in 2017 and garnered Margherita a Drama Desk Award for Best Solo Performance.

Elisabeth Vincentelli, writing in the New York Times, said of her performance, “More happens, but it is almost besides this hourlong production’s point, which is to watch the brassy, very funny Ms. Margherita strut her stuff in the designer Jess Goldstein’s festive holiday get-up.

She expertly milks the many double entendres and profane limerick-like rhymes, but this cabaret regular is equally comfortable ad-libbing. (After breaking into a rap at the Sunday matinee, she rasped “I’m out of breath” and reached for a cigarette). She also belts a mean ‘Blue Christmas.'”

There is no charge to watch the show. Donations to Broadway Cares/Equity Fights AIDS are encouraged.

OPERA: The Five Moons of Lorca – Los Angeles Opera – December 11th – December 25th

Los Angeles Opera launches their digital shorts programs with this new work by composer Gabriela Lena Frank and playwright Nilo Cruz.

The Five Moons of Lorca was inspired by the poet Federico García Lorca’s assassination in the early days of the Spanish Civil War. The short was filmed on the stage at the Dorothy Chandler Pavilion. Choreography and dancing by Irene Rodríguez.

Frank is a Grammy Award-wining pianist and composer who has been commissioned by such artists as the Kronos Quartet, Yo Yo Ma and Dawn Upshaw. Cruz is the Pulitzer Prize-winning writer of Anna in the Tropics.

Frank and Cruz have collaborated several times previously including La centinela y la paloma (The Keeper and the Dove), The Saint Maker, Journey of the Shadow and the Conquest Requiem. Their opera, The Last Dream of Frida, was scheduled for its world premiere by the San Diego Opera earlier this year, but that was postponed due to the pandemic.

There is no charge to watch The Five Moons of Lorca. Of course, donations are encouraged.

MUSICAL: Meet Me in St. Louis – Irish Repertory Theatre – December 11th – January 2nd

Vincente Minnelli’s 1944 film, Meet Me in St. Louis, serves as the inspiration for this musical adaptation by Hugh Martin (High Spirits), Ralph Blane (Best Foot Forward) and Hugh Wheeler (Sweeney Todd). The musical made its debut on Broadway in 1989.

Meet Me in St. Louis follows the Smith family in 1903 and follows them through the seasons leading up to the opening of the World’s Fair in 1904.

In addition to the title song, the musical includes The Boy Next Door, The Trolley Song and Have Yourself a Merry Little Christmas.

Irish Rep in New York has filmed a version of the musical that was adapted and directed by Charlotte Moore who appeared in the Broadway production. She’s assembled a terrific cast that includes Melissa Errico (Amour), Ali Ewoldt (Phantom of the Opera), Jay Aubrey Jones (Porgy and Bess) and Max von Essen (An American in Paris).

There are 31 opportunities to stream Meet Me In St. Louis. The price is listed as “Pay what you can” with a suggested donation of $25.

PLAY: Breathe. – YouTube and Twitch – December 11th – December 13th and December 18th

This one-person show by Philicia Saunders follows her increasing participation in civil rights issues. She was inspired by her mentor, Sweet Alice Harris, a legendary community organizer in the Watts area of Los Angeles and a civil rights tour in Alabama.

In Breathe. Saunders depicts 20 different characters within a show that combines film, live performance, performance art and artistic swimming.

Saunders may be best-known to Star Wars fans for her role as Tabala Zo in The Force Awakens and The Rise of Skywalker.

Departing from a lot of programming available now, Saunders will perform Breathe. live on December 11th at 8:00 PM EST/5:00 PM PST and on December 12th at 6:30 PM EST/3:30 PM PST. Both performances will be on YouTube.

Encore presentations are taking place on December 13th at 5:00 PM EST/2:00 PM PST on Twitch. This will also feature a TalkBack with Sweet Alice. A second encore takes place on December 18th on YouTube at 8:00 PM EST/5:00 PM PST.

Tickets are available from $5-$50 with proceeds going to Sweet Alice’s Parents of Watts and Community Coalition.

PLAY: Manual Cinema’s Christmas Carol – The Soraya – December 11th – December 13th TOP PICK

We are all familiar with Charles Dicken’s A Christmas Carol and its bitter character, Scrooge. But I can assure you you haven’t seen A Christmas Carol like the one Manual Cinema has put together.

Each live performance (and they are live) combines acting, music, puppets and film to create a one-of-a-kind experience with a twist on the story that will surprise you!

There are six performances available over the weekend. Tickets are $20. I strongly recommend Manual Cinema’s Christmas Carol.

PAGEANT PLAY – La Virgen de Guadalupe, Dios Inantzin – Latino Theater Company – December 11th – December 20th

For 18 years, Los Angeles-based Latino Theater Company has performed La Virgen de Guadalupe, Dios Inantzin in Los Angeles. The pageant play depicts the story of Juan Diego, a peasant in 1531, who has a vision of the Virgin Mary. Diego’s vision took place in Spanish colonial territory that is now known as Mexico.

Mezzo-soprano Suzanna Guzmán (Hopscotch, Carmen) stars in this 2009 filmed performance at Our Lady of the Angels Cathedral in Los Angeles. She is joined by over 100 actors, singers, Aztec dancers and members of the Los Angeles community. This is performed in English and Spanish.

Evelina Fernández adapted The Nican Mopohua (a mid-16th century text) for La Virgen de Guadalupe. José Louis Valenzuela directed. The director first created the work as a thank you to the community after it supported him during a sleep-in he lead protesting the potential closing of the Los Angeles Theater Center in downtown Los Angeles.

There’s no charge to watch the streaming production and it will be available through December 20th.

CABARET: Merry Christmas Darling: Heidi Kettenring Sings Karen Carpenter – Laguna Playhouse – December 11th – December 28th

On October 13, 1978 – when the soundtrack to the film version of Grease and albums by The Rolling Stones, Donna Summer and The Who were topping the Billboard charts, A&M records released A Christmas Portrait, an album of holiday songs by The Carpenters.

That was followed by a television special. The record became very popular and ultimately went Platinum. A second album, using outtakes from that recording session, was released two years after Karen’s death in 1983.

The darling of Downey, California is being celebrated in Merry Christmas Darling: Heidi Kettenring Sings Karen Carpenter. The show is being streamed via the Laguna Playhouse.

Kettenring appeared as Nessarose in the Chicago company of Wicked. She’s toured as Belle in Beauty and the Beast; Anna in The King and I and Penny in Hairspray.

Karen Carpenter had a one-of-a-kind voice. Kettenring sounds terrific even if she’s not Karen. But that doesn’t take away from the pure joy of hearing these songs sung well and remembering everything that made the Carpenters so beloved.

Tickets are $35 can be purchased through December 25th. The show will be available for streaming through December 28th.  

JAZZ: The Klezmatics: Happy Joyous Hanukkah – SFJazz – December 11th – 8:00 PM EST/5:00 PM PST

Hanukkah has started and what better way to celebrate than with the Grammy Award-winning ensemble The Klezmatics. Their music is so infectious it is impossible not to be filled with joy – particularly in this concert at SFJAZZ from 2015.

This is part of SFJAZZ’s Fridays at Five series. The concert will only stream once at 8:00 PM EST/5:00 PM PST. You’ll need either a one-month membership ($5) or an annual membership ($60) to stream the concert. That will give you access to additional concerts for the length of your membership.

JAZZ: Dave Holland – Village Vanguard – December 11th – December 12th – 8:00 PM EST/5:00 PM PST

Since his start at London’s Ronnie Scott’s Jazz Club, bassist Dave Holland has made a name for himself in the jazz world. From collaborations with Miles Davis (including Bitches’ Brew), Joe Henderson, Kenny Wheeler through to his work as a bandleader (including the 2005 Grammy Award winner Overtime), Holland is considered one of the best.

His most recent release is this year’s Without Deception which finds him performing with pianist Kenny Barron and drummer Johnathan Blake.

For these two concerts from New York’s Village Vanguard he’ll be joined by Jaleel Shaw on saxophone; Steve Nelson on vibraphone and Obed Calvaire on drums.

Tickets are $10.

CLASSICAL: Stephen Hough Recital – Philharmonic Society of Orange County – December 11th – December 18th

Easily one of the finest classical pianists in the world, Stephen Hough will perform a live recital for the Philharmonic Society of Orange County. Critics long ago ran out of superlatives to describe his playing.

The scheduled program finds Hough performing: Bach/Busoni: Chaconne from Partita No. 2 in D minor, BWV 1004; Schumann: Fantasie in C major, Op. 17; Liszt: Funérailles and Mephisto Waltz No. 1, S. 51 and Schumann: Kinderszenen, Op. 15, mvt. 7, “Träumerei.”

The recital debuts at 10:00 PM EST/7:00 PM PST and will remain available for streaming for one week. Tickets are $20.

DANCE/THEATRE: Matthew Bourne’s The Car Man – Center Theatre Group – December 11th – December 13th

Hector Berlioz’s opera Carmen serves as the inspiration for this ballet from Matthew Bourne (all-male swan version of Swan Lake.) Another source of inspiration for Bourne was the novel The Postman Always Rings Twice by James M. Cain and its subsequent film versions.

The ballet had its world premiere 20 years ago in Plymouth, England. The Car Man played the Ahmanson Theatre one year later.

Lewis Segal, in his Los Angeles Times review, said of Bourne’s choreography, “Whether he’s evoking the heat, insects and lust of a night when nothing is happening or the surreal frenzy of social dances that barely contain the characters’ primal urges, this is daring, accomplished, uncompromisingly lurid movement theater.

Center Theatre Group and Matthew Bourne have teamed up to make his film of The Car Man available for viewing with five opportunities to see it this weekend. The film of the ballet will stream on Friday at 8:00 PM PST; Saturday at 2:00 PM and 8:00 PM PST and on Sunday at 1:30 PM and 6:30 PM PST.

Tickets are $10 (whether you are a donor/subscriber or not).

Can you believe we’re halfway through Best Bets at Home: December 11th – December 13th? Let’s keep going.

PLAY: The Flying Lovers of Vitebsk – The Wallis – December 11th – December 18th

England’s Kneehigh Theatre originally brought The Flying Lovers of Vitebsk to the Wallis in 2018. Now Kneehigh Theatre, Bristol Old Vic and Wise Children bring a film of the show to The Wallis for one week of streaming.

This highly theatrical show portrays the life of painter Marc Chagall and his wife Bella. Through the use of color and imagery mirroring the master painter’s work and music from the Russian Jewish history, this show offers many of the same delights found in other Kneehigh projects such as their Brief Encounter and Tristan and Yseult. Marc Antolin plays Marc Chagall and Audrey Brisson plays Bella. The show was written by Daniel Jamieson and directed by Emma Rice.

When The Flying Lovers of Vitebsk played The Wallis I spoke to Antolin about the show and his role. You can read that interview here.

This is a wonderful show. I strongly recommend seeing it. Tickets are $21.38 (the current exchange rate with the English pound. But it doesn’t not include any additional credit card fees).

PLAY/DANCE/MUSIC/POETRY: KICKBACK – About Face Theatre – December 12th – January 12th

A collection of short plays, dance, music, and poetry make up this online festival from Chicago’s About Face Theatre. The work centers around Blackness and queerness and where those two worlds meet.

For KICKBACK, About Face reached out to numerous artists to create work. The end result features contributions from Dionne Addai, Ky Baity, Keyonna Jackson, Robert Cornelius, Ben Locke, ShaZa (a collaboration between Zahra Baker and Shanta Nurullah), About Face Artistic Associate Paul Oakley Stovall, Michael Turrentine, Cori Wash, Vic Wynter and Rebuild Foundation resident artists Jenn Freeman and avery r. young.

Rebuild Foundation and their collections were made available to the artists who were asked to use their archives as inspiration for their work.

During our turbulent times, it will be fascinating to see what these artists have to say about where we’ve been, where we are and most importantly, where we might be going.

OPERA: La Bohème – San Francisco Opera – December 12th – December 13th Starting 2:00 PM EST/11:00 AM PST

Conducted by Giuseppe Finzi; starring Michael Fabiano, Alexia Voulgaridou, Nadine Sierra, Alexey Markov and Christian Van Horn. This John Caird production is from the 2014-2015 season.

Easily one of the most popular operas in the world, Giacomo Puccini’s La Bohème had its world premiere in Turin, Italy in 1896. The libretto is by Luigi Illica and Giuseppe Giacosa. The opera is based on Henri Murger’s 1851 novel, Scènes de la vie de bohème.

The story centers on four friends who are unable to pay their rent. Successfully getting out of a potentially bad situation with their landlord, all but one go out on the town. Rodolfo stays home and meets a young woman named Mimi. They fall in love, but Mimi’s weakness may be a sign of something far more life-threatening than they know. (If this sounds like the musical Rent, it is because La Bohème served as Jonathan Larson’s inspiration for that musical.)

San Francisco Opera had two casts performing La Bohème. Joshua Kosman, writing for the San Francisco Chronicle, said one performance in this production stood out.

“If one singer left a particularly outsize impression from the weekend’s openings, it was Fabiano, whose performance as Rodolfo made good on the promise of his fine 2011 company debut in Lucrezia Borgia and hinted at even more impressive things to come. This was a full-throated, almost heroic depiction of the moonstruck poet, with muscular sound, impeccably placed high notes and an air of romantic ardor that lent weight and power to everything he sang.”

CLASSICAL: Reaching Dreams Through Music – Lang Lang International Music Foundation – December 12th – 3:00 PM EST/12:00 PM PST

Classical pianist Lang Lang and his foundation have assembled an illustrious cast for Reaching Dreams Through Music. Joining Lang Lang and his wife will be Stay Human’s Jon Batiste, ballet dancer Misty Copeland, opera singer Renée Fleming, actor/director Ron Howard, musician Wyclef Jean, jazz pianist/vocalist Diana Krall and pop singer Sam Smith.

The purpose of this streaming event is to celebrate the role music plays in our lives and how it has shaped these artists lives since their childhood. In short, if reading is fundamental, music is instrumental in our lives.

The Young People’s Chorus of New York City will also be making an appearance, along with the LLIMF Young Scholars and Junior Music Camp Music Ambassadors.

There is no fee to watch Reaching Dreams Through Music. There was no information available as to how long this program will be available for viewing at press time.

OPERA: Bryn Terfel in Wales – Met Stars Live in Concert – December 12th – 12:00 PM EST/9:00 AM PST

Bass-baritone Bryn Terfel is what you’d call a cross-over artist. He’s performed in countless opera productions (you should see him in Don Giovanni if you get the chance), he’s portrayed the title character in Stephen Sondheim and Hugh Wheeler’s Sweeney Todd and he has released albums of songs from his native Wales.

That’s exactly where you’ll find him in this Met Stars Live in Concert performance – specifically Brecon Cathedral.

Joining Terfel are harpist Hannah Stone, pianist Jeff Howard, the Welsh traditional folk group Calan plus soprano Natalya Romaniw and tenor Trystan Llyr Griffiths – two rising young Welsh singers.

The announced program finds a combination of holiday-appropriate songs, music by Gustav Holst, Richard Wagner, Lerner and Loewe and traditional songs.

The show takes place live on Saturday, but will remain available for streaming afterwards. Tickets are $20.

DANCE: Pam Tanowitz Dance – The Joyce Theatre – December 12th – December 26th

Acclaimed choreographer Pam Tanowitz debuts new work live from New York’s The Joyce Theatre on Saturday at 5:00 PM EST/2:00 PM PST. You may recall she is the choreographer of Four Quartets in which she collaborated with Finnish composer Kaija Saariaho and American painter Brice Marden on a presentation of T.S. Eliot’s monumental work.

Finally Unfinished: Part 1 was created during the pandemic (with obvious precautions in place) and is set to new music by composer Ted Hearne. It is a site-specific work that utilizes The Joyce Theatre in all its emptiness.

Gustave Le Gray, No. 2 has its New York premiere in this program. Composer Caroline Shaw‘s music for solo piano serves not just as the score for the dance, but also its inspiration.

The dancers are Jason Collins, Brittany Engel-Adams, Christine Flores, Zachary Gonder, Lindsey Jones, Victor Lozano, Melissa Toogood.

Tickets are $13 (including service charges).

OPERA: La Bohème aka The Hipsters – Pacific Opera Project – December 12th – December 13th

Josh Shaw and Pacific Opera Project are back with another drive-in opera for you: their version of Puccini’s La Bohème (I guess it’s La Bohème week). Only their version, as you would expect, is not going to be traditional.

Several years ago Shaw updated Puccini’s opera to present-day and gave the opera a subtitle, The Hipsters. He’s been reworking it again so that the opera takes place between Christmas Eve 2019 and November 2020. I wonder what significant events might inspire him since Act 3 is in April of 2020 and Act 4 appears timed to the elections.

No longer will you find the bohemian characters Puccini introduced to the world. These hipsters are a graphic designer, a screenwriter, an English major, an indie-rocker and a fashion designer.

The cast includes Arnold Livingston Geis as Rodolfo, Oriona Falla as Mimi, Ben Lowe as Marcello, Maria Dominique Lopez as Musetta, E. Scott Levin as Schaunard, Keith Colclough as Colline, and Luvi Avendano in the roles of Benoit, Alcindoro and Parpignol.

The socially-distanced performances take place in the parking lot of the Camarillo United Methodist Church at 5:30 PM. Tickets are $65-$175 per car (there are sections just as there would be in an opera house).

CABARET: Shoshana Bean – Sing Your Hallelujah – For the Record Live at the Apollo Theatre – 9:00 PM EST/6:00 PM PST

Singer/actress Shoshana Bean sold out New York’s Apollo Theatre the last two years in a row. The pandemic made a trifecta impossible, so what’s a girl to do? Film a special there. That’s exactly what Bean has done with Sing Your Hallelujah which is being streamed on Saturday night.

The show was inspired by the holiday television specials some of us grew up with (or maybe you experienced A Holly Dolly Christmas earlier this week).

Joining Bean for the show are Gavin Creel (Tony Award-winner for Hello, Dolly!), tap dancer Jared Grimes, Jeremy Jordan (The Last Five Years), singer Shayna Steele, Connie Talbot (Britain’s Got Talent Finalest) and Daniel J. Watts (Tony Award-nominee for his performance as Ike in Tina – The Tina Turner Musical). David Cook serves as Music Director.

Tickets start at $30 with various VIP packages also available that will include a Q&A hosted by Sara Bareilles.

PERFORMANCE: Taylor Mac’s Holiday Sauce…Pandemic! – CAP UCLA – December 12th – 10:00 PM EST/7:00 PM PST TOP PICK

Two years ago, after rocking my world with A 24-Decade History of Popular Music, Taylor Mac returned to Los Angeles to perform Taylor Mac’s Holiday Sauce. Mac, who prefers judy as the preferred pronoun, brought to CAP UCLA at Royce Hall a holiday concert like no other.

judy is back in a pandemic version of this holiday show which has been safely produced to skewer our world this holiday season. Fans of Mac will know to expect wildly imaginative costumes (by designer Machine Dazzle), uniquely arranged songs (with the assistance of Music Director Matt Ray) and definitely an adult take on everything. This is NOT family friendly material. Unless, of course, you’re “family.”

Mac was the named a MacArthur Fellow and this year became the first American to win the International Ibsen Award. American Theatre Magazine says the award is considered “the Nobel Prize for theatre.”

Taylor Mac’s Holiday Sauce…Pandemic will only stream once. Tickets require a minimum of $25 with proceeds going to CAP UCLA.

CLASSICAL: Jeremy Denk Recital – 92nd Street Y – December 13th – 3:00 PM EST/12:00 PM PST

If you didn’t get a chance to see pianist Jeremy Denk‘s recital from Caramoor in October, he’s performing the same program from New York’s 92nd Street Y on Sunday.

The program is scheduled to include: Mozart’s Piano Sonata in C Minor, K 457; Thomas “Blind Tom” Wiggins’s The Battle of Manassas; Joplin/Chauvin’s Heliotrope Bouquet; Tania León’s Ritual; Frederic Rzewski’s Winnsboro Cotton Mill Blues and Beethoven’s Piano Sonata No 32 in C Minor, Op. 111.

You’ll get two classical period compositions, ragtime, the work of a young Black man during The Civil War and the work of two contemporary composers. How’s that for diverse?

Tickets are $15.

OPERA: Pasión Latina – Lyric Opera of Chicago – December 13th – 7:00 PM EST/4:00 PM PST

Music from Argentina, Cuba, Guatemala, Mexico, Puerto Rico and Spain is on tap in this concert starring soprano Ana María Martínez that will premiere on Sunday on the Lyric Opera of Chicago’s YouTube channel and Facebook page.

Martínez has appeared at LA Opera in the title role of Carmen and in the title role of Madama Butterfly with Lyric Opera of Chicago. Those are just two of her many roles she’s performed around the world.

Joining Martínez in Pasión Latina are Mexican-American tenors René Barbera and David Portillo; Mexican tenor Mario Rojas, Mexican-American bass-baritone Richard Ollarsaba; Mexican soprano Denis Vélez and Puerto Rican baritone Ricardo José Rivera.

The singers will be accompanied on piano by Ryan Opera Center music director Craig Terry and Ensemble pianist Chris Reynolds. The show concludes with a concert segment in which the singers are joined by members of the Lyric Opera Orchestra.

This concert is free.

CHORAL: Broadway Inspirational Voices: A Season of Hope and Inspiration – December 13th – 7:00 PM EST/4:00 PM PST

What began as the Broadway Gospel Choir in 1994 has become an acclaimed ensemble that has captured the hearts of all those who hear them sing. Broadway Inspiration Voices is a music group that has members of Broadway and off-Broadway shows – whether singers or musicians – as their members.

Last year BIV was awarded a Special Tony for Excellence in Theatre.

This Sunday they are live streaming A Season of Hope and Inspiration. As it is a live stream, this will only be shown live as scheduled.

You won’t want to miss this concert. Take a look at who’s joining them: guest appearances by Debbie Allen, Gavin Creel, Montego Glover, Celia Rose Gooding, Angela Grovey, Marva Hicks, LaChanze, Telly Leung, Lisa Lynne Mathis, Audra McDonald, Michael McElroy, Brian Stokes Mitchell, Karen Olivo, John Eric Parker, Phylicia Rashad, Angela Robinson, Jeanine Tesori, Leslie Uggams, Schele Williams and Vanessa Williams.

There will also be performances featuring Shoshana Bean, Crystal Monee Hall, Marcus Paul James, Patti LuPone, Leslie Odom Jr., Billy Porter, Daniel J. Watts, and hundreds of guest artists from Broadway, U.S. National tours, London’s West End, and Australia.

You can watch the concert for free, but you do need to register for it. you can also make donations to Broadway’s Inspiration Voices and also purchase a VIP experience that allows for some pre-show fun.

We’ve come to the end of Best Bets at Home: December 11th – December 13th. With so many options from which to choose, I’m not going to add any reminders. If you are curious, check out our This Week in Culture section on the main page or the Now Playing section.

Stay safe. Stay healthy. Have a great weekend and enjoy these Best Bets at Home: December 11th -December 13th.

Photo: Scrooge and the Ghost of Christmas Past from Manual Cinema’s Christmas Carol (Courtesy of The Soraya)

The post Best Bets at Home: December 11th – December 13th appeared first on Cultural Attaché.

“I’ve played the Beethoven 1st a lot and I love the piece,” Tao says by phone, “so that makes the decision really easy. It just feels good to dive into it. I’ve had some seasons where I don’t want do that again, but it’s just so rewarding at the same time.”

Rewarding is just one way to describe Tao’s career. Noteworthy might another. In 2017 and 2018, the New York Times listed his performances as amongst the best of each year. He has commissions from multiple orchestras around the world. He appeared in David Lang’s The Loser at the Theatre at the Ace Hotel with Rod Gilfry in February. Not bad for someone who turns 25 in June.

“I think I’m just really greedy in some ways,” he says readily. “People never believe me, but I don’t feel like I’m that motivated by anything. I feel like a hedonist at the end of the day. I am just chomping at the bit to do things and do projects. I’ve been exceedingly lucky in my career that I’ve been able to just do stuff that’s interesting to me. I think it is a challenge, but it’s how I’ve always worked and I’ve been working for twelve years at this point.”

His math is correct. He starting performing professionally at the age of 12. He found pianist Jeremy Denk an important influence for him in the early years of his career.

“Jeremy was someone who, as a teenager, was super important to be exposed to. We talked about his intellect and thoughtfulness as a person. When we talk Denk we talk the totality of it. That he was a late bloomer was also inspiring. When I was growing up the person my teacher was always talking about as a model for a career was Emanuel Ax – someone who was working really hard and doing it for a very long time.”

That Denk was gay, as is Tao, ended up being important, too.

“He and Stephen Hough. Hough writes about Catholicism in a really interesting way. I don’t know how out Jeremy was when I first discovered him. But yeah, that was a huge thing, too. That mysterious recognition of something when you didn’t even know what it was.”

When talking with Tao, you quickly understand that mystery is vitally important to him, particularly when it comes to the music.

“I have encountered attitudes within classical music lovers where people seem to be attracted to the music because they think of it as a hyper-explainable thing. But it’s antithetical to why I do it. To me it’s a pathway to this human connection that traverses history and engages with it and with the present because there is an unavoidable physical reality in the concert hall. That mysterious thing is what really drives me.”

You’d be inclined to think his heavy schedule in concert halls makes it impractical for him to record music. He’s only released two albums so far. But it isn’t the schedule that gets in the way.

“Recorded music is interesting to me more as a composer, but it’s a funny thing. My approach to playing is very live-oriented in the sense that I really love the spontaneity of live performance. Recording is a different impulse. They use different muscles. I’ve had to learn to like recordings. What excites me in the future is making an album for the studio, where I’m writing music for the studio – for the container of the recorded piece.”

That composer side of Tao is intrigued when I offer up a quote by Beethoven. “There ought to be an artistic depot where the artist need only hand in his artwork in order to receive what he asks for. As thing are, one must be half a business man, and, how can one understand – good heavens! That’s what I really call troublesome.”

“Damn,” he says with a big sigh, “it’s always been a gig economy. I can’t tell if that makes me sad or makes me feel less alone. I know I’m not alone. I know I have it much easier than my freelancer friends. All of that resonates. I’ve been working as long as I have and that has afforded me an ability to get closer to a pretty relaxed life where I get to think about my work in relative peace.  I really feel like I’m doing stuff for myself now and trying to achieve my own goals and have time with my friends. That sounds simple, but that takes time to get to.”

For tickets go here.

Photos courtesy of the Los Angeles Philharmonic.

*Lang Lang was originally booked to play all five of Beethoven’s piano concerti. Unfortunately, lingering issues of tendinitis in his left arm made that impossible. Tao is one of four pianist called on to play four of the works. Lang Lang will be doing two performances of Beethoven’s 2nd piano concerto.

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