Also on tap are two great (and very different ballets); two great jazz concerts; a contemporary classical music festival; a celebration of playwrights and a reading of a rare comedy from the 17th century that seems as topical as ever.

Here are our Top Ten Best Bets: June 11th – June 14th

*TOP PICK* MUSICAL REVUE: Show of Titles – Broadway’s Best Shows – June 13th – 7:00 PM ET/4:00 PM PT

What exactly is a Show of Titles? Simply put, a show featuring title songs from some of Broadway’s biggest musicals. For instance, Oklahoma has a well-known title song. Dear Evan Hansen does not. The Light in the Piazza does. Gypsy does not.

The cast of Broadway stars performing in this show, directed by Lonny Price, includes Annaleigh Ashford, Stephanie J. Block, Kerry Butler, Len Cariou, Glenn Close, Gavin Creel, Darren Criss, Dame Edna, Santino Fontana, Kelsey Grammar, David Alan Grier, Jake Gyllenhaal, Joshua Henry, Isabelle Huppert, Norm Lewis, Patti LuPone, Rob McClure, Brian Stokes Mitchell, Melba Moore, Jessie Mueller, Eva Noblezada, Kelli O’Hara, Laura Osnes, Steven Pasquale, Michael Rupert, Ernie Sabella, Lea Salonga, Phillipa Soo, Will Swenson, Aaron Tveit, Leslie Uggams, Vanessa Williams and Patrick Wilson.

There will also be special appearances by Debbie Allen, Broadway Inspirational Voices, Candice Bergen, Danny Burstein, Bryan Cranston, Tony Goldwyn, Adam Guettel, John Kander, Angela Lansbury, John Leguizamo, John Lithgow, Lindsay Mendez, Phylicia Rashad, Chita Rivera, Ben Stiller, Charles Strouse, Richard Thomas, Blair Underwood, BD Wong, and Florian Zeller.

The link to this event goes to Center Theatre Group in Los Angeles. There are two options for tickets: a $29 ticket allows purchasers to view Show of Titles on demand for 96 hours. (An appropriate number with the film adaptation of In the Heights opening this weekend. A show that not only has a title number, but also a song called 96,000).

A $39 ticket will include a ticket to stream Sarah Ruhl‘s Dear Elizabeth which begins on June 17th and reunites Kevin Kline with Meryl Streep (they appeared on screen together in Sophie’s Choice and Rikki and the Flash). That ticket also allows you to stream it for, you guessed it, 96 hours.

JAZZ: Coltrane: A Love Supreme – Jazz at Lincoln Center – Now – June 16th

Many many years ago I attended the New Orleans Jazz and Heritage Festival. One of the concerts I went to – not on the fairgrounds – was a performance by Wynton Marsalis and his band. They were the last of several performers and concluded their main set around midnight. As an encore he announced they would be performing A Love Supreme.

I’m well-acquainted with John Coltrane’s masterpiece and assumed he meant they would perform one of the tracks (they all include A Love Supreme as part of their title). I was wrong. They performed the entire album from start to finish. It was exhilarating and one of the best concerts I’ve ever attended.

Marsalis will once again perform A Love Supreme with the Jazz at Lincoln Center Orchestra as the final concert of their virtual season.

This performance will be feature big band arrangements with saxophonist Camille Thurman serving as guest soloist. Sherman Irby will lead the Jazz at Lincoln Center Orchestra.

Tickets are $20 and allow for streaming through June 16th. Tickets can be purchased here.

BALLET: Giselle of Loneliness – Ballez/The Joyce Theater – Now – June 23rd

Perfectly timed for Pride Month is this presentation of Giselle of Loneliness by Ballez. The decade-old dance company is comprised of queer, transgender, non-binary and gender non-confirming artists.

As you might imagine from the title, Giselle of Loneliness uses a key moment from that classic ballet as its inspiration.

The dancers in this work, choreographed and directed by Katy Pyle (founder of Ballez), are all auditioning to win the title role of Giselle. To do so, they have to come up with their own version of the insanely challenging mad scene from that ballet.

In what seems to be a bit of a nod to and a twist on A Chorus Line, the dancers have to come face-to-face in this work with their desire to perform within an industry that doesn’t welcome them. It begs the question, how much personal degradation and rejection of your identity will you undergo to continue to do what you love.

The dancers performing in Giselle of Loneliness are Charles Gowin, Meg Harper, Maxfield Haynes, Matthias Kodat, Deborah Lohse, MJ Markovitz, Janet Panetta, Ash Phan, Alexandra Waterbury, and Nat Wilson.

Tickets are $25 and allow for viewing through June 23rd at 11:59 PM ET/8:59 PT.

BALLET: Balanchine and Robbins – Royal Opera House – Debuts June 11th – 2:30 PM ET/11:30 AM PT

The Royal Ballet will live stream their June 11th performance of a trio of works under the title Balanchine and Robbins. Which means, of course, that the works were either choreographed by George Balanchine or Jerome Robbins.

The evening begins with a performance of Apollo by Balanchine set to the music of Igor Stravinsky.

Four dancers are featured in this work which had its world debut in 1928. In this performance the ballet will be danced by Matthew Ball, Claire Calvert, Melissa Hamilton and Fumi Kaneko.

Next up is another work by Balanchine entitled Tchaikovsky Pas de Deux. No need to tell you who wrote the music. This short work had its world premiere in 1960. For this performance the dancers are Vadim Muntagirov and Marianela Nuñez.

The performance concludes with Jerome Robbins’ Dances at a Gathering. This hour-long work, set to the piano music of Frederic Chopin, had its world premiere at New York City Ballet in 1969. Reece Clarke, Teo Dubreuil, Benjamin Ella, James Hay, Fumi Kaneko, Mayara Magri, Yasmine Naghdi, Anna Rose O’Sullivan and Romany Pajdak are the dancers.

Tickets are $18.50. The performance will remain available for streaming through July 11th.

JAZZ: Brian Blade and the Fellowship Band – SFJAZZ – June 11th – 8:00 PM ET/5:00 PM PT

This week’s Fridays at Five concert from SFJAZZ features a 2016 performance by Brian Blade and the Fellowship Band.

Drummer Blade formed this band in 1997 with pianist Jon Cowherd, bassist Chris Thomas, saxophonists Myron Walden and Melvin Butler, guitarist Jeff Parker and pedal steel guitarist Dave Easley.

All but Easley join him for this show that features a five-song set featuring two traditional songs arranged by Blade and three original compositions by Cowherd.

Those songs are Landmarks found on the album of the same name from 2014; Duality from their 2017 album Body and Shadow and Return of the Prodigal Song from their 2008 album Season of Changes.

There is an encore showing of this concert on Saturday, June 12th at 1:00 PM ET/10:00 AM PT. Tickets for either show require either a monthly digital membership ($5) or an annual membership ($50).

If you join to watch this Brian Blade concert you will also have access to a special matinee broadcast on Sunday featuring Marcus Shelby and His Orchestra in a tribute to Duke Ellington. That concert will stream at 2:00 PM ET/11:00 AM PT. You can find details about that show here.

CONTEMPORARY CLASSICAL MUSIC: Kronos Festival – June 11th – 10:00 PM ET/7:00 PM PT

The renowned Kronos Quartet launches a virtual festival this year on Friday with a 45-minute concert. Included in this program are several world premieres and one classic work closely associated with Kronos.

Works by Nicole Lizée (Are You From Here Or Just Visiting?), Soo Yeon Lyuh (Tattoo), Hawa Kassé Mady Diabaté (Wawani) and Mahsa Vahdat (Vaya, Vaya) are given their debut performances.

Stacy Garrop’s Glorious Mahalia; Clint Mansell’s Lux Aeterna; Jlin’s Little Black Book and Pete Seeger’s Where Have All the Flowers Gone? are also being performed.

There is no charge to watch this, or any, performance. There is also a kids concert on Sunday, June 13th at 2:00 PM ET/11:00 AM PT.

The festival will continue with performances on Wednesday, June 16th at 10:00 PM ET/7:00 PM PT and Friday, June 18th at 10:00 PM ET/7:00 PM PT. The evening concerts are 45 minutes and the kids concert is 30 minutes.

All performances will remain available for viewing online through August 31st.

PLAY/FUNDRAISER: Connections – Ojai Playwrights Conference – June 12th – 8:00 PM ET/5:00 PM PT

The works of playwrights Luis Alfaro, Jon Robin Baitz, Father Greg Boyle, Bill Cain, Culture Clash, Stephen Adly Guirgis, Danai Gurira, Samuel D. Hunter, David Henry Hwang, Julia Izumi, James Morrison (with his son Seamus), Jeanine Tesori and Charlayne Woodard will be performed in this 90-minute celebration from the Ojai Playwrights Conference.

Liza Powel O’Brien is also contributing a piece.

Performing their work will be a mix of the playwrights themselves and some well-known actors: Brian Cox, Culture Clash, Eileen Galindo, Danai Gurira, Francis Jue, James and Seamus Morrison, Tony Okunghowa, Rose Portillo, Samantha Quan, John C. Reilly, Israel López Reyes, Nikkole Salter, Samantha Sloyan, Jimmy Smits, Phillipa Soo, A. Zell Williams and Charlayne Woodard.

The theme of the show, as the title would suggest, is human connections moving forward in a post-pandemic world.

This is a one-time only event. There is a requested donation of $20 to watch Connections.

Looking forward the Ojai Playwrights Conference New Works Festival will take place August 5th – August 15th.

PLAY: 1 Hour Photo – East West Players – June 12th – 11:00 PM ET/8:00 PM PT

Tetsuro Shigematsu’s 1 Hour Photo had its world premiere in 2017 at Vancouver’s The Cultch. The ostensibly one-man play tells the story of Mas Yamomoto, a man who owned and operated multiple Japan Camera stores which promised processing of film in one hour. (Remember those? Remember film?)

His conversations with Mas, a much older man, covered a lot of territory of personal and racial history of the 20th century. What starts as a humorous catch-up to outdated 1970s technology riff turns into a very personal and emotional story.

To help tell the story Shigematsu incorporates models, miniatures and some very interesting effects.

Shigematsu has now created a 75-minute film version of 1 Hour Photo and East West Players in Los Angeles will offer five virtual screenings of the film beginning on Saturday, June 12th. (Additional shows are on Sunday, June 13th; Friday, June 18th; Saturday June 19th and Sunday June 20th – times vary). Tickets are $34.99.

BROADWAY VOCALS: Matthew Morrison – Seth Concert Series – June 13th – 3:00 PM ET/12:00 PM PT

I’ve seen Matthew Morrison in three Broadway musicals: Hairspray, The Light in the Piazza and South Pacific. Perhaps the only thing they have in common is that he appeared in all three.

For many people Morrison may be best known for his role as Mr. Schuester on Glee.

All four projects allowed him to showcase one thing he does very well: sing. As will this weekend’s Seth Concert Series with Seth Rudetsky.

Yes there will be some conversation sprinkled amongst the performances, but it will mostly be about the music.

If you are unable to see the live stream on Sunday at 3:00 PM ET, there is an encore showing at 8:00 PM ET/5:00 PM PT the same day. Tickets for either are $25.

PLAY READING: Volpone, or The Fox – Red Bull Theater – Debuts June 14th – 7:30 PM ET/4:30 PM PT

17th-century playwright Ben Johnson may not be the best-known writer today, nor are his works commonly performed, but time hasn’t dulled his quick wit and ability to skewer the foibles of human behavior.

Take for example Volpone, or the Fox. The title character loves nothing more than gold. And he will stop at nothing to get as much of it as he can. With the assistance of his servant Mosca, the men of Venice who should know better inevitable fall for his schemes and his charm. It seems as nothing can outwit Volpone.

André De Shields (who won the Tony Award for his performance in Hadestown) plays Volpone. He’s joined by Jordan Boatman, Sofia Cheyenne, Franchelle Stewart Dorn, Clifton Duncan, Amy Jo Jackson, Peter Francis James, Hamish Linklater, Roberta Maxwell, Sam Morales, Kristine Nielsen and Mary Testa for this reading.

Jesse Burger, the Founder and Artistic Director of Red Bull directs. He and Jeffrey Hatcher have made some tweaks to Johnson’s play. (The press release calls them “emendations & elaborations.”)

After the live performance on Monday, June 14th, the show will be available for streaming through June 18th at 7:00 PM ET/4:00 PM PT. There is a suggested donation of $25.

A small bit of trivia: Larry Gelbart, who co-wrote Tootsie and was instrumental in the long-running television show M*A*S*H, wrote an updated version of Volpone that went by the name Sly Fox. It had its Broadway debut in 1976 with George C. Scot in the title role.

That concludes our official Top Ten Best Bets: June 11th – June 14th. But a few reminders before we go:

The film version of Lin-Manuel Miranda’s In the Heights is now in theaters and streaming on HBO MAX.

Los Angeles Opera’s Signature Recital Series has now unveiled all five recitals for streaming with Russell Thomas, Susan Graham, Christine Goerke, Julia Bullock and J’Nai Bridges. They will remain available through July 1st. You can find details here.

The Los Angeles Philharmonic has added a newly-announced episode for the second season of Sound/Stage. Debuting on June 11th is a performance by the LA Phil with the Youth Orchestra Los Angeles and the band Weezer. They will be performing songs from their album OK Human. Rob Mathes leads the LA Phil and did the orchestrations.

This weekend’s offerings from the Metropolitan Opera are the 2012-2013 season production of Thomas Adés’ The Tempest on Friday; Verdi’s Falstaff from the 2013-2014 season on Saturday and the 2017-2018 season production of Mozart’s Cosi fan tutte on Sunday.

Monday the Met begins a week of operas to celebrate Father’s Day. The first production being streamed is Verdi’s Simon Boccanegra from the 1994-1995 season. We’ll have the full schedule and clips on Monday.

What inevitably follows another opening is another closing. Here ends this weekend’s Best Bets: June 11th – June 14th.

Update: This post has been updated to include newly announced participants in Connections

Photo: Jake Gyllenhaal in Sunday in the Park with George (Photo by Matthew Murphy/Courtesy IBDB.com)

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They include Jim Parsons in Harvey, jazz pianist Chano Domínguez (if you don’t know him, you should!), the pentulimate episode of Close Quarters from Los Angeles Chamber Orchestra and For the Record Live’s Brat Pack.

Here is the full list of our Best Bets: May 21st – May 24th:

*TOP PICK* – A Tribute to John Williams – Boston Pops – Now – June 19th

We showcased this concert in yesterday’s preview of our Best Bets. Here is the the top line. Composer John Williams and his music are celebrated in this concert by his one-time home, The Boston Pops. Keith Lockhart will be on the podium for this program of Williams’ film scores ranging from the well-known (Star Wars) to lesser-known tracks.

A special part of this program is the inclusion of interviews with Williams about many of these scores and his memories of creating them with filmmakers such as George Lucas and Steven Spielberg.

A 7-day pass is required to watch A Tribute to John Williams. Those passes are $9

PLAY: Harvey – Roundabout Theatre Company on Broadway on Demand – Now – June 13th

Mary Chase’s play about a man’s friendship with an invisible rabbit (who gives the play its name) first opened on Broadway in 1944 with Frank Fay in the role of Elwood P. Dowd. (Trivia note for theater buffs: Antoinette Perry, the woman for whom the Tony Award is named, was the director.)

A 1970 revival of the play starred James Stewart who starred as Elwood in the 1950 film classic.

It would be 42 years before Harvey would find its way back to Broadway. Jim Parsons (The Big Bang Theory) starred as Elwood with Jessica Hecht and Charles Kimbrough co-starring. This Roundabout Theatre Company production from 2012 is streaming for free on Broadway on Demand.

Charles Isherwood, in his New York Times review, hailed Parsons’ performance:

“The breakout star of the popular sitcom “The Big Bang Theory,” the soft-spoken Mr. Parsons makes an ideal Elwood, the drinker and dreamer who passes his days in the company of Harvey, doing little more than sitting around saloons making friendly conversation with whoever happens by. Mr. Parsons possesses in abundance the crucial ability to project an ageless innocence without any visible effort: no small achievement for an actor in these knowing times.

You will need to register to stream the play. After you do so you’ll receive streaming instructions.

BALLET: Swan Lake – San Francisco Ballet – Now – June 9th

When San Francisco Ballet debuted Helgi Tomasson’s new Swan Lake ballet, it was a runaway hit. Interest in this production was so intense that they sold out nearly every performance.

In the ballet, Odette is a princess turned into a swan by a sorcerer. Prince Siegfried falls in love with Odette. At night she turns back into her human form and it was upon seeing this transformation that the romance begins. Other spells and deception awaits the leads in Swan Lake. While love triumphs, it isn’t necessarily the happiest of endings, but it is certainly romantic.

Tchaikovsky’s music is still present, but it is Tomasson’s vision that was different after he updated the choreography by Lev Ivanov and Marius Petipa.

The cast for this streaming performance features Yuan Yuan Tan in the dual roles of Odette and Odile. Tiit Helimets dances the role of Prince Siegfried. Alexander Reneff-Olson dances the role of Von Rothbart and the Pas de Trois is performed by Dores André, Taras Domitro and Sasha De Sola. Martin West conducts.

Tickets are $29 which allows for 72 hours of access to Swan Lake.

PLAY READING: The Sisters Rosensweig – Spotlight on Plays on Broadway’s Best Shows – Now – May 24th

Jason Alexander, John Behlmann, Lisa Edelstein, Kathryn Hahn, Kathryn Newton, Tracee Chimo Pallero, Chris Perfetti and James Urbaniak star in a reading of Wendy Wasserstein’s play. The reading is directed by Anna D. Shapiro (Tony Award-winner for her direction of August: Osage County).

The Sisters Rosensweig opened at the Ethel Barrymore Theatre in 1993. This was her first Broadway play since wining the Tony Award and the Pulitzer Prize for The Heidi Chronicles.

The play depicts a reunion of three sisters who haven’t seen each other in years. Through the course of the play they come to understand that the bond of being sisters is more important than any of the reasons they’ve stayed apart.

Mel Gussow, in his review for the New York Times said of the play:

“Ms. Wasserstein’s generous group portrait is not only a comedy but also a play of character and shared reflection as the author confronts the question of why the sisters behave as they do. The immediate answer is that they are Rosensweigs and are only doing what is expected of them. The play offers sharp truths about what can divide relatives and what can draw them together.”

Wasserstein passed away in 2006 at the age of 55 due to complications of lymphoma.

Tickets are $18 which allows for repeated viewings through May 24th at 6:00 PM ET/3:00 PM PT. Proceeds benefit The Actors Funds, TDF Wendy Wasserstein Project and Steppenwolf Theatre Company.

JAZZ: Chano Domínguez – SFJAZZ – May 21st – 8:00 PM ET/5:00 PM PT

Spanish born pianist Chano Domínguez has long put postbop, flamenco and fusion influences together to create a wholly original approach to jazz music. In this concert from 2018, Domínguez celebrates the work of Miles Davis.

Joined by bassist Alexis Cuadrado, drummer Henry Cole, flamenco singer Blas Córdoba and dancer Daniel Navarro, Domínguez will offer his take on such classic Davis tracks such as So What, All Blues and Freddie the Freeloader from Davis’ 1959 classic album Kind of Blue.

The concert is streaming right around dinner time on the East Coast (8:00 PM) and happy hour on the West Coast (5:00 PM). As a wine pairing for this concert I suggest a crisp Albariño for those who prefer white wine and a dry Rioja for those who prefer red.

If you can’t make the Fridays at Five showing, there will be an encore presentation on Saturday, May 22nd at 1:00 PM ET/10:00 AM PT.

Tickets are $5 which includes a one month digital membership.

BROADWAY VOCALS: Elizabeth Stanley – Broadway Stories & Songs with Ted Sperling – May 21st – 8:00 PM ET/5:00 PM PT

I first saw Elizabeth Stanley in the 2006 revival of Stephen Sondheim and George Furth’s Company. Since then she’s appeared on Broadway in Cry-Baby, Million Dollar Quartet, the 2014 revival of On the Town and she was starring in Jagged Little Pill when the pandemic hit. That show, for which she was nominated for a Tony Award for Best Actress in a Musical, will re-open on October 21st.

Stanley is an amazing singer and one who performs songs in the truest sense of the word. She doesn’t just sing, she imbues them with whatever the song calls for: comedy, drama, pathos, etc..

She joins Ted Sperling for this weekend’s Broadway Stories & Songs with Ted Sperling. The show will first air at 8:00 PM ET/5:00 PM PT on Friday. It will also be rerun on Saturday at 2:00 PM ET/11:00 AM PT. The $25 ticket price allows you to view both showings.

CLASSICAL MUSIC: Shin, Reid + Britten – Los Angeles Chamber Orchestra – Debuts May 21st – 9:30 PM ET/6:30 PM PT

In this penultimate episode of LA Chamber Orchestra’s Close Quarters series, the music of Benjamin Britten and Pulitzer Prize winner Ellen Reid is performed along with the world premiere of Hyo by Peter S. Shin.

Shin was the recipient of the 2020/2021 Sound Investment Honor which finds donors investing in the creation of a new work and following its progress leading up to its premiere.

Les Illuminations by Britten is a 16-minute song cycle that had its world premiere in 1940. Joining LACO for this performance is soprano Nicole Cabell. She’s performed in opera houses around the world in Porgy and Bess, La Traviata, Don Giovanni and more.

Lumee’s Dream from Reid’s opera p r i s m is the last work on the program.

Dance is included in this episode with choreography by Rebecca Steinberg performed by Layne Paradis Willis and Joe Davis.

Visuals are by Jian Lee and the LACO is lead by Grant Gershon.

There is no charge to watch this show. If you haven’t look at the other 12 episodes in this ambitious and very satisfying series, I urge you to do so.

MUSICAL: Brat Pack – The Wallis Annenberg Center for the Performing Arts – May 21st – May 23rd

Don’t you forget about films like The Breakfast Club, Pretty in Pink, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off and more. You won’t be able to if you stream Brat Pack this weekend.

For the Record Live created a cottage industry of shows dedicated to the soundtracks from various films centered around individual directors. Amongst the most popular was their show celebrating John Hughes. That show serves as the inspiration for Brat Pack which tells the story of the high school experiences of the archetypal Basket Case, Geek, Jock, Mister and Rebel. Does that sound like a club with whom you might like to have breakfast?

Brat Pack was filmed live on stage at The Wallis with James Byous, Emily Lopez, Parissa Koh, Patrick Ortiz, Doug Kreeger and Kenton Chen. As with any For the Record Live production, they are accompanied by a killer band.

Tickets are $20 which allows for viewing all weekend long. One note of caution: the show does contain adult subject matter and language.

OPERA: Janáček’s The Cunning Little Vixen – Glyndebourne – May 23rd – June 6th

Vladimir Jurowski conducts; starring Emma Bell; Lucy Crowe, Sergei Leiferkus and Mischa Shelomainaksi. This Melly Still production is from the 2011-2012 season.

Leoš Janáček’s opera had its world premiere in Prague in 1924. The Cunning Little Vixen has a libretto by the composer based on a serialized novel by Rudolf Těsnohlídek called Liška Bystrouška.

In The Cunning Little Vixen a foster, while taking a nap, is taken by a young vixen to be her pet. Once she gets older she pursues a more independent life. The vixen gets mistaken for a gypsy girl and her life becomes a whirlwind she never expected.

We’ve covered literally hundreds of opera productions here at Cultural Attaché. I can say with absolute certainty that this is the first time we’ve offered up a production of Cunning Little Viven. This is not a commonly performed opera.

Fiona Maddocks, in her review for The Guardian, said of this production:

“Melly Still’s staging, designed with folkloric charm by Tom Pye and atmospherically lit by Paule Constable, wins enough plus points to balance out the minuses. The action is often chaotic and unfocused. There is no allowance made for the speed at which the text moves. Lacking the requisite fluency in Czech – feeble, I know – one had to cling on to the surtitles at the risk of missing the action. The shooting of the Vixen passed almost without notice, though this may be the point: another ordinary day in the genocidal war of man and beast.”

There is no charge to watch Cunning Little Vixen which will be available for streaming through June 6th.

BROADWAY FUNDRAISER: Broadway Barks – May 23rd – 7:00 PM ET/4:00 PM PT

This annual event supports the adoption of shelter animals. Broadway Barks was started by good friends Mary Tyler Moore and Bernadette Peters in 1998. Every year they have had in-person events where Broadway stars and shelter pets combine to entertain and find homes for the four-legged friends.

This is the second virtual edition and they have an incredible line-up:

Sebastian Arcelus, Annaleigh Ashford, Alec Baldwin, Christine Baranski, Bill Berloni, Stephanie J. Block, Carol Burnett, David Burtka, Victoria Clark, Glenn Close, Lily Collins, Harry Connick Jr., Sheryl Crow, Jason Danieley, Ted Danson, Ariana DeBose, Daveed Diggs, Gloria Estefan, Harvey Fierstein, Calista Flockhart, Whoopi Goldberg, Josh Groban, Kathryn Grody, Emmylou Harris, Neil Patrick Harris, Megan Hilty, James Monroe Iglehart, Hugh Jackman, Christopher Jackson, Allison Janney, Nathan Lane, Bob Mackie, Audra McDonald, Charlie McDowell, Brian Stokes Mitchell, Bebe Neuwirth, Mandy Patinkin, David Hyde Pierce, Randy Rainbow, Kelly Ripa, Chita Rivera, Lea Salonga, Phillipa Soo, and Mary Steenburgen. 

Peters will serve as the host.

Broadway Barks will stream on Broadway.com and Broadway Cares/Equity Fights AIDS’ Facebook and YouTube pages. 

Those are our Best Bets: May 21st – May 24th. As usual, a few reminders before we conclude:

Tales from the Wings: Celebrating Lincoln Center Theater with Patti LuPone, Audra McDonald and others remains available through Sunday, May 23rd only. Don’t miss it.

LA Opera’s Signature Series adds a recital by Julia Bullock on Friday to still available performances by Russell Thomas, Susan Graham and Christine Goerke.

Next week the fourth and final episode of Myths and Hymns from MasterVoices debuts. If you haven’t seen the first three episodes, take a look.

The Romero Quartet launches their 60th anniversary celebration with a streaming concert from Belly Up in Solano Beach on Sunday. For details and our interview with Pepe Romero, please go here.

The Metropolitan Opera productions streaming this weekend are the 2016-2017 season production of Verdi’s Nabucco on Friday; Donizetti’s Lucia di Lammermoor from the 1982-1983 season (with Joan Sutherland) on Saturday and the 1995 production of Tchaikovsky’s The Queen of Spades on Sunday. This will conclude the Unhinged Mad Scenes week.

Monday the Met begins Rare Gems week with a 2008-2009 season production of Massenet’s Thaïs. We’ll have the full line-up on Monday for you.

Lastly if you’ve read our interview with Isabel Leonard (and please do, she has a lot to say), you’ll remember that Saturday the Met streams Three Divas at 1:00 PM ET/10:00 AM PT featuring Leonard with Ailyn Pérez and Nadine Sierra.

That’s truly the end of our Best Bets: May 21st – May 24th.

I hope you have a great weekend. Enjoy the culture!

Photo: Keith Lockhart conducting the Boston Pops (Photo by Stu Rosner/Courtesy Boston Pops)

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Every year Broadway’s best performers switch gender by having the men sing songs written for female characters and the women singing songs written for male characters. Add clever staging and you have one of each year’s most entertaining concerts.

For Broadway Backwards 2021, the concept allows for the combination of new material and great performances from previous editions of the show.

There is a rather simple storyline this year: Tony nominee Jenn Colella (Come From Away) will play a late night TV host who takes a young man living in isolated New York (Jay Armstrong Johnson of Quantico and The Phantom of the Opera) on an amazing journey. There will be an emphasis on LGBTQ stories in the event.

It strikes me a little like Dorothy’s journey in The Wizard of Oz. And wait until you see who he runs into along the way:

The opening number features Tony Award winners Stephanie J. Block (The Cher Show) and Lea Salonga (Miss Saigon) with Deborah Cox (Jekyll and Hyde).

Who else might he encounter? Debbie Allen, Amy Adams, Ward Billeisen, Matt Bomer, Brenda Braxton, Charl Brown, Tituss Burgess, Joshua Buscher-West, Len Cariou, Carolee Carmello, Jamie Cepero, Bryan Terrell Clark, Glenn Close, Darren Criss, Steven Cutts, Ariana DeBose, Loretta Devine, Cynthia Erivo, Jesse Tyler Ferguson, Garlen Gilliland, James Monroe Iglehart, Cheyenne Jackson, Cherry Jones, Andrew Keenan-Bolger, Andy Kelso, Eddie Korbich, Marty Lawson, L Morgan Lee, Raymond J. Lee, Aasif Mandvi, Michael McElroy, Eric McCormack, Debra Messing, Ruthie Ann Miles, Bonnie Milligan, Brian Stokes Mitchell, Debra Monk, Jessie Mueller, Javier Muñoz, Kelli O’Hara, Karen Olivo, Alfie Parker Jr., Jim Parsons, Brandon Pearson, Bernadette Peters, Eric Petersen, Eve Plumb, Waldemar Quinones-Villanueva, Andrew Rannells, Alex Ringler, Chita Rivera, Roslyn Ruff, Michael James Scott, Sis and Elizabeth Stanley, Ryan Steele, Dennis Stowe, Lillias White, Curtis Wiley and Tony Yazbeck.

You want more? How about special guests Chasten Buttigieg, Anderson Cooper, Ariana DeBose, Don Lemon, Sheryl Lee Ralph, Robin Roberts, Tony Shalhoub and Ben Vereen?

Being this is a Broadway event, we can’t leave out the rest of the company: Danyel Fulton, Shelon Henry, Diana Huey, Aaron Libby, Nathan Lucrezio, Melinda Porto, Shelby Ringdahl, Vishal Vaidya and Blake Zolfo.

Robert Bartley is the writer/director; he also created Broadway Backwards. Mary-Mitchell Campbell is the music supervisor and Ted Arthur is the music director.

As impressive as all of this is, the best thing about Broadway Backwards is that it is a great fundraiser for Broadway Cares/Equity Fights AIDS. To date these shows have raised nearly $4.4 million dollars! Each of the last three shows has raised over half a million dollars.

You can watch Broadway Backwards on the Broadway Cares/Equity Fights AIDS website and also on their YouTube channel. The show will remain available through 11:59 PM EDT on April 3rd only.

These three clips give you just a taste of what to expect. This is truly the highlight of the week. Tune in, donate if you can, and just wait to be blown away.

Photo: Broadway Backwards 2021 Logo (courtesy of Broadway Cares/Equity Fights AIDS)

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The shows range from topical dramas exploring current events to the first of December holiday events to a salute to Broadway and some outstanding jazz. Of course, there’s more than that, too.

Our weekend’s top pick is Jason Moran and The Bandwagon performing at the Village Vanguard in New York as they do every Thanksgiving weekend.

So here are your Thanksgiving Weekend Best Bets:

Until the Flood – Center Theatre Group Digital Stage – Now

The Kirk Douglas Theatre began this year with Dael Orlandersmith’s one-person show Until the Flood. The Center Theatre Group has teamed up with theaters around the country to make a film of Until the Flood available for viewing.

In her show, Orlandersmith looks at how the shooting of Michael Brown in Ferguson impacts the Black and white members of the community and how they processed this tragedy.

The film is from the Rattlestick Playwrights Theatre in New York. They, along with Center Theatre Group and the following theaters, are making Until the Flood available: A Contemporary Theatre—Seattle, Washington; DCPA Theater—Denver, Colorado; The Goodman Theatre—Chicago, Illinois; Milwaukee Repertory Theater—Milwaukee, Wisconsin; Portland Center Stage—Portland, Oregon and Repertory Theater of St. Louis—St. Louis, Missouri (who commissioned and produced the play).

There is no charge to watch Until the Flood.

Holiday on Strings! – Playhouse Live – Now – January 3rd

Playhouse Live now has their third Bob Baker Marionette Theatre show. Like the previous Halloween-themed show in October, this classic show is timed for holidays – the winter ones!

A wizard takes Demetrius Nova Twinklestar III on a whirlwind tour of the holiday galaxies. Amongst the locations on their itinerary are Santa’s workshop, the world of Charles Dickens (author of A Christmas Carol), a Hannukah celebration, a visit from a certain reindeer with a red nose and some charming and endearing North Pole animals.

Holiday on Strings! was filmed in front of a live audience (no doubt pre-pandemic). The rental fee is $14.99.

On a separate note, the Bob Baker Marionette Theatre is facing possible closure. The theatre was established in 1963 and has provided millions of children and adults countless hours of pleasure (myself included in grade school and later again as an adult). They recently moved out of their long-time location into a new space in Highland Park. If you are interested in reading more about BBMT and/or making donation, please go here.

The Last Five Years – Broadway on Demand – November 26th – November 29th

The Jason Robert Brown musical that follows the life of a relationship between a writer and his wife going, literally, in opposite directions, is being presented in a performance filmed live at Southwark Playhouse this weekend.

If you don’t know this wonderful musical, Cathy (Molly Lynch) tells the story of their relationship in reverse starting at the end and moving towards when they first met. Jamie (Oli Higginson) tells the story chronologically from the moment when they first locked eyes through to its end. As a result, the two only meet in the middle of the story.

In Jonathan O’Boyle’s production, each performer plays accompaniment on the piano when the other is singing. The cast is supported by a four-piece band.

Ava Wong Davies, in her review for The Independent, said of this conceit, “It’s an ostensibly simple trick, but one which pays dividends. O’Boyle extracts a seam of melancholy from the piece which undercuts even the most ebullient numbers – there’s a pearly beauty to the golden days of their early courtship. After all, relationships are filled with ghostliness, even when you’re in them – that creeping, niggling sense that you will never fully understand the other person, the feeling of a partner morphing out of a familiar shape into something unrecognisable. 

Tickets are $17.90 (which includes the service charge).

Nutcracker Online – SF Ballet – November 27th – December 31st

It’s that time of year and our first Nutcracker is available starting on Friday. San Francisco Ballet’s 2008 production will be available for streaming throughout the holidays.

Though a staple of ballet companies around the world, The Nutcracker was not considered a success when it debuted in St. Petersburg in 1892. In fact, it wasn’t until the 1960s that it became embraced.

In the ballet, Clara is enamored with a nutcracker that her godfather has brought to a Christmas eve celebration. Others aren’t so interested and Fritz actually breaks the nutcracker. After all the guests have left for the evening – and just as midnight strikes – Clara checks in on the broken nutcracker. That’s when the world of toys, mice, fairies, Christmas trees and her beloved nutcracker come to magical life.

The music was written by Pyotr Illyich Tchaikovsky.

This production was choreographed by Helgi Tomasson. The company features Elizabeth Powell as Clara, Yuan Yuan Tan as the Snow Queen, Pierre-François Vilanoba as the Snow King, Vanessa Zahorian as the Sugar Plum Fairy with the grand pas de deux danced by Maria Kochetkova and Davit Karapetyan.

Tickets are $49 and allow viewing for 48 hours. There are also interactive components included. Tickets are available here.

Jeremy Pelt & Jeb Patton – Mezzrow – November 27th

Jazz trumpeter Jeremy Pelt and pianist Jeb Patton will perform two sets from Mezzrow in New York on Friday, November 27th. The first set is at 7:00 PM EST/4:00 PM EST with the second set at 8:30 PM EST/5:30 PM PST.

Pelt’s album The Art of Intimacy, Vol. 1 is one of my favorite albums of the year. Hopefully the title implies a second volume will be forthcoming.

Patton cut his professional teeth playing with saxophonist Jimmy Heath. His most recent album is 2019’s Songs of the Saxophone.

There’s no charge to watch the performances. Mezzrow does make reserved Sponsor Seats available for each set priced at $40.

Jason Moran and The Bandwagon – Village Vanguard – November 27th – November 28th

If you’ve read any of my coverage of jazz musicians, you are well aware of how much I respect and enjoy pianist/composer Jason Moran. One of my favorite ways of enjoying his music is with his ensemble The Bandwagon.

Moran has been performing with bassist Taurus Mateen and drummer Nasheet Waits for over twenty years.

Their first recording together was 2000’s Facing Left. Three years later he officially titled an album The Bandwagon and it found the trio performing live at the Village Vanguard.

They return to New York’s legendary jazz club this weekend for two performances – as they usually do each Thanksgiving weekend.

If you are wondering why you can’t find new releases on streaming services, it is because Moran has been releasing his new material independently. 2018’s Looks of a Lot is his most recent release with The Bandwagon.

Tickets are only $10 for each of these performances.

Gregory Porter – SFJAZZ – November 27th – 8:00 PM PST/5:00 PM PST

This week’s Fridays at Five concert from SFJAZZ finds singer Gregory Porter performing in a concert from August 2019.

At the time of this concert Porter was supporting his album, Nat “King” Cole & Me and was working on his 2020 album, All Rise.

Porter’s silky smooth baritone voice works magic on classic material and he has the ability to skillfully blend jazz and soul. He has two Grammy awards – both for jazz albums – and received his seventh nomination earlier this week for All Rise in the category of Best R&B Album.

SFJAZZ’s Fridays at Five concerts only stream once at 8:00 PM EST/5:00 PM PST. (Or happy hour as we call it on the West Coast.) You must have either a one-month membership ($5) or an annual membership ($60) to view the shows.

The Prestidigitalist – November 27th – 10:00 PM EST/7:00 PM PST

International magician David Goldrake has developed a streaming magic show that takes many of the illusions that have made him an international star and Las Vegas headliner and combined them with newly created illusions to form the basis for his show The Prestidigitalist.

Your first question might be, what’s a prestidigitalist?

Honestly, it’s not a real word. It’s something Goldrake made up combining prestidigitation (nimble fingers) and digital (reflecting the way the world is enjoying entertainment these days).

I’ve seen Goldrake perform many times. Most of the performances I saw were at the Magic Castle. I also saw his Las Vegas show, Imaginarium. Earlier this year I was invited to see a workshop production of the show that became The Prestidigitalist.

While I haven’t seen the show as it currently stands, I know he’s quite talented and a truly engaging performer.

Tickets are $25 and the show is presented via Zoom. If you are unable to see The Prestidigitalist this weekend, there is another performance on December 11th.

Lea Salonga in Concert – Great Performances on PBS – check local listings

Tony Award-winner Lea Salonga performs a ninety-minute concert from the Sydney Opera House on PBS’ Great Performances.

Salonga made her Broadway debut as the ill-fated Kim in the musical Miss Saigon. It was for that performance that she earned her Tony Award.

Additional Broadway credits include Les Misérables, Flower Drum Song, Allegiance and the recent revival of Once on This Island.

The concert will include songs from several of these shows, if not necessarily exclusively songs she performed in them. Salonga will also perform songs from Mulan and Aladdin.

Concurrent with this concert on Great Performances, Salonga is releasing a recording of the full concert on November 27th on Broadway Records.

L’Elisir d’Amore – San Francisco Opera – November 28th – November 29th

Conducted by Bruno Campanella; starring Ramón Vargas, Inva Mula, Giorgio Caoduro, Alessandro Corbelli and Ji Young Yang. This James Robinson production is from the 2008-2009 season.

Donizetti’s L’Elisir d’Amore (“The Elixir of Love”) had its world premiere in Milan in 1832. The libretto by Felice Romani. L’Elisir d’Amore was inspired by Eugène Scribe’s libretto for Daniel Auber’s Le philtre.

In this opera, Adina and Nemorino are the couple at the center of the story. Nemorino is madly in love with Adina, but she toys with his love. In an act of desperation he purchases an “elixir” that he believes will make her fall in love with him. He pretends not to love her anymore which leads, of course, to the planning of their wedding. But will it take place? It’s a comic opera, of course it will!

Joshua Kosman, in his San Francisco Chronicle review, said one performance stood out. “…tenor Ramón Vargas gave a ravishing performance as Nemorino – his tone bright and fluid, his technique effortlessly precise and his comic presence winning but unobtrusive.

“Practiced hands know to look forward to ‘Una furtiva lagrima,’ the lyrical showpiece that Nemorino sings shortly before the final curtain, and Vargas’ rendition didn’t disappoint – it was marked by lustrous sound and generous, arching phrases, as well as a dazzlingly long-held approach to the final cadence.”

A Toast to Broadway – The Ridgefield Playhouse – November 28th – 8:00 PM EST/5:00 PM PST

Connecticut’s The Ridgefield Playhouse is throwing a party that fans of musicals will want to see. A Toast to Broadway finds nearly 20 performers coming together to celebrate the Great White Way.

Tony Award winners Stephen Schwartz (Isabel Stevenson Award), Debbie Gravitte (Jerome Robbins’ Broadway) and Harvey Fierstein (Hairspray, Torch Song Trilogy) will be joined by Kelli Barrett (Rock of Ages), Ann Hampton Callaway (Tony nominee for Swing!), Sam Gravitte (Wicked), Morgan James (Postmodern Jukebox), LaKisha Jones (The Color Purple), Mark Kopitzke (Thoroughly Modern Millie), Jesse Leprotto (Newsies), Alli Mauzey (Wicked), Bryce Pinkham (A Gentleman’s Guide to Love and Murder) Seth Rudetsky, Jarrod Spector (Beautiful: The Carole King Musical), Scarlett Strallen (Mary Poppins) and Julius Thomas III (Hamilton).

Tickets are $35 with a portion of the proceeds going to The Actors Fund.

Charles Dickens’ A Christmas Carol – On the Stage – November 28th – January 3rd

One of the best and most thrilling evenings of theatre I had in 2018 was seeing Tony Award winner Jefferson Mays (I Am My Own Wife, A Gentleman’s Guide to Love and Murder) in a one-man version of Charles Dickens’ classic holiday story, A Christmas Carol.

This was riveting theatre that found Mays giving one of his finest performances ever.

He was cloaked in a production that was exciting and creative from director Michael Arden (Once on This Island). Mays, Arden and Susan Lyons adapted the story.

On the Stage will stream the show throughout the holidays. This is a newly filmed performance of A Christmas Carol. The runtime is 91 minutes. Tickets are $50 with an additional $7.50 in service charges. Your ticket allows you to watch the show for 24 hours.

Multiple theaters around the country are participating in A Christmas Carol. As the show was originally developed and produced at the Geffen Playhouse in Los Angeles, the link in the title goes to their website.

For One Knight Only – Acting for Others – November 29th – 2:00 PM EST/11:00 AM PST

You have to be either a Knight or a Dame to be part of For One Knight Only. Thankfully the line-up of talent for this one-night only show (it is originating from England) includes two dames and three knights.

Kenneth Branagh, Judi Dench, Derek Jacobi, Ian McKellan and Maggie Smith will come together for 90 minutes of storytelling, conversation and conviviality.

For One Knight Only is a fundraiser for Acting for Others which is providing support to out of work professionals involved with the performing arts in the United Kingdom.

The good thing is you don’t need to be a knight or dame to watch the show. Everyone is invited. Tickets are £45 which equates to approximately $60.

Patti Murin and Colin Donnell – Seth Rudetsky Concert Series – November 29th – 8:00 PM EST/5:00 PM PST

We’ve selected shows by Andy Karl and Orfeh and just last week Kelli Barrett and Jarrod Spector. Welcome to another Broadway couple: Patti Murin and Colin Donnell.

Murin is best known for originating the role of Anna in the Broadway version of Frozen.

She made her Broadway debut in another film-turned-Broadway musical, Xanadu. She also originated the title role in 2011’s Lysistrata Jones.

Donnell made his Broadway debut in Jersey Boys. He was Billy Crocker in the Tony Award-winning 2011 revival of Cole Porter’s Anything Goes. His chemistry with Sutton Foster was so good in that show that he also appeared with her in the 2014 production of the musical Violet.

But his best chemistry is with Murin. They were married in 2015.

They are the headliners in this weekend’s Seth Concert Series from Seth Rudetsky (who joins as accompanist and host).

Tickets are $28.50 (which includes service charges). The concert is expected to run 90 minutes. If you cannot see the concert live on Sunday, there will be an encore streaming on Monday, November 30th at 3:00 PM EST/12:00 PM PST. The show will then be available on demand for a couple weeks.

Are you stuffed with all the Thanksgiving Weekend Best Bets you can handle? I hope not, because I have a few reminders of what else is available for your viewing pleasure.

There is another opportunity to see Ute Lemper’s Rendezvous with Marlene on Wednesday, November 25th at 8:00 PM EST/5:00 PM PST.

All three plays that make up The Greek Trilogy of Luis Alfaro are available for streaming from Center Theatre Group. The plays are Oedipus El Rey, Mojada and Electricidad.

All episodes of the Los Angeles Philharmonic’s Sound/Stage series remain available for viewing. Their shows include classical music, jazz, R&B and rock. Amongst the performers are J’nai Bridges, Andra Day, Jean-Yves Thibaudet and Kamasi Washington. Gustavo Dudamel hosts all episodes and conducts most of the shows.

The theme at the Metropolitan Opera this week is family drama. So if you aren’t having enough drama at home, be sure to check out the operas available through Sunday.

That’s our complete list of Thanksgiving Weekend Best Bets.

I wish you, your friends and families the best possible weekend. Stay safe. Stay healthy. Enjoy the culture!

Photo: Jason Moran and The Bandwagon (Courtesy jasonmoran.com)

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What’s on tap for the Best Bets at Home: June 26th – June 28th?

Broadway fans will have a musical, a diva in concert and an all-star special concert. Fans of theatre will have Shakespeare, Molière (with a Broadway star), a reading of a sequel to a classic play (also featuring Broadway stars) and more. Opera fans have a second production of a Massenet opera available to them just this week and a celebration of opera choruses. Jazz fans have two options with many of the genre’s biggest names performing. Classical music fans have a Carnegie Hall concert by one of our greatest living composers and also the farewell to a legendary conductor.

What will you choose?

Here are the Best Bets at Home: June 26th – June 28th

Falsettos – Lincoln Center at Home on Broadway HD – Now – June 27th at 8:00 PM EDT/5:00 PM PDT

The 2016 Broadway production of James Lapine and William Finn’s musical Falsettos is available for streaming through Saturday, June 27th. The presentation of this Tony Award-nominated production is part of Lincoln Center at Home in collaboration with Broadway HD.

Lapine and Finn paired two one-act Off-Broadway musicals they created (1981’s March of the Falsettos and 1990’s Falsettoland) to make the full length musical Falsettos.

Christian Borle plays Marvin. He and his wife, Trina (Stephanie J. Block), are preparing their son, Jason (Anthony Rosenthal) for his Bar Mitzvah. Marvin has recently left Trina for Whizzer (Andrew Rannells) which complicates more than just their marriage. Trina is seeing a therapist, Mendel (Brandon Uranowitz) and her therapist is falling in love with his patient.

It sounds complicated and perhaps it is. But Lapine and Finn have created a musical that is both funny and heartbreaking, romantic and sad. They’ve also created one hell of a show that feels just as topical today as when it was first created.

A Midsummer Night’s Dream – National Theatre Live – Now – July 2nd

First let me tell you this is definitely not a traditional production of A Midsummer Night’s Dream. This 2019 Nicholas Hytner production finds most of the audience walking around the theatre as the play takes place.

The Bridge Theatre, where this production was staged, has high ceilings and a unique structure that allows for this immersive version of Midsummer. Critics talked about Cirque du Soleil-style elements, some queering up of the story and they all raved about how this possibly over-produced play has, with this production, entered the 21st century.

Maybe not being a traditional production is going to be not just a good thing, but a great thing with this A Midsummer Night’s Dream.

Philip Glass Ensemble: Music with Changing Parts – Medici.tv – June 26th – June 28th

This weekend’s free Carnegie Hall concert available on Medici.tv features a 2018 performance by composer Philip Glass with his ensemble. The concert is complete performance of his 1970 work Music With Changing Parts.

For quite some time this was not amongst Glass’s best-known works. It was independently released on vinyl and went out of print in the late 1970s. It was remastered and released on CD in 1994. It’s a work that greatly influenced Brian Eno and David Bowie who saw the Philip Glass Ensemble perform it in Europe in the 1970s.

Michael Riesman is the conductor for this performance. Joining Glass and the Ensemble are the San Francisco Girls Chorus (Valérie Sainte-Agathe, Conductor) and students from the San Francisco Conservatory of Music.

Watching the concert is free, but it does require signing in with Medici.tv.

Wayne Shorter Celebration Part 2 – SF Jazz Friday’s at Five – June 26th 8:00 PM EDT/5:00 PM PDT

On May 22nd SF Jazz streamed the first part of their Wayne Shorter Celebration featuring Kamasi Washington, Terrace Martin and Shorter’s touring musicians pianist Danilo Pérez, bass player John Patitucci and drummer Brian Blade. This was one of the concerts that replaced Shorter’s scheduled shows that he had to miss due to health issues.

For part two of this celebration the special guests are Herbie Hancock and Terence Blanchard. Once again, Pérez, Patitucci and Blade also perform.

Friday’s At Five does require you sign up in advance. You can join for one month for $5 or for an entire year for $60. Membership allows you to watch all Friday’s at Five programs. Upcoming performances will include Allen Touissant, John Scofield, Cécile McLorin Salvant and two more celebrations of Wayne Shorter (with guests Branford Marsalis, Joshua Redman and Ambrose Akinmusire.)

The Men From the Boys – Playbill Pride Plays – June 26th – 7:00 PM EDT/4:00 PM PDT

As part of their programming celebrating Gay Pride, Playbill will live stream a reading of Mart Crowley’s The Men from the Boys. This is a 2002 sequel to Crowley’s best-known play, The Boys in the Band. Many of the characters from the first play appear in this sequel and new characters are also introduced.

Performing this reading will be Denis O’Hare as Michael, Rick Elice as Donald, Mario Cantone as Emory, Joseph James O’Neil as Hank, Kevyn Morrow as Bernard, and Lou Liberatore as Harold. For the new characters Carson McCalley plays Scott, Charlie Carver plays Jason and Telly Leung plays Rick.

Directing The Men From the Boys is Zachary Quinto who appeared in the 2019 Broadway production of The Boys in the Band.

Crowley passed away earlier this year.

Playing Through Changes – Jazz House Kids – June 26th – 8:00 PM EDT/5:00 PM PDT

New Jersey-based Jazz House Kids offers education and performances for children ages 8 to 18. Like many organizations this year their plans of a big gala were thwarted by the pandemic. So they took their efforts online in a mix of live performances and classic footage. This is a re-streaming of last week’s event.

Lester Holt of NBC News hosts the program.

The performers included in this 2 hour and 15 minute show are Dianne Reeves, David Sanborn, Eddie Palmieri, Diana Krall, Ingrid Jensen, Wynton Marsalis, Andra Day, Chick Corea, Bill Charlap Trio, Ravi Coltrane, Dee Dee Bridgewater, José James, The Christian McBride Big Band featuring Melissa Walker and the late Al Jarreau and George Duke.

McBride and Walker will do a live introduction to this week’s streaming of Playing Through Changes.  

We’ve provided a link in the title that goes to the Jazz House Kids webpage. It will also be available for viewing on their Facebook page and YouTube Channel

Gloria: A Life – PBS Great Performances – June 27th (Check Local Listings)

Christine Lahti stars in Emily Mann’s play as women’s rights leader Gloria Steinem. Lahti is joined by an all-female cast playing the non-Steinem characters. Gloria: A Life is directed by Diane Paulus.

Reviews for the play itself were mixed. The last 20 minutes of the production, which feature a talking circle, regularly got singled out for how powerful they were. Since Steinem is included in this film, it is probably a safe assumption that she will be part of this part of the performance..

Manon – San Francisco Opera – June 27th – June 28th

This week’s offering from San Francisco Opera is their 2017 production of Jules Massenet’s Manon. This was a co-production with Lithuanian National Opera and Ballet Theatre and the Israeli Opera.

We’ve written previously about the creation of Manon and its storyline. Rather than recap it again, you can find it here.

For this production Ellie Dehn sings the role of Manon and Michael Fabiano sings the role of Chevalier des Grieux. Both singers were making their role debuts in this production, which was directed by Vincent Boussard. Patrick Fournillier is the conductor.

Tartuffe On Line – Molière in the Park – June 27th – 2:00 PM EDT/11:00 AM PDT and 7:00 PM EDT/4:00 PM PDT

Who knew Molière would be so topical in 2020. If you don’t know the premise of Tartuffe, here’s a quick preview:

Tartuffe believes himself to be a righteous man, but he is ultimately a thief. His favorite accessory is his bible which he has at the ready whenever its mere presence can be helpful to him.

Oronte longs for his days of having power. But his power is quickly disappearing. He is now old, rudderless and hopelessly naive.

Imagine what happens when these two meet up. This is truly a satire that mirrors our times.

Raúl Esparza and Samira Wiley had the cast that also includes Kaliswa Brewster, Naomi Lorrain, Jared McNeill, Jennifer Mudge, Rosemary Prinz, Carter Redwood. Lucie Tiberghien directs and the translation is by Richard Wilbur.

The performance will remain available online through July 12th. This event is free, but does require registration here.

Lea Salonga with Seth Rudetsky – June 28th – 9:00 AM EDT/6:00 AM PDT (second showing 8:00 PM EDT/5:00 PM PDT)

Lea Salonga probably needs no introduction. She is this week’s guest performer in Seth Rudetsky’s concert series. The concert will be live for the first showing and that performance will be streamed later in the day (at a better hour for most people.

If you want a reminder, she is the Tony Award-winning actress who originated the role of Kim in Miss Saigon. She has also appeared on Broadway in Les Misérables, Flower Drum Song, Allegiance and Once on This Island.

This is not a free event. Tickets are required and they are $25.

Great Opera Choruses – LA Opera at Home – June 28th – 6:00 PM EDT/3:00 PM PDT

Every year the LA Opera Chorus performs a concert celebrating Great Opera Choruses. This year’s event was scheduled at The Soraya in Northridge (where the concert had taken place for four years), but was cancelled due to the pandemic. Rather than give up on their annual tradition, LA Opera is performing a virtual concert in collaboration with The Soraya.

Grant Gershon, Resident Conductor of the LA Opera Orchestra, will be joined by Assistant Chorus Master Jeremy Frank who will serve as accompanist and music supervisor.

The program is slated to include three famous choruses from popular works. The concert will culminate with a performance of the Anvil Chorus from Verdi’s Il Trovatore. The audience will be encouraged to sing along (and bang things). The virtual concert will provide lyrics on screen.

MTT25: An Online Tribute to Michael Tilson Thomas – San Francisco Symphony Facebook Page – June 28th – 8:00 PM EDT/5:00 PM PDT

Conductor, pianist and composer Michael Tilson Thomas ends his 25-year tenure with the San Francisco Symphony not quite as anyone imagined. But that won’t stop the orchestra from celebrating him.

Sunday finds an on-line tribute to Tilson Thomas hosted by Audra McDonald and Susan Graham.

Joining them for this tribute will be Yo-Yo Ma, Renée Fleming, Julia Bullock, Measha Brueggergosman, Bonnie Raitt, Lars Ulrich, and more. They will all share their own memories of working with MTT and there will also be performances.

MTT has long been a personal inspiration for me. I was too young to have been around to watch Leonard Bernstein on television. When I was growing up MTT offered his own perspectives on classical music for me to enjoy. Not only were they informative, they instilled in me a passion that helped guide me through tedious piano practices, lessons and recitals.

His passion for certain composers also inspires me. One of my all-time favorite recordings is MTT leading the Los Angeles Philharmonic in an amazing concert with Sarah Vaughan called Gershwin Live! Seeing him lead the same orchestra in 2018 in a performance of Charles Ives’s A Symphony: New England Holidays is one of my favorite concerts.

Playbill Pride Spectacular – Playbill Pride Plays – June 28th – 8:00 PM EDT/5:00 PM PDT

Playbill closes out their Pride celebrations with an all-star concert on Sunday featuring some of Broadway’s best-known performers.

How’s this for a line-up: Jelani Alladin, Alexandra Billings, Billy Bustamante, Jean Colella, DeMarius Copes, Wilson Cruz, Robin De Jesús, Lea Delaria, Brandon Victor Dixon, Eden Espinosa, Niani Feelings, Harvey Fierstein, Gaby Gamache, Matt Gould, Curtis Holland, Cheyenne Jackson, this year’s Pulitzer Prize winner Michael R. Jackson, Francis Jue, Andrew Keenan-Bolger, Caitlin Kinnunen, L. Morgan Lee, Raymond J. Lee, Matthew Lopez, Cheech Manohar, Griffin Matthews, Anastacia McCleskey, Michael McElroy, John McGinty, Chris Medlin, Ezra Menas, Paul HeeSang Miller, John Cameron Mitchell, Mary Kate Morrissey, Javier Muñoz, Alan Muraoka, Shakina Nayfack, Ariana Notartomaso, Diana Oh, Ken Page, Clint Ramos, Lee Roy Reams, Matt Rodin, Jai Rodriguez, Mj Rodriguez, Mars Rucker, Sushma Saha, George Salazar, Miriam Shor, Jason Tam, John Tartaglia, Sonya Tayeh, Sergio Trujillo, Vishal Vaidya, BD Wong, Iain Young, and Brittany Zeinstra.

John McDaniel serves as Music Director. The concert will showcase songs from musicals with LGBTQ stories. Playbill Pride Spectacular is free to watch, but will serves as a benefit for Broadway Cares/Equity Fights AIDS.

That’s a wrap on this weekend’s Best Bets at Home: June 26th – June 28th. Enjoy yourselves!

Main Photo: The company of Falsettos (Photo by Joan Marcus)

Update: This post has been updated to include the extension to July 12th of the ability to view Tartuffe Online

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We’ve got quite the list for you. There are 14 Best Bets at Home: May 29th – May 31st. Plus a few reminders, of course!

This House – National Theatre Live – Now – June 4th

James Graham wrote this play that sold out two runs at the National Theatre and transferred to the Garrick Theatre in 2017.

The setting is Parliament in Britain in 1974. The Labour and Tory parties are battling one another over the direction England should go. It’s a herculean task and one that requires cunning maneuvers, compromise and finding a way to bend the rules just to the point before breaking.

Michael Billington, writing in The Guardian, gave the show a five-star review. He said, “It has taken four years for James Graham’s enthralling play to make it from the National to the West End. It has been worth the wait because it enables us to see the work from a fresh perspective. In recording the struggle of the Labour government of 1974-79 to simply survive, the play offers a fascinating slice of history. Yet as we enter a new age of fractured opposition, the play raises serious questions about whether our current parliamentary system is fit for purpose.”

Jeremy Herrin directed This House.

Love’s Labour’s Lost – Stratford Festival – Now – June 18th

In Aristophanes’s Lysistrata women withhold sex from their husbands in an attempt to end war. It’s a dramatic play. Shakespeare took a similar premise for Love’s Labour’s Lost, but he was interested in making people laugh.

Four men, including the King of Navarre (Sanjay Talware), have vowed not to be in the company of women for three years. They are more interested in study than in females. Just as they have embarked on this plan, the Princess of France (Ruby Joy) and three female companions arrive testing each man’s resolve. Add a Spanish nobleman and his infatuation with a woman to the mix just to make things more frantic.

Shakespeare employs his usual tricks of disguises and mix-ups for this comedic play.

John Caird (Nicholas Nickelby, Les Misérables) directed this 2015 production.

Snowblind – San Francisco Ballet – May 29th – June 5th

Edith Wharton’s Ethan Frome is the inspiration for this one-act ballet by Cathy Marston. In the ballet, Ethan Frome is married to his wife, Zeena. She is a difficult woman and also a hypochondriac. Mattie, Zeena’s cousin, joins the couple to help them in their home. But Ethan soon finds himself drawn to the woman. You know this won’t end well.

The music used in the ballet comes from a variety of composers including Amy Beach and Arthur Foote. Philip Feeney arranged the music. Scenery and costumes are by Patrick Kinmonth and the lighting was designed by James F. Ingalls.

Dancing the principal roles are Mathilde Froustey (Mattie), Sarah Van Patten (Zeena) and Ulrik Birkkjaer (Ethan). This performance took place in 2018.

The Broadhurst At 100! 54 Celebrates the Broadhurst Theatre – Feinstein’s/54 Below – May 29th 6:30 PM EDT/3:30 PM PDT

When New York’s Broadhurst Theatre opened in 1917, George Bernard Shaw’s Misalliance was the first production. Amongst the musicals to have appeared there are Fiorello!, Cabaret, Godspell, The Tap Dance Kid, Kiss of the Spider Woman, Fosse and Anastasia.

100 years after The Broadhurst first opened, Feinstein’s/54 Below celebrated the centennial with a concert featuring cast members from many of the shows that have appeared on that stage. (This show took place in 2017.)

The performers include Jerry Adler (Oh What a Lovely War), Jim Brochu (Zero Hour), Carole Demas (Grease), Wayne Cilento (Dancin’), Josh Franklin (Grease), Marcy Harriell (Lennon), Sarah Charles Lewis (Tuck Everlasting), Howard McGillin (Kiss of the Spider Woman), Bonnie Milligan (Head Over Heels), Christiane Noll (Ragtime), Alice Ripley (Next To Normal), Don Scardino (Godspell), Rebecca Spigelman (Hairspray), and a Trivia Contest Video with Tony Award winner Jason Alexander (Broadway Bound).

Due to rights issues, these performances are only available at the set time and are not repeated.

The Cellist – The Royal Ballet – May 29th – June 12th

If you want to get another look at the work of choreographer Cathy Marston, you can check out the latest offering from The Royal Ballet. The Cellist is a ballet by Marston inspired by the life of cellist Jacqueline du Pré. She was at the pinnacle of her career when she passed away at the age of 28 after suffering from multiple sclerosis. (You might remember the film Hilary and Jackie with Rachel Griffiths and Emily Watson told her story.)

Lauren Cuthbertson dances the role of The Cellist. Marcelino Sambé dances The Instrument and Matthew Ball dances the role of The Conductor. The music includes Schubert’s Trout Quintet along with cello sonatas by Faure and Elgar. The cello solos are performed by Hetty Snell.

The world premiere of The Cellist was just this past February.

Irving Berlin’s Holiday Inn – Broadway HD – May 29th – June 1st

The 1942 movie that introduced the world to the song White Christmas was turned into a stage musical that opened on Broadway in 2016. The movie was called Holiday Inn, but the musical includes the composer’s name: Irving Berlin.

Broadway HD is making this film of the 2016 production available for free this weekend.

The story remains pretty much the same: two men vie for the attention of a young rising star. In the film those roles were played by Bing Crosby, Fred Astaire and Marjorie Reynolds. In the musical they are played by Bryce Pinkham, Corbin Bleu and Lora Lee Gayer.

The musical, directed by Gordon Greenberg (who co-wrote the book with Chad Hodge), includes the classic Berlin songs, “Blue Skies,” “Steppin’ Out With My Baby,” “Cheek to Cheek” and “Easter Parade.”

I guess with everything that’s going on they think we need a little Christmas. (Wait, that’s in Mame.)

Daniil Trifonov Recital – Carnegie Hall – May 29th – May 31st

In February of 2019 pianist Daniil Trifonov gave a solo piano recital at Carnegie Hall. Medicitv.com, in association with Carnegie Hall, is making that performance available for free beginning on Friday, May 29th and continuing through the weekend.

Anthony Tommasini, in his New York Times review of this concert raved, “By this point, it’s no surprise that Daniil Trifonov, one of the most awesome pianists of our time, can sell out Carnegie Hall. Still, that the hall was packed for the unusual recital program he played on Saturday was a testimony to the trust his admirers place in him. At 27, he is also an adventurer intent on exploring overlooked realms of the repertory. On Saturday it was thrilling to go along on his journey.”

The program of which he was so enamored included: Beethoven’s Andante in F Major, WoO 57 (“Andante favori”) and Piano Sonata No. 18 in E-flat Major, Op. 31, No. 3; Schumann’s Bunte Blätter and Presto passionato and Prokofiev’s Piano Sonata No. 8 in B-flat Major. The encores featured Prokofiev’s Allegro rubato and Allegro precipitato from Sarcasms, Op. 17, Nos. 2 and 3 and Chopin’s Largo from Cello Sonata in G Minor, Op. 65 (arr. Alfred Cortot).

How are you doing so far? You’re halfway through the list of Best Bets at Home: May 29th – May 31st!

Allegiance – Broadway on Demand – May 29th – June 7th

Lea Salonga, George Takei and Telly Leung star in this musical set during World War II that tells a story of family, duty, customs and betrayal set during the forced incarceration of Japanese Americans after the bombing of Pearl Harbor. The story is based on Takei’s own experiences.

The book was written by Marc Acito, Jay Kuo and Lorenzo Thione. Kuo wrote the music and lyrics.

Allegiance was directed by Stafford Arima.

This is not a free streaming event. Broadway on Demand is charging $14.99 for the initial viewing on May 29th at 8 PM EDT/5 PM PDT. That fee includes a download of the cast album, exclusive content and the ability to watch the show over a 24-hour period. From May 30th – June 7th, the streaming fee, minus those extras, will be $8.99.

30 minutes before the May 29th event Playbill.com will host Toast to Allegiance which will include interviews with the cast. This event is free and open to everyone.

Igor Levit: Vexations – The Gilmore – May 30th – 8 AM EDT/5 AM PDT

If you want to catch this recital you’ll have to get up early and stay up late. Pianist Igor Levit is going to live-stream a performance of Erik Satie’s Vexations. If you are unfamiliar with the work, it lasts 20 hours. There is one theme, two variations and they get repeated 840 times over the course of the 20 hours.

What propels someone to tackle so challenging a work? Levit says in press materials, “The sheer duration of over 20 hours of Vexations doesn’t feel like a ‘nuisance’ or ‘torture’ to me, as the title would suggest, but rather a retreat of silence and humility. It reflects a feeling of resistance.

“That’s why it feels right to play the Vexations right now. My world and that of my colleagues has been a different one for many weeks now and will probably remain so for a long time. Vexations represent for me a silent scream.”

John Williams: Maestro of the Movies – Pacific Symphony – May 30th – August 13th

The Pacific Symphony Orchestra had planned on having a May 30th Family Musical Morning performance. Having to cancel an in-person event, they are holding their first virtual concert and the program is a celebration of the music of composer John Williams.

During this 45-minute online concert, music from Star Wars, Jurassic Park, Raiders of the Lost Ark, Harry Potter and E.T., The Extra-Terrestrial will be performed by the Pacific Symphony which is being conducted by Richard Kaufman. Interspersed amongst the selections will be Ask the Composer with John Williams along with personal stories and anecdotes about playing at recording sessions with Williams.

Viewing the show requires signing up with an e-mail address, but there is no fee. The program will then be available for streaming for 45 days.

Lucrezia Borgia – San Francisco Opera – May 30th – May 31st

Victor Hugo’s play Lucrèce Borgia served as the inspiration for this opera by Gaetano Donizetti and his librettist Felice Romani.

The scandals and the intrigue in the house of Borgia have fascinated people for centuries. In Donizetti’s opera a young orphan named Gennaro (Michael Fabiano) finds himself in the company of Lucrezia Borgia (Renée Fleming). Though he and his friends were warned about her and her husband, he is enraptured by her beauty and sees in her the mother he never knew. Lucrezia’s husband believes Gennaro to be her lover and plots his murder. What happens over the course of the opera is tragedy at its most dramatic.

This San Francisco Opera production from 2011 marked the first time Lucrezia Borgia had been performed by the company. John Pascoe directed the production and the orchestra was lead by conductor Riccardo Frizza.

The [title of show] Vineyard Theatre Virtual Variety Show Show – May 30th – 8 PM EDT/5 PM PDT

In 2006, the Vineyard Theatre in New York presented a unique musical entitled [title of show]. The musical was written by Hunter Bell and Jeff Bowen. They starred in their own musical along with Susan Blackwell and Heidi Blickenstaff. Two years later [title of show] was on Broadway.

To celebrate this musical-within-a-musical that could (and the theatre that gave it life), the Vineyard Theatre is hosting a live-streaming fundraiser event. The evening, which costs a minimum of $25 (after which you are given a link to the show), is billed as “new material from the cast and creators of [title of show] and over 40 starry guest artists from theatre, film, and television sharing performances, sketches, reflections, special quarantine talents, and more.”

You have to secure your “ticket” prior to 12 PM EDT/9 AM PDT on May 30th in order to view the show. The show itself, which Christopher Isherwood of the New York Times called “a zesty, sweet, Broadway-trivia-riddled musical about the anxiety and excitement of creating a zesty, sweet, Broadway-trivia-riddled musical about the anxiety and excitement of creating a. …” has a cult following. Fans of musical theatre have loved it. So have Broadway stars as is indicated by the guests they have lined up for Saturday’s event.

A partial list includes: Laura Benanti, Victoria Clark, Billy Crudup, Christopher J. Hanke, Bill Irwin, Cheyenne Jackson, John Kander, Judy Kuhn, Linda Lavin, The Lopez Family Singers (Lindsay Anderson, Kristen Anderson-Lopez, Annie Lopez, Bobby Lopez, and Katie Lopez), Bob Mackie, Audra McDonald, Lin-Manuel Miranda, Alex Newell, Leslie Odom, Jr., Kelli O’Hara, Steven Pasquale, Zachary Quinto, Brooke Shields, Douglas Sills, Phillipa Soo and Michael Urie.

Spotlight Virtual Grand Finale – Music Center – May 30th – 10 PM EDT/7 PM PDT

Each year the Music Center in Los Angeles hosts a competition to find the best high school performers from San Diego up to Santa Barbara. They have several categories from which to choose: acting, dance, music and vocals. Usually the event is a big gala at the Dorothy Chandler Pavilion. This year Spotlight goes online.

There are fourteen students competing in this year’s finals. This Grand Finale will be hosted by an alumnus of the Spotlight program: Tony Award-winner Lindsay Mendez (Carousel). Special guests include Matthew Rushing from the Alvin Ailey American Dance Theater, ballet star Misty Copeland and singer Josh Groban.

Don Giovanni – Glyndebourne – May 31st – June 7th

Mozart’s masterpiece opera about Don Juan is Glyndebourne’s featured opera this week. This 2010 production was directed by Jonathan Kent.

Starring in Don Giovanni are Gerald Finley as Don Giovanni; Luca Pisaroni as Leporello; Anna Samuil as Donna Anna; Brindley Sherratt as Commendatore; William Burden as Don Ottavio; Kate Royal as Donna Elvira; Anna Virovlansky as Zerlina and Guido Loconsolo as Masetto. Vladimir Jurowski conducts the orchestra.

Kent set this production in Southern Europe in the 1970s/1980s. Critics were very divided about how successful this Don Giovanni was. Which seems to make this must-see viewing so we can decide for ourselves.

Don’t forget that this weekend’s operas from the Metropolitan Opera are Bellini’s La Sonnambula (Friday); Donizetti’s L’Elisir d’Amore (Saturday) and R. Strauss’s Salome (Sunday).

Fridays at Five from SFJazz this week features Cuban pianist Chucho Valdés at 8 PM EDT/5 PM PDT on Friday only.

Stratford Festival has two additional Shakespeare plays available this week: The Tempest and Timon of Athens.

I hope that gives you enough Best Bets at Home: May 29th – May 31st for your weekend entertainment.

Main photo: Lauren Cuthbertson and Marcelino Sambé in The Cellist (Photo by Bill Cooper/©2020 ROH)

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On March 22nd, composer/lyricist Stephen Sondheim turned 90. This spring was scheduled to have countless concerts, tributes and special events. Of course, those had to be cancelled. So Raúl Esparza, who has appeared in several Sondheim musicals, decided to put together a virtual concert to celebrate the man he calls “Steve.” Take Me the World: A Sondheim 90th Birthday Celebration will be streamed on Broadway.Com’s website and their YouTube channel on Sunday, April 26th at 8 PM EDT/5 PM PDT.

Who did Esparza, who will also serve as host, get to celebrate Steve? Only some of the biggest names of stage and screen:

Meryl Streep who appeared in the film version of Into the Woods and also performed in The Frogs while a student at Yale.

Bernadette Peters who has appeared in Sunday in the Park with George, Into the Woods, a revival of Gypsy (Sondheim wrote the lyrics), revivals of A Little Night Music and Follies, plus Bed and a Chair.

Mandy Patinkin who also appeared in Sunday in the Park with George.

Patti LuPone who has appeared in revivals of Sweeney Todd, Gypsy plus the recently postponed revival of Company and a concert version of the same show from 2012.

Katrina Lenk her co-star from Company.

Laura Benanti who played LuPone’s daughter in Gypsy. She also appeared in a revival of Into the Woods.

Michael Cerveris who appeared opposite LuPone in Sweeney Todd and was also in the Broadway production of Assassins, will appear. He also appeared in a production of Passion.

Audra McDonald who appeared in the same production of Passion. As will Donna Murphy who originated the role of Fosca in Passion.

Neil Patrick Harris will be performing. He appeared in the same production of Assassins with Cerveris and also a concert version of Company with LuPone.

Jake Gyllenhaal and Annaleigh Ashford who starred in the most recent revival of Sunday in the Park with George.

Christine Baranski who appeared in productions of Sweeney Todd in Los Angeles and Washington, D.C. and a London concert performance of Follies.

Brian Stokes Mitchell who was Sweeney opposite Baranski in Washington, D.C.

Sutton Foster who played The Baker’s Wife in the Hollywood Bowl production of Into the Woods.

Kelli O’Hara who appeared in the 2001 revival of Follies. She also sang a gorgeous version of Take Me To The World from Evening Primrose on the recent one-night-only return of the Rosie O’Donnell Show.

Aaron Tveit who appeared in a production of Company.

Brandon Uranowitz who appeared in Encores! Off-Center production of Road Show with Esparza.

Maria Friedman who has appeared in London productions of Sunday in the Park with George, Passion and Merrily We Roll Along.

Lin-Manuel Miranda who has also appeared in a production of Merrily We Roll Along.

Melissa Errico who appeared opposite Esparza in a production of Sunday in the Park with George and also appeared in Do I Hear a Waltz? and an off-Broadway production of Passion.

Judy Kuhn, Errico’s co-star from that production of Passion.

Ben Platt and Beanie Feldstein who are currently starring in Richard Linklater’s film version of Merrily We Roll Along.

Elizabeth Stanley who appeared in Company with Esparza.

Linda Lavin who appeared in the Kennedy Center’s 2011 revival of Follies.

Chip Zien original cast member of the first production of Into the Woods.

Lea Salonga who played Mrs. Lovett in a production of Sweeney Todd in the Philippines.

Ann Harada, Austin Ku, Kelvin Moon Loh and Thom Sesma who all appeared in an off-Broadway production of Pacific Overtures.

Of course, you don’t have to ever have appeared in one of Sondheim’s shows to be part of this concert. Just ask Kristin Chenoweth, Josh Groban, Iain Armitage, composer Stephen Schwartz and Randy Rainbow who will be participating.

If that isn’t enough, there are scheduled to be special appearances by Victor Garber (Sweeney Todd), Joanna Gleason (Into the Woods), Nathan Lane (the Broadway production of The Frogs and a revival of A Funny Thing Happened on the Way to the Forum) and director Steven Spielberg (the remake of West Side Story).

Mary-Mitchell Campbell, who also worked with Esparza on Company, is the music director for the concert. Take Me to the World also serves a fundraiser for ASTEP (Artists Striving to End Poverty,) an organization Campbell created with Juilliard students.

The date of April 26th was not casually chosen. It marks the 50th anniversary of the debut of the Sondheim/George Furth musical Company on Broadway. The revival of Company was set to open on March 22nd (Sondheim’s birthday). Producers hope to re-open the show, which had been in previews, once it is safe to do so.

So what will you be doing on Sunday? I know where I’ll be. Celebrating the 90th birthday of the greatest living composer of Broadway musicals. I’m looking forward to hearing each and every one of them Take Me to the World of Stephen Sondheim.

Photo of Stephen Sondheim by Emilio Madrid-Kuser for Broadway.com

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Miss Saigon sets the story of a young girl who falls in love with a soldier in Vietnam. Kim (Emily Bautista at most performances; Myra Molloy at others) works for an insidious man at a club named The Engineer (Red Concepcíon). He puts on a “contest” called Miss Saigon with the winner to be the prize for a Marine. One of those Marines, Chris (Anthony Festa) becomes smitten with Kim and after a night of sex (her first time), he offers to bring her to America. When he leaves Vietnam, due to the imminent fall of Saigon, he goes without taking her. She holds out hope that he will one day return for her and honor his promise.

Three years go by and lot has changed for both Chris and Kim. When they are reunited those changes lead to a tragic ending that won’t be revealed here. (Not everyone knows Madama Butterfly – no reason to give it all away.)

The original production opened in London in 1989. It was soon followed by a Broadway production in 1991. In both productions, Lea Salonga played Kim and Jonathan Pryce played The Engineer. They both were awarded the Olivier Award and the Tony Award for their performances. In the 2017 revival, Eva Nobelzada (who is currently in Hadestown) played Kim and Jon Jon Briones played The Engineer.

Musical staging and choreography for this production is by Bob Avian, who collaborated with Michael Bennett on A Chorus Line, Dreamgirls and more. He was the original choreographer of Miss Saigon.

Laurence Connor is the director of this production, as he was of the revival. He was also the director for new productions of Les Misérables and The Phantom of the Opera.

It should be noted that Michael Mahler is also credited with additional lyrics.

For tickets at the Pantages go here.

Tickets at Segerstrom Hall had not gone at sale at press time.

Main Photo: Anthony Festa & Emily Bautista in “Miss Saigon” (Photo by Matthew Murphy)

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If you have children you might know Lea Salonga from her work as the voice of Jasmine in Disney’s animated film Aladdin or the voice of Fa Mulan in Disney’s Mulan. If you are a theatergoer, you might know her from her Broadway debut in Miss Saigon as Kim (for which she won a Tony Award) or from her two stints in Les Misérables or for the musical Allegiance. Recently she appeared in the Tony Award-winning revival of Once On This Island.

Lea Salonga returns Wednesday & Thursday to The Soraya for two concerts where she will celebrate her life and her film and stage career. Just as she does in this medley she performed Live at 54 Below in New York in 2016.

In 2017 she released Blurred Lines, an album that found Salonga performing songs by The Beatles, Rodgers & Hart, The Gershwins, John Legend, Pharrell Williams and more. Like the clip above, it was recorded live at 54 Below.

Which is to say, the best way to experience Lea Salonga is live and in person. She’s previously played one night concerts at The Soraya. This is her first two-night engagement at the venue in Northridge.

You can safely assume her set list will now include a song or two from Once on This Island where she played The Goddess of Love.

The only available tickets at press time for the May 22nd performance are re-sale tickets. You can find them here.

For tickets for the May 23rd performance (and there are very few left) can be found here.

Main Photo by Luis Luque/Courtesy of The Soraya

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Arden was a recent nominee for Best Director of a Musical for the revival of Once on This Island that is currently playing at the Circle in the Square Theatre in New York City. Though he didn’t win, the production surprised a lot of people by winning the Tony for Best Revival of a Musical. (Carousel and My Fair Lady were the other nominees.) Prior to Once on This Island Arden directed Merrily We Roll Along  at the Wallis in Beverly Hills. His production with Deaf West Theatre of Spring Awakening transferred from the Wallis to Broadway. He earned a Tony nomination for that show.

I recently spoke with Arden by phone as he was going between meetings about Annie and meetings with actor Jefferson Mays about Charles Dickens’ A Christmas Carol which will open at the Geffen Playhouse in late October.

When I spoke with Adam Shankman about the production of Hair that he directed in 2014 he said, “I don’t want to cry in this interview, but I vastly underestimated the amount of work.” Do you realize what you’ve gotten yourself into?

I keep turning to members of the team saying “I’m not sure I can do this.” I’m terrified. It’s a huge show and children and dogs and a short amount of time and a big orchestra. I guess admitting you don’t know quite what you are doing is the first step.

What was it about doing this particular musical, Annie, that appealed to you?

Getting to make something on a big scale. The producers reached out and said, “Do you want to do this.” That’s not a show I ever wanted to direct. I was in it as a little kid. I thought that seems a strange choice having me direct Annie – which is why I wanted to do it. It’s a challenge and to do it in a venue I so love. It seemed like a quick “yes.”

Spring Awakening, Once on This Island and Merrily We Roll Along are all shows that had a loyal fan base, but not of them were as popular as Annie. How do you manage expectations die-hard fans have of the show yet still make it something beyond what only loyalists might expect?

I don’t necessarily have to reinvent the wheel. It’s a wonderful show that is always timely, but appears to be more so in the current climate. My job is to make something incredibly clear and honor this amazing score with amazing singers and actors. [Amongst the cast members are Ana Gasteyer, David Allen Grier, Megan Hilty, Roger Bart, Lea Salonga and Steven Webber. Kaylin Hedges (seen singing “Tomorrow” in the video below) plays “Annie.”] I think the reason we go to the theater is to see something live and new. So people expecting to see the same thing might as well go to Blockbuster and find it closed. The musical is quite different from the movie, so I’m happy to do service and homage to these great writers. [Charles Strouse, Martin Charnin, Thomas Meehan.] Some musicals beg for a context outside themselves. I don’t think this does.

You are directing a show that will play to 18,000 people each night. Does your vision have to play to the back row or just to the monitors that sandwich the stage?

It has to do both. You have to honor the fact we are all here together watching a live experience. You want people to watch the stage and know what’s going on. If people want to see people’s faces they are going to watch the monitor. This many people a night seeing Annie is exciting. When that many people gather together to witness a work of art something really beautiful happens. The message of the show and instilling hope into that many hearts is really exciting. To see a little girl bring together a Democrat and a Republic with hope and benevolence is something that many people will be watching.

How do you think lines like “I’ve decided that if my Administration’s going to be anything, it’s going to be optimistic about the future of this country” and the concept of a child separated from her parents and is trying to find them will play in today’s political landscape?

Oh, I think it’s going to be impossible to not hear those words echo through the theatre and see what’s going on. When our administration views children separated from parents as a hindrance as opposed to an opportunity, that’s a misstep and hopefully that’s what we’ll explore. It’s a different world than when I said “yes” to the project. It will be a different world [when the show opens.] It’s not my job to make it about what’s happening now, but to do Annie and the work on the page. The audience will come and see the world in the story.

With this fall’s A Christmas Carol and Annie you have two shows that have Christmas a part of the story. What is the gift that Annie is giving you as a director?

I think it is giving me an opportunity to satisfy my ego or the feeling like I need to put my ideas forth. It’s letting me honor something that’s wonderful and great and do the simplest and clearest work I can do. That’s a gift. Do things I want. I’ve had two kids in a show, but I’ve never had seven. It’s me breaking in a new skill set on a very large stage. It’s like the gift parents give the kid when they push them into the pool and say “swim.”

Next week look for our interview with Roger Bart about his role as “Rooster” in Annie.

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