The opera star appearing in the most productions is the late baritone Dmitri Hvorostovsky who appears in the final two productions being streamed. The composer being represented the most is, no surprise, Verdi. In fact, Hvorostovsky singing Verdi received the top vote. That opera (see below for the reveal) is the final streaming production.

All productions become available at 7:30 PM EST/4:30 PM PST and remain available for 23 hours. Schedules and timings may be subject to change.

The Met is heavily promoting theplanned resumption of performances in the 2021-2022 season, so you’ll have to go past those announcements and promos to find the streaming productions on the Metropolitan Opera website. 

If you read this column early enough on July 19th, you’ll still have time to see the 2015-2016 season production of Puccini’s Turandot that concludes Puccini week.

Here is are selections for Week 71 at the Met:

Monday, July 19 – Mozart’s Le Nozze di Figaro – 3rd Showing

Conducted by James Levine, starring Renée Fleming, Cecilia Bartoli, Susanne Mentzer, Dwayne Croft, and Sir Bryn Terfel. This Jonathan Miller production is from the 1998-1999 season.

Mozart’s Le Nozze di Figaro is based on the 1784 play La folle journée, ou le Mariage de Figaro (translated: “The Mad Day, or The Marriage of Figaro”) by Pierre Beaumarchais. Lorenzo da Ponte wrote the libretto. La Nozze di Figaro had its world premiere in Vienna in 1786.

Figaro and Susanna are getting married. They are in a room made available to them by the Count who plans to seduce the bride-to-be based on an old law that gave permission to lords to have sex with servant girls on their wedding night. When Figaro gets wind of this plan he enlists several people to outwit the Count using disguises, altered identities and more.

Bernard Holland, reviewing for the New York Times, said of this production: “One cannot say enough about the septet ending Act II and the final ensemble of Act IV: episodes in which theater and music merged as they rarely do, and where each player was made exquisitely aware of every other. Mozart operas move on the wheels of their ensembles, and Mr. Miller — with no coups de theatre and many acts of self-effacing care — made them turn.”

Tuesday, July 20 – Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci – 2nd Showing

Both operas conducted by James Levine. Cavalleria Rusticana starring Tatiana Troyanos, Jean Kraft, Plácido Domingo and Vern Shinall. Pagliacci starring Teresa Stratas, Plácido Domingo, Sherrill Milnes and Allan Monk. This Franco Zeffirelli production is from the 1977-1978 season.

Perhaps no pairing of one-act operas is more popular than the combination of Cavalleria Rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo. 

Cavalleria Rusticana had its world premiere in Rome in 1890. The opera is based on a short story which later became a play by Giovanni Verga. Giovanni Targioni-Tozzetti and Guido Menasci adapted them both for their libretto.

Mascagni’s opera centers on a love triangle. Turridu, who has returned from military service, goes to see his ex-lover, Lola, before seeing his current lover, Santuzza. Lola is married to Alfio. Santuzza decides to tell Alfio about the infidelity and the two men decide to duel. At the end of the opera, multiple hearts are left broken.

Pagliacci had its world premiere in Milan in 1892. Leoncavallo also wrote the libretto.

The opera tells the story of a married couple, Canio and Nedda, who are performers in a small theatre company on the road. Canio is insanely jealous and that jealousy drives Nedda to seek affection from another man, Silvio. Nedda and Silvio make plans to elope, but their plans are overheard by Tonio, another member of the company. He tells Canio about Nedda’s plans. Looking for revenge, Canio, during a performance of their touring play, makes his personal life mirror the drama in the play.

This was not the first time Domingo had sung the lead tenor roles in both operas on the same night. In fact, with this performance he did so for the 25th time. Previous double-hitters were performed in Vienna, Covent Garden and in San Francisco. These performances also marked the first time James Levine conducted each opera at the Met.

Wednesday, July 21 – Bizet’s Les Pêcheurs de Perles – 4th Showing

Conducted by Gianandrea Noseda; starring Diana Damrau, Matthew Polenzani, Mariusz Kwiecień and Nicolas Testé. This Penny Woolcock production is from the 2015-2016 season.

Les Pêcheurs de Perles (best known to many as The Pearl Fishers) had its world premiere in 1863 in Paris. Bizet’s opera has a libretto written by Eugène Cormon and Michel Carré.

The setting is the island of Ceylon (present-day Sri Lanka) and two men find that their plan to be friends forever regardless of circumstances is threatened when they both fall in love with the same woman. She, too, is conflicted as she has sworn to be a priestess, but finds herself falling in love with the men.

Director Woolcock’s production was new to the Met when it debuted on New Year’s Eve 2015. The production was first staged at the English National Opera in 2010. The last time Les Pêcheurs de Perles had been performed at the Met was 1916.

Thursday, July 22 – Offenbach’s Les Contes d’Hoffmann – 2nd Showing

Conducted by Yves Abel; starring Erin Morley, Hibla Gerzmava, Kate Lindsey, Christine Rice, Vittorio Grigolo and Thomas Hampson. This revival of the 2009 Bartlett Sher production is from the 2014-2015 season.

Jacques Offenbach’s Les Contes d’Hoffman had its world premiere in Paris in 1881. The libretto was written by Jules Barbier and was inspired by three short stories by Ernst Theodor Amadeus Hoffman. Offenbach did not live to see this opera performed. He died four months before its premiere.

In the opera Offenbach and Barbier put the author of the stories in the middle of all the action. He’s seeking perfect love and tells a tavern crowd about three fruitless attempts at romance. The first with the daughter of an inventor who turns out to be a doll instead of a human being. The second with a beautiful young woman with a gorgeous voice, but whose singing may lead to her death. The third with a young woman who steals his reflection. Will poor Hoffman ever find love? Or will his writing be his lifelong companion?

In David Shengold’s Opera News review of this production he raved about Grigolo’s performance:

“…Grigolo may have found his most convincing Met part yet. His French is remarkably clear and accurate for an Italian tenor and — though he deployed his full resources at climaxes, often excitingly — Grigolo showed admirable dynamic variety in filling out Offenbach’s higher lines. His soft singing wasn’t exactly Gallic classic voix mixte but he integrated it gracefully into his overall vocalization, clear and attractive save for rather empty low notes. Grigolo paced himself well in this extremely demanding assignment; he tended to be placed near the lip of the stage, but he interacted with colleagues and created an actual character.”

Friday, July 23 – Donizetti’s La Fille du Régiment – 3rd Showing

Conducted by Marco Armiliato; starring Natalie Dessay, Felicity Palmer, Juan Diego Flórez and Alessandro Corbelli. This Laurent Pelly production is from the 2007-2008 season.

This two-act comic opera written by Gaetano Donizetti was first performed in 1840 in Paris. The libretto is by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard.

La Fille du Régiment tells the story of a young woman, Marie, who was raised by the 21st Regiment after having been found as a baby on a battlefield. The plan is that when she is old enough she will marry one of the men of the Regiment. She falls in love with Tyrolean Tonio. When the Marquise de Berkenfield shows up, it is discovered that she is Marie’s aunt and she wants to take Marie away to raise her as a lady. Will love win out for Marie?

Pelly updated the original Napoleonic war setting to World War I for this production. The end result, according to several critics, was that the “war is hell” concept is undermined by the silliness of the plot.

One of the hallmarks of this opera is the challenge that faces every tenor singing the role of Tonio to hit nine high C’s in the opera’s best known aria, “Ah! mes amis.” Flórez nailed them and, of course, repeated the aria to wild applause from the audience. 

Saturday, July 24 – Verdi’s Il Trovatore – 3rd Showing

Conducted by Marco Armiliato; starring Anna Netrebko, Dolora Zajick, Yonghoon Lee, Dmitri Hvorostovsky and Štefan Kocán. This revival of David McVicar’s 2009 production is from the 2014-2015 season. 

Giuseppe Verdi’s Il Trovatore is based on the play El trovador by Antonio García Gutiérrez published in 1836. The libretto was written by Salvadore Cammarano with additions by Leone Emanuele Badare. The opera had its world premiere in Rome in 1853.

The setting is Zaragoza, the capital of the Kingdom of Aragon, circa 1412. To offer up a quick synopsis here would be a fool’s game to play. Several stories happen simultaneously and sometimes share the same characters. The opera has rarely been hailed for its story, but it certainly ranks as one of Verdi’s finest compositions.

This production of Il Trovatore took place months after Hvorostovsky’s diagnosis of cancer. This was his last production at the Met and as you could tell at the start of the clip above, he was beloved by the audience.

Anthony Tommasini’s review in the New York Times said that positively influenced the performance Hvorostovsky gave on opening night.

“It’s impossible to imagine a singer giving more than Mr. Hvorostovsky did on this night. When your life is actually threatened by a serious illness, you truly are putting everything on the line when you sing.

“Mr. Hvorostovsky gave a gripping performance as Count di Luna. There was little need to take what he has been going through into account. His resplendent voice, with its distinctive mellow character and dusky veneer, sounded not at all compromised. He sang with Verdian lyricism, dramatic subtlety and, when called for, chilling intensity as the complex count, who, in this production, with its Goya-inspired imagery, is the brash leader of the Royalist Aragon troops at a time of bloody civil war in Spain.”

Sunday, July 25 – Verdi’s Un Ballo in Maschera – 4th Showing

Conducted by Fabio Luisi; starring Sondra Radvanovsky, Kathleen Kim, Stephanie Blythe, Marcelo Álvarez and Dmitri Hvorostovsky. This David Alden production is from the 2012-2013 season. 

Verdi’s opera, translated A Masked Ball, had its premiere in Rome in 1859. Librettist Antonio Somma used the libretto written by Eugène Scribe for the opera, Gustave III, ou Le Ballo masqué, written by Daniel Auber in 1833. 

The opera is based on the real life assassination of King Gustav III of Sweden who was killed while attending a masquerade ball in Stockholm. 

Verdi takes some dramatic liberties which certainly enhances the drama. Riccardo is in love with Amelia. She, however, is the wife of his good friend and confidante, Renato. Riccardo is warned by his friend that there is a plot to kill him at the ball. Paying no attention to the warning, Riccardo instead seeks out Ulrica, a woman accused of being a witch. In disguise he visits Ulrica to have his fortune read. She tells him he will be killed by the next man who shakes his hand. That next man turns out to be Renato. What follows is a story of intrigue, deception, questions of fidelity and, of course, the assassination.

This was a brand new production of Un Ballo in Maschera at the Met. Director Alden was influenced by black and white films and, in particular, film noir for his production.

Karita Matilla was originally announced to sing the role of Amelia. She withdrew approximately six months prior to its staging. Radvanovsky assumed the role.

In his New York Times review, Anthony Tommasini said of Radvanovsky and Hvorostovsky, “She was particularly moving in the scene in which her husband, here the charismatic baritone Dmitri Hvorostovsky, having discovered her in a rendezvous with the king, tells her to prepare to die. Confronting his wife, Mr. Hvorostovsky shook Ms. Radvanovsky by the shoulders, as if really ready to strangle her. But the next moment he nestled his head next to her face and kissed her, almost pleadingly, singing with his trademark dark sound and supple phrasing, which poignantly brought to life this suffering husband’s love.”

It’s been quite a run of streaming productions. But all good things must come to an end.

Enjoy the operas! Enjoy your week!

Photo: Dmitri Hvorostovsky and Sondra Radvanovsky in Un Ballo in Maschera

The post Week 71 at the Met: The Final Week appeared first on Cultural Attaché.

There are eight operas this week as two one-act operas (exactly the pair you would expect) are included along with works by Bellini, Bizet, Cilea, Donizetti, Rossini and Verdi.

Performers include Marcelo Álvarez, Diana Damrau, Joyce Di Donato, Dmitri Hvorostovsky, Anna Netrebko, Matthew Polenzani, Anita Rachvelishvili, Sondra Radvanovsky and Eva-Maria Westbroek.

The Met is heavily promoting their Met Stars Live in Concert series and the planned resumption of performances in the 2021-2022 season, so you’ll have to go past those announcements and promos to find the streaming productions on the Metropolitan Opera website. 

All productions become available at 7:30 PM EST/4:30 PM PST and remain available for 23 hours. Schedules and timings may be subject to change.

If you read this column early enough on January 4th, you might still have time to catch the 1991-1992 production of L’Elisir d’Amore by Gaetano Donizetti that concludes the year-ending Pavarotti Week.

Here’s the full line-up for Week 43 at the Met:

Monday, January 4 – Cilea’s Adriana Lecouvreur

Conducted by Gianandrea Noseda; starring Anna Netrebko, Anita Rachvelishvili, Piotr Beczała and Ambrogio Maestri. This David McVicar production is from the 2018-2019 season. This is an encore presentation of the production that was previously made available on April 18th.

Francesco Cilea’s Adriana Lecouvreur had its world premiere in Milan in 1902. It features a libretto by Arturo Colautti. The opera is based on the 1849 Eugène Scribe and Ernest Legouvé play Adrienne Lecouvreur.

At the center of this opera is a love triangle. The title character is a beloved actress who has many possible suitors. She is in love with the Count of Saxony, Maurizio. He, though smitten with Adriana, is trying to fully break ties with his ex-lover, the Princesse de Bouillon. Insecurities and jealousies lead all three down a path that will ultimately end in murder.

Anthony Tommasini, writing in his New York Times review, said of this production, “The strongest scenes in the opera, involving the three principals, leapt off the stage on Monday, especially the confrontation between Adriana and the princess in Act II, when they discover that they both love Maurizio. Ms. Netrebko and Ms. Rachvelishvili sang ferociously as they hurled accusatory phrases at each other. Yet each found moments in the music to suggest the womanly longing that consumes them.”

Tuesday, January 5 – Rossini’s La Donna del Lago

Conducted by Michele Mariotti; starring Joyce DiDonato, Daniela Barcellona, Juan Diego Flórez, John Osborn and Oren Gradus. This Paul Curran production is from the 2014-2015 season. This is an encore presentation of the production that was previously made available on July 5th.

Sir Walter Scott’s poem, The Lady of the Lake, served as the inspiration for this opera by Gioachino Rossini. The libretto is by Andrea Leone Tottola. La Donna del Lago had its world premiere in Naples 1819.

Rossini’s opera is set in Scotland in the first half of the 16th century when King James V reigned. Elena has been promised to Rodrigo, but she’s in love with Malcom. Both men are rebels as is her father, Douglas. The King, disguised as a man named Umberto, falls in love with Elena at first sight, but knows she is related to rebels who want him overthrown. How both the relationships and the politics play out will ultimately impact Elena for the rest of her life.

This production was first seen in 2013 at the Santa Fe Opera who co-produced with the Metropolitan Opera and this was the first time this opera was performed by the Met.

Di Donato regularly sings “Tanti affetti” from La Donna del Lago in concerts. Anthony Tomassini, writing in the New York Times, said of her performance in this production, “It was good to have the stage so bright for Ms. DiDonato’s triumphant performance of ‘Tanti affetti.’ Besides adding an important Rossini opera to the Met’s repertory, this production gives those who have only heard her sing that aria as an encore a chance to get to know the long opera that precedes it.”

Wednesday, January 6 – Bizet’s Les Pêcheurs de Perles

Conducted by Gianandrea Noseda; starring Diana Damrau, Matthew Polenzani, Mariusz Kwiecień and Nicolas Testé. This Penny Woolcock production is from the 2015-2016 season. This is an encore presentation of the production that was previously made available on April 3rd and September 11th.

Les Pêcheurs de Perles (best known to many as The Pearl Fishers) had its world premiere in 1863 in Paris. Bizet’s opera has a libretto written by Eugène Cormon and Michel Carré.

The setting is the island of Ceylon (present-day Sri Lanka) and two men find that their plan to be friends forever regardless of circumstances is threatened when they both fall in love with the same woman. She, too, is conflicted as she has sworn to be a priestess, but finds herself falling in love with the men.

Director Woolcock’s production was new to the Met when it debuted on New Year’s Eve 2015. The production was first staged at the English National Opera in 2010. The last time Les Pêcheurs de Perles had been performed at the Met was 1916.

Thursday, January 7 – Bellini’s I Puritani

Conducted by Patrick Summers; starring Anna Netrebko, Eric Cutler, Franco Vassallo and John Relyea. This is a revival of the 1976 Sandro Sequi production from the 2006-2007 season. This is an encore presentation of the production that was previously made available on June 1st and September 18th.

Vincenzo Bellini’s I Puritani had its world premiere in Paris in 1835. The libretto was written by Carlo Pepoli. This was the composer’s final work. He died eight months after the premiere of this opera.

I Puritani is set in 1650 England. Elvira and Arturo are going to be married. He is a Royalist and she is a Puritan. (Puritanism was a religious reform movement that originated in the late 16th Century and believed that The Church of England and the Roman Catholic Church had too much in common and weren’t rooted in the text of the Bible.) Riccardo, a Puritan, is also in love with Elvira and believes himself to have already been promised her. The three must navigate not just their romantic entanglement, but also the political issues and intrigue surrounding the English Civil War.

This was the Metropolitan Opera’s first production of I Puritani in a decade. By the time this production opened in late 2006, it was the fourth new role for Netrebko that year. The New York Times reported that on opening night the soprano received a lengthy ovation at the the conclusion of the second act mad scene.

Friday, January 8 – Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci

Cavalleria Rusticana: Conducted by Fabio Luisi; starring Eva-Maria Westbroek, Jane Bunnell, Marcelo Álvarez and George Gagnidze.

Pagliacci: Conducted by Fabio Luisi; Patricia Racette, Marcelo Álvarez, George Gagnidze and Lucas Meachem.

Both operas were David McVicar productions from the 2014-2015 season. This is an encore presentation of these two one-act operas that was previously made available on May 10th.

Perhaps no pairing of one-act operas is more popular than the combination of Cavalleria Rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo. 

Cavalleria Rusticana had its world premiere in Rome in 1890. The opera is based on a short story which later became a play by Giovanni Verga. Giovanni Targioni-Tozzetti and Guido Menasci adapted them both for their libretto.

Mascagni’s opera centers on a love triangle. Turridu, who has returned from military service, goes to see his ex-lover, Lola, before seeing his current lover, Santuzza. Lola is married to Alfio. Santuzza decides to tell Alfio about the infidelity and the two men decide to duel. At the end of the opera, multiple hearts are left broken.

Pagliacci had its world premiere in Milan in 1892. Leoncavallo also wrote the libretto.

The opera tells the story of a married couple, Canio and Nedda, who are performers in a small theatre company on the road. Canio is insanely jealous and that jealousy drives Nedda to seek affection from another man, Silvio. Nedda and Silvio make plans to elope, but their plans are overheard by Tonio, another member of the company. He tells Canio about Nedda’s plans. Looking for revenge, Canio, during a performance of their touring play, makes his personal life mirror the drama in the play.

For those relatively new to opera, these two one-act productions are easy ways to explore the art form. There is well-known music, but there is more. Pagliacci is not just a commonly performed opera, it is also one that is referenced in countless films and television shows. But don’t count out Cavalleria Rusticana. If you’ve seen either Raging Bull or The Godfather III, you’ll recognize this opera, too.

There was controversy surrounding these two productions when David McVicar’s productions replaced the long-performed productions by Franco Zeffirelli. Alex Ross, writing for The New Yorker made the case for the new productions as a way for the Met Opera to continue to grow and evolve.

Saturday, January 9 – Donizetti’s Maria Stuarda

Conducted by Maurizio Benini; starring Elza van den Heever, Joyce DiDonato, Matthew Polenzani, Joshua Hopkins and Matthew Rose. This David McVicar production is from the 2012-2013 season. This is an encore presentation of the production that was previously made available on April 28th and October 16th.

Mary, Queen of Scots, is the central figure in this opera written by Donizetti that had its world premiere in Milan in 1835. The libretto Guiseppe Bardari, was based on Friedrich von Schiller’s play, Mary Stuart, from 1800. 

Elisabetta, the Queen of England, has her cousin, Maria Stuarda, the Queen of Scotland, in prison. Elisabetta is in love with the Earl of Leicester, Roberto, but he wants to help Maria with whom he is in love. His suggestion to Maria that a reconciliation take place between the two cousins only leads to greater animosity and ultimately Maria’s execution.

Of DiDonato’s performance in the title role, Anthony Tommasini of the New York Times said, “Ms. DiDonato’s performance will be pointed to as a model of singing in which all components of the art form — technique, sound, color, nuance, diction — come together in service to expression and eloquence.”

Sunday, January 10 – Verdi’s Il Trovatore

Conducted by Marco Armiliato; starring Sondra Radvanovsky, Dolora Zajick, Marcelo Álvarez and Dmitri Hvorostovsky. This revival of the 2009 David McVicar production is from the 2010-2011 season. This is an encore presentation of the production that was previously made available July 30th and November 23rd.

Giuseppe Verdi’s Il Trovatore is based on the play El trovador by Antonio García Gutiérrez published in 1836. The libretto was written by Salvadore Cammarano with additions by Leone Emanuele Badare. The opera had its world premiere in Rome in 1853.

The setting is Zaragoza, the capital of the Kingdom of Aragon, circa 1412. To offer up a quick synopsis here would be a fool’s game to play. Several stories happen simultaneously and sometimes share the same characters. The opera has rarely been hailed for its story, but it certainly ranks as one of Verdi’s finest compositions.

If you think I was a bit unfair about the plot in Il Trovatore, let me share with you what Zachary Woolfe said at the start of his review of this production in the New York Times:

“With its cackling Gypsies, mistaken identities and secret brothers, the convoluted plot of Verdi’s Trovatore can seem like the setup for a joke. Already verging on chaos, it makes a natural backdrop for the anarchic final scene of the Marx Brothers’ Night at the Opera.

“Il Trovatore overcomes its absurdities, though, with its vitality, its irresistible melodies and tightly driven rhythms.” 

That concludes Week 43 at the Met. Next week will feature Renée Fleming in all seven productions.

Happy New Year and enjoy the operas!

Photo: A scene from Pagliacci. (Photo by Cory Weaver/Courtesy Met Opera)

The post Epic Rivalries: Week 43 at the Met appeared first on Cultural Attaché.

We have links in the title for most of the events we have listed here. That will make it easy for you to find your way directly to these exciting performances.

So let’s get to it. Here are your Best Bets at Home: September 11th – September 13th:

This Is a Man’s World – Latino Theater Company – Now – September 17th

In Los Angeles-based Latino Theater Company’s ongoing series of streaming archived performances, this week they have added Sal Lopez’s one-person show This Is a Man’s World.

The play opened in 2015 and takes a look at masculinity. Lopez combines monologue and music to relay the important events in his life. These include the Watts Riots, falling in love and the birth of his son.

This Is a Man’s World was directed by Jose Luis Valenzuela

Table of Silence Project 9/11 – Buglisi Dance Theatre and Lincoln Center – September 11th – 7:55 AM EDT/4:55 AM PDT

For the tenth anniversary of the 9/11 tragedy in 2011, Jacqulyn Buglisi, Artistic Director of Buglisi Dance Theatre, created Table of Silence Project 9/11. The work found over 150 dancers gradually making their way to Lincoln Center’s Josie Robertson Plaza. The plaintive call of a conch shell brings them together as music from a flute, bass drums, a trumpet, bells and the sounds of a chorus fill the space.

Three of her collaborators – Composer/Music Director Daniel Bernard Roumain, spoken-word poet Marc Bamuthi Joseph, and Buglisi Dance Theatre Co-Founder/Principal Dancer Terese Capucilli – have re-worked Table of Silence Project 9/11 for 2020.

There will be a new Prologue which will feature dancers from Buglisi Dance Theatre, Ailey II, Alison Cook Beatty Dance, Ballet Hispánico’s BHdos, The Juilliard School, Limón Dance Company, Martha Graham Dance Company. In addition to other dancers from the NYC community, violinist Daniel Bernard Roumain and poet Joseph will be joining this year’s performance.

The entire event will be streamed live with the following program:

A Prologue, performed live from Lincoln Center; welcome remarks from industry leaders; an excerpt from Buglisi’s Requiem, (choreographed in 2001 as an immediate response to the events of 9/11); the World Premiere of Études, a new three-minute film featuring more than 100 dancers from around the world who have been inspired by the Table of Silence Project 9/11 to create and submit small scale works recorded during the month of August and, finally, the full presentation of the 2019 Table of Silence Project 9/11.

If you cannot watch the event live, it will be available on-demand after its premiere.

Amanda Green AF in Q – Birdland – September 11th – 7:00 PM EDT/4:00 PM PDT

If you don’t know Amanda Green by name, you might be familiar with some of her work. She wrote the lyrics for the musical High Fidelity; lyrics with Lin-Manuel Miranda for Bring It On: The Musical; music with Trey Anastasio and lyrics for Hands on a Hardbody; additional material for the 2019 revival of Cole Porter’s Kiss Me Kate and additional lyrics for the 2015 revival of On the Twentieth Century.

Green has a distinct connection to the last musical. Her father, the late Adolph Green, co-wrote the music and lyrics for On the Twentieth Century with his long-time writing partner Betty Comden. In the interest of being fair to both parents, her mother was the late Phyllis Newman, a Tony Award winner for her performance in the musical Subways Are For Sleeping.

In one of the Radio Free Birdland! concerts filmed at the venue without an audience, Green performs along with her guests singer Natalie Douglas, singer/songwriter Curtis Moore and drummer Sean McDaniel. The music director is James Sampliner.

She’s working on a couple new musicals – including one with Jason Robert Brown and Billy Crystal. Perhaps there will be previews of the new material.

Tickets are $23.50.

The Royal Ballet’s Romeo and Juliet – Great Performances PBS – September 11th (Check local listings)

In 1965 legendary choreographer Kenneth MacMillan debuted his new ballet, Romeo and Juliet, with the Royal Ballet. It’s Shakespeare’s classic tale danced to the music of composer Sergei Prokofiev. It received phenomenal reviews and the company, which featured Rudolf Nureyev and Margot Fonteyn, gave 43 curtain calls during the 40-minute standing ovation at the ballet’s completion.

For this film airing on Great Performances, the ballet leaves the stage and takes place in and around multiple locations and sets in Budapest, Hungary.

Dancing the role of Juliet is Francesca Hayward, William Bracewell dances Romeo and Matthew Ball dances the role of Tybalt. BalletBoyz Michael Nunn and Wiliam Trevitt directed the film.

As with all PBS airings, best to check your local listings for exact dates and times.

SHE – Latino Theater Company – September 11th – September 20th

Latino Theater Company also continues new readings of plays and this week it is SHE written by Marlow Wyatt. This is a sneak peak at a production that has been rescheduled for next year.

In the play the title character is a 13-year-old. She’s growing up in a small town where poverty is all-too-present. SHE uses her imagination to escape the trappings of her world by creating poetry. When she gets the chance to go to Vanguard Academy, a prestigious school, she comes face-to-face with the harsh realities of the real world. Her dreams have a price. But support comes from the most unlikely of places.

This reading is directed by IMANI.

Joyce DiDonato in Bochum, Germany – Metropolitan Opera – September 12th – 1:30 PM EDT/10:30 AM PDT

If you are a regular reader of Cultural Attaché (particularly the weekly listings of Metropolitan Opera nightly streams), you’ll immediately recognize the name of mezzo-soprano Joyce DiDonato. She has appeared in their streamed productions of Rossini’s Il Barbiere di Siviglia, Le Comte Ory, La Donna del Lago and La Cenerentola; Donizetti’s Maria Stuarda; Massenet’s Cendrillon and Handel’s Agrippina.

This Saturday she joins the Met Opera Stars Live in Concert series with a recital of her own from Bochum, Germany. Joining DiDonato for the performance will be pianist Carrie-Ann Matheson and chamber ensemble Il Pomo D’Oro.

Her program is scheduled to include works by Claudio Monteverdi, Hector Berlioz, Gustav Mahler, George Frideric Handel, Antonio Cesti, Wolfgang Amadeus Mozart, Alberto Evaristo Ginastera, Louiguy and Rodgers and Hammerstein. There will also be the world premiere of a new work by Kenyatta Hughes with text by Langston Hughes.

Tickets are $20.

Moonlight Sonata Gala – Pasadena Symphony & Pops – September 12th – 9:00 PM EDT/6:00 PM PDT

Like many a gala in 2020, the Pasadena Symphony and Pops have gone on-line. Their Moonlight Sonata Gala will be free to watch, but you’ll have to register to do so. The registration does require you add credit card details. Your card will only be charged if you choose to bid on and win items in their auction.

The event will feature performances by Michael Feinstein, singer Catherine Russell, Broadway’s Cheyenne Jackson and others. Patti Austin will appear as will Pops conductor Larry Blank. Music Director David Lockington serves as host. After the event is over there is an after-party with Michael Cavanaugh who appeared on Broadway in the musical Movin’ Out.

Love in Action: A Telethon To Support the LGBTQ Community – KTLA TV – September 12th – 10:00 PM EDT/7:00 PM PDT

So what makes a telethon something to consider at Cultural Attaché? Well, any telethon that has a line-up like this one is bound to appeal to fans of culture:

Tony Award winners Cynthia Erivo, Cyndi Lauper, Leslie Odom Jr., Billy Porter and Lily Tomlin

Tony Award nominee Andrew Rannells

Drama Desk Award-winner Jesse Tyler Ferguson and Drama Desk nominee Anthony Rapp

Singers Melissa Etheridge, k.d. lang, Sia and the vocal ensemble Tonality

Actors Alexandra Billings, Wilson Cruz, Armie Hammer, Alec Mapa, Peter Paige, Pauley Perrette and Brian Michael Smith

Comedians Margaret Cho, Ilana Glazer, Jay Leno and Bruce Vilanch

Drag icons RuPaul, Miss Coco Peru and Shangela.

And a certain Oscar winner named Cher is also joining the fun.

Jane Lynch is hosting the two-hour event along with KTLA News anchor Cher Calvin. You know what they say, Cher and Cher alike.

For the Love of Lyric Concert – Lyric Opera of Chicago – September 13th – 7:00 PM EDT/4:00 PM PDT

Established in 1954, the Lyric Opera of Chicago has been a prominent part of the performing arts in Chicago. Like many an institution struggling to navigate the pandemic, they have chosen to go on-line with their gala this year. For the Love of Lyric Concert is this year’s program.

Soprano Renée Fleming, who has served as Creative Consultant to the Lyric Opera since 2010, will headline the event.

Joining her will be Ryan Opera Center alumna mezzo-soprano J’Nai Bridges, Heather Headley (Tony Award-winner for Aida); bass Soloman Howard and soprano Ailyn Pérez. Doug Peck is the music director.

The program is set to include music from opera, Broadway, popular songs and “some surprising sources.” I’m not quite sure what that means. I guess that is why it will be a surprise.

The event will stream for free on the Lyric Opera of Chicago’s Facebook page a day after it virtually runs for sponsors.

Miscast20 – MCC YouTube Page – September 13th – 8:00 PM EDT/5:00 PM PDT

New York’s MCC Theater (Manhattan Class Company) annually holds an event that is one of the most popular and most-anticipated events every year. It is called Miscast. The concept is rather simple: actors perform songs from musicals that are performed by characters they would never get cast to play.

Take for example this video of Hamilton‘s Jonathan Groff performing Reno Sweeney’s title song from the Cole Porter musical Anything Goes:

I have no idea what songs are going to be performed and by whom during Sunday’s event. But, I can tell you who will be performing:

Tony Award winners Norbert Leo Butz (Dirty Rotten Scoundrels), Heather Headley (Aida) and Leslie Odom Jr. (Hamilton)

Tony Award nominees Robert Fairchild (An American In Paris), Joshua Henry (Carousel), Rob McClure (Mrs. Doubtfire), Lauren Ridloff (Children of a Lesser God), Phillipa Soo (Hamilton) and Adrienne Warren (Tina)

Also joining are Beanie Feldstein (Hello, Dolly!), Ingrid Michaelson (Natasha, Pierre and The Great Comet of 1812), Isaac Powell (Once on This Island) and Nicolette Robinson (Waitress).

There will also be a reunion of the original company of Hairspray including Laura Bell Bundy, Kerry Butler, Tony Award winner Harvey Fierstein, Jean Gambatese, Jackie Hoffman, Kamilah Marshall, Matthew Morrison, Tony Award nominee Corey Reynolds, Judine Somerville, Shayna Steele and Tony Award winner Marissa Jaret Winokur.

Presenters include Jocelyn Bioh, Raúl Esparza, Judith Light, Julianna Margulies, Piper Perabo and Thomas Sadoski.

If you enjoy Broadway musicals, this is truly a must-see event.

Jeremy Jordan with Seth Rudetsky – September 13th – 8:00 PM EDT/5:00 PM PDT

On June 14th, Jeremy Jordan was one of Seth Rudetsky’s first guests in his online concert series. He’s back with a new show as Rudetsky’s guest on Sunday.

In addition to his well-known roles in Broadway’s Bonnie & Clyde and Newsies, Jordan has also appeared in West Side Story, Rock of Ages and Waitress. He was a series regular on Smash and appeared with Anna Kendrick in the film adaptation of The Last Five Years.

Tickets for the show are $25. If you can’t see the show live on Sunday, there is an encore presentation on Monday, September 14th at 3:00 PM EDT/12:00 PM PDT.

Kritzerland 10th Anniversary Show – September 13th – 8:00 PM EDT/5:00 PM PDT

Fans of rare recordings of Broadway musicals and new recordings of lost musicals are well acquainted with Kritzerland Records. They have released recordings of the musicals Anya, Ilya Darling, The Grass Harp and restored recordings of the 1971 production of Follies, House of Flowers and more.

They will be celebrating the 10th anniversary of their live shows with an on-line concert. The show promises to include rarities, well-known material and a few songs that have never been heard before.

The cast includes Daniel Thomas Bellusci, Jason Graae (Wicked tour), Peyton Kirkner, Beth Malone (the 2018 revival of Angels in America), Pamela Myers (original cast of Company), Kerry O’Malley (Billy Elliot: The Musical), Hartley Powers, Sami Straitman, Adrienne Stiefel and Robert Yacko (Mark Taper Forum production of Parade).

They also have one very special guest: Petula Clark. In addition to having hit songs with Downtown and I Know a Place, she has appeared on stage in The Sound of Music, Sunset Boulevard and on Broadway in Blood Brothers.

This concert is free, but donations that will go to The Actors Fund are encouraged. Donations can be made here.

Those are my selections of your Best Bets at Home: September 11th – September 13th. I also have some reminders for you:

Los Angeles area residents can catch this week’s In Concert at the Hollywood Bowl on PBS SoCal on Friday, September 11th at 8:00 PM. This week’s theme is Musicals and the Movies and includes performances by Kristin Chenoweth, Audra McDonald and Brian Stokes Mitchell.

Here are reminders from this week’s Jazz Stream:

Red Baraat are featured in this week’s Fridays at Five from SFJazz on September 11th.

John Scofield Trio will perform from New York’s Blue Note on September 11th.

Bill Charlap Trio performs September 11th and 12th from the Village Vanguard in New York.

Pasquale Grasso Quartet performs September 13th from Smalls.

Here are reminders of this weekend’s schedule at the Metropolitan Opera:

Georges Bizet’s Les Pêcheurs de Perles on Friday; Hector Berlioz’s Les Troyens on Saturday and Jules Massenet’s Werther on Sunday.

Will that suffice? Do you have enough options to keep you entertained this weekend? I hope so and I hope you have enjoyed Best Bets at Home: September 11th – September 13th.

Montage of Miscast performers courtesy of MCC Theater

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The operas were written by Jules Massenet, Charles Gounod, Hector Berlioz and Georges Bizet. Amongst the performers you’ll see are Anna Netrebko, Piotr Beczala, Diana Damrau, Vittorio Grigolo, Susan Graham, Joyce DiDonato, Jonas Kaufman and Matthew Polenzani.

Each production becomes available at 7:30 PM EDT/4:30 PM PDT on the Metropolitan Opera website. Every opera remains available for 23 hours. They are heavily promoting their Met Stars Live in Concert series so you’ll have to go past those promos to find the streaming productions. Schedules and timings may be subject to change.

If you read this preview early enough on Monday, September 6th, you might still have time to catch the 2012-2013 season production of Thomas Adés’s The Tempest. 

Here is the line-up for Week 26 at the Met:

Monday, September 7 – Massenet’s Manon 

Conducted by Fabio Luisi; starring Anna Netrebko, Piotr Beczała, and Paulo Szot. This is the Laurent Pelly production from the 2011-2012 season. This is an encore presentation of the production that previously streamed on May 24th.

A young woman from a small town has an intense desire to lavish herself with all the riches and pleasures life has to offer her. Sounds like a story that could be written today.

Massenet’s opera was composed in 1883 and had its world premiere in January of 1884 in Paris. The libretto is by  Henri Meilhac and Philippe Gille. They based the opera on the 1731 Abbé Prévost novel, L’histoire du chevalier des Grieux et de Manon Lescaut.

There is always one main reason why this opera gets produced and the same reason that audiences love it. The soprano title role.

In this production, Anna Netrebko sings Manon.Anthony Tommasini, writing in the New York Times, made all of this abundantly clear in his review of this production and singled Netrebko out for praise:

“The best parts of Massenet’s score are its inspired arias, especially for Manon. In places Ms. Netrebko’s low-range singing had an earthy, almost breathy quality that seemed Russian in character. But when she needed to, she sang melting phrases with silken legato and shimmering beauty, especially her poignant performance of ‘Adieu, notre petite table’ in Act II. Though she does not have perfect coloratura technique, she ably dispatches the roulades and runs, folding them deftly into extended melodic phrases. And she can send top notes soaring.”

Tuesday, September 8 – Gounod’s Roméo et Juliette

Conducted by Gianandrea Noseda; starring Diana Damrau, Vittorio Grigolo, Elliot Madore and Mikhail Petrenko. This Bartlett Sher production is from the 2016-2017 season. This is an encore presentation of the production that was streamed on April 10th.

Shakespeare’s Romeo and Juliet served as the inspiration for this five-act opera by Charles Gounod that had its world premiere in Paris in 1867. The libretto was written by Jules Barbier and Michel Carré.

The opera closely follows Shakespeare’s play about two star-crossed lovers from warring families. Their love only inflames the animosity between the Montagues and the Capulets. No matter what the young lovers do to be together, fate always seems to find a way to make their love impossible. When that happens, tragedy follows.

Director Sher’s production was new to the Metropolitan Opera and had its debut on New Year’s Eve 2017. It was highly anticipated because the chemistry between Damrau and Grigolo had proven to be particularly palpable when they appeared together in Massenet’s Manon in 2015.

In Anthony Tommasini’s review in the New York Times he agreed:

“In scene after scene, these exciting and charismatic artists disappeared into their characters, emboldening each other to sing with white-hot sensuality and impassioned lyricism.”

Wednesday, September 9 – Berlioz’s La Damnation de Faust

Conducted by James Levine; starring Susan Graham, Marcello Giordani and John Relyea. This Robert Lepage production is from the 2008-2009 season. This is an encore presentation of the production that was streamed on May 25th.

Hector Berlioz composed this work in 1845. He never envisioned La Damnation de Faust to be staged as an opera, but rather as a concert work. The first time it was performed as an opera was in 1893. The Metropolitan Opera first performed it as a concert in 1896. It would be ten more years before The Met would present it as a fully-staged opera.

Once again Goethe’s work serves as the inspiration for this story about the deal one man makes with the devil to save the woman he loves.

With Le Damnation de Faust, Lepage made his Metropolitan Opera debut. His extensive use of video in this production was one of the many points of both interest and discussion in 2008. Critics at the time wondered if this was a sign of what his then-upcoming Ring Cycle might be like.

Thursday, September 10 – Massenet’s Cendrillon

Conducted by Bertrand de Billy; starring Kathleen Kim, Joyce DiDonato, Alice Coote and Stephanie Blythe. This Laurent Pelly production is from the 2017-2018. This is an encore presentation of the production that was streamed on June 27th.

Charles Perrault’s 1698 version of the Cinderella fairy tale serves as the inspiration for Massenet’s opera. Henry Caïn wrote the libretto. The world premiere of Cendrillon took place in 1899 in Paris.

You may recall that The Royal Opera made its production of Cendrillon available for streaming in late May. This is the same production with Joyce DiDonato and Alice Coote playing the roles of “Cendrillon” and “Prince Charming.”

Zachary Woolfe, in his New York Times review praised DiDonato for the child-like wonder she brings to the role.

“Ms. DiDonato does sincerity better than anyone since Ms. von Stade. At 49, she can still step on stage and, with modest gestures and mellow sound, persuade you she’s a put-upon girl. She experiences the story with an open face and endearing ingenuousness, a sense of wonder that never turns saccharine. In soft-grained passages, she is often simply lovely.”

Friday, September 11 – Bizet’s Les Pêcheurs de Perles

Conducted by Gianandrea Noseda; starring Diana Damrau, Matthew Polenzani, Mariusz Kwiecień and Nicolas Testé. This Penny Woolcock production is from the 2015-2016 season. This is an encore presentation of the production that streamed on April 3rd.

Les Pêcheurs de Perles (best known to many as The Pearl Fishers) had its world premiere in 1863 in Paris. Bizet’s opera has a libretto written by Eugène Cormon and Michel Carré.

The setting is the island of Ceylon (present-day Sri Lanka) and two men find that their plan to be friends forever regardless of circumstances is threatened when they both fall in love with the same woman. She, too, is conflicted as she has sworn to be a priestess, but finds herself falling in love with the men.

Director Woolcock’s production was new to the Met when it debuted on New Year’s Eve 2015. The production was first staged at the English National Opera in 2010. The last time Les Pêcheurs de Perles had been performed at the Met was 1916.

Saturday, September 12 – Berlioz’s Les Troyens

Conducted by Fabio Luisi; starring Deborah Voigt, Susan Graham, Bryan Hymel and Dwayne Croft. This Francesca Zambello production is from the 2012-2013 season. This is an encore presentation of the production that streamed May 28th.

If you though only Wagner wrote long operas, let me introduce you to this over 5-1/2 hour opera by Berlioz.

Les Troyens was inspired by Aeneid, an poem by Virgil. Berlioz wrote the libretto. The opera had its world premiere in Parisin 1863.

Set in the ancient city of Troy, where the Greeks have “gifted” their enemy with a wooden horse. Cassandra had feared there was a threat and when the Greeks ransacked the city, she and the woman of Troy choose suicide over surrendering.

Prince Aeneas, able to flee Troy, sets sail with his fleet for Italy. Circumstances force him to land at Carthage where Queen Dido falls in love with him. Will their love win out or must Aeneas be faithful to the Gods?

Because it is so long, many opera companies do not regularly perform Les Troyens. Nonetheless, this lengthy work is considered by many critics to be amongst the greatest operas ever written.

Sunday, September 13 – Massenet’s Werther

Conducted by Alain Altinoglu; starring Lisette Oropesa, Sophie Koch, Jonas Kaufmann and David Bižić. This Richard Eyre production is from the 2013-2014 season. This is an encore presentation of the production that streamed May 11th.

Goethe’s The Sorrows of Young Werther was the inspiration for this opera which had its world premiere in 1892 in Vienna. It is not the first opera inspired by Goethe’s novel: Rodolphe Kreutzer wrote one in 1792 as did Vincenzo Pucitta in 1802.

Werther tells the story of a young man who spends some of his time writing poetry and imagining life as he thinks it should be. He falls in love with the daughter of a man who manages a large estate. Things don’t always measure up to his ideal of the world and the title character contemplates suicide. That’s just the first half.

In his New York Times review of this production, Anthony Tomassini said, “To be a great Werther, a tenor must somehow be charismatic yet detached, vocally impassioned yet ethereal. Mr. Kaufmann is ideal in the role. He sings with dark colorings, melting warmth, virile intensity and powerful top notes. There is a trademark dusky covering to his sound that lends a veiled quality to Mr. Kaufmann’s Werther and suits the psychology of the character.”

That’s the complete line-up for Week 26 at the Met. Enjoy the operas and enjoy your week! Bonjour!

Photo: Berlioz’s Les Troyens (Photo by Cory Weaver/Courtesy of Metropolitan Opera)

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