Margherita is an Olivier-Award winner (the British equivalent of the Tony Awards) for her performance in Zorro: The Musical. She made her Broadway debut as Mrs. Wormwood in Tim Minchin‘s musical Matilda. She previously appeared in Pasadena Playhouse’s You I Like: A Musical Celebration of Jerry Herman.

The show opens on December 14th and joining Margherita in the show are MaryAnn Hu, George Salazar, Jason Michael Snow and, perhaps, you (see below.) The Pasadena Playhouse Holiday Spectacular is directed by Sam Pinkleton (Head Over Heels at the Pasadena Playhouse and choreographer of Stephen Sondheim‘s final musical, Here We Are) who co-created the show with Randy Blair. The show runs through December 23rd.

But what it is? That was where I started my conversation recently with Margherita. What follows are excerpts from that interview that have been edited for length and clarity. To see the full interview, please go to our YouTube channel. (You don’t want to miss this one…it’s a hoot.)

Q: It seems as though all the details about this show are being carefully kept under lock and key. I know that Sam Pinkleton is the co-creator and director and that the four of you are in the show. Given how little I know and the public knows about this show, how much did you know when you were first approached by the Pasadena Playhouse about being part of their holiday spectacular? 

Not a thing. When the artistic director, Danny Feldman, reached out to me he said, Holiday show. Sam Pinkleton, who I had wanted to work with forever. And it may or may not be this way, but he said the concept right now is curtain up. You on an empty stage. And I said, in. Then I knew the three other actors – who were phenomenal. That was enough for me to say yes. We really didn’t know anything until the first day of rehearsal. 

You probably know a lot more now since you’re ten days away from opening.

Correct. We know a lot more now. We’re still keeping a lot of it a secret. I can tell you that spectacular is a loosely used term for this show. But it is hysterical. It is heartwarming and is probably not what you think it’s going to be.

There was only one thing that disturbed me knowing that Sam Pinkleton, you and George and others are involved in this show. The website says it is appropriate for children six years and older. I was hoping there would be at least a one in front of the six.

That actually was very surprising to all of us involved. I will tell you, though, in rehearsal there should be a designated person just to be like, “you can’t say that.” But it is family friendly. That was unexpected for me. Holiday shows and adult content for me kind of go hand-in-hand. So I was shocked. 

I am expecting everything and the kitchen sink thrown in on a very low budget.

That is exactly what you’re going to get. What they told me I’m allowed to say is that it’s about a holiday spectacular that is coming from another town that has been playing an out-of-town tryout [and is] coming to the Playhouse. There are four people involved that are the creative team of this holiday spectacular that may or may not arrive on time for the opening night at Pasadena Playhouse. So what does that mean when a 65-person plus animals flying everything doesn’t arrive in time? What do those four people then have to put on in place of that? 

That concept sounds like it would be it would be fairly structured and scripted, but it also seems like it affords all four of you tremendous freedom. Does it? 

Completely. It is very structured. But there is a lot of freedom in it and that’s what makes it so fun. I can’t keep a straight face when I’m supposed to. There is a lot of audience interaction and opportunity for the audience to get involved. Each night a different local group, whether it be a choir or a marching band or a dance troupe, every night we’re highlighting a local Los Angeles group. But there’s plenty of room for hijinks. 

What are the challenges for you as a performer in a show like this? You only have 14 performances.

The hard thing for me is I am portraying the director of this piece. I’m kind of the cat wrangler for the whole thing. So I have very clear points as to where we need to go and what needs to happen. The hardest thing for me is not wanting to get carried away. I need to keep things going. That’s a tough job for me because if something’s funny, I want it to go on forever. 

Those first few shows are going to be very telling and very fun because I think that’s when we really find out what is going to happen. I think by the end of it we’ll probably be pros at it.

But I actually prefer not knowing what’s going to happen because that’s really where all the great nuggets from.

Are you able to channel all the many directors with whom you’ve worked into this character?

Correct. And I really hope they don’t recognize themselves in it. Everyone that we have worked with or have stories about informs these characters. There’s a director, a stage manager, a costume supervisor and a crew member. So all of these people that we love and adore, we’re kind of lampooning. It’s very Waiting for Guffman. We’re skewering other major city’s holiday spectaculars, with all the major sets and everything.

You haven’t been working with Sam Pinkleton for that long, but will Sam find his way into this show as well? 

Sam is this entire show. He is the most genius. For years people have said, “You guys must know each other. You must have worked together.” And we haven’t. This was the perfect introduction for us both to work together. Now I don’t want to ever work with anyone else. He is all over this.

Holiday shows, if I’m thinking about the ones that happen in other cities, one of them has a row of long legs. There is the absolutely inevitable appearance of Santa Claus. They usually revolve around the same 12 or 14 holiday songs that we all know and love. Can you assure me that we are not going to be subjected to the very same songs that are in every show everywhere around the world? 

I can absolutely assure you that you are going to get a version of all of those things, of the long legs and the snow falling and the Santa appearance, but you will not be hearing those same songs. What Sam and Randy did was they pulled some deep cuts that are incredible. If you do hear a couple of those same old chestnuts, I guarantee they have never done been done like this before. You’re not going to be subjected to the same, I don’t want to say tired, but the same old holiday spectacular. But if for some reason you wanted to see a chorus line of reindeer, you may get that. It just may not be how you think it’s going to be. 

How important do you think it is, for the theater community, for there to be shows that can only be done once instead of this desire for everything to be part of a bigger machine?

I think it is so important. The one thing that disappointed me about Broadway was how corporate it was. I understand it. I understand people have to make money. It’s so special to create something just once in a capsule. Not everything has to transfer. Not every off-Broadway show has to go to Broadway. There are special things about shows that just exist, for a certain amount of time, that people at the top of their game create because we have to keep doing that. Otherwise we will just be stuck with stagnant shows that tour for years and years and years and never change. We have to keep pushing the boundaries.

Speaking of Broadway, I do have to ask you one question about Matilda. The mere mention of When I Grow Up can bring me to tears. How do you get through a thousand performances without that song impacting you? Or can you? 

It’s pretty well documented how much I love that show and how grateful I was to be a part of it. The way that my track was, I could watch Revolting Children every single night from the back of the house because I made an entrance. And I did watch it every single night for over a thousand performances. Had I been able to see When I Grow Up, I don’t think I would have been able to go on after it.

We had a bunch of pre-checks for the shows, for the kids, the sets and the swing track was part of it. I would always watch it and just ball, even just in rehearsal. What Tim wrote and that whole team that set-designed, that moment of the swings is so incredible.

I cried often and the most I cried was when I knew some of these kids were leaving and it was their last time on the swings. It was something that I dreaded every few months when the kids got too big. I was a blubbering mess the whole time.

I don’t think I’ll ever do a show like that again. I’m so, so grateful that it took me so long to get to Broadway. It was just incredible.

I lose it every time the adults take over the swings.

I finally got to do it. On the final day they let me on the swings and there’s the picture of my face like that. The best moment.

We’re living in in a troubled world. I think it’s safe to say trip theaters are having troubles getting people back in. We’re all having huge problems getting together. If you could have one wish for the holiday season for 2023 going into 2024, what would it be? What would you like to see this holiday season bring that is different than previous holiday seasons?

Peace is the obvious answer. We’re just more divided now than ever. Finding a way to coexist. Finding a way to let people be who they are. Live your life and let someone else live theirs. It’s all of that. But for sure, peace, because it’s really feels like the world is on fire.

After 14 performances as well as several weeks of the holidays around you, infiltrating every moment of your waking day, are you planning on celebrating the holidays by doing anything but the holidays? 

We run until the 23rd and I’ll probably just be sleeping through the holidays. I always celebrate with with my family up north. So I think I’m going to make my husband drive and I’ll conk out with my dog in the back. I’ll celebrate, but be exhausted. I’m sure I’ll be exhausted.

To watch the full interview with Lesli Margherita, please go here.

Main Photo: Lesli Margherita and George Salazar in Pasadena Playhouse Holiday Spectacular (Photo by Jeff Lorch/Courtesy Pasadena Playhouse)

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Jerry Herman was the Tony Award-winning composer of such musicals as Hello, Dolly!, Mame, Mack and Mabel and La Cage aux Folles. He passed away in late 2019. This revue of his music was created by Andy Einhorn and had its first performance at New York’s 92nd Street Y early last year. Einhorn has reworked the show and it was filmed by Pasadena Playhouse for their PlayhouseLive programming.

Starring in You I Like are Ashley Blanchet (Frozen), Nicholas Christopher (Hamilton), Olivier Award-winner Lesli Margherita (Matilda The Musical), Andrea Ross (The Sound of Music) and Ryan Vona (Once). Einhorn serves as music director and our guide through the show.

Songs from all those musicals listed above are in the show as are some rarer songs from his early work like Parade and Milk and Honey. There are also songs from his lesser-known musicals such as The Grand Tour.

Einhorn has created a true love letter to Herman. His passion and knowledge of Herman and his work is presented lovingly. This show is filled with the unfettered joy that was the hallmark of Herman’s own view of life.

The performers are all terrific and seem to be enjoying their roles.

A few moments definitely stand out: Christopher singing “If He Walked Into My Life” from Mame and “A Little More Mascara” from La Cage Aux Folles; “Time Heals Everything” from Mack and Mabel sung by Blanchet and pretty much everything Margherita does. Someone should seriously consider putting her in a revival of Funny Girl. (I know what purists will say, “she’s a bit too old for that.” Forget it…she’s got the talent to make it work.)

My initial response after seeing the show on Sunday (as I Tweeted) was “The best of times may not be right now, but You I Like is just what the doctor ordered.”

Tickets to watch You I Like are $24.99. If you think the show was only available on Sunday, January 10th, that was just a special opening night event featuring pre-show interviews with Bernadette Peters and David Hyde Pierce. Don’t delay. Any serious musical theatre fan will want to catch this show!

Photo: Jerry Herman (Courtesy PlayhouseLive)

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This weekend I have a great mix of classical music, jazz, plays and a new musical revue celebrating composer Jerry Herman (Hello, Dolly!). Once you catch up on my reminders you can add opera and musicals to the list!

So let’s get right to it. Here are the Best Bets at Home: January 8th – January 10th:

CLASSICAL MUSIC: Close Quarters #5 – Los Angeles Chamber Orchestra – Available Now

LACO continues their series of unique films that include performances of chamber music works. In Close Quarters #5, the music of Juan Pablo Contreras, Jimmy López and Jessie Montgomery is performed. Surrounding the performances is the story of a young woman on New Year’s Eve who finds herself alone after leaving a party and unsure of how she’s going to get home.

Contreras, whose work Pueblos Mágicos is the last piece performed in the film, curated the program. López’s Ccantu for solo piano opens the film. Montgomery’s Voodoo Dolls is between the two. All three pieces are terrific. I took particular joy in Pueblos Mágicos.

James Darrah directed the 42-minute film. The script was written by Christopher Oscar Peña and beautifully captures that emotional roller coaster that one experiences when left alone and is having to find acceptance and strength to move beyond. Note that there is strong language in the film.

AUDIO PLAY: The Nomad Project – Coeurage Ensemble – Available Now

Los Angeles-based Coeurage Ensemble has launched a very interesting series called The Nomad Project. The project consists of 10 stories based in Los Angeles and runs approximately 10-12 minutes.

Each of the stories is written to reflect a specific area of the city. By specific I mean down to GPS coordinates. This allows listeners to either listen from the comfort of their home or travel to those coordinates to hear the stories played out. Amongst the locations are Hollywood Boulevard & Western Avenue; the Walt Disney Concert Hall; outside the Faultline Bar; Sun Valley and more.

The playwrights who have created audio plays for The Nomad Project are Boni B. Alvarez, Kate Bailey, Mark Brown, Meghan Brown, June Carryl, Aaron Fullerton, Tom Jacobson, Ann Kimbrough, Roger Q. Mason, Shahrook Oomer and Yael Zinkow.

There’s no cost to listen to these audio plays. Donations, of course, are always welcomed.

MUSICAL: Closer Than Ever – MNM Theatre Company – Now – January 10th

When Closer Than Ever opened in 1989 at the Cherry Lane Theatre, it charmed critics and went on to be named the 1990 Outer Critics Circle Award Winner for Best New Off-Broadway Musical. The completely sung-through show features songs by Richard Maltby, Jr., and David Shire (Baby, Starting Here Starting Now).

Closer Than Ever examines adult life vis-a-vis songs about marriage, divorce and second marriages, mid-life crisis, growing old and more. Maltby and Shire based the songs on the lives of their friends.

Florida’s MNM Theatre Company has produced a streaming version of this musical that will be available through Sunday.  Aaron Bower, Johnbarry Green, Shelley Keelor and Elijah Word star. Jonathan Van Dyke directed.

Tickets are $20 and allow for 48 hours of streaming.

PLAY: Making Friends – IAMA Theatre Company – Now – January 18th

Seems like everyone is angry these days. Count amongst them Tom DeTrinis, who describes himself as a rage-aholic. In his one-man show, DeTrinis expunges some of that rage in very humorous was as he rants about transgressions from his childhood, his dislike of Rodgers & Hammerstein and particularly his disdain for New York City (rather ironic since he’s from NYC).

He portrays many of those who have offended him during this 67-minute show directed by Drew Droege. Note that this show contains adult material and language. Tickets start at $15 based on your ability to pay.

JAZZ: Chris Botti – SFJAZZ – January 8th – 8:00 PM EST/5:00 PM PST

This week’s Fridays at Five concert from SFJAZZ dates back almost exactly one year. On January 10th, 2020, trumpeter Chris Botti performed at the venue. That concert will be streamed only once at the time listed above.

Botti is a Grammy Award winner and best-selling artist who, in addition to his own albums, has collaborated with Joshua Bell, Tony Bennett, Michael Bublé, Lady Gaga, Yo-Yo Ma, Joni Mitchell, Paul Simon, Sting, Barbra Streisand and more.

To view this concert you must have either a monthly membership ($5) or an annual membership ($60).

CLASSICAL MUSIC: Teatro alla Scala Orchestra – January 9th – 2:00 PM EST/11:00 AM PST

The orchestra from Milan’s fabled La Scala has a streaming concert on Saturday. The program will feature performances of Johannes Brahms’ Symphony No. 3 in F major, Op. 90 and Antonin Dvorak’s Symphony No. 7 in D minor, Op. 70. Leading the orchestra is conductor Lorenzo Viotti.

The concert will be available for viewing on the Teatro alla Scala website, their YouTube channel and their Facebook page.

If you can’t see the concert as it happens, they usually remain available for a few days afterwards.

CLASSICAL MUSIC: Anne Akiko Meyers and Fabio Bidini – The Sorting Room Sessions at The Wallis – January 9th – 11:00 PM EST/8:00 PM PST

Violinist Anne Akiko Meyers and pianist Fabio Bidini team up for this intimate recital of music by French composers. On the program is Charles Gounod’s Ave Maria; Maurice Ravel’s Sonata No.2 in G Major and Jules Massenet’s Meditation from Thaïs.

Meyers has released over 30 albums. Her most recent recording is Estonian Lullaby which features the music of Arvo Pärt and was released earlier this year.

Italian pianist Bidini has released 13 albums and in addition to his performance career, teaches at Los Angeles’ Colburn School

Tickets are $25 and allow for 24 hours of streaming.

JAZZ: Exploring Billie’s Influence – 92nd Street Y – January 10th – 3:00 PM EST/12:00 PM PST

Grammy Award-winner Christian McBride hosts a conversation about the legendary Billie Holiday with Dee Dee Bridgewater, Dianne Reeves and Cassandra Wilson.

All three women have recorded albums as tributes to Lady Day. Let’s be honest, what female jazz singer can ignore the enormous impact Holiday had on all singers?

Will there be any singing? It doesn’t appear so from the website, but given the enormous talent on stage, this will be a riveting conversation with our without performances.

Tickets are $15.

JAZZ: Neal Caine Quartet – Smalls Live – January 10th – 5:00 PM EST/2:00 PM PST and 7:00 PM EST/4:00 PM PST

Jazz bassist Neal Caine is not only one of jazz music’s finest bass players, he’s also one of its most in-demand. Caine has performed and/or recorded with Jon Batiste and Stay Human; Brian Blade; Betty Carter; Harry Connick, Jr. Big Band; Benny Green; Dr. John; Elvin Jones Jazz Machine; Diana Krall, Branford Marsalis; Delfeayo Marsalis Quintet; Ellis Marsalis Trio; Wynton Marsalis;

If you haven’t heard his 2005 album Backstabber’s Ball, you should check it out.

Joining him for these two sets at New York’s Smalls are Donald Edwards on drums; Jerry Weldon on tenor sax and Anthony Wonsey on piano.

If you can afford to make a “reservation” for either performance, those funds go to the venue and the musicians. Otherwise, you can find the performances streaming live on Small’s website.

CLASSICAL MUSIC: Piano Sonata by Philip Glass – CAP UCLA – January 10th – 6:00 PM EST/3:00 PM PST

The world premiere of composer Philip Glass‘ first piano sonata took place in 2019 in Germany. The piece was performed by pianist Maki Namekawa who asked the composer to write the sonata for her.

She returns to the work in this special filmed performance that was recorded live in Austria for CAP UCLA.

The sonata came into being after a conversation Namekawa and her husband, Dennis Russell Davies, had with the composer in the back of a restaurant in 2017.

Zachary Woolfe, in his New York Times review of the sonata’s first American performance by Namekawa in 2019, said, “For all the work’s switches of mood — between major and minor, churning and calm — the stakes feel low, though not unagreeably. Even when it’s headlong, as in the chugga-chugga perpetual motion of the third movement, the work is light, even superficial, a revue of Glassian riffs that’s pleasant and passing. While it’s imposing, at nearly 30 minutes, the sonata feels larky.”

MUSICAL: You I Like, A Musical Celebration Of Jerry Herman – Pasadena Playhouse/PlayhouseLive – January 10th – February 7th

Jerry Herman was the Tony Award-winning composer of such musicals as Hello, Dolly!, Mame, Mack and Mabel and La Cage aux Folles. He passed away in late 2019. This revue of his music was created by Andy Einhorn and had its first performance at New York’s 92nd Street Y early last year. Einhorn has reworked the show and it was filmed by Pasadena Playhouse for their Playhouse Live programming.

Starring in You I Like are Ashley Blanchet (Frozen), Nick Christopher (Hamilton), Olivier Award-winner Lesli Margherita (Matilda The Musical), Andrea Ross (The Sound of Music) and Ryan Vona (Once). Einhorn serves as music director and our guide through the show. (Next week look for my interview with Einhorn!)

Songs from all those musicals listed above are in the show as are some rarer songs from his early work like Parade and Milk and Honey. There are also songs from his lesser-known musicals such as The Grand Tour.

On the virtual opening night there will be a Q&A with Bernadette Peters (who appeared in the recently revival of Hello, Dolly! and also Mack and Mabel) and David Hyde Pierce (also in Hello, Dolly!) with Einhorn and Pasadena Playhouse’s Danny Feldman.

Tickets are $29.99 to watch the virtual opening. All other viewings will be $24.99.

That’s my list of the Best Bets at Home: January 8th – January 10th. But, of course, there are a few reminders:

David Bowie fans will not want to miss his musical Lazarus, which is being made available for three performances this weekend from DiceFM. For full details go to my preview here.

New York’s 9th annual Prototype Festival launches this weekend with an intriguing program of new works. My preview has full details.

The Public Theater’s Under the Radar Festival has begun and I have a full rundown of the programming available.

The operas available this weekend from the Metropolitan Opera from this week’s Epic Rivalries theme. They are Cavalleria Rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo on Friday; Gaetano Donizetti’s Maria Stuarda on Saturday and Giuseppe Verdi’s Il Trovatore on Sunday. You can find full details here.

Here’s to taking a break, enjoying some great performances and recharging ourselves!

Enjoy the Best Bets at Home: January 8th – January 10th and enjoy your weekend.

Photo: Lesli Margherita, Andrea Ross, Ryan Vona, Nicholas Christopher, Ashley Blanchet, and Andy Einhorn in You I Like: A Musical Celebration of Jerry Herman (Photo by Jeff Lorch/Courtesy Playhouse Live)

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Parents should note this is an adult Cindy Lou Who – expect raunchiness and double-entendres as this montage makes perfectly clear.

Margherita won an Olivier Award for her role as Inez in Zorro the Musical. She originated the role of Mrs. Wormwood in Tim Minchin‘s Matilda the Musical. She also appeared in Dames at Sea.

Who’s Holiday! was performed off-Broadway in 2017 and garnered Margherita a Drama Desk Award for Best Solo Performance.

Elisabeth Vincentelli, writing in the New York Times, said of her performance, “More happens, but it is almost besides this hourlong production’s point, which is to watch the brassy, very funny Ms. Margherita strut her stuff in the designer Jess Goldstein’s festive holiday get-up.

“She expertly milks the many double entendres and profane limerick-like rhymes, but this cabaret regular is equally comfortable ad-libbing. (After breaking into a rap at the Sunday matinee, she rasped “I’m out of breath” and reached for a cigarette). She also belts a mean ‘Blue Christmas.’”

There is no charge to watch the show.

Donations to Broadway Cares/Equity Fights AIDS are encouraged. If you’ve ever been to a Broadway show during the holidays you are probably familiar with the red buckets that cast members have in their hands in theater lobbies at the end of a performance. Those buckets collect funds to help those in the theatre community with housing, food, medicine and more. In the absence of shows this year, BC/EFA is hoping for on-line donations.

Photo: Lesli Margherita in Who’s Holiday! (Photo courtesy BC/EFA)

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I have to admit, we did sneak in one event that does actually take place live in a parking lot for those in the Los Angeles area. The other 23 are available for streaming from your home. And there’s great stuff, too.

Our two top picks are both holiday-themed, but couldn’t be more different. Manual Cinema’s Christmas Carol is an imaginative re-telling of Charles Dickens’ story that is suitable for the entire family. Taylor Mac’s Holiday Sauce…Pandemic! is truly for adults. (And you might want to have your favorite holiday sauce at your side.)

I also have Shakespeare, jazz, dance, opera, Broadway stars and more for you. So let’s get started.

Here are your Best Bets at Home: December 11th – December 13th:

PLAY: Stratford Festival’s Romeo and Juliet – Center Theatre Group – Now – March 7th

If you were unable to catch any of the streaming productions Canada’s Stratford Festival made available ealirer this year, Center Theatre Group is making a few of them available through their Digital Stage+ program (events that are free to donors/subscribers and $10 for non-subscribers).

The first of five Shakespeare plays being made available is Romeo and Juliet.

Antoine Yared and Sara Farb play the star-crossed lovers in Scott Wentworth’s production from 2017.

The Toronto Star said of this production, “At the production’s heart is the freshness and credibility of the relationship between Sara Farb and Antoine Yared as the title characters. They play them as youthful, impulsive, and vivacious, but far from a perfect hero and heroine. There are tantrums, shrieks, and teenage mood swings aplenty, many of which play as welcome moments of comedy. The usually central scenes of their meeting, marriage, and morning-after-consummation are handled swiftly, as pivot points in the driving forward action.”

PLAY: Who’s Holiday! – Broadway Cares/Equity Fights AIDS – December 11th – December 15th

The insanely talented Lesli Margherita stars in this one-person show that looks at the Dr. Seuss character Cindy Lou Who forty years after she first met The Grinch Who Stole Christmas. The play was written by Matthew Lombardo (Looped) and was written in rhyme to mirror the original story.

Parents should note this is an adult Cindy Lou Who – expect raunchiness and double-entendres.

Margherita won an Olivier Award for her role as Inez in Zorro the Musical. She originated the role of Mrs. Wormwood in Tim Minchin‘s Matilda the Musical. She also appeared in Dame at Sea.

Who’s Holiday! was performed off-Broadway in 2017 and garnered Margherita a Drama Desk Award for Best Solo Performance.

Elisabeth Vincentelli, writing in the New York Times, said of her performance, “More happens, but it is almost besides this hourlong production’s point, which is to watch the brassy, very funny Ms. Margherita strut her stuff in the designer Jess Goldstein’s festive holiday get-up.

She expertly milks the many double entendres and profane limerick-like rhymes, but this cabaret regular is equally comfortable ad-libbing. (After breaking into a rap at the Sunday matinee, she rasped “I’m out of breath” and reached for a cigarette). She also belts a mean ‘Blue Christmas.'”

There is no charge to watch the show. Donations to Broadway Cares/Equity Fights AIDS are encouraged.

OPERA: The Five Moons of Lorca – Los Angeles Opera – December 11th – December 25th

Los Angeles Opera launches their digital shorts programs with this new work by composer Gabriela Lena Frank and playwright Nilo Cruz.

The Five Moons of Lorca was inspired by the poet Federico García Lorca’s assassination in the early days of the Spanish Civil War. The short was filmed on the stage at the Dorothy Chandler Pavilion. Choreography and dancing by Irene Rodríguez.

Frank is a Grammy Award-wining pianist and composer who has been commissioned by such artists as the Kronos Quartet, Yo Yo Ma and Dawn Upshaw. Cruz is the Pulitzer Prize-winning writer of Anna in the Tropics.

Frank and Cruz have collaborated several times previously including La centinela y la paloma (The Keeper and the Dove), The Saint Maker, Journey of the Shadow and the Conquest Requiem. Their opera, The Last Dream of Frida, was scheduled for its world premiere by the San Diego Opera earlier this year, but that was postponed due to the pandemic.

There is no charge to watch The Five Moons of Lorca. Of course, donations are encouraged.

MUSICAL: Meet Me in St. Louis – Irish Repertory Theatre – December 11th – January 2nd

Vincente Minnelli’s 1944 film, Meet Me in St. Louis, serves as the inspiration for this musical adaptation by Hugh Martin (High Spirits), Ralph Blane (Best Foot Forward) and Hugh Wheeler (Sweeney Todd). The musical made its debut on Broadway in 1989.

Meet Me in St. Louis follows the Smith family in 1903 and follows them through the seasons leading up to the opening of the World’s Fair in 1904.

In addition to the title song, the musical includes The Boy Next Door, The Trolley Song and Have Yourself a Merry Little Christmas.

Irish Rep in New York has filmed a version of the musical that was adapted and directed by Charlotte Moore who appeared in the Broadway production. She’s assembled a terrific cast that includes Melissa Errico (Amour), Ali Ewoldt (Phantom of the Opera), Jay Aubrey Jones (Porgy and Bess) and Max von Essen (An American in Paris).

There are 31 opportunities to stream Meet Me In St. Louis. The price is listed as “Pay what you can” with a suggested donation of $25.

PLAY: Breathe. – YouTube and Twitch – December 11th – December 13th and December 18th

This one-person show by Philicia Saunders follows her increasing participation in civil rights issues. She was inspired by her mentor, Sweet Alice Harris, a legendary community organizer in the Watts area of Los Angeles and a civil rights tour in Alabama.

In Breathe. Saunders depicts 20 different characters within a show that combines film, live performance, performance art and artistic swimming.

Saunders may be best-known to Star Wars fans for her role as Tabala Zo in The Force Awakens and The Rise of Skywalker.

Departing from a lot of programming available now, Saunders will perform Breathe. live on December 11th at 8:00 PM EST/5:00 PM PST and on December 12th at 6:30 PM EST/3:30 PM PST. Both performances will be on YouTube.

Encore presentations are taking place on December 13th at 5:00 PM EST/2:00 PM PST on Twitch. This will also feature a TalkBack with Sweet Alice. A second encore takes place on December 18th on YouTube at 8:00 PM EST/5:00 PM PST.

Tickets are available from $5-$50 with proceeds going to Sweet Alice’s Parents of Watts and Community Coalition.

PLAY: Manual Cinema’s Christmas Carol – The Soraya – December 11th – December 13th TOP PICK

We are all familiar with Charles Dicken’s A Christmas Carol and its bitter character, Scrooge. But I can assure you you haven’t seen A Christmas Carol like the one Manual Cinema has put together.

Each live performance (and they are live) combines acting, music, puppets and film to create a one-of-a-kind experience with a twist on the story that will surprise you!

There are six performances available over the weekend. Tickets are $20. I strongly recommend Manual Cinema’s Christmas Carol.

PAGEANT PLAY – La Virgen de Guadalupe, Dios Inantzin – Latino Theater Company – December 11th – December 20th

For 18 years, Los Angeles-based Latino Theater Company has performed La Virgen de Guadalupe, Dios Inantzin in Los Angeles. The pageant play depicts the story of Juan Diego, a peasant in 1531, who has a vision of the Virgin Mary. Diego’s vision took place in Spanish colonial territory that is now known as Mexico.

Mezzo-soprano Suzanna Guzmán (Hopscotch, Carmen) stars in this 2009 filmed performance at Our Lady of the Angels Cathedral in Los Angeles. She is joined by over 100 actors, singers, Aztec dancers and members of the Los Angeles community. This is performed in English and Spanish.

Evelina Fernández adapted The Nican Mopohua (a mid-16th century text) for La Virgen de Guadalupe. José Louis Valenzuela directed. The director first created the work as a thank you to the community after it supported him during a sleep-in he lead protesting the potential closing of the Los Angeles Theater Center in downtown Los Angeles.

There’s no charge to watch the streaming production and it will be available through December 20th.

CABARET: Merry Christmas Darling: Heidi Kettenring Sings Karen Carpenter – Laguna Playhouse – December 11th – December 28th

On October 13, 1978 – when the soundtrack to the film version of Grease and albums by The Rolling Stones, Donna Summer and The Who were topping the Billboard charts, A&M records released A Christmas Portrait, an album of holiday songs by The Carpenters.

That was followed by a television special. The record became very popular and ultimately went Platinum. A second album, using outtakes from that recording session, was released two years after Karen’s death in 1983.

The darling of Downey, California is being celebrated in Merry Christmas Darling: Heidi Kettenring Sings Karen Carpenter. The show is being streamed via the Laguna Playhouse.

Kettenring appeared as Nessarose in the Chicago company of Wicked. She’s toured as Belle in Beauty and the Beast; Anna in The King and I and Penny in Hairspray.

Karen Carpenter had a one-of-a-kind voice. Kettenring sounds terrific even if she’s not Karen. But that doesn’t take away from the pure joy of hearing these songs sung well and remembering everything that made the Carpenters so beloved.

Tickets are $35 can be purchased through December 25th. The show will be available for streaming through December 28th.  

JAZZ: The Klezmatics: Happy Joyous Hanukkah – SFJazz – December 11th – 8:00 PM EST/5:00 PM PST

Hanukkah has started and what better way to celebrate than with the Grammy Award-winning ensemble The Klezmatics. Their music is so infectious it is impossible not to be filled with joy – particularly in this concert at SFJAZZ from 2015.

This is part of SFJAZZ’s Fridays at Five series. The concert will only stream once at 8:00 PM EST/5:00 PM PST. You’ll need either a one-month membership ($5) or an annual membership ($60) to stream the concert. That will give you access to additional concerts for the length of your membership.

JAZZ: Dave Holland – Village Vanguard – December 11th – December 12th – 8:00 PM EST/5:00 PM PST

Since his start at London’s Ronnie Scott’s Jazz Club, bassist Dave Holland has made a name for himself in the jazz world. From collaborations with Miles Davis (including Bitches’ Brew), Joe Henderson, Kenny Wheeler through to his work as a bandleader (including the 2005 Grammy Award winner Overtime), Holland is considered one of the best.

His most recent release is this year’s Without Deception which finds him performing with pianist Kenny Barron and drummer Johnathan Blake.

For these two concerts from New York’s Village Vanguard he’ll be joined by Jaleel Shaw on saxophone; Steve Nelson on vibraphone and Obed Calvaire on drums.

Tickets are $10.

CLASSICAL: Stephen Hough Recital – Philharmonic Society of Orange County – December 11th – December 18th

Easily one of the finest classical pianists in the world, Stephen Hough will perform a live recital for the Philharmonic Society of Orange County. Critics long ago ran out of superlatives to describe his playing.

The scheduled program finds Hough performing: Bach/Busoni: Chaconne from Partita No. 2 in D minor, BWV 1004; Schumann: Fantasie in C major, Op. 17; Liszt: Funérailles and Mephisto Waltz No. 1, S. 51 and Schumann: Kinderszenen, Op. 15, mvt. 7, “Träumerei.”

The recital debuts at 10:00 PM EST/7:00 PM PST and will remain available for streaming for one week. Tickets are $20.

DANCE/THEATRE: Matthew Bourne’s The Car Man – Center Theatre Group – December 11th – December 13th

Hector Berlioz’s opera Carmen serves as the inspiration for this ballet from Matthew Bourne (all-male swan version of Swan Lake.) Another source of inspiration for Bourne was the novel The Postman Always Rings Twice by James M. Cain and its subsequent film versions.

The ballet had its world premiere 20 years ago in Plymouth, England. The Car Man played the Ahmanson Theatre one year later.

Lewis Segal, in his Los Angeles Times review, said of Bourne’s choreography, “Whether he’s evoking the heat, insects and lust of a night when nothing is happening or the surreal frenzy of social dances that barely contain the characters’ primal urges, this is daring, accomplished, uncompromisingly lurid movement theater.

Center Theatre Group and Matthew Bourne have teamed up to make his film of The Car Man available for viewing with five opportunities to see it this weekend. The film of the ballet will stream on Friday at 8:00 PM PST; Saturday at 2:00 PM and 8:00 PM PST and on Sunday at 1:30 PM and 6:30 PM PST.

Tickets are $10 (whether you are a donor/subscriber or not).

Can you believe we’re halfway through Best Bets at Home: December 11th – December 13th? Let’s keep going.

PLAY: The Flying Lovers of Vitebsk – The Wallis – December 11th – December 18th

England’s Kneehigh Theatre originally brought The Flying Lovers of Vitebsk to the Wallis in 2018. Now Kneehigh Theatre, Bristol Old Vic and Wise Children bring a film of the show to The Wallis for one week of streaming.

This highly theatrical show portrays the life of painter Marc Chagall and his wife Bella. Through the use of color and imagery mirroring the master painter’s work and music from the Russian Jewish history, this show offers many of the same delights found in other Kneehigh projects such as their Brief Encounter and Tristan and Yseult. Marc Antolin plays Marc Chagall and Audrey Brisson plays Bella. The show was written by Daniel Jamieson and directed by Emma Rice.

When The Flying Lovers of Vitebsk played The Wallis I spoke to Antolin about the show and his role. You can read that interview here.

This is a wonderful show. I strongly recommend seeing it. Tickets are $21.38 (the current exchange rate with the English pound. But it doesn’t not include any additional credit card fees).

PLAY/DANCE/MUSIC/POETRY: KICKBACK – About Face Theatre – December 12th – January 12th

A collection of short plays, dance, music, and poetry make up this online festival from Chicago’s About Face Theatre. The work centers around Blackness and queerness and where those two worlds meet.

For KICKBACK, About Face reached out to numerous artists to create work. The end result features contributions from Dionne Addai, Ky Baity, Keyonna Jackson, Robert Cornelius, Ben Locke, ShaZa (a collaboration between Zahra Baker and Shanta Nurullah), About Face Artistic Associate Paul Oakley Stovall, Michael Turrentine, Cori Wash, Vic Wynter and Rebuild Foundation resident artists Jenn Freeman and avery r. young.

Rebuild Foundation and their collections were made available to the artists who were asked to use their archives as inspiration for their work.

During our turbulent times, it will be fascinating to see what these artists have to say about where we’ve been, where we are and most importantly, where we might be going.

OPERA: La Bohème – San Francisco Opera – December 12th – December 13th Starting 2:00 PM EST/11:00 AM PST

Conducted by Giuseppe Finzi; starring Michael Fabiano, Alexia Voulgaridou, Nadine Sierra, Alexey Markov and Christian Van Horn. This John Caird production is from the 2014-2015 season.

Easily one of the most popular operas in the world, Giacomo Puccini’s La Bohème had its world premiere in Turin, Italy in 1896. The libretto is by Luigi Illica and Giuseppe Giacosa. The opera is based on Henri Murger’s 1851 novel, Scènes de la vie de bohème.

The story centers on four friends who are unable to pay their rent. Successfully getting out of a potentially bad situation with their landlord, all but one go out on the town. Rodolfo stays home and meets a young woman named Mimi. They fall in love, but Mimi’s weakness may be a sign of something far more life-threatening than they know. (If this sounds like the musical Rent, it is because La Bohème served as Jonathan Larson’s inspiration for that musical.)

San Francisco Opera had two casts performing La Bohème. Joshua Kosman, writing for the San Francisco Chronicle, said one performance in this production stood out.

“If one singer left a particularly outsize impression from the weekend’s openings, it was Fabiano, whose performance as Rodolfo made good on the promise of his fine 2011 company debut in Lucrezia Borgia and hinted at even more impressive things to come. This was a full-throated, almost heroic depiction of the moonstruck poet, with muscular sound, impeccably placed high notes and an air of romantic ardor that lent weight and power to everything he sang.”

CLASSICAL: Reaching Dreams Through Music – Lang Lang International Music Foundation – December 12th – 3:00 PM EST/12:00 PM PST

Classical pianist Lang Lang and his foundation have assembled an illustrious cast for Reaching Dreams Through Music. Joining Lang Lang and his wife will be Stay Human’s Jon Batiste, ballet dancer Misty Copeland, opera singer Renée Fleming, actor/director Ron Howard, musician Wyclef Jean, jazz pianist/vocalist Diana Krall and pop singer Sam Smith.

The purpose of this streaming event is to celebrate the role music plays in our lives and how it has shaped these artists lives since their childhood. In short, if reading is fundamental, music is instrumental in our lives.

The Young People’s Chorus of New York City will also be making an appearance, along with the LLIMF Young Scholars and Junior Music Camp Music Ambassadors.

There is no fee to watch Reaching Dreams Through Music. There was no information available as to how long this program will be available for viewing at press time.

OPERA: Bryn Terfel in Wales – Met Stars Live in Concert – December 12th – 12:00 PM EST/9:00 AM PST

Bass-baritone Bryn Terfel is what you’d call a cross-over artist. He’s performed in countless opera productions (you should see him in Don Giovanni if you get the chance), he’s portrayed the title character in Stephen Sondheim and Hugh Wheeler’s Sweeney Todd and he has released albums of songs from his native Wales.

That’s exactly where you’ll find him in this Met Stars Live in Concert performance – specifically Brecon Cathedral.

Joining Terfel are harpist Hannah Stone, pianist Jeff Howard, the Welsh traditional folk group Calan plus soprano Natalya Romaniw and tenor Trystan Llyr Griffiths – two rising young Welsh singers.

The announced program finds a combination of holiday-appropriate songs, music by Gustav Holst, Richard Wagner, Lerner and Loewe and traditional songs.

The show takes place live on Saturday, but will remain available for streaming afterwards. Tickets are $20.

DANCE: Pam Tanowitz Dance – The Joyce Theatre – December 12th – December 26th

Acclaimed choreographer Pam Tanowitz debuts new work live from New York’s The Joyce Theatre on Saturday at 5:00 PM EST/2:00 PM PST. You may recall she is the choreographer of Four Quartets in which she collaborated with Finnish composer Kaija Saariaho and American painter Brice Marden on a presentation of T.S. Eliot’s monumental work.

Finally Unfinished: Part 1 was created during the pandemic (with obvious precautions in place) and is set to new music by composer Ted Hearne. It is a site-specific work that utilizes The Joyce Theatre in all its emptiness.

Gustave Le Gray, No. 2 has its New York premiere in this program. Composer Caroline Shaw‘s music for solo piano serves not just as the score for the dance, but also its inspiration.

The dancers are Jason Collins, Brittany Engel-Adams, Christine Flores, Zachary Gonder, Lindsey Jones, Victor Lozano, Melissa Toogood.

Tickets are $13 (including service charges).

OPERA: La Bohème aka The Hipsters – Pacific Opera Project – December 12th – December 13th

Josh Shaw and Pacific Opera Project are back with another drive-in opera for you: their version of Puccini’s La Bohème (I guess it’s La Bohème week). Only their version, as you would expect, is not going to be traditional.

Several years ago Shaw updated Puccini’s opera to present-day and gave the opera a subtitle, The Hipsters. He’s been reworking it again so that the opera takes place between Christmas Eve 2019 and November 2020. I wonder what significant events might inspire him since Act 3 is in April of 2020 and Act 4 appears timed to the elections.

No longer will you find the bohemian characters Puccini introduced to the world. These hipsters are a graphic designer, a screenwriter, an English major, an indie-rocker and a fashion designer.

The cast includes Arnold Livingston Geis as Rodolfo, Oriona Falla as Mimi, Ben Lowe as Marcello, Maria Dominique Lopez as Musetta, E. Scott Levin as Schaunard, Keith Colclough as Colline, and Luvi Avendano in the roles of Benoit, Alcindoro and Parpignol.

The socially-distanced performances take place in the parking lot of the Camarillo United Methodist Church at 5:30 PM. Tickets are $65-$175 per car (there are sections just as there would be in an opera house).

CABARET: Shoshana Bean – Sing Your Hallelujah – For the Record Live at the Apollo Theatre – 9:00 PM EST/6:00 PM PST

Singer/actress Shoshana Bean sold out New York’s Apollo Theatre the last two years in a row. The pandemic made a trifecta impossible, so what’s a girl to do? Film a special there. That’s exactly what Bean has done with Sing Your Hallelujah which is being streamed on Saturday night.

The show was inspired by the holiday television specials some of us grew up with (or maybe you experienced A Holly Dolly Christmas earlier this week).

Joining Bean for the show are Gavin Creel (Tony Award-winner for Hello, Dolly!), tap dancer Jared Grimes, Jeremy Jordan (The Last Five Years), singer Shayna Steele, Connie Talbot (Britain’s Got Talent Finalest) and Daniel J. Watts (Tony Award-nominee for his performance as Ike in Tina – The Tina Turner Musical). David Cook serves as Music Director.

Tickets start at $30 with various VIP packages also available that will include a Q&A hosted by Sara Bareilles.

PERFORMANCE: Taylor Mac’s Holiday Sauce…Pandemic! – CAP UCLA – December 12th – 10:00 PM EST/7:00 PM PST TOP PICK

Two years ago, after rocking my world with A 24-Decade History of Popular Music, Taylor Mac returned to Los Angeles to perform Taylor Mac’s Holiday Sauce. Mac, who prefers judy as the preferred pronoun, brought to CAP UCLA at Royce Hall a holiday concert like no other.

judy is back in a pandemic version of this holiday show which has been safely produced to skewer our world this holiday season. Fans of Mac will know to expect wildly imaginative costumes (by designer Machine Dazzle), uniquely arranged songs (with the assistance of Music Director Matt Ray) and definitely an adult take on everything. This is NOT family friendly material. Unless, of course, you’re “family.”

Mac was the named a MacArthur Fellow and this year became the first American to win the International Ibsen Award. American Theatre Magazine says the award is considered “the Nobel Prize for theatre.”

Taylor Mac’s Holiday Sauce…Pandemic will only stream once. Tickets require a minimum of $25 with proceeds going to CAP UCLA.

CLASSICAL: Jeremy Denk Recital – 92nd Street Y – December 13th – 3:00 PM EST/12:00 PM PST

If you didn’t get a chance to see pianist Jeremy Denk‘s recital from Caramoor in October, he’s performing the same program from New York’s 92nd Street Y on Sunday.

The program is scheduled to include: Mozart’s Piano Sonata in C Minor, K 457; Thomas “Blind Tom” Wiggins’s The Battle of Manassas; Joplin/Chauvin’s Heliotrope Bouquet; Tania León’s Ritual; Frederic Rzewski’s Winnsboro Cotton Mill Blues and Beethoven’s Piano Sonata No 32 in C Minor, Op. 111.

You’ll get two classical period compositions, ragtime, the work of a young Black man during The Civil War and the work of two contemporary composers. How’s that for diverse?

Tickets are $15.

OPERA: Pasión Latina – Lyric Opera of Chicago – December 13th – 7:00 PM EST/4:00 PM PST

Music from Argentina, Cuba, Guatemala, Mexico, Puerto Rico and Spain is on tap in this concert starring soprano Ana María Martínez that will premiere on Sunday on the Lyric Opera of Chicago’s YouTube channel and Facebook page.

Martínez has appeared at LA Opera in the title role of Carmen and in the title role of Madama Butterfly with Lyric Opera of Chicago. Those are just two of her many roles she’s performed around the world.

Joining Martínez in Pasión Latina are Mexican-American tenors René Barbera and David Portillo; Mexican tenor Mario Rojas, Mexican-American bass-baritone Richard Ollarsaba; Mexican soprano Denis Vélez and Puerto Rican baritone Ricardo José Rivera.

The singers will be accompanied on piano by Ryan Opera Center music director Craig Terry and Ensemble pianist Chris Reynolds. The show concludes with a concert segment in which the singers are joined by members of the Lyric Opera Orchestra.

This concert is free.

CHORAL: Broadway Inspirational Voices: A Season of Hope and Inspiration – December 13th – 7:00 PM EST/4:00 PM PST

What began as the Broadway Gospel Choir in 1994 has become an acclaimed ensemble that has captured the hearts of all those who hear them sing. Broadway Inspiration Voices is a music group that has members of Broadway and off-Broadway shows – whether singers or musicians – as their members.

Last year BIV was awarded a Special Tony for Excellence in Theatre.

This Sunday they are live streaming A Season of Hope and Inspiration. As it is a live stream, this will only be shown live as scheduled.

You won’t want to miss this concert. Take a look at who’s joining them: guest appearances by Debbie Allen, Gavin Creel, Montego Glover, Celia Rose Gooding, Angela Grovey, Marva Hicks, LaChanze, Telly Leung, Lisa Lynne Mathis, Audra McDonald, Michael McElroy, Brian Stokes Mitchell, Karen Olivo, John Eric Parker, Phylicia Rashad, Angela Robinson, Jeanine Tesori, Leslie Uggams, Schele Williams and Vanessa Williams.

There will also be performances featuring Shoshana Bean, Crystal Monee Hall, Marcus Paul James, Patti LuPone, Leslie Odom Jr., Billy Porter, Daniel J. Watts, and hundreds of guest artists from Broadway, U.S. National tours, London’s West End, and Australia.

You can watch the concert for free, but you do need to register for it. you can also make donations to Broadway’s Inspiration Voices and also purchase a VIP experience that allows for some pre-show fun.

We’ve come to the end of Best Bets at Home: December 11th – December 13th. With so many options from which to choose, I’m not going to add any reminders. If you are curious, check out our This Week in Culture section on the main page or the Now Playing section.

Stay safe. Stay healthy. Have a great weekend and enjoy these Best Bets at Home: December 11th -December 13th.

Photo: Scrooge and the Ghost of Christmas Past from Manual Cinema’s Christmas Carol (Courtesy of The Soraya)

The post Best Bets at Home: December 11th – December 13th appeared first on Cultural Attaché.

Thankfully a number of people have created new programming to keep us in the spirit – or to let the spirits move us. The programming ranges from fun for the entire family to idiosyncratic entertainment for adults seeking more adventurous offerings.

Tim Burton said, “Every day is Halloween isn’t it? For some of us.” At least every day this week will be for all of us. So which one of these shows do you want in your trick or treat bag? Whatever you do, don’t fall asleep.

Bob Baker’s HaLLoWe’eN SpoOkTaCuLar – PlayhouseLive – Now – November 18th

Pasadena Playhouse’s PlayhouseLive has added another Bob Baker Marionette Theater show to their line-up: the classic HaLLoWe’eN SpoOkTaCuLar. This annual Halloween tradition has been filmed and is perfect entertainment for the entire family.

There will be some classic characters including Dracula, The Invisible Man and the Purple People Eater. Think of this as a Monster Mash with strings.

Renting the show, which runs 48 minutes, costs $14.99

Attention Deficit Disorder *COBWEB* Cabaret – Club Cumming – October 27th – 8:00 PM EDT/5:00 PM PDT

This is not your typical cabaret. Nor should it be for Halloween. Angela Di Carlo, a comedic cabaret singer, is the hostess for this special Halloween edition of her recurring Attention Deficit Disorder Cabaret shows. This live show will emanate from Alan Cumming’s Club Cumming in New York City.

What to expect? Let me use their own description: Join us as we take a virtual stroll thru the Dead Baby Graveyard in a slutty nurse costume while eating Pumpkin Spice potato chips. In these troubled and uncertain times there’s nothing better than curing your raging ADD with all your favorite spooky songs and laffs galore with ADD *COBWEB* Cabaret. 

Joining Di Carlo for this show will be David Ilku of Unitard Comedy and Kyle “Special K” Forester on piano. Other guests might be added.

ADD Cabaret has been running for over five years and has attracted great reviews and celebrity fans like Parker Posey and Jake Shears of Scissor Sisters. This won’t be a traditional show at all. That’s why I like it!

Tickets are $20.

Lena Hall Virtually Halloween Edition – October 29th – 7:30 PM EDT/4:30 PM PDT

Not only will you get Lena Hall rocking out some great Halloween tunes, you are encouraged to dress in costume for this week’s Lena Hall Virtually concert. VIP tickets that include a song request are sold out, but there are still general admission tickets available as are charitable donation tickets. The Ali Forney Center receives all money raised with donation tickets.

What will she sing? Depends on the requests. But I wouldn’t be surprised to see at least one or two songs from The Rocky Horror Show, Monster Mash and I Put a Spell On You to be part of the repertoire. Whatever it is, it’s going to be (psycho) killer, Qu’est-ce que c’est, Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better.

I Put a Spell On You: The Sanderson Sisters Break the Internet – October 29th – 8:00 PM EDT/5:00 PM PDT

The 1993 film Hocus Pocus is the focus of a couple shows this week. I Put a Spell On You is an annual concert and party. For obvious reasons, this year’s party is going online.

It is free, but donations to Broadway Cares/Equity Fights AIDS are encouraged.

Jay Armstrong Johnson, Allison Robinson and Amanda Williams Ware take on the roles of Winifired, Sarah and Mary Sanderson played by Bette Midler, Sarah Jessica Parker and Kathy Najimy in the film.

This online party, which takes the form of a filmed adventure, will find the Sanderson Sisters recruiting as many iconic villains as they can to carry out a fiendish plot.

Joining in the fun will be Broadway’s Nick Rashad Burroughs (Tina: The Tina Turner Musical), Drew Gehling (Waitress), J. Harrison Ghee (Mrs. Doubtfire), Todrick Hall (Kinky Boots), Robyn Hurder (Moulin Rouge! The Musical), Julia Mattison (Godspell), Eva Noblezada (Hadestown), Ahmad Simmons (West Side Story) and Will Swenson (Waitress). 

There will also be some popular drag queens including Bob The Drag Queen (TV’s RuPaul’s Drag Race), Kizha Carr, Marti Gould Cummings, Peachez and Alexis Michelle (TV’s RuPaul’s Drag Race).

Rounding out the show are cast members from The Marvelous Mrs. Maisel, West Side Story, The Cher Show, The Real Housewives of New York City, On Your Feet! and several other shows.

Sharon Needles: Mask It Or Casket! – Club Cumming – October 29th – 9:00 PM EDT/6:00 PM PDT

If you are familiar with the drag queens from RuPaul’s Drag Race, you know there is one queen who screams Halloween: Sharon Needles. She won Season 4 and has put together a show that will undoubtedly be like no other. Mask It or Casket! will run four times: 3 performances on October 29th and one late show on Halloween.

It is said in press materials that this show will be a contemporary spin on camp classics like the Paul Lynde Halloween Special. And here’s a reminder of what that show was like:

Joining Sharon Needles will be Amanda Lepore, RuPaul’s Drag Race stars Alaska 5000 (Season 5) and Aja (Season 9), Michael Musto, Jada Valenciaga, illusionist Michael Carbonaro and special appearances by Countess Luann from Real Housewives of New York and Tony Award-winner (and club owner) Alan Cumming.

Tickets are $25 with showtimes on October 29th at 5:00 PM EDT/2:00 PM PDT, 9:00 PM EDT/6:00 PM PDT and a midnight show that will air at 9:00 PM PDT on the West Coast. The Halloween showtime is midnight on the East Coast and 9:00 PM PDT on the West Coast.

The Brett Loudermilk Halloween Special – October 29th – October 30th

America’s Got Talent 2020 semi-finalist Brett Loudermilk is putting on his own Halloween special and he’s enlisted Elvira, Gilbert Gottfried and Puddles Pity Party to join him.

Loudermilk earned his spot on AGT by not just swallowing swords – his specialty along with a quick wit – but in making the judges wholly uncomfortable, particularly Sofia Vergara.

Elvira we all know and certainly Halloween is the perfect occasion to revisit the Mistress of the Dark. Puddles Pity Party, who was a quarter-finalist on the 2012 season of America’s Got Talent, is also joining the show. He is one of the most unique and talented performers I’ve ever seen. The less you know, the better the surprise is of what Puddles Pity Party does.

There will be two performances of The Brett Loudermilk Halloween Special. One on October 29th at 8:00 PM EDT/5:00 PM PDT and one on October 30th at 10 PM EDT/7:00 PM PDT. Tickets are $25.

In Search of the Sanderson Sisters: A Hocus Pocus Hulaween Takeover – October 30th – 8:00 PM EDT/5:00 PM PDT

This is our second Hocus Pocus-related event for Halloween. In Search of the Sanderson Sisters: A Hocus Pocus Hualween Takeover finds Bette Midler reunited with co-stars Sarah Jessica Parker and Kathy Najimy. This is a fundraiser for The New York Restoration Project.

NYRP started as a grass roots project by Midler to clean up parks in New York City.

One of their biggest events each year is Hulaween – a masquerade ball with a Hawaiian twist (Midler was born in Honolulu). Circumstances being what they are, this year’s event is online.

In Search of the Sanderson Sisters takes the form of a “documentary” program in which Elvira (she’s back) explores with all three Sisters their background. Mysterious secrets will be revealed about their ancestry, education and loves found and lost.

Joining Midler, Parker and Najimy will be co-stars Thora Birch, Omri Katz and Doug Jones. But they also have a few special guests lined-up: Glenn Close, Billy Crystal, Jamie Lee Curtis, John Debney, Samantha Diaz, Todrick Hall, Jennifer Hudson, Anjelah Johnson-Reyes, Michael Kors, Adam Lambert, George Lopez, Alex Moffat, Vinessa Shaw, Martin Short, Sarah Silverman, John Stamos, Meryl Streep, Kenan Thompson, Sophie von Haselberg and other surprise guests.

Tickets to watch the show are $10 plus a $3 service charge. Proceeds benefit the New York Restoration Project. It is important to be aware that there will be only this one showing of In Search of the Sanderson Sisters.

The Nightmare Before Christmas Concert – October 31 – 7:00 PM EDT/4:00 PM PDT

“Just because I cannot see it, doesn’t mean I can’t believe it.” Well Jack Skellington, believe it.

The Actors Fund and the Lymphoma Research Foundation are teaming up for a one-night-only benefit concert of the music and songs from Tim Burton’s The Nightmare Before Christmas. The event takes place on Halloween and will be a one-time-only presentation.

The concert was the idea of Tony Award-winner James Monroe Iglehart (Aladdin). He has invited many of his friends from Broadway to perform the classic Danny Elfman songs from their homes. The stars joining him are Danny Burstein (Moulin Rouge!), Rafael Casal (Blindspotting), Lesli Margherita (Matilda), Rob McClure (Mrs. Doubtfire), Nik Walker (Ain’t Too Proud) and Adrienne Warren (Tina: The Tina Turner Musical).

Each of the cast members was tasked with coming up with costumes and props using things they already had in their homes.

This show is not only family-friendly, but also has a family-friendly price of $4.99.

In Hocus Pocus, Winifred Sanderson says, “Oh look, another glorious morning. Makes me sick.” I believe with all this Halloween programming available to you this week, you’ll start November in a much brighter place than Winifred ever did.

Photo: Sharon Needles (Courtesy Club Cumming)

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