This evening, I will be attending a concert at the Los Angeles Philharmonic where conductor/composer Michael Tilson Thomas will lead the orchestra in the first of three performances of Stravinsky’s Petrushka and Tchaikovsky’s Symphony No. 4.

This would put me on a path to have scene MTT, as he is commonly known, leading an orchestra at least two dozen times. Given that he has been battling brain cancer, I am taking every possible opportunity to see him. Let me explain why.

When I was five-year-old we had an organ in the house. My father apparently played it a bit, but it had become neglected and was occupying space. My mother proclaimed, “Someone is going to learn to play that organ or we’re getting rid of it.”

My sister had just been born, my brother was 3 and I was five. Doing the math, it become painfully obvious that I was the target of that comment. So, to music lessons I went. 

While I enjoyed the positive attention I got whenever a lesson went well or I performed at a recital, I began to grow weary of music and music lessons by the time I was ten.

Enter Michael Tilson Thomas who, beginning in 1971, was hosting the New York Philharmonic Young People’s Concerts. I was able to see those broadcasts and it gave me renewed purpose in studying music. The generation before me had Leonard Bernstein. I had Michael Tilson Thomas.

I looked forward to each broadcast so I could get more inspiration and to hear more music. Tilson Thomas made me want to study music and do better at the piano. 

Until I didn’t…

It wasn’t that I lost interest in what Tilson Thomas was offering. It was that I realized the dream I was chasing wasn’t my own. 

But that passion for classical music (and frankly music of all genres) has never waned. Have you heard the incredible live recording Tilson Thomas, the Los Angeles Philaharmonic and Sarah Vaughan did of Gershwin’s music? If not, you must check it out.

If anything, by choosing not to make it my career, it has only deepened. It’s one of the reasons I launched Cultural Attaché – to hopefully interest and inspire others to explore all that the performing arts has to offer.

I’ve never had the chance to meet or interview Michael Tilson Thomas. I expect that the opportunity to do so is not likely. 

Whenever I would meet someone who has worked with Tilson Thomas, I would ask for stories about those collaborations. One such friend, Chris Van Ness, was at USC at the same time as MTT. He told me about musicals where MTT was the pianist. 

Through interviews with musicians, I would hear tidbits about him as a conductor. What he is like off-stage. His deep passion for music and more.

That passion has been abundantly clear in every performance I’ve ever seen of his. Whether it was Mahler’s 8^th Symphony with the San Francisco Symphony Orchestra or a performance of Tchaikovsky’s Piano Concerto No. 1 or some of his own music (notably Meditations on Rilke.)

It is my profound hope that Michael Tilson Thomas knowns the incredible impact he’s had, not just on my own life, but on millions of others who found his knowledge and communication skills invaluable throughout the years.

He is quoted as having said, “The world changes when there’s music in it.” My world changed because MTT was in it. For that I will be forever grateful.

Thank you, Michael Tilson Thomas. I’ll see you tonight.

Main Photo: Michael Tilson Thomas (Photo by Deborah Robison/Courtesy 21C Media Group)

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CABARET

Two shows stood out for us this year. The first was Kim David Smith’s Mostly Marlene which we saw at Joe’s Pub in New York City. His gender-bending tribute to Marlene Dietrich was massively entertaining. This performance has apparently been recorded and will be released next year. Check it out. He’s got a great voice.

The other show was Eleri Ward‘s concert – also at Joe’s Pub. Her lo-fi renditions of Stephen Sondheim‘s songs seemed like just the tonic we needed during the pandemic when she first started posting videos filmed in her apartment. Ward ultimately received a recording contract and has her second album coming out next year on Ghostlight Records. She also opened for Josh Groban on his tour this year.

CLASSICAL MUSIC

This was a year in which Duke Ellington was acknowledged as being more than a jazz musician and composer. With that acknowledgment came long overdue recognition of Billy Strayhorn. The Los Angeles Philharmonic performed two different Ellington concerts in January called Symphonic Ellington and Sacred Ellington in January (with Gerald Clayton – whose Bells on Sand was one of the year’s best jazz albums – appearing as a soloist for the first and a member of the ensemble for the latter). In December the perennial holiday classic The Nutcracker was performed. But rather than playing just Tchaikovsky’s music, the LA Phil also performed the Strayhorn/Ellington arrangements of music from the second half of the ballet.

J’Nai Bridges singing Neruda Songs by composer Peter Lieberson was also a highlight at the LA Phil. So, too, was seeing Maestro Michael Tilson Thomas performing Prokofiev’s 5th Symphony and also his own Meditations on Rilke was a great way to have begun 2022.

Composer Osvaldo Golijov‘s Falling Out of Time had a COVID-delayed LA debut when this staggeringly powerful work was performed at the Wallis in Beverly Hills.

JAZZ

Easily topping our list this year are Cécile McLorin Salvant’s concerts at Blue Note in New York City. We saw two shows and had we had the time and the ability we would have seen them all. Salvant performed music by Handel, original songs, a song from Gypsy and more. It was a truly memorable show. Her most recent album, Ghost Song, is one of the year’s best.

A close second were the two shows we saw Dee Dee Bridgewater and Bill Charlap perform. We first saw this remarkable pair at Catalina Jazz Club in Hollywood. We caught a second show at the Oasis Music Festival in Palm Springs.

Terence Blanchard at the Ford Theatre and Wynton Marsalis performing All Rise at the Hollywood Bowl also easily make our list.

MUSICALS

You might quibble with us about one of these, but here goes:

Our favorite musical of the year was the Tony Award-winning musical A Strange Loop at the Lyceum Theatre in New York City. Bold, adventurous, thought-provoking and moving, this is everything a musical should be – at least to us. The show is still running but only until January 15th. We strongly recommend seeing it. For tickets and more information, please go here.

The revival of Little Shop of Horrors was absolutely delightful. Two hours of entertainment that makes you forget about everything else going on in the world. When we saw the show Lena Hall was playing “Audrey” and Rob McClure was “Seymour.” Hall is still in the show and her new Seymour is Tony Award-winner Matt Doyle. The show has an open-ended run. For tickets and more information, please go here.

Into the Woods, which began its life at New York City Center’s Encores series, was pure pleasure from the first note to the last. If you are or will be in New York, you can still catch it at the St. James Theatre until January 8th. A US tour begins in February. For tickets and more information, please go here.

David Byrne’s American Utopia doesn’t quite qualify as a musical per se, but it was another utterly enjoyable show. We also saw Steven Spielberg’s West Side Story at the Hollywood Bowl with live orchestral accompaniment by the Los Angeles Philharmonic conducted by Gustavo Dudamel. That performance made Spielberg’s under-seen film even more powerful than when we first saw it in theaters.

OPERA

For the first time we finally saw a production at the Metropolitan Opera. Ariadne auf Naxos is not necessarily our favorite opera, but soprano Lise Davidsen’s powerfully strong voice could probably be heard in the lobby of the Met even with the doors closed. It was a staggering performance we will not soon forget.

Countertenor Jakub Józef Orliński gave an incredible recital at Broad Stage in Santa Monica. It was our first time seeing him and we can’t wait for the opportunity to see Orliński in an opera production. We also have to give him special mention for his patience. Someone’s cell phone alarm went off and either the owner was oblivious to the noise or didn’t care. Orliński stopped the show, sat downstage and said he’d wait it out.

Getting the opportunity to revisit the Los Angeles Philharmonic’s Tristan Project late this year was a treat. We had experienced it when it first happened and its return was more than welcome (and perhaps a bit overdue). This collaboration with Bill Viola, Peter Sellars and the LA Phil remains breathtaking.

Kevin Puts and Greg Pierce turned Michael Cunningham’s novel The Hours into a mesmerizing and emotional new opera. Written for Renée Fleming, Joyce DiDonato and Kelli O’Hara, this is an opera we experienced through the Met Live in HD simulcast.

Intimate Apparel by composer Ricky Ian Gordon and librettist Lynn Nottage was absolutely first-rate at Lincoln Center. Nottage did a wonderful job adapted her own play for this opera. Gordon wrote a stunning score. The end result is an opera that is equally as powerful as the play.

PLAYS

We’ve always loved Arthur Miller’s Death of a Salesman. But until the new Broadway revival, we never had such a visceral and emotional response to Willy Loman’s story. That’s largely attributable to the impeccable performances of the entire cast including Wendell Pierce, Sharon D. Clarke, McKinley Belcher III, Khris Davis and André De Shields. By now you know this is a Black Loman family. That gave Miller’s piece an added resonance that no doubt contributed to the tears streaming down our faces. The use of music was brilliant. The show is still running at the Hudson Theatre in New York through January 15th. For tickets and more information, please go here.

Perhaps nothing moved us as much as the last 15 minutes of the first half of Matthew López’s The Inheritance at the Geffen Playhouse. There wasn’t a dry eye in the house. If the second part of this mammoth work doesn’t end up resonating as strongly as the first, it was still a powerful day in the theater (It’s nearly 7 hours long).

Watching Holland Taylor as the late Ann Richards (former Texas governor) at the Pasadena Playhouse was an opportunity to watch a master class in acting.

That’s our complete list of the Best of 2022! What will inspire and move us in 2023? Come back to find out and to meet the artists, creators, performers and more who make it happen.

Happy Holidays and Happy New Year!

Photo: Cécile McLorin Salvant at Blue Note New York (Photo by Craig L. Byrd)

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American Masters on PBS will presents Michael Tilson Thomas: Where Now Is which is available to stream through November 20th. (We had previously listed this as a best bet, but recently received information the documentary is streaming and available for all regardless of which local PBS station is in your area.)

The 90-minute documentary by Susan Froemke and Kirk Simon follows his young life in Southern California to his time as a protégé of Leonard Bernstein through to his becoming one of the world’s most acclaimed conductors.

Amongst those appearing in the documentary are composer Steve Reich, architect Frank Gehry, LA Philharmonic’s CEO Chad Smith, Carnegie Hall’s Clive Gillinson and Thomas’s husband, Joshua Robison.

For me personally, Thomas was one of the most influential people discussing, creating and performing classical music as I was growing up. Watching him talk about this music instilled in me a great appreciation for it. I would turn to his many recordings on a regular basis from the classics to a live concert with Sarah Vaughan and the LA Phil – which if you haven’t heard, you must.

Photo: Michael Tilson Thomas debut with Boston Symphony Orchestra (Courtesy PBS)

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So let’s get to it. Here are your Best Bets at Home: October 23rd – October 25th:

Zoot Suit – Center Theatre Group – Now – December 20th

Amongst one of the most memorable shows ever to appear at the Mark Taper Forum was Luis Valdez’s Zoot Suit. Upon its premiere in1978, it was immediately hailed as a masterwork. Zoot Suit returned to the Taper in 2017 for their 50th anniversary season.

Zoot Suit tells the story of Henry Reyna, the leader of the 38th Street Gang, who gets accused of the murder of José Williams at Sleepy Lagoon. Reyna and his gang were about to fight their rivals, the Downey Gang, when the mythical El Pachuco stops it. Police nonetheless arrive and arrest Williams and his gang. This sets in motion a very magical show that uses dance, Latin music and surreal moments to reveal what happens to Reyna and how El Pachuco guides the actions and reveals certain truths.

In collaboration with Los Angeles Theatre Works, Center Theatre Group is making their radio play version of Zoot Suit available for free listening.

Marco Rodriguez plays El Pachuco, Kinan Valdez is Henry Reyna, Daniel Valdez is Enrique Reyna and Alma Martinez is Dolores Reyna.

This is a wildly imaginative and entertaining play. Well worth your time to give it a listen.

Skeleton Crew – Atlantic Theater Company – Now – October 23rd

Playwright Dominique Morisseau’s Skeleton Crew had its world premiere at New York’s Atlantic Theater in 2016. It is the third play in her Detroit Cycle and depicts one auto plant department’s work family. Everyone has challenges in their own lives that will have to be navigated if the plant closes. In the middle of this is Reggie, the manager who was once one of the workers. He has to determine whether to be loyal to his work family or maintain the discretion required of his job.

As part of their Fall Reunion Reading series, Atlantic Theater is bringing most of the original cast back: Jason Dirden as Dez, Wendell B. Franklin as Reggie, Nikiya Mathis as Shanita and Adesola Osakulumi (choreographer and performer.) New to the company is Caroline Clay who takes on the role of Fay which was originated by Lynda Gravatt. Ruben Santiago-Hudson returns to direct.

Ben Brantley, in his New York Times review of that production said, “It is, in other words, a deeply moral and deeply American play, with a loving compassion for those trapped in a system that makes sins, spiritual or societal, and self-betrayal almost inevitable.”

I saw the Geffen Playhouse production of Skeleton Crew. It’s quite a good play. This should be an excellent reading.

There is no charge to watch Skeleton Crew, but reservations are required. A donation of $25 is suggested.

Beethoven Symphony No. 7 – LA Philharmonic Sound/Stage – Starts October 23rd

In this fifth episode of the Los Angeles Philharmonic’s Sound/Stage series, Gustavo Dudamel leads the orchestra in a performance of Beethoven’s Symphony No. 7.

Composed in 1811-1812, the symphony’s debut took place in 1813 in Vienna. There are four movements: Poco sostenuto – Vivace, Allegretto, Presto – Assai meno presto and Allegro con brio.

Dudamel and the LA Phil performed a full cycle of Beethoven’s symphonies in 2015 that earned rave reviews. Given that this work is orchestrated for 2 flutes, 2 oboes, 2 clarinets , 2 bassoons, 2 horns, 2 trumpets, timpani and strings it is perfect for a socially-distanced performance at the Hollywood Bowl.

Of course, it’s also great music.

dwb (driving while black) – Baruch College – October 23rd – October 29th

The New York premiere of Susan Kander and Roberta Gumbel’s dwb (driving while black) was meant to take place in March at Baruch Performing Arts Center. As a result of that postponement, they have created a directed-for-video performance of the work which will have its world premiere on October 23rd.

The 44-minute dwb portrays the dilemma every Black parent faces when his/her son is of age to drive. How do you both encourage him to enjoy the freedom that comes with the ability to drive while also making sure he’s fully aware of the challenges and anxiety that come with driving while Black.

Gumbel sings dwb. She is accompanied by Hannah Collins on cello and Michael Compitello on percussion. Chip Miller directed.

The work had its debut in Kansas City in 2019. The Pitch, the alternative newspaper, said of dwb, “In pinpointing and relating the terror racial biases and injustices cause, Kander and Gumbel created one of the most singularly devastating theatrical moments of the last year.”

You must register to watch the video of dwb. Baruch Students can watch for free. General admission is available and you can pay what you can to watch it.

Ravi Coltrane Quartet – Village Vanguard – October 23rd – October 24th

New York’s Village Vanguard has straightened out their streaming issues and returns with two performances by saxophonist Ravi Coltrane.

Coltrane had not even turned 2 when his father, John Coltrane, passed away. But he inherited true musical talent from both his father and his mother, Alice.

He became a bandleader and released his first album, Moving Pictures, in 1998. At this point in his career he had already worked with Geri Allen, Kenny Barron, Stanley Clarke, Steve Coleman, Herbie Hancock, Branford Marsalis, Pharoah Sanders, Carlos Santana and McCoy Tyner.

For these performances he will be joined by David Virelles on piano, Dezron Douglas on bass and Jonathan Blake on drums.

Tickets are $10.

Michael Tilson Thomas: Where Is Now – American Masters on PBS – Check Local Listings

Earlier this year, and perhaps not quite as ceremoniously as planned, Michael Tilson Thomas concluded a 25-year run as the Music Director of the San Francisco Symphony. It was just one accomplishment in a truly amazing career. He has 11 Grammy Awards, has received a National Medal of Arts and was a Kennedy Center Honoree. Not too bad for a guy who grew up in Los Angeles and accompanied musicals while a student at USC.

American Masters on PBS will presents Michael Tilson Thomas: Where Now Is on October 23rd. The 90-minute documentary by Susan Froemke and Kirk Simon follows his young life in Southern California to his time as a protégé of Leonard Bernstein through to his becoming one of the world’s most acclaimed conductors.

Amongst those appearing in the documentary are composer Steve Reich, architect Frank Gehry, LA Philharmonic’s CEO Chad Smith, Carnegie Hall’s Clive Gillinson and Thomas’s husband, Joshua Robison.

For me personally, Thomas was one of the most influential people discussing, creating and performing classical music as I was growing up. Watching him talk about this music instilled in me a great appreciation for it. I would turn to his many recordings on a regular basis from the classics to a live concert with Sarah Vaughan and the LA Phil – which if you haven’t heard, you must.

While scheduled for October 23rd, you should check your local listings.

Taj Mahal Quartet – SFJAZZ – October 23rd – 8:00 PM EDT/5:00 PM PDT

This week’s Fridays at Five concert from SFJAZZ is one of the last concerts to take place this year before venues were required to shut down. Taj Mahal Quartet performed on February 28th, 2020 in the concert being shown.

Taj Mahal began his career in an ill-fated band called Rising Sons with Ry Cooder in 1964. When that failed to come together successfully, he recorded with a few artists before going on his own with his first album in 1968. 31 studio albums, 7 live albums and three Grammy Awards later, he is considered one of the best ambassadors for the blues. Of course, he does more than the blues. His influences range from soul music, international rhythms and so much more and all find their way into his music.

Fridays at Five requires you have either a one-month membership ($5) or a year-long membership ($60) to watch the performances.

Charles Lloyd Ocean Trio – Lobero Theatre – October 23rd – 11:00 PM EDT/8:00 PM PDT

Jazz legend Charles Lloyd just keeps performing. Aren’t we lucky? For this live performance from Santa Barbara’s Lobero Theatre he will be joined by pianist/composer Gerald Clayton and guitarist/composer Anthony Wilson. As Lloyd says in this video, he’s trying to keep live music alive.

Tickets are $15.

State of Darkness – The Joyce Theater – October 24th – November 1st

In 1988 choreographer Molissa Fenley debuted a solo project called State of Darkness. The 35-minute seriously intense work is set to the music of Igor Stravinsky’s Rite of Spring.

Anna Kisselgoff, writing in the New York Times in 1988, said of State of Darkness , “Molissa Fenley’s use of Stravinsky’s ‘Sacre du Printemps’ as music for a new dance solo succeeds beyond expectation. A dancer who has been unmatched on the experimental scene for her explosive, even primal, energy, Miss Fenley has found her true center here.”

For these performances, Fenley has restaged the work and will have seven different dancers performing State of Darkness. This weekend’s schedule is as follows:

Saturday, October 24th: Michael Trusnovec of Paul Taylor American Dance Company performs at 5:00 PM EDT/2:00 PM PDT; 2020 Juilliard graduate Jared Brown performs at 8:00 PM EDT/5:00 PM PDT.

Sunday, October 25th: Annique Roberts of Ronald K. Brown/EVIDENCE performs at 5:00 PM EDT/2:00 PM PDT; Shamel Pitts (formerly of Batsheva Dance Company) performs at 8:00 PM EDT/5:00 PM PDT.

There are three additional performances next week by Lloyd Knight of Martha Graham Dance Company, Sara Mearns of the New York City Ballet and Cassandra Trenary of American Ballet Theatre.

Tickets are $13 to watch each individual performance.

Le Nozze di Figaro – San Francisco Opera – October 24th – October 25th

Conducted by Patrick Summers; starring Phillippe Sly, Lisette Oropesa, Nadine Sierra, Luca Pisaroni, Catherine Cook  Greg Fedderly and John Easterlin. This Robin Guarino production is from the 2014-2015 season and is a revival of their 1982 production. Guarino was new to the production.

Mozart’s Le Nozze di Figaro is based on the 1784 play La folle journée, ou le Mariage de Figaro (translated: “The Mad Day, or The Marriage of Figaro”) by Pierre Beaumarchais. Lorenzo da Ponte wrote the libretto. La Nozze di Figaro had its world premiere in Vienna in 1786.

Figaro and Susanna are getting married. They are in a room made available to them by the Count who plans to seduce the bride-to-be based on an old law that gave permission to lords to have sex with servant girls on their wedding night. When Figaro gets wind of this plan he enlists several people to outwit the Count using disguises, altered identities and more.

Critics mostly lauded this production. Many were intrigued by a younger-than-usual cast that brought a freshness to Mozart’s oft-performed opera. Of particular interest to me is Oropesa as Susanna. She should be delightful in this performance.

Diana Damrau and Joseph Calleja – Met Stars Live in Concert – October 24th – 1:00 PM EDT/10:00 AM PDT

After some schedule changes, Met Stars Live in Concert returns this weekend with a performance by soprano Diana Damrau and tenor Joseph Calleja. Accompanied by pianist Vincenzo Scalera, they will be performing from Caserta, Italy.

The program will include three arias from Puccini’s Tosca, one from Donizetti’s L’Elisir d’Amore, one from Verdi’s Un Ballo in Maschera, one from Rossini’s Semiramide, two from Bizet’s Carmen, Bach/Gounod’s Ave Maria and more.

Damrau made her Met Opera debut in 2005 in Ariadne auf Naxos. Since then she’s performed nearly 150 times at the Met. Calleja made his debut at the Met one year later in Rigoletto and has given almost 100 performances there.

Tickets are $20

Patti LuPone Live from the West Side – Segerstrom Center – October 24th – 8:00 PM EDT/5:00 PM PDT – $30

Two-time Tony Award winner Patti LuPone is the first of three performers in Live from the West Side: Women of Broadway series. The series features intimate live-streamed performances from New York’s Shubert Virtual Studios. Songs, stories and apparently questions responded in real time are all part of the show.

LuPone, as you certainly must know, is the two-time Tony Award winner for her performances in Evita and the 2008 revival of Gypsy. She has received five other Tony nominations. She was in rehearsals to open in a new revival of Stephen Sondheim’s Company when the pandemic forced the closure of Broadway.

If you watched Ryan Murphy’s Hollywood, you would have seen her as the strong-willed and risky Avis Amber.

This series will include two additional concerts: Laura Benanti (LuPone’s co-star in Gypsy and also a winner of the Tony Award) will perform on November 14th; Vanessa Williams (who appeared in the 2002 revival of Into the Woods with Benanti) performs on December 5th.

The three concerts are being held to help support 22 theaters around the country. In Southern California that venue is the Segerstrom Center for the Arts.

Tickets are $30 for each individual concert. A three-show package might be available depending on the venue. You will be able to stream the concert for an additional 72 hours after its completion.

Gateway to Cabaret: A Star Studded Virtual Event – The Cabaret Project of St. Louis – October 24th – 8:00 PM EDT/5:00 PM PDT

Fans of musical theatre will want to catch Gateway to Cabaret from The Cabaret Project of St. Louis. Their line-up is impressive: Norm Lewis (The Gershwin’s Porgy and Bess), Faith Prince (Tony winner for the 1992 revival of Guys and Dolls), Brandon Victor Dixon (Shuffle Along or The Making of a Musical Sensation of 1921 and All That Followed), Alexandra Billings (Wicked), Sidney Myer (Don’t Tell Mama), Christine Andreas (On Your Toes, Oklahoma), Tony DeSare (jazz singer), Capathia Jenkins (Caroline, Or Change), Billy Stritch (pianist/singer) and Steven Brinberg (Simply Barbra).

Tickets are $25/household.

Jeremy Denk Recital – Caramoor – October 25th – 3:00 PM EDT/12:00 PM PDT

I’ve written about Jeremy Denk before. I think he’s one of our most talent and interesting classical pianists. This program on Sunday from Caramoor in New York only proves how interesting he is. The program is scheduled to include: Mozart’s Piano Sonata in C Minor, K 457; Thomas “Blind Tom” Wiggins’s The Battle of Manassas; Joplin/Chauvin’s Heliotrope Bouquet; Tania León’s Ritual; Frederic Rzewski’s Winnsboro Cotton Mill Blues
and Beethoven’s Piano Sonata No 32 in C Minor, Op. 111.

You’ll get two classical period compositions, ragtime, the work of a young Black man during The Civil War and the work of two contemporary composers. How’s that for diverse?

Tickets are $10 for non-Caramoor members. No charge for members.

LaChanze with Seth Rudetsky – October 25th – 8:00 PM EDT/5:00 PM PDT

In 1990, LaChanze originated the role of Ti Moune in the Broadway production of Once on This Island. She was nominated for a Tony Award. In 2005 she originated the role of Celie in the original Broadway production of The Color Purple. She won the Tony Award. In 2018 she originated the role of Diva Donna in Summer. She received another Tony Award nomination. Throw in some Sondheim, Dreamgirls and being one of sixteen performers to play Fanny Brice in a concert presentation of Funny Girl and you’ve got someone with serious talent and certainly some great stories.

All of that is a good thing as she is Seth Rudetsky’s guest for this week’s concert and conversation. One more thing she can discuss: her daughter, Celia Rose Gooding, just received a Tony nomination for her performance in the musical Jagged Little Pill.

As usual, there will be an encore presentation of the show on Monday, October 26th – 3:00 PM EDT/12:00 PM PDT.

Tickets for either date are $25.

That’s our official list of the Best Bets at Home: October 23rd – October 25th. We do have a few reminders:

Last week we wrote about Shakespeare Trilogy on Film from Donmar Warehouse and St. Ann’s Warehouse. The series continues this week with an all-female version of The Tempest.

Charity, the final play in The Mexican Trilogy by Evelina Fernández, is now available from Latino Theater Company. For our preview of the trilogy, please go here.

This weekend’s Table Top Shakespeare: At Home includes Coriolanus, The Merry Wives of Windsor and King Lear. To read our preview, please go here.

The Public Theater’s Forward. Together. virtual fundraiser remains available through Saturday, October 24th. This was a terrific show. You can read our preview here.

The reading of Kenneth Lonergan’s This Is Our Youth remains available through Saturday, October 24th. Details can be found here.

SFJAZZ members can watch Terence Blanchard’s opera in jazz, Champion, through Sunday, October 25th. Our preview has all the details. You can read it here.

Metropolitan Opera’s week of Operatic Comedies concludes with Verdi’s Falstaff on Friday, Rossini’s Le Comte Ory on Saturday and Strauss’s Der Rosenkavalier on Sunday. You can find our preview here.

The 1999 Broadway production of Death of a Salesman that originated at Chicago’s Goodman Theatre will be available through the weekend on Playbill. For more details, you can read our preview here.

That officially ends our Best Bets at Home: October 23rd – October 25th.

There are only 72 hours in a weekend. How can you possibly watch it all? You can’t, but wouldn’t it be great if you could?

Photo: Patti LuPone (Photo by Rahav/Courtesy Segerstrom Center)

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What’s on tap for the Best Bets at Home: June 26th – June 28th?

Broadway fans will have a musical, a diva in concert and an all-star special concert. Fans of theatre will have Shakespeare, Molière (with a Broadway star), a reading of a sequel to a classic play (also featuring Broadway stars) and more. Opera fans have a second production of a Massenet opera available to them just this week and a celebration of opera choruses. Jazz fans have two options with many of the genre’s biggest names performing. Classical music fans have a Carnegie Hall concert by one of our greatest living composers and also the farewell to a legendary conductor.

What will you choose?

Here are the Best Bets at Home: June 26th – June 28th

Falsettos – Lincoln Center at Home on Broadway HD – Now – June 27th at 8:00 PM EDT/5:00 PM PDT

The 2016 Broadway production of James Lapine and William Finn’s musical Falsettos is available for streaming through Saturday, June 27th. The presentation of this Tony Award-nominated production is part of Lincoln Center at Home in collaboration with Broadway HD.

Lapine and Finn paired two one-act Off-Broadway musicals they created (1981’s March of the Falsettos and 1990’s Falsettoland) to make the full length musical Falsettos.

Christian Borle plays Marvin. He and his wife, Trina (Stephanie J. Block), are preparing their son, Jason (Anthony Rosenthal) for his Bar Mitzvah. Marvin has recently left Trina for Whizzer (Andrew Rannells) which complicates more than just their marriage. Trina is seeing a therapist, Mendel (Brandon Uranowitz) and her therapist is falling in love with his patient.

It sounds complicated and perhaps it is. But Lapine and Finn have created a musical that is both funny and heartbreaking, romantic and sad. They’ve also created one hell of a show that feels just as topical today as when it was first created.

A Midsummer Night’s Dream – National Theatre Live – Now – July 2nd

First let me tell you this is definitely not a traditional production of A Midsummer Night’s Dream. This 2019 Nicholas Hytner production finds most of the audience walking around the theatre as the play takes place.

The Bridge Theatre, where this production was staged, has high ceilings and a unique structure that allows for this immersive version of Midsummer. Critics talked about Cirque du Soleil-style elements, some queering up of the story and they all raved about how this possibly over-produced play has, with this production, entered the 21st century.

Maybe not being a traditional production is going to be not just a good thing, but a great thing with this A Midsummer Night’s Dream.

Philip Glass Ensemble: Music with Changing Parts – Medici.tv – June 26th – June 28th

This weekend’s free Carnegie Hall concert available on Medici.tv features a 2018 performance by composer Philip Glass with his ensemble. The concert is complete performance of his 1970 work Music With Changing Parts.

For quite some time this was not amongst Glass’s best-known works. It was independently released on vinyl and went out of print in the late 1970s. It was remastered and released on CD in 1994. It’s a work that greatly influenced Brian Eno and David Bowie who saw the Philip Glass Ensemble perform it in Europe in the 1970s.

Michael Riesman is the conductor for this performance. Joining Glass and the Ensemble are the San Francisco Girls Chorus (Valérie Sainte-Agathe, Conductor) and students from the San Francisco Conservatory of Music.

Watching the concert is free, but it does require signing in with Medici.tv.

Wayne Shorter Celebration Part 2 – SF Jazz Friday’s at Five – June 26th 8:00 PM EDT/5:00 PM PDT

On May 22nd SF Jazz streamed the first part of their Wayne Shorter Celebration featuring Kamasi Washington, Terrace Martin and Shorter’s touring musicians pianist Danilo Pérez, bass player John Patitucci and drummer Brian Blade. This was one of the concerts that replaced Shorter’s scheduled shows that he had to miss due to health issues.

For part two of this celebration the special guests are Herbie Hancock and Terence Blanchard. Once again, Pérez, Patitucci and Blade also perform.

Friday’s At Five does require you sign up in advance. You can join for one month for $5 or for an entire year for $60. Membership allows you to watch all Friday’s at Five programs. Upcoming performances will include Allen Touissant, John Scofield, Cécile McLorin Salvant and two more celebrations of Wayne Shorter (with guests Branford Marsalis, Joshua Redman and Ambrose Akinmusire.)

The Men From the Boys – Playbill Pride Plays – June 26th – 7:00 PM EDT/4:00 PM PDT

As part of their programming celebrating Gay Pride, Playbill will live stream a reading of Mart Crowley’s The Men from the Boys. This is a 2002 sequel to Crowley’s best-known play, The Boys in the Band. Many of the characters from the first play appear in this sequel and new characters are also introduced.

Performing this reading will be Denis O’Hare as Michael, Rick Elice as Donald, Mario Cantone as Emory, Joseph James O’Neil as Hank, Kevyn Morrow as Bernard, and Lou Liberatore as Harold. For the new characters Carson McCalley plays Scott, Charlie Carver plays Jason and Telly Leung plays Rick.

Directing The Men From the Boys is Zachary Quinto who appeared in the 2019 Broadway production of The Boys in the Band.

Crowley passed away earlier this year.

Playing Through Changes – Jazz House Kids – June 26th – 8:00 PM EDT/5:00 PM PDT

New Jersey-based Jazz House Kids offers education and performances for children ages 8 to 18. Like many organizations this year their plans of a big gala were thwarted by the pandemic. So they took their efforts online in a mix of live performances and classic footage. This is a re-streaming of last week’s event.

Lester Holt of NBC News hosts the program.

The performers included in this 2 hour and 15 minute show are Dianne Reeves, David Sanborn, Eddie Palmieri, Diana Krall, Ingrid Jensen, Wynton Marsalis, Andra Day, Chick Corea, Bill Charlap Trio, Ravi Coltrane, Dee Dee Bridgewater, José James, The Christian McBride Big Band featuring Melissa Walker and the late Al Jarreau and George Duke.

McBride and Walker will do a live introduction to this week’s streaming of Playing Through Changes.  

We’ve provided a link in the title that goes to the Jazz House Kids webpage. It will also be available for viewing on their Facebook page and YouTube Channel

Gloria: A Life – PBS Great Performances – June 27th (Check Local Listings)

Christine Lahti stars in Emily Mann’s play as women’s rights leader Gloria Steinem. Lahti is joined by an all-female cast playing the non-Steinem characters. Gloria: A Life is directed by Diane Paulus.

Reviews for the play itself were mixed. The last 20 minutes of the production, which feature a talking circle, regularly got singled out for how powerful they were. Since Steinem is included in this film, it is probably a safe assumption that she will be part of this part of the performance..

Manon – San Francisco Opera – June 27th – June 28th

This week’s offering from San Francisco Opera is their 2017 production of Jules Massenet’s Manon. This was a co-production with Lithuanian National Opera and Ballet Theatre and the Israeli Opera.

We’ve written previously about the creation of Manon and its storyline. Rather than recap it again, you can find it here.

For this production Ellie Dehn sings the role of Manon and Michael Fabiano sings the role of Chevalier des Grieux. Both singers were making their role debuts in this production, which was directed by Vincent Boussard. Patrick Fournillier is the conductor.

Tartuffe On Line – Molière in the Park – June 27th – 2:00 PM EDT/11:00 AM PDT and 7:00 PM EDT/4:00 PM PDT

Who knew Molière would be so topical in 2020. If you don’t know the premise of Tartuffe, here’s a quick preview:

Tartuffe believes himself to be a righteous man, but he is ultimately a thief. His favorite accessory is his bible which he has at the ready whenever its mere presence can be helpful to him.

Oronte longs for his days of having power. But his power is quickly disappearing. He is now old, rudderless and hopelessly naive.

Imagine what happens when these two meet up. This is truly a satire that mirrors our times.

Raúl Esparza and Samira Wiley had the cast that also includes Kaliswa Brewster, Naomi Lorrain, Jared McNeill, Jennifer Mudge, Rosemary Prinz, Carter Redwood. Lucie Tiberghien directs and the translation is by Richard Wilbur.

The performance will remain available online through July 12th. This event is free, but does require registration here.

Lea Salonga with Seth Rudetsky – June 28th – 9:00 AM EDT/6:00 AM PDT (second showing 8:00 PM EDT/5:00 PM PDT)

Lea Salonga probably needs no introduction. She is this week’s guest performer in Seth Rudetsky’s concert series. The concert will be live for the first showing and that performance will be streamed later in the day (at a better hour for most people.

If you want a reminder, she is the Tony Award-winning actress who originated the role of Kim in Miss Saigon. She has also appeared on Broadway in Les Misérables, Flower Drum Song, Allegiance and Once on This Island.

This is not a free event. Tickets are required and they are $25.

Great Opera Choruses – LA Opera at Home – June 28th – 6:00 PM EDT/3:00 PM PDT

Every year the LA Opera Chorus performs a concert celebrating Great Opera Choruses. This year’s event was scheduled at The Soraya in Northridge (where the concert had taken place for four years), but was cancelled due to the pandemic. Rather than give up on their annual tradition, LA Opera is performing a virtual concert in collaboration with The Soraya.

Grant Gershon, Resident Conductor of the LA Opera Orchestra, will be joined by Assistant Chorus Master Jeremy Frank who will serve as accompanist and music supervisor.

The program is slated to include three famous choruses from popular works. The concert will culminate with a performance of the Anvil Chorus from Verdi’s Il Trovatore. The audience will be encouraged to sing along (and bang things). The virtual concert will provide lyrics on screen.

MTT25: An Online Tribute to Michael Tilson Thomas – San Francisco Symphony Facebook Page – June 28th – 8:00 PM EDT/5:00 PM PDT

Conductor, pianist and composer Michael Tilson Thomas ends his 25-year tenure with the San Francisco Symphony not quite as anyone imagined. But that won’t stop the orchestra from celebrating him.

Sunday finds an on-line tribute to Tilson Thomas hosted by Audra McDonald and Susan Graham.

Joining them for this tribute will be Yo-Yo Ma, Renée Fleming, Julia Bullock, Measha Brueggergosman, Bonnie Raitt, Lars Ulrich, and more. They will all share their own memories of working with MTT and there will also be performances.

MTT has long been a personal inspiration for me. I was too young to have been around to watch Leonard Bernstein on television. When I was growing up MTT offered his own perspectives on classical music for me to enjoy. Not only were they informative, they instilled in me a passion that helped guide me through tedious piano practices, lessons and recitals.

His passion for certain composers also inspires me. One of my all-time favorite recordings is MTT leading the Los Angeles Philharmonic in an amazing concert with Sarah Vaughan called Gershwin Live! Seeing him lead the same orchestra in 2018 in a performance of Charles Ives’s A Symphony: New England Holidays is one of my favorite concerts.

Playbill Pride Spectacular – Playbill Pride Plays – June 28th – 8:00 PM EDT/5:00 PM PDT

Playbill closes out their Pride celebrations with an all-star concert on Sunday featuring some of Broadway’s best-known performers.

How’s this for a line-up: Jelani Alladin, Alexandra Billings, Billy Bustamante, Jean Colella, DeMarius Copes, Wilson Cruz, Robin De Jesús, Lea Delaria, Brandon Victor Dixon, Eden Espinosa, Niani Feelings, Harvey Fierstein, Gaby Gamache, Matt Gould, Curtis Holland, Cheyenne Jackson, this year’s Pulitzer Prize winner Michael R. Jackson, Francis Jue, Andrew Keenan-Bolger, Caitlin Kinnunen, L. Morgan Lee, Raymond J. Lee, Matthew Lopez, Cheech Manohar, Griffin Matthews, Anastacia McCleskey, Michael McElroy, John McGinty, Chris Medlin, Ezra Menas, Paul HeeSang Miller, John Cameron Mitchell, Mary Kate Morrissey, Javier Muñoz, Alan Muraoka, Shakina Nayfack, Ariana Notartomaso, Diana Oh, Ken Page, Clint Ramos, Lee Roy Reams, Matt Rodin, Jai Rodriguez, Mj Rodriguez, Mars Rucker, Sushma Saha, George Salazar, Miriam Shor, Jason Tam, John Tartaglia, Sonya Tayeh, Sergio Trujillo, Vishal Vaidya, BD Wong, Iain Young, and Brittany Zeinstra.

John McDaniel serves as Music Director. The concert will showcase songs from musicals with LGBTQ stories. Playbill Pride Spectacular is free to watch, but will serves as a benefit for Broadway Cares/Equity Fights AIDS.

That’s a wrap on this weekend’s Best Bets at Home: June 26th – June 28th. Enjoy yourselves!

Main Photo: The company of Falsettos (Photo by Joan Marcus)

Update: This post has been updated to include the extension to July 12th of the ability to view Tartuffe Online

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Most of the events listed are free. When they are not, they are noted. Links to each event can be found in the individual names of the events.

Creole Giselle – Dance Theatre of Harlem – Now – June 19th

The classic ballet Giselle was reconceived by Arthur Mitchell in the early 1980s. In 1984, Dance Theatre of Harlem premiered Creole Giselle at the London Coliseum in England.

The original Giselle choreography was by Jean Coralli and Jules Perrot. The production was staged by Frederic Franklin.

Creole Giselle garnered rave reviews in both London and New York. For some background on the creation of this work, I suggest reading this 1984 column from Burton Taylor writing for the New York Times.

Dance Theatre of Harlem is making the full ballet available for free viewing through June 19th. The film they are showing of Creole Giselle aired on television in Denmark in 1987.

Hamlet – Stratford Festival – Now – June 25th

Stratford Festival’s ongoing series of Shakespeare’s plays continues with this 2015 production of Hamlet.

Jonathan Goad stars as “Hamlet” with Seana McKenna as “”Gertrude; Geraint Wyn Davies as “Claudius/The Ghost”; Tim Campbell as “Horatio”; Adrienne Gould as “Ophelia;” Tom Rooney as “Polonius;” and Mike Shara as “Laertes.” The production is directed by Stratford Festival Artistic Director Antoni Cimolino.

Stratford’s streaming productions of Shakespeare’s Timon of Athens and Love’s Labour’s Lost are also still available this weekend.

The Madness of King George – National Theatre Live – Now – June 18th

Many of us first became aware of this Alan Bennett play by seeing the 1994 Nicholas Hytner film starring Nigel Hawthorne and Helen Mirren.

This 2018 Nottingham Playhouse production stars Mark Gatiss as King George and Debra Gillett as Queen Charlotte. It was directed by Adam Penford.

Bennett’s play depicts a king whose relationship with what is real seems to change on a dime. He’s both a very powerful man and a wildly erratic leader whose delusions call into question his ability to lead. This prompts others to do whatever they can to undermine the King and take control of the Crown.

This production sold out and earned rave reviews. Bennett wrote staggeringly complicated roles for the two leads. It should be pure theater joy watching Gatiss and Gillett in this production.

Michael Tilson Thomas and Yuja Wang at Carnegie Hall – MediciTv – June 12th – June 14th

The collaboration between Carnegie Hall and Medici.Tv continues this weekend with a concert from May of 2019. Michael Tilson Thomas leads the New World Symphony and America’s Orchestral Academy. They are joined by pianist Yuja Wang.

The program features Julia Wolfe’s Fountain of Youth (in its New York premiere); Prokofiev’s Piano Concerto No. 5 and Berlioz’s Symphonie Fantastique. The encores find the conductor taking to the piano for a solo performance of his composition You Come Here Often? The concert concludes with Wagner’s Prelude to Act III of Lohengrin.

There is no charge to watch this program.

Björk Ballet – San Francisco Ballet – June 12th – June 19th

San Francisco Ballet’s Unbound Festival in 2019 featured this ballet by Arthur Pita centered on the songs by best-selling singer/songwriter Björk.

Pita used a wide range of her music: from her first album in 1993, Debut, through 2017’s Utopia.

A playlist on SF Ballet’s website for Björk Ballet indicates that the songs used are “Overture” from Selmasongs; “All Is Full of Love” and “Bachelorette – Family Tree Version” from Homogenic; “Vokuro” from Medulla; “Frosti” from Vespertine; “The Gate” from Utopia; “Hyperballad” from Post and “The Anchor Song” from Debut.

Pita says that the duality he finds in Björk as an artist inspired the story he created for this ballet. “She’s this very playful, naughty fairy, dancing nymph, otherworldly creature, full of light and love. And then you’ve got this very deep, mournful, sorrowful, almost tragedy in some of her songs. So it’s like the theater masks.” 

La Fille mal gardée – Royal Ballet – June 12th – June 26th

A love story between Lise and a young farmer, Colas, is the centerpiece of this ballet choreographed by Frederick Ashton. This ballet had its world premiere in 1960.

The translation of the title is The Wayward Daughter. Clearly her parents aren’t too keen on her taste in men. Or in this case, her widowed mother.

Ashton based this work on a 1789 ballet by Jean Dauberval. The music was adapted by John Lanchberry from an 1828 score by Ferdinand Hérold.

Marianela Nuñez dances the role of Lise. Carlos Acosta dances the role of Colas. The role of Lise’s mother is danced by William Tuckett.

Il Trittico – San Francisco Opera – June 13th – June 14th

Puccini’s trilogy of operas seems popular this month. Last week the Royal Opera in London made their 2012 production available. This weekend San Francisco Opera makes their 2009 production available for viewing.

The three operas are Il Tabarro, Suor Angelica and Gianni Schicchi. For details on these three operas, check out our Royal Opera House preview here.

Cast in this trilogy are soprano Patricia Racette (who performs in all three pieces), contralto Ewa Podles, tenor Brandon Jovanovich and baritone Paolo Gavanelli. Patrick Summers conducts this James Robinson production.

San Francisco Opera’s production received glowing reviews.

Live from Covent Garden – June 13th – 2:30 PM EDT/11:30 AM PDT

This is the first of three live performances from Covent Garden since it had to temporarily close. It takes place on Saturday evening in London.

The event is being streamed live and has an impressive line-up.

Benjamin Britten: On this Island op.11 (1937, to five poems by W.H. Auden), performed by soprano Louise Alder

George Butterworth: Six Songs from A Shropshire Lad (1911, to poems by A.E. Housman), performed by tenor Toby Spence

Ballet Interlude: New pas de deux, choreographed by Wayne McGregor to Richard Strauss Morgen! op.27 no.4 (1894, to the poem by John Henry Mackay). Louise Alder (soprano) and violinist (tbc). Performed by Francesca Hayward and Cesar Corrales

Mark-Anthony Turnage: Three Songs (2000, to texts by Stevie Smith, Thomas Hardy and Walt Whitman), performed by baritone Gerald Finley

arr. Benjamin Britten: The Crocodile (1941, to a traditional text and melody), performed by Gerald Finley

Gerald Finzi: Fear No More the Heat o’ the Sun op.18 no.3 (1929, to a text by William Shakespeare), performed by Gerald Finley

George Frideric Handel: ‘Tornami a vagheggiar’ (from the opera Alcina, 1735, after a story from Orlando furioso), performed by Louise Alder

Georges Bizet: ‘Au fond du temple saint’ (from the opera Les Pêcheurs de perles, 1863, to a libretto by Eugène Cormon and Michel Carré), performed by Toby Spence and Gerald Finley

Vanessa – Glyndebourne – June 14th – June 21st

Composer Samuel Barber won the Pulitzer Prize for his 1958 opera that features a libretto by Gian Carlo Menotti. The world premiere was at the Metropolitan Opera in New York.

This Glyndebourne production took place in 2018. Keith Warner directed and the orchestra is conducted by Jakub Hrůša.

Barber’s opera is a psychological drama about family relationships. The title character (sung by Emma Bell) finds herself alone after her boyfriend, Anatol, has left her. She pulls away from the world leaving her with only her mother (Rosalind Plowright) and her niece (Virginie Verrez) for company. Their world gets upended when Anatol’s son (Edgaras Montvidas) shows up twenty years later.

Jeremy Jordan – Seth Rudetsky Concert Series – June 14th – 8 PM EDT/5 PM PDT

Seth Rudetsky travels across the country with Broadway stars for evenings of conversation and songs. Unable to take his shows on the road, he’s bringing them to our homes.

This week’s performance features Jeremy Jordan who starred in the musicals Bonnie and Clyde and Newsies (for which he received both Drama Desk and Tony Award nominations). He was also featured in the television series Smash.

The live performance takes place as listed above. If you cannot watch that performance, there is an encore presentation on June 15th at 3 PM EDT/12 PM PDT. These are not free events. Tickets are $25 not including service fees.

Upcoming concerts will feature Seth with Jessie Mueller (Beautiful), Lea Salonga (Miss Saigon), Melissa Errico (Passion) and Audra McDonald (Porgy and Bess).

Life in a Pandemic: “One Day At a Time:” Norman Lear and Rita Moreno in Conversation with RuPaul – 92Y – June 14th – 7:00 PM EDT/4:00 PM PDT

Legendary television producer Norman Lear and living legend Rita Moreno will discuss the many lives of the reboot of One Day at a Time with RuPaul. This is a live-streaming event presented by the 92Y in New York.

I find it unlikely that any of these three need introduction, but here goes. Norman Lear is the five-time Emmy Award winning creator of such shows as All in the Family and Maude. He has also won a Peabody Award and has been awarded a Kennedy Center Honor.

Rita Moreno is an EGOT. She won two Emmy Awards, one Grammy Award, an Oscar for West Side Story and a Tony Award for The Ritz. She also happens to have a Presidential Medal of Freedom, a National Medal of Arts, a SAG Lifetime Achievement Award and is also the recipient of a Kennedy Center Honor.

RuPaul is the six-time Emmy Award winning host and producer of RuPaul’s Drag Race.

Tickets are required for this event which is not free. The price of each ticket is $20. You must be registered in advance in order to get access to the event.

Before we close out our Best Bets at Home: June 12th – June 14th, here are a few reminders:

Friday’s at Five from SF Jazz features Rhiannon Giddens & Francesco Turrisi. This takes place at 8 PM EDT/5 PM PDT on June 12th.

The Metropolitan Opera programming this weekend features their April 2020 At-Home Gala on Friday and Saturday. Sunday is the 2011-2012 production of Handel’s Rodelinda with Renée Fleming.

The musical Allegiance streaming on Broadway on Demand has been extended through June 23rd. You can get details at our preview here.

Here ends our list of your Best Bets at Home: June 12th – June 14th. Enjoy your weekend. Stay safe and healthy!

Main Photo: Elizabeth Powell and Ulrik Birkkjaer in Björk Ballet at San Francisco Ballet (Photo ©Erik Tomasson/Courtesy of SF Ballet)

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The performances actually begin with a work by Russian composer Rimsky-Korsakov. Dubinushka, a four-minute work written in 1905-1906 opens each concert. A dubinushka is a little oak stick used by workers both for their work and also as a weapon to defend  themselves against oppressive masters.

What follows is traditional, yet exciting. Tchaikovsky’s Piano Concerto No. 1 is one of the most-performed of all piano concerti. That it is being performed here is the traditional component. The exciting component, and the reason why this concert stands out, is the soloist: Daniil Trifonov.

Trifonov is one of the most exciting pianists in classical music. He performs a diverse amount of material and is universally praised for his insightful and thoughtful performances.

As a side note, Trifonov will be performing an all-Bach program at Campbell Hall in Santa Barbara on February 7th. Two days later he’ll perform the same program at the Soka Performing Arts Center.

Closing out the LA Phil concerts is Aaron Copland’s Symphony No. 3. MTT has long been a fierce advocate of Copland’s work and has recorded much of it. This was Copland’s last symphony and it is his longest orchestral work. The composer began work on the symphony in 1944 and had its premiere in 1946.

Those dates are significant as it means Copland was writing this in the final year of World War II. Symphony No. 3 uses Fanfare for the Common Man as an inspiration for the final movement. He did not re-use that work in the symphony. Rather its theme is developed in different ways that lead to the climax of the symphony.

Leonard Bernstein said of this work, “The symphony has become an American monument, like the Washington Monument or the Lincoln Memorial”.

For tickets on Thursday go here.

For tickets on Friday go here.

For tickets on Saturday go here.

For tickets on Sunday go here.

Photo of Daniil Trifonov courtesy of DaniilTrifonov.com

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Tilson Thomas has long been a master of Tchaikovsky’s work (as was his mentor, Leonard Bernstein.) However good he is at the Russian composer’s work – and he’s quite good – he knows how to navigate the inherent challenges built into each and every one of Ives’s compositions.

If you think you are going to hear Christmas holiday music in this work, think again. Ives celebrates Washington’s Birthday, Decoration Day, The Fourth of July, Thanksgiving and Forefather’s Day in this work.

For those who have time on Friday morning, the first of these concerts takes place this Friday at 11 AM. The other concerts are Saturday night at 8 PM and Sunday afternoon at 2 PM.

Also joining the LA Philharmonic for these concerts is the LA Master Chorale.

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Laurie Anderson: All Things I Lost in the Flood – The Wallis Annenberg Center for the Performing Arts

April 20

Performance artist Laurie Anderson brings his one-woman show to the Wallis Annenberg Center as part of the Library Foundation of Los Angeles’ ALOUD Present Program. During the course of the evening Anderson will take the audience through the trials, tribulations and successes and failures behind many of her creative endeavors through the years.

In addition to this appearance, Anderson has just released a new CD entitled Landfall. On the recording she collaborates with the Kronos Quartet.

Complexions Contemporary Ballet – Dorothy Chandler Pavilion

April 20-22

This two part program begins with a brand new work called Bach 25. It not only features the work of Johann Sebastian Bach, but in these performances in Los Angeles, the company will be joined by Complexions co-founder Desmond Richardson.  The second part of the program is Stardust a 43-minute “Ballet Tribute to David Bowie.” Both works were choreographed by Dwight Rhoden. We spoke to Rhoden about Bowie, Richardson and the work of Complexions. You can read that interview here.

Alvin Ailey American Dance Theatre – Segerstrom Hall

April 20-22

Nine different works will be performed by the Alvin Ailey American Dance Theatre during their shows at the Segerstrom Hall in Costa Mesa. Amongst them are Stack-Up, Mass, Ella and In/Side. The choreographers represented include Alvin Ailey, Robert Battle, Talley Beatty, Twyla Tharp and Billy Wilson. The music includes works by David Byrne, Ella Fitzgerald, Earth Wind and Fire and Nina Simone.  We spoke with dancer Yannick Lebrun about his work with the company. You can read the interview here.

Belleville – Pasadena Playhouse

April 22 (official opening) – May 13

In Amy Herzog’s taut 90-minute play, an American couple living in Paris, newly married, finds their relationship is already starting to crack. Can the newlyweds withstand the pressures they are facing? Do they really know each other well? And what do they make of their neighbors who are also their landlords? Thomas Sadoski (Life in Pictures and the Broadway production of Other Desert Cities ) and Anna Camp (the Pitch Perfect movies ) star as the couple. Moe Jeudy-Lamour and  Sharon Pierre-Louis are the neighbors. Jenna Worsham directs.

Our Name Is Barbra – Catalina Bar & Grill

April 22nd

This annual fundraiser for Project Angel Food is celebrating its 20th year of singing the songs of Barbra Streisand. With 35 studio albums, 9 compilations, 7 live records and 15 soundtracks, it’s no wonder an event like this can last 20 years. Amongst the performers this year are Andrea Marcovicci, Ilene Graff & Ben Lanzarone, Artie Butler, Melanie Taylor & Terry Wollman and Kiki Ebsen. And if you think maintaining a fundraiser for 20 years is a big deal, just check out this little note they received last year:

Colburn Gala Concert – Walt Disney Concert Hall

April 22nd

When conductor Michael Tilson Thomas recently performed with the San Francisco Symphony at Walt Disney Concert Hall, it was his last performance with the orchestra in Los Angeles before the end of his time with that organization. What wasn’t mentioned is that it wouldn’t be his last performance this year. Though he isn’t conducting his own orchestra, he will be leading the Colburn Orchestra in a performance of Mahler’s Symphony Number 1 in D Major, “Titan” at their Gala Concert on Sunday night.

In addition to stepping on the podium for this concert, Tilson Thomas will be receiving the 2018 Richard D. Colburn Award. Also being honored this year is architect Frank Gehry.

Colburn Orchestra Photo by Matthew Imaging

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Audiences in Los Angeles and Costa Mesa will get a chance to hear MTT lead the San Francisco Symphony in a program that showcases Mahler’s 5th Symphony. The first performance is at the Walt Disney Concert Hall on Tuesday evening.  The second performance is at the Renée & Henry Segerstrom Hall in Costa Mesa on Thursday as part of the Philharmonic Society.

This is arguably Mahler’s best known symphony because of the Adagietto. If you’ve ever seen Death in Venice, you are no doubt familiar with this part of the symphony.

As if this wasn’t enough, violin virtuoso Gil Shaham, who exudes more enthusiasm while playing his instrument than perhaps anyone else in classical music, is joining MTT and San Francisco Symphony for a performance of Berg’s Violin Concerto. The Berg concerto opens each program.

Photo Credit:  Kristen Loken

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