Moby Dick Archives - Cultural Attaché https://culturalattache.co/tag/moby-dick/ The Guide to Arts and Culture events in and around Los Angeles Tue, 13 Apr 2021 03:54:18 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 Four Days of Best Bets: March 12th – March 15th https://culturalattache.co/2021/03/12/four-days-of-best-bets-march-12th-march-15th/ https://culturalattache.co/2021/03/12/four-days-of-best-bets-march-12th-march-15th/#respond Fri, 12 Mar 2021 08:01:00 +0000 https://culturalattache.co/?p=13434 Liza turns 75 and there's going to be a party!

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If you get asked what good is sitting all alone in your room, you can respond, “I’ve got Cultural Attaché’s Best Bets: March 12th – March 15th.” Of course, you don’t have to sit all alone. Hopefully you have family and/or vaccinated friends who can join you. We have a lot of choices for you.

Topping our list is a special celebration of Liza Minnelli’s 75th birthday. The stars are coming out in droves to celebrate the woman who forever put her mark on Sally Bowles, who famously served as Gwen Verdon’s understudy (look that one up!), captured Arthur’s heart and made us all try singing New York, New York just like she does.

We have an unbelievable 21 different shows for you this week. No one will be left out. Whether you like opera, dance, classical music, Broadway musicals, plays or jazz, there’s something great for you to watch this weekend.

But you’ll have to be careful with your time. You lose an hour this weekend. Sunday marks the return of Daylight Savings Time. So don’t forget to move your clocks one hour forward on Sunday. You don’t want to miss the start of these shows!

Here are your Best Bets: March 12th – March 15th starting with our Top Pick. The rest are in order of availability.


Liza Minnelli’s 75th All-Star Birthday Tribute Celebration tops our list!

*TOP PICK*: A Love Letter to Liza Minnelli: 75th All-Star Birthday Tribute Celebration – March 12th – March 14th

You know it’s either a monumental birthday or you’re quite beloved if Lea DeLaria, Michael Feinstein, Joel Grey, Ute Lemper, Melissa Manchester, Seth Sikes, Billy Stritch, Haley Swindal, Lily Tomlin, Ben Vereen and more are performing to celebrate you.

It’s actually both for Oscar, Tony and Emmy Award-winning actress/singer Liza Minnelli.

The star of Bob Fosse’s Cabaret and the Broadway musicals Flora, the Red Menace, Chicago, The Act and The Rink turns 75 on Friday. And her friends are celebrating the best way they can during a pandemic – with an on-line event.

Offering their own memories of working and being friends with Liza are Jason Alexander, Sandra Bernhard, Charles Busch, Mario Cantone, Jim Caruso, Joan Collins, Craig Ferguson, Kathie Lee Gifford, Kathy Griffin, Jonathan Groff, Tony Hale, Julie Halston, John Kander, Nicholas King, Hoda Kotb, Nathan Lane, Michele Lee, Lorna Luft, Andrea Martin, John Cameron Mitchell, Kathy Najimy, Coco Peru, Parker Posey, Andrew Rannells, Chita Rivera and Michael York.

The show will stream only three times and only at these exact times: Friday, March 12th at 8:00 PM EST/5:00 PM PST; Saturday, March 13th at 8:00 PM EST/5:00 PM PST and Sunday, March 14th at 7:00 PM EDT/4:00 PM PDT. Tickets are $30 with 20% of all proceeds going to The Actors Fund.

Patricia Clarkson, John Slattery and Bradley Whitford/Courtesy Playbill.com

PLAY: Three Days of Rain – Manhattan Theatre Club – Now – March 21st

In 2006 Richard Greenberg’s play Three Days of Rain was performed on Broadway by Bradley Cooper, Julia Roberts and Paul Rudd. But that was not its first appearance in New York. In 1997, Manhattan Theatre Club offered the first production with Patricia Clarkson, John Slattery and Bradley Whitford.

That cast, along with original director Evan Yionoulis, have reunited for an online reading of Three Days of Rain that began on Thursday and will continue being available through Sunday, March 21st.

Three Days of Rain tells the story of a brother and sister who return to settle their father’s affairs after his passing. They are joined by their best friend, Pip. Upon discovering a diary they learn more about their parents than they ever expected to. What they learn helps them understand more about their own lives.

There’s no charge to watch the reading, but you do need to register at Manhattan Theatre Club’s website.

Invertigo Dance Theatre’s “After It Happened” (Photo by Souheil Michael Khoury/Courtesy Los Angeles Philharmonic)

DANCE: After It Happened – Invertigo Dance Theatre – Now available

Laura Karlin choreographed this work for nine dancers that was performed at The Ford Theatre in 2016. Two musicians perform the score by composers Toby Karlin, Diana Lynn and Hyosun Choi.

The “it” that happened is a natural disaster in this work created in 2014. What the dancers discover, performing as the community dealing with the aftermath if the event, is that they must forge together to overcome the tragedy that has befallen them.

There’s no charge to watch After It Happened. You will find it on The Ford’s website and also on their YouTube channel and Facebook page. It will remain available for viewing for one year.

Jane Kaczmarek (Photo by Daniel Rader/Courtesy Pasadena Playhouse)

PLAY/DISCUSSION: Another Day’s Begun: Exploring Our Town – Pasadena Playhouse – Now available

Thorton Wilder’s Our Town is one of the most often-produced plays. Wilder won the Pulitzer Prize for this deceptively simple play in which the lives of the citizens of Grover’s Corners are shared and depicted. Along the way there are guest lecturers and even questions from the audience. Leading the whole show is the role of the Stage Manager. This is a spare show and a powerfully moving one.

Jane Kaczmarek will perform scenes from Our Town and lead a discussion with author Howard Sherman. His book gives this program its name. Also participating in performance are Youssef Kerkour, Keith Randolph Smith and Alexandria Wailes.

For trivia buffs, Frank Craven originated the role of the Stage Manager when the play debuted on Broadway in 1938. Marc Connelly played the part in a 1944 revival (that also featured Montgomery Clift as George Gibbs). In 1969 Henry Fonda headlined a production as the Stage Manager. Spalding Gray took on the part in a 1988 revival. Paul Newman played the part in a 2002 revival.

There’s no charge to watch this show.

(Courtesy Theatre in the Dark)

RADIO PLAY: Moby Dick … in the Dark – Theatre in the Dark – Now – April 10th

If like many of us you’ve found it a big of a slog to get through Herman Melville’s Moby Dick, and the thought of listening to a full book on tape is also daunting, but you still want to know what all the fuss is about, Chicago’s Theatre in the Dark is presenting a radio play version that’s much shorter.

If you don’t know the story it is, at least on the surface, about one man’s relentless effort to capture the white whale that gives this story its title. He will stop at nothing with little concern of what it costs.

Corey Bradberry, who also directs, adapted Melville’s story. This will be a true radio play. There are no visuals. An original score by Nick Montopoli will be married with recorded sound, live foley effects and the performances of the cast.

Elizabeth McCoy plays Ishmael (and some other characters). Mack Gordon plays Starbuck, Stubb and other characters. Robinson J. Cyprian plays Captain Ahab and others.

All tickets are Pay-what-you-can. There is a $20-$30 suggested donation. Performances are available Thursday-Sunday until the last week where the performance schedule is Wednesday-Saturday. Tickets can be purchased here.

The Royal Ballet in “Elite Syncopations (Photo©Tristram Kenton/Courtesy ROH)

BALLET: Elite Syncopations – Royal Ballet – March 12th – April 11th

In October of 2020, when things were looking up for England during the pandemic, The Royal Ballet held a special performance called Back on Stage. While they were only briefly back on stage, one highlight from that evening will be available for streaming beginning this weekend.

Kenneth MacMillan’s Elite Syncopations is set to the music of Scott Joplin (best known for the use of his music in the film The Sting). MacMillan debuted the 35-minute work in 1974. Even critics who weren’t as fond of it as others said it was impossible to watch this work and not have a smile on your face.

Tickets to stream Elite Syncopations are £3 which equates to approximately $3.60.

The Belfast Ensemble’s “The Musician” (Photo by Neil Harrison/Courtesy The Belfast Ensemble)

FAMILY FARE: The Musician: A Horror Opera for Children – The Belfast Ensemble – March 12th – March 14th

If I were a parent I might be scratching my head at a title that claims to be “A Horror Opera for Children.” The story of The Pied Piper of Hamelin is the inspiration for this world premiere work by Conor Mitchell. He is the composer, librettist and stage director of The Musician.

This is a film of a live performance for the Belfast Children’s Festival. It features a 16-piece orchestra and a four-person cast (Matthew Cavan, Paul Carey Jones, Rebecca Murphy and Sarah Richmond).

This work is recommended for kids ages 6 and above. Tickets are £5 which equates to approximately $6.00 (without service charges) and can be purchased here.

Teri Lyne Carrington (Photo by John Watson/Courtesy of the Artist)

JAZZ: Geri Allen, Terri Lyne Carrington & Esperanza Spalding – SFJAZZ – March 12th – 8:00 PM EST/5:00 PM PST

Three mightily talented women take to the stage for this 2018 concert from SFJAZZ. Pianist Geri Allen, drummer Terri Lyne Carrington and bassist Esperanza Spalding perform the music of Wayne Shorter, Bob Dorough and an Allen original in this Fridays at Five concert.

SFJAZZ has added a rebroadcast of these shows to their schedule. So if you can’t see the concert on Friday, you’ll have a second chance to see it on Saturday, March 13th at 1:00 PM EST/10:00 AM PST.

A gentle reminder that you need to sign up for either a one-month digital membership ($5) or an annual membership ($60) to view these weekly concerts.

Jane Monheit (Photo by Kharen Hill/Courtesy of the Artist)

JAZZ: Jane Monheit Come What May Album Release Concert – Feinstein’s at Vitello’s – March 12th – 8:00 PM EST/5:00 PM PST

Vocalist Jane Monheit has released her 12th album, Come What May, and she will be celebrating with a live concert streaming from Feinstein’s at Vitello’s in Los Angeles.

On the album she performs the standards Let’s Face the Music and Dance, The Nearness of You and my personal favorite song, Lush Life.

For those who want even more of Monheit, there’s an Encore After Show where she will join Brad Roen for a post-performance conversation.

Tickets for the concert are $36.75. Tickets for Encore After Show are $26.75. (Prices include service charges).

Composer Igor Stravinsky (Photo from the George Grantham Bain Collection/Courtesy the Library of Congress)

CLASSICAL MUSIC: Stravinsky’s The Soldier’s Tale – Los Angeles Chamber Orchestra – Debuts March 12th – 9:30 PM EST/6:30 PM PST

On paper this appears to be the most ambitious of LACO’s Close Quarters series. Igor Stravinsky’s The Soldier’s Tale is over an hour in length. Based on a Russian folk tale, the work tells the story of a a soldier who makes a deal with the devil. The devil offers him wealth in exchange for the soldier’s fiddle. As written The Soldier’s Tale calls for seven musicians, three actors and one or more dancers.

For this film LACO is collaborating with Robey Theatre Company. Ben Guillory will serve as the narrator. Julio Hanson plays the soldier. William Warren plays the devil.

Because this is part of James Darrah‘s exploration of new ways to present classical music, LACO has added another collaborator to this film: artist Huimeng Wang. I’m excited to see her contribution which is described on the website as: “Wang’s work features a grand piano being dramatically and violently destroyed by gunfire before being reborn with stunning deep red velvet flocking.”

For those who want to dive deeper into this work, there is a pre-broadcast talk with the three actors and LACO principal trumpeter David Washburn. The live conversation will happen at 8:30 PM EST/5:30 PM PST on March 12th in advance of the premiere. You must register to see the live conversation as it will be available on Zoom. If you’re unable to catch it live, it will be available for viewing afterwards.

There’s no charge for any of this programming. Donations to LACO are encouraged.

Sutton Foster (Courtesy PBS)

BROADWAY VOCALS: Sutton Foster in Concert – Live From Lincoln Center on PBS – March 12th – Check local listings

BROADWAY VOCALS: Stephanie J. Block in Concert – Live from Lincoln Center on PBS – March 12th – Check local listings

Two Tony Award stars appear in their own Live from Lincoln Center concerts this weekend.

Sutton Foster, who will be starring opposite Hugh Jackman in the upcoming revival of The Music Man, appears in a concert from April 2018. She has appeared in the musicals Thoroughly Modern Millie, Little Women, The Drowsy Chaperone, Young Frankenstein, Shrek the Musical, Anything Goes and Violet. She won her Tony Awards for Thoroughly Modern Millie and Anything Goes.

Joining her as a special guest in the concert will be Jonathan Groff (most recently seen on stage in an off-Broadway revival of Little Shop of Horrors.

Stephanie J. Block (Photo by Christopher Boudewyns/Courtesy PBS)

Stephanie J. Block won her Tony Award for her performance as “Star” in The Cher Show. She made her Broadway debut as Liza Minnelli in The Boy From Oz (which also starred Jackman). She’s also appeared in Wicked, The Pirate Queen, 9 to 5, Anything Goes (she took over the role of Reno Sweeney when Foster left the production), The Mystery of Edwin Drood and Falsettos.

As with all PBS programming, best to check your local listings for exact airtime and dates.

Jeremy Pelt (Photo by Kasia Idzkowska/Courtesy of the Artist)

JAZZ: Jeremy Pelt Quintet – SmallsLive – March 13th – 5:00 PM EST/2:00 PM PST and 7:00 PM EST/4:00 PM PST

Jazz trumpeter Jeremy Pelt just released a new record entitled Griot – This is Important! It’s a combination of spoken word and instrumentals. It’s a stunning album.

Will selections from Griot be on the setlist for these two shows from Smalls in New York?

Whatever he chooses to play it will be with his incredibly beautiful phrasing and emotion.

Joining Pelt for these two shows are Vicente Archer on bass; Victor Gould on piano; Chien Chien Lu on vibraphone and Allan Mednard on drums.

There’s no charge to watch these shows. Those who can donate can make “reservations” for the show.

Kathleen Chalfant/”The Year of Magical Thinking” (Courtesy the Keen Company)

PLAY: The Year of Magical Thinking – Keen Company – March 13th – 7:00 PM EST/4:00 PM PST

Writer Joan Didion shared her own experiences and thoughts after suffering several tragedies in her life in her book The Year of Magical Thinking. The emotional book was turned into an one-person show. Vanessa Redgrave starred in the play on Broadway in 2007.

This weekend the equally talented Kathleen Chalfant (Angels in America) will take on the role in a live streaming event for Off-Broadway’s Keen Company.

I saw Redgrave perform the show in the months after her own daughter’s (Natasha Richardson) tragic death in 2009. It’s an incredibly moving work. After a year with the pandemic and quarantines, I can only imagine how much more deeply and personally we will all respond to this work on Saturday.

Tickets are $25 and will include a post-show talkback with Chalfant and director Jonathan Silverstein.

Tesla Quartet (Photo by Dario Acosta/Courtesy Ariel Artists)

CLASSICAL MUSIC: A Bartók Journey – Tesla Quartet – March 13th – 7:30 PM EST/4:00 PM PST

Tesla Quartet musicians Edwin Kaplan (viola); Michelle Lie (violin); Serafim Smigelskiy (cello) and Ross Snyder (violin) are embarking this weekend on a six week series of exploring, rehearsing and performing all six of Béla Bartók’s string quartets.

This weekend beings, for obvious reasons, with the String Quartet No. 1 in A Minor, op. 7. For those interested in watching them rehearse the work, they will be streaming that on March 12th at 1:00 PM EST/10:00 AM PST.

There’s no charge to watch any of the events of this six-week series. You do, however, need to register. You can do so in the link built into A Bartók Journey. You will also find details for the entire series there.

Narek Hakhnazaryan (Photo by Evgeny Evtyukhov/Courtesy Kirshbaum Associates, Inc.)

CLASSICAL MUSIC: Narek Hakhnazaryan and Armine Grigoryan – Shriver Hall Concert Series – Debuts March 14th – 5:30 PM EDT/2:30 PM PDT

Cellist Narek Hakhnazaryan made a name for himself by winning the Cello First Prize and Gold Medal at the 2011 International Tchaikovsky Competition. He will be performing as part of the Shriver Hall Concert Series with pianist Armine Grigoryan. She, too, is an award-winning musician.

On Sunday’s program will be Beethoven’s Seven Variations in E-Flat Major on Mozart’s “Dei Männem”; Schumann’s Adagio and Allegro, Op. 70; Franck’s Sonata for Violin and Cello; E. Bagdasaryan’s Nocture and A. Arutyunian’s Impromptu.

Tickets are $15. There will be a post-performance conversation. This concert will remain available through March 21st.

Emily Skinner (Courtesy of the Artist)

BROADWAY VOCALS: Emily Skinner – Seth Concert Series – March 14th – 3:00 PM EDT/12:00 PM PDT

Broadway fans first became aware of Emily Skinner as one-half of the conjoined Hilton twins in the musical Side Show. Skinner received a shared Tony nomination for Best Actress with co-star Alice Ripley. (After all, how could you separate their performances?)

She continued dazzling audiences with performances in James Joyce’s The Dead, The Full Monty, Prince of Broadway and The Cher Show.

She is Seth Rudetsky’s guest for this weekend’s live streaming concert and conversation show. The program will air live on Sunday at 3:00 PM EDT. If you are unable to watch the show then, there is a rebroadcast on Sunday at 8:00 PM EDT/5:00 PM PDT.

Jennifer Leigh Warren, Max Chernin and the cast of “Passing Through” (Photo ©Diane Sobolewski/Courtesy Goodspeed Musicals)

MUSICALS: Passing Through – Goodspeed Musicals – March 15th – April 4th

A young man decides he wants to walk from Pennsylvania to California with a sign on his backpack that says, “Walking to Listen.” Wouldn’t it be nice if more people wanted to listen these days? Anyway, along the way he documented his many encounters with people and their stories.

Upon hearing about Andrew Forsthoefel, who took this trip unsure about what to do with his life post-college, composer/lyricist Brett Ryback and book writer Eric Ulloa knew immediately there was a musical in this true story.

Passing Through is the result of their collaboration. Goodspeed Musicals presented a workshop production of the musical in the summer of 2019. A film of that production will be available for streaming on demand starting on March 15th and running through April 4th.

Max Chernin stars as Andrew. The cast includes Joan Almedilla, Reed Armstrong, Ryan Duncan, Linedy Genao, Charles Gray, Garrett Long, Mary Jo Mecca, Celeste Rose, Jim Stanek and the incomparable Jennifer Leigh Warren. Igor Goldin directed and the choreography is by Marcos Santana.

Tickets are $25 and allow for 72 hours of streaming. Your time begins when you first start watching Passing Through.

Kelli O’Hara and Steven Pasquale in “The Bridges of Madison County” (Photo by Joan Marcus)

BROADWAY REUNION: The Bridges of Madison County – The Jesse Walker Show – March 15th – 8:00 PM EDT/5:00 PM PDT

Jesse Walker will celebrate his 20th anniversary of his eponymous talk show with a reunion of the cast and creative team of the musical The Bridges of Madison County. Participating in the reunion are Kelli O’Hara, Steven Pasquale, Hunter Foster, Caitlin Kinnunen and Derek Klena. Composer Jason Robert Brown, librettist Marsha Norman and director Bartlett Sher will also be joining.

Brown won two Tony Awards for his original score and its orchestrations. O’Hara also received one of the show’s four nominations.

The Bridges of Madison County didn’t run as long as it should have, but its legions of fans will definitely want to tune-in to this reunion which will raise funds for The Actors Fund.

For the Love of Opera

OPERA: For the Love of Opera: Celebrating RBG’s 88th Birthday – Lowell Milken Center of American Jewish Experience at The UCLA Herb Alpert School of Music/National Museum of American Jewish History/Opera Philadelphia – March 15th – 8:00 PM EDT/5:00 PM PDT

Liza’s not the only one being feted. So is the late U.S. Supreme Court Justice Ruth Bader Ginsburg. It wasn’t just law that she loved, it was also opera. To celebrate what would have been RBG’s 88th birthday, a program of arias from operas that address issues of social justice, equality and more will be performed.

The program is set to include arias from Donizetti’s L’elisir d’amore; Puccini’s Gianni Schicchi, Mozart’s Le nozze de Figaro and Cosí fan tutte, Verdi’s Falstaff, Menotti’s The Consul and a song from the Flaherty and Aherns musical Ragtime.

Performers are Joshua Blue (tenor), Norman Garrett (baritone), Michelle Rice (soprano) and Ashley Marie Robillard (soprano). Pianists Stephen Karr and Grant Loehnig will accompany on piano.

The event will be presented via Zoom, so you will need to register to see it. The program will become available on demand shortly after its conclusion on the various venues’ social media pages.

Jane Monheit (Photo by Kharen Hill/Courtesy of the Artist)

VARIETY: Jim Caruso’s Pajama Cast Party – March 15th – 8:00 PM EDT/5:00 PM EDT

If you want even more of jazz vocalist Jane Monheit, you’ll want to join this week’s edition of Jim Caruso’s Pajama Cast Party. She’ll be singing songs from Come What May and sharing stories with Caruso. The two are longtime friends. Monheit is a semi-regular performer when Cast Party happens live at Birdland in New York. (I’ve seen here there myself.)

Also joining this week at magician Dana Daniels, actor/singer Shu Q and Broadway actor Michael Winther (the upcoming Flying Over Sunset).

The show is free to watch and is always a delight.

Are you overwhelmed yet? I hope not, because I have a couple reminders before we go:

CLASSICAL MUSIC: Violinist Gil Shaham and The Knights perform works by Beethoven and Boulogne in a concert that began streaming from New York’s 92nd Street Y on Thursday. The concert will remain available through March 18th. (Next week I’ll have an interview with Shaham. Check back for that.)

OPERA: The Metropolitan Opera concludes its week celebrating Verismo Passions with Umberto Giordano’s Fedora on Friday and his Andrea Chénier on Saturday and Giacomo Puccini’s Tosca on Sunday. Monday they will launch Viewer’s Choice week with the 2009 production of Jacques Offenbach’s Les Contes d’Hoffmann

Liza’s Birthday, RBG’s Birthday…and whole lot in between. Maybe this time you really did get lucky! After all, life is a cabaret old chum! Have a great weekend!

Photo: Liza Minnelli in the film version of “Cabaret” (Courtesy Liza Minnelli’s Facebook page)

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Culture Best Bets at Home: May 22nd – May 25th https://culturalattache.co/2020/05/22/culture-best-bets-at-home-may-22nd-may-25th/ https://culturalattache.co/2020/05/22/culture-best-bets-at-home-may-22nd-may-25th/#comments Fri, 22 May 2020 14:00:27 +0000 https://culturalattache.co/?p=9139 There are plenty of options for this holiday weekend

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Welcome to Memorial Day Weekend! Did you think we’d make it this long staying safer at home? We have and one reason is the amazing culture offerings that are available for us to enjoy from the comfort of our living rooms. This long weekend is no exception. Here are your Culture Best Bets at Home: May 22nd – May 25th.

Gillian Anderson in “A Streetcar Named Desire” (Photo by Johan Persson/Courtesy of NT Live)

A Streetcar Named Desire – National Theatre Live – Now – May 28th

This week’s offering from National Theatre Live is the 2014 production of Tennessee Williams’ A Streetcar Named Desire starring Gillian Anderson as Blanche, Ben Foster as Stanley and Vanessa Kirby as Stella. Benedict Andrews directed this Young Vic production.

Williams won the 1948 Pulitzer Prize for Drama for this play about two sisters (Blanche and Stella) who find themselves sharing a small apartment in New Orleans with Stella’s volatile husband, Stanley. He doesn’t trust his wife’s sister and thinks there’s much more going on with her than she admits. Tensions rise as he becomes more distrustful and Blanche’s drinking, which she tries to conceal from them, becomes more and more problematic.

Andrews took a non-traditional approach to this production which was modern in look and feel and involved a set that was constantly in motion. Anderson earned rave reviews for her performance. Susannah Clapp, writing for The Guardian said of her performance:

“Gillian Anderson captures both Blanche’s airy pretensions to grandeur and her desolate loneliness. Her Blanche is a deeply sensuous, tactile woman whose natural instinct is to stroke Stanley’s hairy forearms or to provocatively disrobe in front of a flimsy curtain. But Anderson also conveys Blanche’s emotional solitude: she is especially fine in the scene with her nervous beau, Mitch, where you sense two helpless people desperately reaching out to each other.”

The Royal Ballet’s “Anastasia” (Photo by Tristram Kenton/©2016 ROH)

Anastasia – The Royal Ballet – Now – May 28th

The classic story of the young girl who may be Anastasia, the daughter of Tsar Nicholas II and the only person to survive the assassination of the Romanovs in 1918, was first turned into a one-act ballet by Kenneth MacMillan in 1967. Four years later he completed the full-length ballet set to music by Tchaikovsky and Bohuslav Martinu.

As part of their programming available for home viewing, The Royal Ballet has made this 2016 production of this ballet available for free streaming. Natalia Osipova dances the role of Anastasia. Christopher Saunders dances the role Tsar Nicholas II. Christina Arestis dances the role of Tsarina Alexandra Feodorova and Thiago Soares dances the role of Rasputin.

Cynthia Erivo (Courtesy of the Artist)

PBS Shows – Now – May 26th

Social media has been filled with posts about PBS making 20 Broadway musicals and/or concerts available for viewing through May 26th. A careful examination found that not all productions are available in all areas.

The following titles may be available regardless of where you live in the United States:

Annaleigh Ashford in Concert; Megan Hilty in Concert; Celebrating Sondheim; Leslie Odom, Jr. in Concert; A Broadway Celebration at the White House; Macbeth with Patrick Stewart; Alfred Molina in Red; Doubt from the Minnesota Opera and Cynthia Erivo in Concert.

Residents in these counties: NY: Bronx, Dutchess, Kings, Nassau, New York, Orange, Putnam, Queens, Richmond, Rockland, Suffolk, Sullivan, Ulster, Westchester; NJ: Bergen, Essex, Hudson, Hunterdon, Middlesex, Monmouth, Morris, Ocean, Passaic, Somerset, Sussex, Union, Warren; CT: Fairfield; PA: Pike have access to the following titles:

Buried Child with Ed Harris and Amy Madigan; Richard Thomas in Incident at Vichy; Bill Irwin and David Shiner in Old Hats; School Girls or, The African Mean Girls Play; Jay Sanders in Uncle Vanya and Kelli O’Hara in a New York Philharmonic concert of Rodgers & Hammerstein’s Carousel.

Sutton Foster in Concert seems to be an expired link.

Joseph Ziegler in “Timon of Athens” (Photo by Cell vo Tiedemann/Courtesy of Stratford Festival)

Timon of Athens – Stratford Festival – Now – June 11th

In this Shakespeare play, the title character starts off rather care-free. He’s generous to a fault which prompts his friends to take full advantage of that generosity. When suddenly he finds himself bankrupt, he also finds himself without those same friends. Disillusioned and bitterly disappointed, he leaves Athens and becomes a hermit.

Joseph Ziegler plays Timon in this 2017 production directed by Stephen Ouimette. Ben Carlson plays the philosopher Apemantus; Tim Campbell plays Timon’s friend Alcibiades and Michael Spencer-Davis plays Timon’s steward, Flavius.

This is part of Stratford Festival’s At Home series where each week a new production becomes available for streaming for three weeks. Still available are productions of Macbeth and The Tempest.

Anne-Sophie Mutter and Mutter Virtuosi (Photo © 2014 Nan Melville/Courtesy of Carnegie Hall)

Anne-Sophie Mutter: Mutter Virtuosi – May 22nd – May 24th

This 2014 Carnegie Hall concert by violinist Anne-Sophie Mutter found her leading the Mutter Virtuosi Ensemble and playing violin. The ensemble is comprised of young students and professional string players who are alumni of the Anne-Sophie Mutter Foundation. 

The program for this concert included: Bach’s Concerto for Two Violins, Strings, and Continuo in D Minor, BWV 1043; the US premiere of André Previn’s Concerto for Violin and String Orchestra (with two Harpsichord interludes); Vivaldi’s The Four Seasons and the Presto from Concerto in G Minor for Violin and Orchestra, RV 315 (L’estate) and Bach’s Air on the G String.

The program is available of Medici.tv and does not require membership. It is free.

Are you ready for more Best Bets at Home: May 22nd – May 25th?

Joyce DiDonato in The Royal Opera’s “Cendrillon” (Photo by Bill Cooper/©2011 ROH)

Cendrillon – The Royal Opera – May 22nd – June 4th

Of Jules Massenet’s best-known operas, his version of the Cinderella story isn’t top of the list. The opera had its world premiere in 1899 in Paris and features a libretto by Henry Caïn.

This 2011 Royal Opera production stars Joyce DiDonato as Cendrillon, Alice Coote as Prince Charming, Ewa Podlés as the Stepmother and Eglise Gutierrez as the Fairy Godmother.

Laurent Pelly directed this production. The orchestra is lead by Bertrand de Billy.

The company of SF Opera’s “Moby Dick” (Photo by Cory Weaver/Courtesy of SF Opera)

Moby Dick – San Francisco Opera – May 23rd

The next in the streaming productions from San Francisco Opera is Jake Heggie’s opera based on the Herman Melville novel no one wanted to read in high school. The libretto is by Gene Scheer. For those who might be worried, they have condensed this whale of a book into an opera that runs just shy of two-and-a-half hours.

Heggie, who is perhaps best known for his opera Dead Man Walking, was commissioned by the Dallas Opera, San Francisco Opera, Calgary Opera, San Diego Opera, and the State Opera of South Australia to write Moby Dick. The opera had its world premiere in Dallas in 2010. Reviews were overwhelmingly positive.

Jay Hunter Morris sings the role of the single-mindedly determined Captain Ahab. First mate Starbuck is sung by Morgan Smith and Queequeg is sung by Jonathan Lemalu. Interestingly, Ishmael, the narrator of the book, is not part of the opera.

Leonard Foglia directed this 2012 production (which was a San Francisco Opera premiere) and the orchestra is conducted by Patrick Summers.

This SF Opera production is available for viewing beginning at 1 PM EDT/10 AM PDT on Saturday, May 23rd through 2:59 AM EDT on May 25th/11:59 PM PDT May 24th.

Our Lady of 121st Street – LAByrinth Theatre Company – May 23rd

In the movie The Big Chill the characters talk about how there’s always great post-funeral bash. When friends of the family of Sister Rose show up at the funeral home in Our Lady of 121st Street, they can’t have that bash…until they find out who stole her body.

Don’t get carried away thinking this will be a riotous broad comedy. It comes from the mind of Pulitzer Prize-winning playwright Stephen Adly Guirgis. This dark comedy reveals what happens when life’s circumstances bring old friends back together who haven’t fully sorted out lingering issues nor overcome old wounds.

LAByrinth Theatre Company, who first premiered the play, will do a virtual reading with many of the members of the original off-Broadway cast on Saturday, May 23rd at 8 PM EDT/5 PM PDT. The reading will be available for viewing for 24 hours.

The reading will be directed by Elizabeth Rodriguez and feature eight members of the original Off-Broadway cast: Elizabeth Canavan, Liza Colón-Zayas, Scott Hudson, Russell G. Jones, Portia, Al Roffe, Felix Solis, and David Zayas. Joining them are Bobby Cannavale, John Doman, Laurence Fishburne, and Dierdre Friel. David Deblinger will read stage directions.

Glyndebourne’s “The Marriage of Figaro” (Photo by Alastair Muir/© Glyndebourne Productions Ltd.)

The Marriage of Figaro – Glyndebourne – May 24th – May 31st

Michael Grandage directed this 2012 production of the Mozart/DePonte opera at Glyndebourne in Sussex County, England. He updates the setting to the 20th century during the waning days of Franco’s regime in Spain.

The Marriage of Figaro is a comic opera in which Figaro and Susanna plan to get married. In order to do so, they must navigate the wandering hands and eyes of her employer, Count Almaviva.

The opera continues the story that was started in Rossini’s The Barber of Seville.

Figaro is sung by Vito Priante. Lydia Teuscher is Susanna and Isabel Leonard sings the role of Cherubino. The countess is sung by Sally Matthews and her husband, Count Almaviva, is sung by Auden Iverson. Robin Ticcati conducts the orchestra.

Grandage, best known for his work on stage (he’s a Tony Award-winner for directing the play Red by John Logan), made his debut as a director of operas with Billy Budd at Glyndebourne.

Angela Lansbury, Jerry Herman and Carol Channing (Courtesy of JerryHerman.com)

Lyrics and Lyricists – Jerry Herman: You I Like – May 24th – May 31st

The 92nd Street Y in New York is celebrating the 54th anniversary of the opening of Jerry Herman’s musical Mame at the Winter Garden with this concert from the Lyrics and Lyricists series celebrating the composer.

In addition to Mame, Herman’s musicals include Milk and Honey, Hello Dolly!, Ben Franklin in Paris, Dear World, Mack and Mabel, The Grand Tour and La Cage Aux Folles. Herman, who died in 2019, was the recipient of three Tony Awards and a Special Tony Award for Lifetime Achievement.

Participating in this concert (which took place earlier this year) are Tony Award-winner Cady Huffman, who made her Broadway debut in the original production of La Cage Aux Folles; Quentin Earl Darrington (who starred as Coalhouse Walker in the 2009 revival of Ragtime); Bryonha Marie Parham (Prince of Broadway); Andrea Ross (The Sound of Music) and Ryan Vona (Beautiful).

This concert was conceived and music directed by Andy Einhorn (Hello, Dolly! revival) and was directed by Huffman.

Jerry Herman: You I Like becomes available on May 24th at 7 PM EDT/4 PM PDT and will remain available through May 31st at 11:59 PM EDT/8:59 PM PDT.

Don’t forget you can also check out SFJazz’s Wayne Shorter Celebration Part 1 on May 22nd. The Metropolitan Opera offerings this weekend are Don Giovanni, Faust and Manon.

That’s it for this weekend’s Best Bets At Home: May 22nd – May 25th

Enjoy your long weekend!

Update: This post has been updated to correct the composer of The Barber of Seville as Rossini, not Mozart. Cultural Attaché regrets the error.

Main Photo: Gillian Anderson in A Streetcar Named Desire (Photo by Johan Persson/Courtesy of NT Live)

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Composer Jake Heggie Brings “Moby Dick” to LA Opera https://culturalattache.co/2015/10/28/composer-jake-heggie-brings-moby-dick-to-la-opera/ https://culturalattache.co/2015/10/28/composer-jake-heggie-brings-moby-dick-to-la-opera/#respond Thu, 29 Oct 2015 03:52:37 +0000 https://culturalattache.co/?p=13926 "To really give yourself over to that world is a really big commitment. I read it twice through before we started writing. All the chapters that irritated me at the beginning are now my favorites—those side chapters not involved in the plot.”

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Herman Melville’s Moby Dick, the classic tale of one man’s pursuit of an elusive white whale, has over the years been turned into films and television miniseries. Now, it has been turned into an opera. Jake Heggie, whose Dead Man Walking was performed earlier this year at the Broad Stage, is the composer of the show, which opens Saturday night at Los Angeles Opera.

“I was asked by Dallas Opera to write something for them, and they were building a new American opera house,” he says. “It’s red. It’s bold. I knew that [the opera] needed to be something big, bold, and daring. It was Terrence McNally’s idea. He was going to be the librettist but he had to withdraw for personal reasons. That’s when [Gene] Scheer took over and wrote a brilliant libretto.”

Heggie admits to experiencing the same problems most students do when first reading the epic novel. “I don’t know how people read it in high school,” he admits. “I found it difficult to do as an adult. To really give yourself over to that world is a really big commitment. I read it twice through before we started writing. All the chapters that irritated me at the beginning are now my favorites—those side chapters not involved in the plot.”

As daunting as Captain Ahab’s pursuit of the whale is, it may be less daunting than adapting the story for opera. The key, Heggie says, is “making it human. Shrinking the landscape to the point where it seems doable. The more specific you get with the things, the more doable and somehow the broader they can be. If you get specific you can accomplish a lot. The big breakthrough was to put ‘Call me Ishmael’ at the end and really earn that line.” (For those who need to brush up on the book, that line opens Melville’s novel.)

Moby Dick is dedicated to one of Heggie’s biggest influences—Stephen Sondheim. “He told me that’s the highest praise of all and thanked me very warmly,” Heggie says. “He’s been very generous and kind and supportive to me through the years. Sweeney Todd showed me there was still a lot to say on the American Lyric stage and there were many ways to do it.”

Heggie is now based out of San Francisco, but he previously lived in Los Angeles. As such, he is thrilled that LA Opera is staging his work. “Before I moved to San Francisco I was an LA Opera subscriber,” he says. “In fact, LA Opera’s 1984 production of Peter Grimes was the first time opera really made sense to me. That production blew the top of my head off. They are responsible for my formative years of opera experience. I saw Tosca the night Placido Domingo was supposed to conduct, but wound up singing it. I saw Die Frau ohne Schatten. It was electrifying. To have them embrace a piece of mine these years later is enormously moving.”

Photo by Cory Weaver/Courtesy San Francisco Opera

Originally published at LAMag.com on October 28, 2015

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