With yesterday’s good news that those who are vaccinated can go around without masks with the exception of a few specified areas, it seems like only a matter of time before live events will come roaring back.

The question now is whether or not all the streaming events of the past 15 months will become a relic of the era or a regular part of our cultural experience. Only time will tell.

For now, there are still plenty of great programs available for viewing. Topping our list is MCC Theater’s Miscast 2021 Gala. There are two other gala events, a new musical reading, a vintage classical music concert, new music, a play reading and more.

Here are the Best Bets: May 14th – May 17th.

*TOP PICK* – Miscast 2021 – MCC Theater – May 16th – May 20th

Yesterday we posted a full preview of this event, but here’s what makes this show so entertaining: Broadway stars perform songs separately or with others they would never be cast to sing. For instance, Robert Fairchild sings this song from the musical Sweet Charity in a clip from last year’s “quarantine” edition of Miscast.

This year’s line-up includes Annaleigh Ashford (Sunday in the Park with George), Melissa Barrera (In the Heights), Gavin Creel (Hello, Dolly!), Robin de Jesús (The Boys in the Band), Renée Elise Goldsberry (Hamilton), Leslie Grace (In the Heights), Cheyenne Jackson (Finian’s Rainbow), Jai’Len Josey (SpongeBob SquarePants), LaChanze (Summer: The Donna Summer Musical), Idina Menzel (Wicked), Kelli O’Hara (Kiss Me, Kate), Billy Porter (Kinky Boots), Kelly Marie Tran (Raya and the Last Dragon), Aaron Tveit (Moulin Rouge) and Patrick Wilson (The Full Monty).

This is a free event, though donations are encouraged.

PLAY READING: Watch on the Rhine – Broadway’s Best Shows – Now – May 17th

Lillian Hellman’s Watch on the Rhine had its world premiere at the Martin Beck Theater on April 1, 1941. Her play tells the story of a German man, Mueller, married to an American woman, who is involved with anti-fascist causes in Europe. While visiting his wife’s relatives in Washington, D.C., another guest, also staying with the family, blackmails Mueller after discovering Mueller is planning to send money to aid underground operations in Germany.

For this reading as part of Spotlight on Plays, Ellen Burstyn, Alan Cox, Carla Gugino, Mary Beth Peil and Jeremy Shamos star in this reading directed by Sarna Lapine.

Tickets are $18 with the reading available for viewing through Monday at 6:00 PM ET/3:00 PM PT. Proceeds from the reading benefit The Actors Fund.

Trivia: Two years later a film version of Watch on the Rhine was released starring Bette Davis and Paul Lukas (reprising his role from Broadway). The film was nominated for four Academy Awards including Best Picture. Lukas won for Best Actor.

DANCE: Stephen Petronio Company – The Joyce Theater – Now – May 26th

There are five works being showcased in this new film by the Stephen Petronio Company, the New York-based dance company that was founded in 1984.

Two of the five pieces being performed are set to songs made famous by Elvis Presley: Are You Lonesome Tonight and Love Me Tender.

There are two versions of Are You Lonesome Tonight being performed. Love Me Tender was originally performed in 1993 in a collaboration with artist Cindy Sherman.

New Prayer For Now (Part 1) has its debut in this film. Petronio was inspired by Balm in Gilead and Bridge Over Troubled Water when creating New Prayer…. Monstah Black (who is also a dancer and choreographer in addition to being a musician) composed the music and performs with the Young People’s Chorus of New York City.

The program wraps up with a new version of Group Primary Accumulation by Trisha Brown and Pandemic Portraits, a film by Dancing Camera.

Tickets are $25.

CLASSICAL MUSIC: Berlin Philharmonic 1967 – Carnegie Hall – May 14 – May 21st

Herbert von Karajan leads the Berliner Philharmoniker in a performance of Tchaikovsky’s Piano Concerto No. 1 with soloist Alexis Weissenberg.

This is amongst the most popular concerti in the world. But if Weissenberg’s name isn’t familiar to today’s audiences, this quote from his obituary by Maraglit Fox in the New York Times defines his reputation:

“Mr. Weissenberg possessed a technical prowess rivaled by few other pianists. The ice of his demeanor at the keyboard (he sat, leaned forward and got down to business, playing with scarcely a smile or grimace) was matched by the fire that came off the keys.” (Weissenberg passed away in 2012.)

There is no charge to watch this performance. This is the first of a new series Carnegie Hall Selects featuring performances by artists who played major roles in the 130-year history of the venue.

BROADWAY VOCALS: Jose Llana: Broadway Stories & Songs with Ted Sperling – May 14th – 8:00 PM ET/5:00 PM PT

Broadway star Jose Llana is Ted Sperling‘s guest for Broadway Stories & Songs. Llana has been seen in The King and I, Rent, Street Corner Symphony, Flower Drum Song, The 25th Annual Putnam County Spelling Bee and Wonderland on Broadway.

I first saw him in Flower Drum Song at the Mark Taper Forum. I also saw him in the incredible show Here Lies Love at the Public Theater.

He also performed Adam Guettel’s song cycle Saturn Returns (later renamed Myths and Hymns) which is where he and Sperling first worked together.

If you can’t see the show on Friday, there is an encore showing scheduled for May 15th at 2:00 PM ET/11:00 AM PT. Tickets for either showing are $25. You can watch the show a second time if you buy tickets for the Friday night showing.

JAZZ: Robert Glasper: Everything’s Beautiful – SFJAZZ – May 14th – 8:00 PM ET/5:00 PM PT

This 2018 concert found innovative musician/composer Robert Glasper putting his own spin on works by Miles Davis for his album Everything’s Beautiful. Glasper’s music was featured in Don Cheadle’s film Miles Ahead from 2015.

If you don’t know Glasper or his work, he’s one of the most interesting artists working in jazz today. He’s also collaborated with Erykah Badu, Herbie Hancock, Kendrick Lamar, Ledisi and Jill Scott.

Joining Glasper in this performance are vocalist Bilal; Michael Severson on guitars; Burniss Travis on bass and Justin Tyson on drums.

If you can’t watch Friday night’s showing that is part of SFJAZZ’s Fridays at Five series, there is an encore showing on Saturday, May 15th at 1:00 PM ET/10:00 AM PT. Tickets require either a one-month digital membership for $5 or a $50 annual digital membership.

MUSICAL: Breathe: A New Musical – May 14th – July 9th

Playwright Timothy Allen McDonald (Roald Dahl’s Willy Wonka) and novelist Jodi Picoult (The Book of Two Ways) have teamed up for this new musical suite that features interlocking stories of five different couples navigating their way through the Covid pandemic and its impact on their lives.

The songs were written by Doug Besterman (The Big One-Oh!), Zina Goldrich (Ever After), Marcy Heisler (Hollywood Romance), Kate Leonard (Ratatouille: The TiKTok Musical), Douglas Lyons (Peter, Darling), Daniel J. Mertzlufft (Ratatouille: The TikTok Musical), Rebecca Murillo (Credence & Cecilia), Ethan Pakchar (Five Points), Rob Rokicki (The Lightning Thief: The Percy Jackson Musical) and Sharon Vaughn (My Heroes Have Always Been Cowboys).

Appearing in this online musical are Tony Award winners Kelli O’Hara and Brian Stokes Mitchell along with Denée Benton (Hamilton), Rubén J. Carbajal (Hamilton), Max Clayton (Moulin Rouge), Josh Davis (Beautiful: The Carole King Musical), Colin Donnell (Anything Goes), Matt Doyle (the upcoming revival of Company), Patti Murin (Frozen), T. Oliver Reid (Hadestown), and Daniel Yearwood (Once on This Island).

Tickets are $25 to watch Breathe. If you want to join the official opening night on Friday, May 14th at 8:00 PM ET/5:00 PM PT, those tickets are $40 and includes an post-premiere cast party and a download of the music from the show.

CONTEMPORARY SONG CYCLE: Dorothea – CAP UCLA – Debuts May 15th – 10:00 PM ET/7:00 PM PT

Ted Hearne, one of our most fascinating and interesting composes, has created a song cycle inspired by the poetry of Dorothea Lasky.

Lasky is an acclaimed poet who told the LA Review of Books, “I do believe it’s better not to be safe in your poems.” As a composer, Hearne also doesn’t play it safe.

They both are utterly compelling. This combination should double down on that and prove to be very exciting to watch.

Hearne was a Pulitzer Prize finalist for his 2018 composition Sound From the Bench. Both Los Angeles Opera and San Francisco Opera performed his opera The Source about Chelsea Manning.

Hearne will be singing vocals in this performance. Joining him are Eliza Bagg on vocals and synths; Ashley Bathgate on cello; Nathan Koci on piano/keyboards; Diana Wade on viola; Ron Wiltrout on drums and Ayanna Woods on bass.   

There is no charge to watch Dorothea. Donations to CAP UCLA are encouraged.

CLASSICAL MUSIC: Nadia Sirota, Gabriel Cabezas and Rob Moose – The Phillips Collections – Debuts May 16th – 4:00 PM ET/1:00 PM PT

Johann Sebastian Bach’s Trio Sonata No. 6 in G Major, BWV 530 serves as the foundation for this performance by violist Nadia Sirota, cellist Gabriel Cabezas and violinist Rob Moose.

The concert will begin and end with a movement from the sonata with a third movement at the halfway point.

Interspersed amongst the concert are works by three of today’s most interesting contemporary composers: Marcos Batler, Missy Mazzoli and Nico Muhly.

Sirota is also the music producer for Los Angeles Chamber Orchestra’s Close Quarters series.

There is no charge to watch this performance, however registration is required. The program will remain available for viewing through May 22nd.

PLAY READING: Sejanus, His Fall – Red Bull Theater – Debuts May 17th – 7:30 PM ET/4:30 PM PT

New York’s Red Bull Theater will present a new adaptation of Ben Johnson’s 17th-century play Sejanus, His Fall on Monday night. The adaptation is by Nathan Winkelstein, who also directs.

The play depicts a power struggle between Tiberius, the Emperor of Rome and Sejanus, his right-hand man. Sejanus covets being the emperor. Tiberius has no desire to make that a possibility. Factions line up behind each man and the power struggle begins with all of our own contemporary issues surrounding politics and power at play.

Participating in the reading are: Shirine Babb (Harry Potter and the Cursed Child), Grantham Coleman (The Great Society), Keith David (Seven Guitars), Manoel Felciano (To Kill a Mockingbird), Denis O’Hare (Assassins), Matthew Rauch (Junk), Liv Rooth (To Kill a Mockingbird), Laila Robins (Heartbreak House), Stephen Spinella (Angels in America), Emily Swallow (High Fidelity), Raphael Nash Thompson (The Red Letter Plays), Tamara Tunie (Radio Golf) and James Udom (The Rolling Stone).

Tickets are pay what you can with proceeds going to Red Bull Theater.

CONCERT/GALA: Stand Up, Stand Strong – Covenant House – May 17th – 8:00 PM ET/5:00 PM PT

Sara Bareilles, Stephanie J. Block, Jon Bon Jovi, Zach Braff, Terron Brooks, Rachel Brosnahan, Stephen Colbert, Charlie Day, Darius De Haas, Ariana DeBose, Mary Elizabeth Ellis, Morgan Freeman, Jon Hamm, Adrianna Hicks, James Monroe Iglehart, Capathia Jenkins, Jewel, Jeremy Jordan, Amanda Kloots, Ames McNamara, Laurie Metcalf, Lin-Manuel Miranda, Brian Stokes Mitchell, Abby Mueller, Alex Newell, Desus Nice and The Kid Mero, Kelli O’Hara, Laura Osnes, Dolly Parton, Jo Ellen Pellman, Ben Platt, Jason Ralph, Ryan Reynolds, Chita Rivera, Robin Roberts, Aliza Russell, Keala Settle, Tony Shalhoub, Meryl Streep, Ana Villafañe, Dionne Warwick, Marlon Wayans, Frank Wildhorn, Vanessa Williams, Daniel Yearwood and more will join co-hosts Audra McDonald and John Dickerson for this annual fundraiser for Covenant House.

The organization provides shelter for homeless youth living on the streets. They have helped more than one million youth since their inception more than 40 years ago.

This gala fundraiser will offer music, stories and more. There is no charge to watch the show, however donations are encouraged. For a list of the many ways you can watch Stand Up, Stand Strong, please go here.

VOCALS/STORIES: Jim Caruso’s Pajama Cast Party – May 17th – 8:00 PM ET/5:00 PM PT

Though Jim Caruso has multiple guests for this Monday’s 58th episode of Pajama Cast Party, I can sum up the reason to tune into this particular episode with two words: Marilyn Maye.

That’s the official list of Best Bets: May 14th – May 17th. Here are also a few reminders:

Lincoln Center Theater’s Tales from the Wings, which we previewed here, will remain available through Monday, May 17th. This is a must for theater fans.

The Los Angeles Philharmonic debuts Chamber Music: Piazzolla in their Filmed at the Ford series. You can find details here.

This weekend’s offering from the Metropolitan Opera include the documentary The Audition on Friday; Rossini’s Il Barbiere di Siviglia from the 2014-2015 season on Saturday and Donizetti’s Roberto Devereux from the 2015-2016 season on Sunday.

Sunday will also be the finals of the National Council Auditions at the Met at 3:00 PM ET/12:00 PM PT.

Monday begins Week 62 at the Met where the theme is Unhinged Mad Scenes. The first production being streamed is the 2006-2007 season production of Bellini’s I Puritani with Anna Netrebko.

There are just two weeks left to see Sutton Foster’s Bring Me to Light. You can find details in our preview here.

There you have a jam-packed list of Best Bets: May 14th – May 17th.

Enjoy your weekend and enjoy the shows!

Photo: Renée Elise Goldsberry (Photo by Justin Bettman/Courtesy MCC Theater)

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Our top pick, previewed yesterday, is a reading of Larry Kramer’s The Normal Heart on Saturday. We also have some great jazz music for you (both traditional vocals and a very contemporary performance), a London production of Chekhov that earned rave reviews, a tribute to two of Broadway’s best songwriters, chamber music and a contortionist. After all, it’s Mother’s Day weekend. Don’t all mothers just love contortionists?

Here are the Top 10 Best Bets: May 7th – May 10th

*TOP PICK* PLAY READING: The Normal Heart – ONE Archives Foundation – May 8th – 8:00 PM ET/5:00 PM PT

We previewed this event yesterday as out Top Pick, but here are the pertinent details:

Director Paris Barclay has assembled Sterling K. Brown, Laverne Cox, Jeremy Pope, Vincent Rodriguez III, Guillermo Díaz, Jake Borelli, Ryan O’Connell, Daniel Newman, Jay Hayden and Danielle Savre for a virtual reading of Larry Kramer’s play.

The reading will be introduced by Martin Sheen.

There will be just this one live performance of The Normal Heart. It will not be available for viewing afterwards. There will be a Q&A with the cast and Barclay following the reading. Tickets begin at $10 for students, $20 for general admission.

PLAY READING: Rachel – Roundabout Theatre Company’s Refocus Project – Now – May 7th

Angelina Weld Grimké’s 1916 play Rachel, is the second play in the Refocus Project from Roundabout Theatre Company. Their project puts emphasis on plays by Black playwrights from the 20th century that didn’t get enough attention or faded into footnotes of history in an effort to bring greater awareness to these works.

Rachel tells the story of a Black woman who, upon learning some long-ago buried secrets about her family, has to rethink being a Black parent and bringing children into the world.

Miranda Haymon directs Sekai Abení, Alexander Bello, E. Faye Butler, Stephanie Everett, Paige Gilbert, Brandon Gill, Toney Goins, Abigail Jean-Baptiste and Zani Jones Mbayise.

The reading is free, but registration is required.

JAZZ: Joel Ross & Immanuel Wilkins – Village Vanguard – May 7th – May 9th

You’d be hard-pressed to find a more compelling pairing of jazz musicians than vibraphonist Joel Ross and alto saxophonist Immanuel Wilkins.

The two have been collaborating for quite some time. Wilkins is a member of Ross’ Good Vibes quintet.

Nate Chinen, in a report for NPR, described a 2018 concert in which Ross performed with drummer Makaya McCraven this way. “Ross took one solo that provoked the sort of raucous hollers you’d sooner expect in a basketball arena. Again, this was a vibraphone solo.“

Wilkins album, Omega, was declared the Best Jazz Album of 2020 by Giovanni Russonello of the New York Times.

I spoke to Wilkins last year about the album and his music. You can read that interview here. And if you’re a fan, Jason Moran, who produced the album, told me that this music was “just the tip of the iceberg.”

Tickets for this concert are $10.

PLAY: Uncle Vanya – PBS Great Performances – May 7th check local listings

Anton Chekhov’s Uncle Vanya is performed by a cast headed by Richard Armitrage and Toby Jones. Conor McPherson adapted the play for this production which played at the Harold Pinter Theatre in London and was directed by Ian Rickson.

Arifa Akbar, writing in her five-star review for The Guardian, said of the production:

“Ian Rickson’s exquisite production is full of energy despite the play’s prevailing ennui. It does not radically reinvent or revolutionise Chekov’s 19th-century story. It returns us to the great, mournful spirit of Chekhov’s tale about unrequited love, ageing and disappointment in middle-age, while giving it a sleeker, modern beat.

“McPherson’s script has a stripped, vivid simplicity which quickens the pace of the drama, and despite its contemporary language – Vanya swears and uses such terms as “wanging on” – it does not grate or take away from the melancholic poetry.”

CHAMBER MUSIC: Beyond the Horizon – LA Chamber Orchestra – Premieres May 7th – 9:30 PM ET/6:30 PM PT

This is the 12th episode in LACO’s Close Quarters series and definitely one of its most intriguing. Jessie Montgomery, the composer who curated the previous episode, curates this episode as well. She is joined by her fellow alums from Juilliard, mezzo-soprano Isabel Leonard (who directs) and music producer Nadia Sirota.

The program features Alvin Singleton’s Be Natural (a pun any music major will understand); Mazz Swift’s The End of All That Is Holy, The Beginning of All That is Good and Montgomery’s Break Away.

The performance portion of Beyond the Horizon is conducted by Christopher Rountree of Wild Up! Visual artist Yee Eun Nam contributes to the film as does art director James Darrah.

There is no charge to watch Beyond the Horizon.

CHAMBER MUSIC: MusiKaravan: A Classical Road Trip with Delerium Musicum – The Wallis Sorting Room Sessions – May 7th – May 9th

Music by Johannes Brahms, Charlie Chaplin, Frederic Chopin, Vittorio Monti, Sergei Prokofiev, Giacomo Puccini and Dmitri Shostakovich will be performed by Delerium Musicum founding violinists Étienne Gara and YuEun Kim. They will be joined for two pieces by bassist Ryan Baird.

The full ensemble of musicians that make up Delerium Musicum will join for one of these pieces? Which one will it be? There is only one way to find out.

This concert is part of The Sorting Room Sessions at The Wallis.

Tickets are $20 and will allow for streaming for 48 hours

MOTHER’S DAY OFFERINGS: MOMentum Place and A Catalina Tribute to Mothers – May 8th

Will Geer’s Theatricum Botanicum is celebrating Mother’s Day with MOMentum Place, a show featuring aerial artists, circus performers, dancers and musicians. The line-up includes circus artist Elena Brocade; contortionist and acrobat Georgia Bryan, aerialist and stilt dancer Jena Carpenter of Dream World Cirque, ventriloquist Karl Herlinger, hand balancer Tyler Jacobson, stilt walker and acrobat Aaron Lyon, aerialist Kate Minwegen, cyr wheeler Sarah Moser and Cirque du Soleil alum Eric Newton, plus Dance Dimensions Kids and Focus Fish Kids. The show was curated by aerlist/dancer Lexi Pearl. Tickets are $35.

Catalina Jazz Club is holding A Catalina Tribute to Mothers at 9:00 PM ET/6:00 PM PT. Headlining the concert are singers Jack Jones, Freda Payne and Tierney Sutton. Vocalist Barbara Morrison is a special guest. Also performing are  Kristina Aglinz, Suren Arustamyan, Lynne Fiddmont, Andy Langham, Annie Reiner, Dayren Santamaria, Tyrone Mr. Superfantastic and more. Dave Damiani is the host. The show is free, however donations to help keep the doors open at Catalina Jazz Club are welcomed and encouraged.

JAZZ: Love in Exile – The Phillips Collection – May 9th – 4:00 PM ET/1:00 PM PT

There is no set program for this performance by pianist/composer Vijay Iyer, vocalist Arooj Aftab and bassist Shazad Ismaily. The website says Love in Exile performs as one continuous hour-long set.

Having long been a fan of Iyer, spending an hour wherever he and his fellow musicians wants to go sounds like pure heaven to me.

Iyer’s most recent album, Uneasy, was released in April on ECM Records and finds him performing with double bassist Linda May Han Oh and drummer Tyshawn Sorey. It’s a great album. You should definitely check it out.

There is no charge to watch this concert, but registration is required. Once Love in Exile debuts, you’ll have 7 days to watch the performance as often as you’d like.

DANCE: Past, Present, Future – ALL ARTS – May 9th – May 11th

ALL ARTS, part of New York’s PBS stations, is holding an three-night on-line dance festival beginning on Sunday.

If We Were a Love Song is first up at 8:00 PM ET on Sunday. Nina Simone’s music accompanies this work conceived by choreographer Kyle Abraham who is collaborating with filmmaker Dehanza Rogers.

Dancers (Slightly Out of Shape) airs on Monday at 8:00 PM ET. This is part documentary/part dance featuring choreographer Pam Tanowitz as she and her company resume rehearsals last year during the Covid crisis. It leads to excerpts from Every Moment Alters which is set to the music of Pulitzer Prize-winning composer Caroline Shaw.

One + One Make Three closes out the festival on Tuesday at 8:00 PM ET. This film showcases the work of Kinetic Light, an ensemble featuring disabled performers. This is also part documentary/part dance made by director Katherine Helen Fisher.

All three films will be accompanied by ASL and Open Captions for the hearing impaired.

BROADWAY: Broadway Close Up: Kander and Ebb – Kaufman Music Center – May 10th – 7:00 PM ET/4:00 PM PT

You know the work of John Kander and Fred Ebb: Cabaret, Chicago, Flora the Red Menace, Kiss of the Spider Woman, New York New York, The Scottsboro Boys and Woman of the Year.

Their work will be explored, discussed and performed with host Sean Hartley.

He’s joined by Tony Award-winner Karen Ziemba (Contact) who appeared in two musicals by the duo: Curtains and Steel Pier. The latter was written specifically for her.

Any fan of Kander and Ebb will want to purchase a ticket for this show. Tickets are $15

Those are our Top Ten Best Bets: May 7th – May 10th (even if we cheated a little bit by having two options listed together). But there are a few reminders:

The Metropolitan Opera has their own view of mothers with their theme of Happy Mother’s Day featuring Berg’s Wozzeck on Friday; Puccini’s Madama Butterfly on Saturday and Handel’s Agrippina on Sunday.

Puccini returns for the start of National Council Auditions Alumni Week with a 1981-1982 season production of La Bohème. We’ll have all the details for you on Monday.

LA Opera’s Signature Recital Series continues with the addition of a recital by the brilliant soprano Christine Goerke.

One rumor to pass along to you: word has it Alan Cumming will be Jim Caruso’s guest on Monday’s Pajama Cast Party.

That completes all our selections of Best Bets: May 7th – May 10th. I hope all of you who are mothers have a terrific weekend. For those of you celebrating with your moms, I hope we’ve given you plenty of options to consider.

Have a great weekend! Enjoy the culture!

Photo: Larry Kramer (Photo by David Shankbone/Courtesy David Shankbone)

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This weekend the first of two episodes of Los Angeles Chamber Orchestra’s Close Quarters series she curated makes its debut. Sonic Shift, featuring the work of composers Marcos Balter, Anna Meredith and Alyssa Weinberg premieres on Friday, April 23rd at 6:30 PM PDT.

The second episode, Beyond the Horizon, featuring the work of composers Alvin Singleton, Mazz Swift and one of Montgomery’s own compositions debuts on May 7th.

Last month I spoke by phone with Montgomery about her collaborations with LACO on this project, bringing in mezzo-soprano Isabel Leonard to direct Beyond the Horizon and the future for Black composers in classical music. What follows are excerpts from that conversation that have been edited for length and clarity.

The programming you’ve put together is not the kind of material typically associated with LACO. What was their response to the repertoire you selected?

I’m happy to say there was really a lot of support. I basically used the guidelines LACO uses for their Sessions programming which I ended up transitioning from into this Close Quarters format. Sessions is part of their programming where they stretch beyond their usual repertoire and often includes a lot of new music. I already knew that I was going to be doing a program that was all living composers – so that was already understood. Then from there they gave me free rein. What is your aesthetic? What is your vision? What do you want to hear more of? I thought that was a great directive.

What did you want to accomplish with each episode?

My first instinct was I wanted to choose music I felt attracted to – all identity politics aside. There are two separate programs. Sonic Shift is playing with the balance and transition between acoustic and electronic or electro-acoustic sound worlds. So there’s a progression that happens through from beginning to end with that program. I really wanted to include a nice assortment of chamber wind players so that there was a balance of instrumentation.

The second program was the one I wanted to make more geared around certain aspects of my own music I’m working with and continuing to explore – which is the realm of improvisation. The other two artists are also African American artists. The cross-exploration of improvisation and jazz exists within that second program. And also total avant-garde experimental music through Alvin Singleton. I thought that was an interesting way to frame the broad range of styles and approaches of Black classical musicians.

Isabel Leonard was a surprising choice to direct Beyond the Horizon, particularly for a program about improvisation. The opera world is not exactly where you find improvisation welcomed.

I’m really excited to see what she’s going to do with it. The spirit of spontaneity may be something that she jumps on. We talked a little bit about how she might bring in that quality of surprise and spontaneity.

I love the idea of a performing artist designing and directing the visuals. I think that’s a really awesome and interesting angle for LACO to take. I’m really excited to work with her. Isabel, Nadia [music producer Nadia Sirota] and myself were at Juilliard together. It’s a reunion collaboration in a way.

What gives you faith in this moment in time that Black composers, both dead and alive, will continue to be embraced by major institutions in the long run?

I can say that I’m seeing it happen just in the invitations and the places I’m involved in. I’m seeing more Black artists brought into the decision-making roles whether they are on artistic planning committees or curator roles or even within higher CEO and director positions. There are definitely organizations that are bringing in Black artists and not necessarily letting them do what they want, which is all too common and other organizations that are completely resisting it all together.

It was deliberate that I did a program of all-Black artists, but it was guided mainly by the music and then the fact I wanted to make a contribution in terms of the direction things are moving. There’s as much range amongst Black artists as there is any group of people. I think it’s really interesting in this context to show that range as well. So I would say I have to stay optimistic that these changes and attitudes and the interest we’re seeing is genuine in most cases and that will prevail to keep our ears open and our eyes open.

In a 1936 Chicago Defender* article, composer Florence Price** was quoted as saying, “Keep ideals in front of you; they will lead to victory.” Does that resonate with you and if so, does it inspire you?

Absolutely. I think Florence Price is an incredible example of somebody who really fought that fight. She was told she couldn’t achieve what she achieved. She was rigorous in her writing and in the amount of music she wrote. She was so determined to work within the classical music structure: orchestral pieces, concertos, organ pieces, piano pieces, string quartets – really traditional models. It speaks to her determination and her sense of I’m going to do this because I know it’s possible no matter what happens.

I think we all have to have that attitude as artists – that we can create what we want when we want to create it. Just being a human being and having the right and freedom to create what you want is a natural human right and ability we all possess and develop in different ways. That should be the case for everybody.

*Chicago Defender is an African-American newspaper founded in 1905 by Robert S. Abbott. It ceased print publication in 2019 and is an online only publication today.

**Florence Price was the first Black American woman to be recognized as a symphonic composer. Her Symphony in E Minor was given its debut by the Chicago Symphony Orchestra in 1933, marking the first time a work by a Black female composer was performed in the United States by a major classical orchestra.

All photos of Jessie Montgomery by Jiyang Chen (Courtesy MKI Artists)

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The program will find two-time Grammy winner Leonard discussing her career and passions with Zsolt Bognár who hosts Living the Classical Life. She will also be performing on the live-streamed event. Joining Leonard will be pianist Emanuel Ax, soprano Janai Brugger and trombonist Wycliffe Gordon.

Leonard’s roles at the Metropolitan Opera have included Rosina in The Barber of Seville (a role she also performed at LA Opera); Cherubino in The Marriage of Figaro; Miranda in Thomas Adés’s The Tempest; Dorabella in Cosi fan tutte; Zerlina in Don Giovanni and Charlotte in Werther.

I first became aware of her when I attended a Met Opera Live in HD screening of Poulenc’s Dialogues des Carmélites. While the opera happens to be amongst my favorites, this particular production was staggeringly beautiful, truly emotional and Leonard’s singing was glorious.

She also sang the title role in Nico Muhly‘s Marnie when it had its US premiere. Muhly’s opera was streamed on April 30th by The Met. Leonard was stunning once again. As she is in this concert performance of “I See Forio” from Marnie with Muhly at the piano and Nadia Sirota on viola.

Who knows when live performances will resume again. Leonard has multiple bookings on her calendar, but sadly it might be quite some time before we get to see and hear her live in either an opera or a concert.

If you know Leonard and her work, or want to be introduced to her, Thursday’s Live with Carnegie Hall will definitely be something to watch. If, however, the timing doesn’t work out for you, Carnegie Hall archives these programs so you can watch it at your leisure approximately an hour or so after the conclusion of the live stream.

Photo of Isabel Leonard by Fay Fox/Courtesy of Columbia Artists

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Muhly has assembled a program that includes his collaboration with Thomas Bartlett on Peter Pears: Balinese Ceremonial Music. This album was released in 2018 by Nonesuch Records. It features nine songs the two wrote together and three transcriptions of traditional Gamelan music.

Philip Glass has long been an inspiration for Muhly. As part of this program he will offer his own interpretations of some of the composer’s lesser-known works. These will be performed with Nadia Sirota on the viola and Caroline Shaw on vocals and violin, Alex Sopp on flute, Lisa Kaplan on piano, Lisa Liu on violin, Patrick Belaga on cello and Wade Culbreath on percussion.

Rumors are circulating about some special guests who will be part of this concert. Since Muhly has worked with Sufjan Stevens, Bryce Dessner, Benjamin Millepied and more, who could they be?

I’m hoping that one or more of his operas, Two Boys, Dark Sides or Marnie might be performed in Los Angeles sooner as opposed to later.  LA Opera? Beth Morrison Projects? REDCAT?

Until that happens, we’ll have Archives, Friends, Patterns which is our pick for Your Best Bet This Week in Culture.

For tickets go here.

Photo of Nico Muhly by Heidi Solander/Courtesy of Cap UCLA

The post Your Best Bet This Week in Culture: Nico Muhly: Archives, Friends, Patterns appeared first on Cultural Attaché.