Pittance Chamber Music Archives - Cultural Attaché https://culturalattache.co/tag/pittance-chamber-music/ The Guide to Arts and Culture events in and around Los Angeles Mon, 04 Jan 2021 19:50:05 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 Best Bets At Home: November 13th – November 15th https://culturalattache.co/2020/11/13/best-bets-at-home-november-13th-november-15th/ https://culturalattache.co/2020/11/13/best-bets-at-home-november-13th-november-15th/#respond Fri, 13 Nov 2020 08:01:58 +0000 https://culturalattache.co/?p=11673 Fifteen different programs to enjoy this weekend

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Don’t let the fact that we start this weekend on Friday the 13th make you nervous. Au contraire! There are still plenty of great ways to spend your time enjoying culture in our Best Bets at Home: November 13th – November 15th. Honestly, you won’t have time to think about such superstitions.

Wouldn’t it be ironic if I had selected thirteen Best Bets? Relax…I didn’t. I fifteen options for you this weekend. Our top pick is Long Beach Opera’s 2020 Songbook. We have dance, classical, cabaret, jazz, ballet and two opera productions for your consideration.

Here are our Best Bets at Home: November 13th – November 15th:

Chicano Batman (Photo by George Mays/Courtesy Red Light Management)

Chicano Batman – Los Angeles Philharmonic – Starts November 13th

A performance by Los Angeles band Chicano Batman is featured on this penultimate episode of the Los Angeles Philharmonic’s Sound/Stage series. Along with (still-available) performances by Andra Day and Kamasi Washington, their performance does not feature the LA Phil.

Chicano Batman released their self-titled first album in 2010. They followed that up with 2014’s Cycle of Existential Rhyme, 2017’s Freedom Is Free and this year’s Invisible People. The members of the band are Eduardo Arenas, Carlos Arévalo, Bardo Martinez and Gabriel Villa.

There is no charge to watch the performance. Donations are, of course, encouraged.

Sierra Boggess (Courtesy Birdland)

Sierra Boggess Streamed from Birdland! – November 13th – 7:00 PM EST/4:00 PM PST

Broadway star Sierra Boggess made her Broadway debut as “Ariel” in the Broadway musical version of the Disney animated film The Little Mermaid. She appeared as “Christine” in the long-running musical, The Phantom of the Opera in 2013. She went on to originate the role of “Rosalie” in School of Rock – the Musical.

Boggess has filmed a concert at New York’s Birdland. She will be joined by her sister, Summer, on cello and by her music director Brian Hertz. This marks the first time Boggess has performed since the quarantine was put in place in New York.

Amongst the songs she’ll be singing are “Come to My Garden” from The Secret Garden, “Think of Me” from The Phantom of the Opera, “Beyond My Wildest Dreams” from The Little Mermaid and the title track from Andrew Lloyd Weber’s sequel to Phantom, Love Never Dies. Boggess received an Olivier nomination for her performance in the latter show where she originated the role of “Christine.”

Tickets (including the service charge) are $23.50 and can be purchased here.

Chris Thile (Courtesy Red Light Management)

Chris Thile and Madison Cunningham – New Jersey Performing Arts Center – November 13th – 7:30 PM EST/4:30 PM PST

The New Jersey Performing Arts Center’s fall virtual programming includes this conversation and performance with Chris Thile and Madison Cunningham.

Cunningham recently received a Grammy Award nomination for Best Americana Album for her 2019 record “Who Are You Now.”

While it might seem strange to have her listed on Cultural Attaché, Rolling Stone hailed her “jazz-school chord changes” when it included her in a July 2018 story about “The 10 New Country and American Artists You Need to Know This Month.” Frankly, her music speaks for itself.

Cunningham’s new EP, “Wednesday,” was released one week ago and features a cover of Tom Waits’ song “Hold On.”

Which makes the pairing of her with 3-time Grammy Award winner and MacArthur Genius Grant winner Chris Thile a natural fit. His collaborations range from Yo-Yo Ma to Brad Mehldau.

Mehldau told me two of Thile’s qualities as a musician he admires: “First, I knew from hearing and seeing him that he is a true improviser – and that is what I like to do a lot. Second, his singing really affects me, and I was excited about the idea of making music with that kind of vocal expression.”

You will find this show on NJPAC’s Facebook page. There is no charge to watch the show.

Sons of Kemet (Courtesy SFJAZZ)

Sons of Kemet – SFJZZ – November 13th – 8:00 PM EST/5:00 PM PST

You don’t immediately think of dancing when you think of jazz music. Saxophonist Shabaka Hutchings forces you to reconsider that combination with his band Sons of Kemet. They will be performing on this week’s Fridays at Five concert from SFJAZZ.

Formed in 2011 in London, they fuse jazz, afro-beat and world music influences into a mix that yielded a 2013 MOBO Award as the Best Jazz Act.

This concert is from the summer of 2019 and finds the band supporting their 2018 recording, “You’re Queen is a Reptile.” The album was nominated for the 2018 Mercury Prize.

As with all Fridays at Five concerts, you will need either a one-month membership ($5) or an annual membership ($60) to watch the concert.

Zero Mostel in “Fiddler on the Roof” (Photo courtesy Samuel Goldwyn Films)

Fiddler: A Miracle of Miracles – PBS Great Performances – November 13th – check local listings

You’ll be forgiven for not knowing all the nominees for Best Musical at the 1965 Tony Awards. After all, Golden Boy, Half a Sixpence and Oh, What A Lovely War! haven’t had remotely the same impact as the musical that won. Not only did Fiddler on the Roof win Best Musical, it won nine of the 10 awards for which it was nominated.

This musical about a milkman who finds his homeland of Russia changing just as his three daughters are leaving home to pursue their own lives ran for 3,242 performances. There have been five Broadway revivals. The lead role of Tevye has been played on stage by Zero Mostel, Herschel Bernardi, Alfred Molina, Harvey Fierstein, Danny Burstein and Topol, who played the part in the 1971 film.

Why has this musical resonated so profoundly for 55 years? That is has is celebrated in the documentary Fiddler: A Miracle of Miracles. Filmmaker Max Lewkowicz features interviews with composer and lyricist Jerry Bock and Sheldon Harnick, librettist Joseph Stein, original producer Harold Prince, filmmaker Norman Jewison, multiple cast members from the various productions, Stephen Sondheim, Lin-Manuel Miranda, Joel Grey and many more.

Grey directed the most recent production of Fiddler on the Roof. The musical was performed completely in Yiddish and ran for over a year-and-a-half off-Broadway. There had been discussions about a possible transfer to Broadway prior to the pandemic.

As with all PBS programming, check your local listings.

Matthew Bourne’s “Swan Lake” (Photo by Johan Persson/Courtesy Center Theatre Group)

Matthew Bourne’s Swan Lake – Center Theatre Group – November 13th – November 15th

Center Theatre Group’s Digital Stage program includes a selection of programming that falls under the category Digital Stage Plus. These are select events that are free for subscribers and $10 for non-subscribers.

The first program they are showing is a film of Matthew Bourne’s Swan Lake. The show was performed most recently at the Ahmanson Theatre in 2019.

The film features the 2018 cast which appears to be some of the same performers including Will Bozier as The Swan/The Stranger. Liam Mower dances the role of The Prince.

If you are wondering if you read that correctly, perhaps you didn’t know that all the swans in this production are male. For more information about the production, read my interviews with Will Bozier and Max Westwell who alternated the roles of The Swan/The Stranger when the show was in Los Angeles.

The performances are on November 13th at 11:00 PM EST/8:00 PM PST; November 14th at 5:00 PM EST/2:00 PM PST and 11:00 PM EST/8:00 PM PST and November 15th at 4:30 PM EST/1:30 PM PST and 9:30 PM EST/6:30 PM PST.

Samuel Ramey in “Boris Godunov” (Photo by Terrence McCarthy/Courtesy San Francisco Opera)

Boris Godunov – San Francisco Opera – November 14th – November 15th

Conducted by Vassily Sinaisky; starring Samuel Ramey, John Uhlenhopp, Vladimir Ognovenko and Vitalij Kowaljow. This Stein Winge production is from the 2008-2009 season. This is the original 1869 version of the opera.

This opera by Modest Mussorgsky had its world premiere in St. Petersburg in 1874. The libretto, written by the composer, was based on Aleksandr Pushkin’s Boris Godunov. Mussorgky completed an earlier version of the opera in 1869, but it was rejected. He revised the opera and included elements from History of the Russian State by Nikolay Karamzin to gain approval and ultimately a production in 1874.

In the opera, a retired and very reluctant Boris Godunov assumes the throne as Tsar. He is bedeviled by a constant foreboding and hopes his prayers will help him navigate what lies ahead. An old monk named Pimen discusses the murder of Tsarevich Dimitri with Gregory, a novice. Had he lived, Dimitri might have ascended to the throne. Godunov was implicated in his murder years ago. What follows is one man’s pursuit of forgiveness, his being haunted by the Dimitri’s ghost and the Russian people who demand justice.

Joshua Kosman, writing in the San Francisco Chronicle, explained the differences in his review of this production. “The lack of any romantic element – or even of women – seems to have been the reason that government bureaucrats denied the piece access to the stage. In revising “Boris” for its eventual 1874 premiere, Mussorgsky added a female love interest for Grigory, the ex-monk who claims to be the rightful heir to the throne, as well as two major sequences (the so-called “Polish” act and the final scene in Kromy Forest).

“But Mussorgsky went even further, making the new work more formally balanced, more conventional in tone, and more musically integrated. He sprinkled little songs and character pieces around, the better to contrast with the moments of greatest dramatic charge; he arranged his acts to move with assurance toward a surefire curtain.”

He later said in the review that, at least in this production, “the rewards are great.”

Blue 13 Dance (Courtesy their website)

Blue 13 Dance – LA Soundscapes at The Ford – November 14th – 2:00 PM EST/11:00 AM PST

With this free program you can watch Blue 13 Dance perform Bollywood, Bhangra, and Classical Indian Dance and also receive some instruction on how you can bust out some of the same moves.

Founded in 1999, Blue 13 Dance celebrates and preserves the cultural and classic forms of India. They are lead by Artistic Director Achinta S. McDaniel.

The 8 person company brings to joyous life the rich tradition of the Indian culture from the past and guides it fully into the future.

The program is free to watch on LA Soundscapes at The Ford’s Facebook page. Thirty minutes before this program starts there is a crafts program with Nasimeh B.E. If you RSVP at theford.com/crafts you can get a free Craft Box.

Dee Dee Bridgewater in “The Wiz” (Photo by Martha Swope/Courtesy New York Public Library Archives)

Dee Dee Bridgewater – JazzAid Live at the Banyan Bowl – November 14th – 8:00 PM EST/5:00 PM PST

South Florida’s Pinecrest Gardens launches a series of live streaming concerts on Saturday, November 14th with Tony Award and Grammy Award winner Dee Dee Bridgewater. The shows fall under the umbrella of their new program, JazzAid Live.

Regular readers of Cultural Attaché know how much I love Bridgewater and the music she performs.

Her most recent studio album was 2017’s Memphis…Yes, I’m Ready! Earlier this year Dee Dee’s Diamonds was released which is a compilation of songs from some of her earliest recordings. The Tony Award came for her performance as “Glinda” in the musical The Wiz.

Other concerts in this series are Kurt Elling (December 12th); The Glenn Miller Orchestra (January 16th); Wycliffe Gordon (February 13th); Grace Kelly (February 27th); Joey Alexander Trio (March 13th) and The Manhattan Transfer (April 10th).

Each concert will stream live and only once at the announced start time.

Tickets for each individual concert are $15. You can buy all seven concerts in a bundle for $87. Part of the proceeds from the JazzAID Live concerts will go to Chef José Andrés’ World Central Kitchen which, in addition to providing assistance to impoverished and hungry communities worldwide, is providing assistance to families impacted by the pandemic.

Tipitina’s in New Orleans (Courtesy their website)

Save Tip’s: A Benefit for Tipitina’s – November 14th – 9:00 PM EST/6:00 PM PST

Like many a venue that has had to suspend operations due to the Pandemic, New Orleans institution Tipitina’s is struggling to stay alive. So they are holding an online fundraiser that will feature new and archived performances from many of the legends who have played on their stage since it opened in 1977.

Amongst the performers that will be shown are Professor Longhair, Fats Domino, Willie Nelson, Dr. John, Widespread Panic, Wilco, Billy Strings, Jon Batiste & Stay Human feat. Trombone Shorty, Dinosaur Jr, Manu Chao, The Radiators feat. Gregg Allman, Michael Franti and Spearhead, St. Paul and the Broken Bones, Funky Meters, Preservation Hall Jazz Band feat. Allen Toussaint, Galactic feat. Anjelika “Jelly” Joseph, Les Claypool’s Flying Frog Brigade, The Revivalists, Big FreediaTank & The Bangas, Rebirth Brass Band, Zigaboo Modeliste, Juvenile, Samantha Fish, Dumpstaphunk, George Porter and Runnin’ Pardners, Big Chief Monk Boudreaux + Donald Harrison Jr., Anders Osborne, Ivan Neville, Cha Wa, James Andrews, Papa John Gros, The Dirty Dozen Brass Band, Kermit Ruffins, Corey Henry, Roger Lewis, Leo Nocentelli, The Soul Rebels, Davel Crawford, John Cleary + Walter “Wolfman Washington”, The Naughty Professor Horns, Taj Mahal, North Mississippi Allstars + Big Sam and tributes to Art Neville, Dr John and Allen Toussaint.

The show is free to watch. But donations are encouraged by texting “SAVETIPS” to 24365.

Inon Barnatan (Photo by Marco Borggreve/Courtesy Askonas Holt)

Rachmaninoff and Chopin – Pasadena Symphony – November 14th

Pianist Inon Bartanan is featured in this Pasadena Symphony concert. He will start the program with his own transcriptions of Sergei Rachmaninoff’s Symphonic Dances. He will then be joined by a string quartet of Pasadena Symphony members for a performance of Frederic Chopin’s Piano Concerto No. 1 in E Minor, Op. 11.

The musicians joining Bartanan are Amy Hershberger and Nancy Roth on violin; Suzanna Giordano Gignac on viola; Nadine Hall on cello and Peter Doubrovsky on bass. David Lockington conducts.

Tickets are $25.

Countertenor Anthony Roth Costanzo (Courtesy Opus 3 Artists)

2020 Songbook – Long Beach Opera – November 15th – 8:00 PM EST/5:00 PM PST

Like many an organization, the Long Beach Opera had to be creative when it came to raising money for its work and finding a suitable replacement for an annual gala. The result, a fascinating idea, is 2020 Songbook.

Hosting the show is one of opera’s most exciting performers, countertenor Anthony Roth Costanzo.

He can be seen on November 14th in the Metropolitan Opera’s 2019-2020 production of Philip Glass’ Akhnaten.

Here’s what makes this show exciting: Donors this year commissioned new art songs instead of purchasing gala tables. All the commissioned works had to follow a few rules:

They had to be 3-5 minutes long, feature voice plus accompaniment and thematically had to address or reflect events or experiences from the year we all know and love, 2020.

Composers Anthony Davis (2020 Pulitzer Prize for Music winner for The Central Park Five which premiered at Long Beach Opera); Annie Gosfield (The War of the Worlds with Yuval Sharon and the Los Angeles Philharmonic); David Lang (2008 Pulitzer Prize for Music winner for The Little Match Girl Passion); George Lewis (his opera based on the W.E.B. Du Bois short story “The Comet,” will be paired with Monteverdi’s L’incoronazione di Poppea in a world-premiere production in collaboration with Anthony Roth Costanzo and Yuval Sharon in the 2021 Long Beach Opera season) and Du Yun (2017 Pulitzer Prize for Music Winner for Angel’s Bone).

Tickets are $25 and $75 and includes the ability to watch the show for 72 hours.

Composer Gernot Wolfgang (Courtesy his website)

Modern Beauty Part 3 – Pittance Chamber Orchestra – November 15th – 6:00 PM EST/3:00 PM PST

Part 3 of Modern Beauty from Pittance Chamber Orchestra features the world premiere of Austrian composer Gernot Wolfgang’s Decisions.

This eleven-minute work was composed in 2016 and was written for piano and oboe. There are three movements in the piece. Joining Gloria Cheng, who curated all three concerts that make up Modern Beauty, is Jennifer Cullinan.

There is no charge to watch the performance, but donations are encouraged.

James Conlon rehearsing the LA Opera Orchestra (Photo by Melanie Broussalian/Courtesy LA Opera)

The Anonymous Lover – Los Angeles Opera – November 15th – November 29th

Born nearly 11 years before Mozart was composer Joseph Bologne, Chevalier de Saint-Georges. Not only was he a composer, he was a violinist and quite the fencer. More importantly he was, particularly for the time, one of just a few Black composers. (George Bridgetower and Francis Johnson were two other important Black composers from around this era.)

LA Opera is presenting a newly-filmed performance of his third opera, L’amant Anonyme (The Anonymous Lover). The work dates back to 1780, written when the composer was in his mid-30s and has a libretto inspired by a play by Caroline-Stéphanie-Félicité, Madame de Genlis. The opera had its premiere in Paris.

The Anonymous Lover tells the story of Léontine, a woman who has eschewed love. She is young and is a widow. Her good friend, Valcour, also has sworn off love – or so he claims. Secretly he’s been in love with Léontine. Unable to express his feelings, he chooses to anonymously send her letters and gifts. Can two friends become lovers when Valcour finds the nerve to reveal himself to Léontine?

James Conlon conducts the LA Opera Orchestra. The production stars Tiffany Townsend, Robert Stahley, Alaysha Fox, Michael J. Hawk, Gabriela Flores and Jacob Ingbar.

The film was directed by Bruce Lemon, Jr. and incorporated social-distance guidelines during production. Press notes indicate that the staged setting blends both modern film and traditional opera staging.

The Anonymous Lover is free to watch beginning at 8:00 PM EDT/5:00 PM PDT on November 15th.

Lillias White (Photo courtesy Mark Cortale Productions)

Lillias White with Seth Rudetsky – November 15th – 8:00 PM EST/5:00 PM PST $25

I personally find it hard to believe that Tony Award winner Lillias White made her Broadway debut in 1981 (replacing Terri White in the musical Barnum.) Roles in Dreamgirls, Cats, Once on This Island, the 1995 revival of How to Succeed In Business Without Really Trying and the never-ending revival of Chicago all lead to her role as Sonja in The Life.

Following her Tony Award win for The Life, she spent time doing concerts (both her own and fundraisers including an incredible turn singing “Don’t Rain on My Parade” from Funny Girl) before returning to Broadway for 2009’s Fela! She received a Tony nomination for her role as Fela’s mother.

White will join Seth Rudetsky for his concert series this weekend. If you can’t watch the live performance on Sunday, there is an encore performance on Monday, November 16th at 3:00 PM EST/12:00 PM PST. Tickets for either showing are $25.

That’s our list of your Best Bets at Home: November 13th – November 15th. But you know we won’t leave you without a few reminders:

Metropolitan Opera‘s streaming productions this weekend are the 2007-2008 production of Benjamin Britten’s Peter Grimes on Friday, Philip Glass’ Akhnaten on Saturday and Thomas Adés’ The Exterminating Angel on Sunday.

The cover of Laura Benanti’s self-titled album

Don’t forget Laura Benanti’s Live from the West Side: Women of Broadway concert on Saturday.

Table Top Shakespeare: At Home wraps up this week with The Comedy of Errors rather appropriately on Friday the 13th; Timon of Athens on Saturday and The Tempest on Sunday.

That does it. With so many wonderful opportunities to get lost inside these wonderful programs, who has time to be superstitious?

I hope you enjoy our Best Bets at Home: November 13th – November 15th.

Photo: Countertenor Anthony Roth Costanzo (Courtesy Opus 3 Artists)

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Best Bets at Home: November 6th – November 8th https://culturalattache.co/2020/11/06/best-bets-at-home-november-6th-november-8th/ https://culturalattache.co/2020/11/06/best-bets-at-home-november-6th-november-8th/#respond Fri, 06 Nov 2020 08:01:40 +0000 https://culturalattache.co/?p=11581 Fifteen new suggestions for this first weekend in November

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We’ve been through a lot this week. Thankfully your Best Bets at Home: November 6th – November 8th offer multiple choices to hear great music, see a Tony Award-winning play, a cabaret performance and an uncabaret performance. In other words, options that will help you recover from the intense week that has ended.

We have fifteen different options for you this week. Attention Margaret Cho fans, we will tell you how to start and end your weekend with her.

Here are your Best Bets at Home: November 6th – November 8th:

Gustavo Dudamel and the LA Philharmonic (Natalie Suarez for the Los Angeles Philharmonic/Courtesy LA Phil)

Solitude – LA Philharmonic’s Sound/Stage – November 6th

This week’s filmed performance from the Hollywood Bowl finds Gustavo Dudamel leading the Los Angeles Philharmonic in a program entitled Solitude. There are two works being performed and they both look at the idea of being alone in very different ways.

First up is the American premiere of Dawn by Thomas Adés. The work had its world premiere earlier this year in a performance by the London Symphony Orchestra conduced by Simon Rattle. It’s designed for our socially distant times and for an orchestra of indeterminate size.

Dawn will be followed by Duke Ellington’s Solitude as arranged by Morton Gould. It’s one of Ellington’s finest.

Both of these works are less than ten minutes. This will be a shorter Sound/Stage, but who wants to spend more time than that alone?

As a reminder, previous episodes of Sound/Stage are also available for viewing.

Margaret Cho (Courtesy her website)

Virtual Halston – November 6th – 5:00 PM EST/2:00 PM PST

After a couple weeks off to shoot a film, Julie Halston returns with Virtual Halston. Her guest this week is Margaret Cho.

For the uninitiated, Halston holds an on-line salon where pithy conversation and witty repartee are the main ingredients. (Of course, I’d suggest having a martini in hand, too.)

Whether you know Cho for her music, her stand-up comedy, her film and television appearances or her activism, you know she’s smart, funny and guaranteed to put a smile on your face.

There’s no charge to watch Virtual Halston. However, donations are encouraged and proceeds will go to the Pulmonary Fibrosis Foundation.

Midori (Photo ©Timothy Greenfield Sanders/Courtesy her website)

Midori and Ieva Jokubaviciute – 92 Street Y – November 6th – 7:30 PM EST/4:30 PM PST

Violinist Midori and pianist Ieva Jokubaviciute perform works by Wolfgang Amadeus Mozart, César Franck and Edvard Grieg in this recital.

Midori and Jokubaviciute have been collaborating since 2016. What began as a handful of recitals in Canada, Columbia, Germany and Austria has turned into worldwide performances together.

Grieg is first with his Sonata No. 2 in G Major, Op. 13. This three-movement sonata was written in what is now called Oslo in 1867.

Mozart follows with Sonata in E-flat Major, K. 302. This two-movement sonata was composed in 1778.

Franck closes the program with his Sonata in A Major. This four-movement sonata was written in 1886 as a wedding gift from the composer. It’s first public performance was in December of the same year.

Tickets are $15.

Alan Broadbent (Photo by Yoon-ha Chang/Courtesy his Facebook page)

Alan Broadbent and Don Falzone – Mezzrow – November 6th – November 7th

Pianist Alan Broadbent and bassist Don Falzone will be performing four sets between Friday and Saturday night live from Mezzrow in New York City. There are sets each night at 7:00 PM EST/4:00 PM PST and 9:00 PM EST/6:00 PM PST.

If your first introduction to Broadbent was his Grammy Award-winning arrangement for Natalie Cole’s When I Fall In Love, you might be surprised to learn he’s been closely involved with some of the most celebrated music of all-time. Sometimes as a pianist, other times as an arranger.

A diverse list of his collaborators would include David Byrne, Charlie Haden, Woody Herman, Diana Kroll, Linda Ronstadt, Rod Stewart and Barbra Streisand. He’s also recorded 26 records as a leader.

In addition to working with Broadbent, Falzone has worked with David Lindley, Eric Person and Rufus Wainwright.

There is no cost to watch the performance, though donations are encouraged. Sponsorship tickets are also available at $40.

The link in the heading is for Friday night’s shows. To access Saturday night’s shows, please go here.

José James at the SFJAZZ Center (Courtesy SFJAZZ)

José James Celebrates Bill Withers – SFJAZZ – November 6th – 8:00 PM EST/5:00 PM PST

When this 2019 concert took place at SFJAZZ, James was supporting his 2018 album Lean on Me which celebrated Bill Withers. This concert, part of SFJAZZ’s Fridays at Five series, will be a bit more melancholy than it was originally as we lost Withers earlier this year.

The album found James performing classic Withers songs like Ain’t No Sunshine, Lovely Day, Just the Two of Us and the title track.

I enjoy James and his music, whether he’s performing jazz or soul or hip-hop influenced material. I’m looking forward to this concert.

SFJAZZ asks that you become a member to enjoy their Fridays at Five concerts. Membership is $5 for one month of shows or $60 for a full year. It’s a bargain in my book.

Fred Hersch (Photo by Jim Wilkie/Courtesy of the artist)

Fred Hersch – Village Vanguard – November 6th – November 7th

Jazz pianist Fred Hersch is offering two different performances this weekend from New York’s Village Vanguard. On Friday night he’ll be performing solo on the piano.

His latest album, Songs from Home, was released on Friday. The project finds him recording in quarantine from his home. Songs by Jimmy Webb, Joni Mitchell, Cole Porter, The Beatles and Duke Ellington’s Solitude are included on the record.

On Saturday night he’ll be performing with saxophonist Miguel Zenón.

Zenón has released twelve albums as a leader – the most recent being 2019’s Sonero: The Music of Ismael Rivera. He’s toured and recorded with numerous artists including David Gilmore, Charlie Haden, Danilo Pérez, Antonio Sánchez, Kenny Werner and Fred Hersch. He was named Jazz Artist of the Year on the 2014 Jazz Times Critics Poll.

Tickets for each concert are $10 and include the ability to stream the performance for 24 hours.

One Man, Two Guvnors – PBS Great Performances – November 6th – check local listings

I’ve written about this hilarious play starring James Corden before. I’m including it again because if you just want to laugh yourself silly for a couple hours, you should watch One Man, Two Guvnors.

The filmed performance is airing on Great Performances on PBS. As with all PBS programming, best to check your local listings for start time and exact airdate.

James Darrah (Courtesy Opus Artists)

Border Crossings Part 1 – Los Angeles Chamber Orchestra – November 6th – 9:30 PM EST/6:30 PM PST

Los Angeles Chamber Orchestra is launching an ambitious new program entitled Close Quarters. The series, which will have multiple episodes between now and June 4, 2021, will combine performances by select LACO members paired with images and art created by James Darrah.

This first concert features Baroque works and Baroque-inspired composers originating from Bolivia, Mexico and Spain. On the program is Diferencias sobre la gayta by Anónimo and Martín Y Coll; Sonata Chiquitana IV by anonymous, Concierto barroco by José Enrique González Medina and Gallardas by Santiago de Murcia.

Patricia Mabee, who curated the program, leads from the harpsichord. She will be joined by Josefina Vergara and Susan Rishik on violin, Armen Ksajikian on cello, Ben Smolen on flute, Jason Yoshida on theorbo/baroque guitar and Petri Korpela on percussion.

There is no charge to watch the performance which will be available on the LACO website, their YouTube channel and Facebook Live.

San Francisco Opera’s “Un Ballo in Maschera” (The Masked Ball) (Photo by Cory Weaver/Courtesy SF Opera

Verdi’s Un Ballo in Maschera – San Francisco Opera – November 7th – November 8th

Nicola Luisotti conducts; starring Julianna Di Giacomo, Thomas Hampson, Ramón Vargas, Heidi Stober, Dolor Zajick, Efraín Solís, Christian Van Horn and Scott Conner. This Jose Maria Condemi production is from the 2014-2015 season.

Verdi’s opera, translated A Masked Ball, had its premiere in Rome in 1859. Librettist Antonio Somma used the libretto written by Eugène Scribe for the opera, Gustave III, ou Le Ballo masqué, written by Daniel Auber in 1833. 

The opera is based on the real life assassination of King Gustav III of Sweden who was killed while attending a masquerade ball in Stockholm. 

Verdi takes some dramatic liberties which certainly enhances the drama. Riccardo is in love with Amelia. She, however, is the wife of his good friend and confidante, Renato. Riccardo is warned by his friend that there is a plot to kill him at the ball. Paying no attention to the warning, Riccardo instead seeks out Ulrica, a woman accused of being a witch. In disguise he visits Ulrica to have his fortune read. She tells him he will be killed by the next man who shakes his hand. That next man turns out to be Renato. What follows is a story of intrigue, deception, questions of fidelity and, of course, the assassination.

Di Giacomo made both her company debut and role debut as Amelia in this production. Lisa Hirsch, in her review for the San Francisco Gate, said of her performance, “Di Giacomo has the ideal voice for this role, beautiful, fresh and easily produced, from glowing top to bottom. She lacks for nothing technically, singing with a gorgeous legato and noble, long-breathed phrasing, not to mention exquisite dynamic control, whether pleading for a last view of her child in Morrò, ma prima in grazia or contemplating the gallows at midnight in Ma dall’arido stelo divulsa.”

Marcus Strickland (Photo by Petra Richterova/Courtesy the artist)

Marcus Strickland Trio – Smalls – November 7th – 5:00 PM EST/2:00 PM PST

This is the same trio about which I wrote when they played in September at Blue Note. The difference here is you don’t have to pay to see the performance, though donations are encouraged for both the artist and the venue.

Strickland was named “Best New Artist” in the 2006 JazzTimes Reader’s Poll.

In Critic’s Polls for DownBeat he was named the 2008 “Rising Star on Soprano Saxophone” and the 2010 “Rising Star on Tenor Saxophone.”

He’s been releasing albums since 2001’s At Last. His most recent recording was 2018’s People of the Sun

Joining Strickland again will be Ben Williams on bass and E.J. Strickland (his twin brother) on drums.

There is a second set at 7:00 PM EST/4:00 PM PST. Sponsorship seats are available for $40 per set.

Amor y Odio – Verdi Chorus – November 8th – November 22nd

Los Angeles-based Verdi Chorus has put together their first pandemic-era concert. It is called Amor y Odio and the concert will celebrate Songs of Spain and the New World.

A subset of the Verdi Chorus known as The Fox Singers make up the singers for the first of several virtual concerts they are producing. The singers for Amor y Odio are sopranos Tiffany Ho and Sarah Salazar; mezzo-soprano Judy Tran; tenors Joseph Gárate and Elias Berezin; and bass Esteban Rivas.

Anne Marie Ketchum, Artistic Director, leads the performance. Laraine Ann Madden is the accompanist.

The premiere of the concert will take place at 1:00 PM EST/10:00 AM PST on Sunday, November 8th. The concert will remain available through November 22nd.

Be sure to read our interview with Sarah Salazar who has quite a story of determination against the odds.

Johnny O’Neal (Courtesy his Facebook page)

Johnny O’Neal and Mark Lewandowski – Mezzrow – November 8th – 5:00 PM EST/2:00 PM PST

Jazz pianist and vocalist Johnny O’Neal will be joined by bassist Mark Lewandowski for these performances from Mezzrow in New York.

Perhaps you caught the October 14th performance by Johnny O’Neal I wrote about. If not, you are in for a treat. That preview tells you a bit about O’Neal and his incredible story.

Lewandowski is a bassist and composer who, like most jazz musicians, works as a sideman in addition to his own work. He’s toured and recorded with such artists as Sheila Jordan, Wynton Marsalis, Zoe Rahman, Jean Toussaint, Bobby Wellins and with these shows, O’Neal.

There is a second set at 7:00 PM EST/4:00 PM PST. Sponsorship seats are available for $40 per set. Regular viewing is free, but donations are encouraged.

Steven Stucky (Photo by Hoebermann Studio/Courtesy Juilliard)

Modern Beauty Part 2 – Pittance Chamber Orchestra – November 8th – 6:00 PM EST/3:00 PM PST

In last week’s Best Bets, I included Pittance Chamber Orchestra’s three-part performance series entitled Modern Beauty. The series, featuring pianist Gloria Cheng, continues this week with clarinetist Donald Foster joining her.

The program features Garlands for Steven Stucky. Four works for solo piano will pay tribute to the Pulitzer Prize-winning composer who passed away in 2016. Cheng will perform Iscrizione by Esa-Pekka Salonen, Green Trees Are Bending by Stephen Andrew Taylor, Waltz by John Harbison and Interlude by Kay Rhie.

Foster will join her for a performance of Stucky’s Meditation and Dance.

There is no charge to watch the performance, but donations are encouraged. By the way, if you missed last week’s performance, you can still watch it on Pittance Chamber Orchestra’s website.

Jessie Mueller (Photo by Jacqueline Harris for The Interval/Courtesy Seth Rudetsky Concert Series)

Jessie Mueller with Seth Rudetsky – November 8th – 8:00 PM EST/5:00 PM EST

Tony Award-winner Jessie Mueller (Beautiful: The Carole King Musical) is Seth Rudetsky’s guest for his concert series this weekend.

In addition to her role as King, Mueller has appeared on Broadway in the 2011 revival of On a Clear Day You Can See Forever, the 2012 revival of The Mystery of Edwin Drood, she originated the role of “Jenna” in Waitress and appeared as “Julie Jordan” in the 20128 revival of Carousel.

Mueller was in previews in The Minutes, a play by Tracy Letts, when the pandemic hit.

If this live performance does not work for your schedule, there will be a re-streaming of the concert on November 9th at 3:00 PM EST/12:00 PM PST. Tickets for either date are $25. Uber fans who purchase a ticket for the live performance can also purchase (for an additional $25) a VIP Upgrade allowing access to the sound check taking place at 5:00 PM EST/2:00 PM PST.

Judy Gold (Courtesy Fortune Creative)

Beth Lapides’ Uncabaret – November 8th – 10:30 PM EST/7:30 PM PST

If any week in recent memory has called for a thought-provoking but gentle way to end the weekend, this might just be that weekend. So I offer you Uncabaret. Joining for Zoom #16 of the long-running comedy show are Jamie Bridgers, Margaret Cho, Alex Edelman, Judy Gold, Alec Mapa, Apart Nancherla and Julia Sweeney. As usual, Mitch Kaplan is the music director.

If you are unfamiliar with Uncabaret, check out my interview with Beth Lapides as she started the second quarter century of the show in 2019.

Tickets range from free to $100 with perks along the way the more you are able to pay to see the show.

Those are my fifteen Best Bets at Home: November 6th – November 8th. However, you know that I’ll always give you some reminders just in case you want more. And what’s wrong with wanting a little more?

This weekend’s offerings from the Metropolitan Opera are La Forza del Destino by Verdi on Friday; Gounod’s Roméo et Juliette on Saturday and Wagner’s Die Meistersinger von Nürnberg on Sunday.

This is the penultimate weekend for Table Top Shakespeare: At Home. This weekend’s shows are Troilus and Cressida on Friday; As You Like It on Saturday and Othello on Sunday.

Atlantic Theater Company’s Fall Reunion Reading Series has performances remaining on Friday and Saturday of Rajiv Joseph’s Guards at the Taj.

That officially ends all my selections for you this weekend. I hope you will relax and enjoy these Best Bets at Home: November 6th – November 8th.

Photo: James Corden in One Man, Two Guvnors (Photo by Johan Persson/Courtesy PBS)

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Best Bets at Home: October 30th – November 1st https://culturalattache.co/2020/10/30/best-bets-at-home-october-30th-november-1st/ https://culturalattache.co/2020/10/30/best-bets-at-home-october-30th-november-1st/#respond Fri, 30 Oct 2020 07:01:29 +0000 https://culturalattache.co/?p=11481 With an extra hour added to your weekend, you'll have more time to watch some culture!

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It’s a good thing you gain an extra hour this weekend, because our Best Bets at Home: October 30th – November 1st are filled with so many options you’ll want to find some extra time.

This weekend’s choices range from several jazz performances to a topical one-woman show to a powerful dance performance and some great classical music.

If you’re looking for Halloween-themed events in our Best Bets, I want to point you to our special column dedicated to all things spooky you and your family can enjoy this weekend.

Here are our selection of the Best Bets at Home: October 30th – November 1st:

Composer Reena Esmail (Photo courtesy of the artist)

Reena Esmail’s Piano Trio – The Wallis – Now – November 19th

The world premiere of composer Reena Esmail’s Piano Trio took place last November in Seattle. It is a work that finds both Indian and Western classical music combined. As Esmail said about the work, “Imagine if you could say a single sentence, but it could be understood simultaneously in two different languages – that is what I aim to create through my music.”

Over the course of the next four weeks The Wallis will present a performance of one movement of her Piano Trio combined with insights and observations from Esmail and the three musicians performing the work. They are Vijay Gupta on violin, Peter Myers on cello and Suzana Bartal on piano.

Each movement will be streamed via Zoom. After that initial stream each movement can be found on The Wallis’ YouTube channel. Since the streaming events are on Thursdays, this week we have included a link to the YouTube page. If you want to watch subsequent performances on Zoom, you can go here to register for those.

Esmail is one of our most talented and interesting composers. This is going to be well worth your time if you love chamber music.

“Becoming” Album Cover (Courtesy KamasiWashington.com)

Kamasi Washington – Los Angeles Philharmonic – October 30th – November 29th

Jazz musician/composer Kamasi Washington takes to the Hollywood Bowl stage for a performance of the music he wrote for the film Becoming. This concert is part of the LA Phil’s Sound/Stage series and is free and available on their website. Becoming is the documentary about Michelle Obama’s book tour.

Along with the recently released Andra Day concert, this is a performance without the LA Phil.

Washington and his band perform his score. In addition to the performance, Washington will also be seen in an interview.

Of his work for Nadia Hallgren’s film, Washington told Rolling Stone Magazine, “Nadia asked me to write a song that would capture what the movie was saying about Michelle Obama. She’s a down-to-earth, brilliant queen who lives next door. She’s aware of who she is and what she has done, but she’s also aware of the people around her. So I tried to give that song a sense of depth and lightness. I thought, ‘If Michelle was going to write a song, what would it sound like?’”

Washington is one of our most exciting jazz musicians. I wouldn’t miss this.

Trio 3 (Photo by Richard Conde)

Trio 3 & Vijay Iyer – Blue Note – October 30th – 8:00 PM EDT/5:00 PM PDT – $10 Restream 11:00 PM EDT/8:00 PM PDT

New York’s Blue Note will live stream a concert on Friday featuring the supergroup Trio 3 and they are joined for this performance by pianist/composer Vijay Iyer.

The members of Trio 3 are Oliver Lake on alto sax, Reggie Workman on bass and Andrew Cyrille on drums. Iyer joined them for 2014’s Wiring.

Each musician has a lengthy career as both a leader and as a sideman. It is the combination of the three of them that makes truly unique music.

Nate Chinen, in writing for the New York Times about a 2015 performance at the Village Vanguard, said of Trio 3, “One misperception about the jazz avant-garde is that it’s essentially reactive, a single-minded pushback against conventions of form. Whatever lump of truth or slander you might find in that idea, Trio 3, which is playing at the Village Vanguard, provides scant supporting evidence for it. 

“An alliance of eminent composer-improvisers now in their 70s — the alto saxophonist Oliver Lake, the bassist Reggie Workman and the drummer Andrew Cyrille — Trio 3 belongs squarely to the jazz avant-garde, both in process and pedigree. But there was no rebellious undercurrent in the group’s first set on Wednesday night, which moved briskly through its allotted hour, propelled by cooperative forces.”

Adding Iyer to this trio will make for a truly wonderful concert.

Tickets are $15. There is also a re-streaming of the performance at 11:00 PM EDT/8:00 PM PDT.

Lila Downs (Courtesy SFJAZZ)

Lila Downs – SFJAZZ – October 30th – 8:00 PM EDT/5:00 PM PDT

This week’s Fridays at Five concert from SFJAZZ features Lila Downs in a concert from May 2019 at the venue in support of her album, Al Chile.

Downs, who is from Oaxaca, rose to fame with her participation in the soundtrack to Julie Taymor’s 2002 film, Frida. She is the winner of one Grammy and three Latin Grammy awards.

As a friend said to me recently in an e-mail, “Hope you are able to watch Lila Downs! I love her and saw her concert in Portugal a couple of years ago!! Lively!!!”

Even though the clip we have from this concert is a ballad, expect lively for much of the performance.

Membership is required to watch the concert. Either a $5 monthly membership or a $60 annual membership. Tips are also encouraged during the streaming of the concert which will be split between the artists and SFJAZZ.

“A Swingin’ Sesame Street Celebration” (Photo© 2019 Richard Termine/Courtesy Jazz at Lincoln Center)

A Swingin’ Sesame Street Celebration – Jazz at Lincoln Center on PBS – October 30th

Wynton Marsalis and the Jazz at Lincoln Center Orchestra have played with a veritable who’s who of jazz artists throughout their careers. But this weekend’s show on Jazz at Lincoln Center on PBS finds them sharing the stage with some of the biggest stars in the world.

Elmo, Bert & Ernie, Big Bird, Grover, Oscar the Grouch and more Sesame Street characters join the orchestra to sing songs from the show in A Swingin’ Sesame Street Celebration.

The one-hour concert, which took place October 2019, is scheduled to air on October 30th. As with most PBS programming, best to check your local listings for exact start times.

So if you want to go where the air is sweet….

Kristina Wong (Photo by Tom Fowler Photography/Courtesy Center Theatre Group)

Kristina Wong for Public Office – Center Theatre Group – October 30th – November 29th

We often wonder why our elected officials seem to lack a sense of humor. Or why they lack any awareness of the absurdity of it all. That isn’t the case with Kristina Wong who both serves in office and is also a performance artist with a wicked sense of humor.

She combines both those seemingly disparate sensibilities in a new one-person show called Kristina Wong for Public Office.

The 75-minute comedy performance becomes available at 11:00 PM EDT/8:00 PM PDT from Center Theatre Group in Los Angeles.

Kristina Wong for Public Office examines the role an artist, who is also a politician, can play in the democratic process. She also examines what that process is like, the history of voting and what it takes to run a campaign – all filtered through Wong’s unique perspective.

Tickets to watch Kristina Wong for Public Office are $10.

Pam Tanowitz, “Four Quartets” and Kathleen Chalfant (Courtesy Bard College)

Four Quartets: 2018 Premiere – Fisher Center at Bard – October 31st – November 1st

In February of this year choreographer Pam Tanowitz’s Four Quartets was performed at UCLA’s Royce Hall. This work is a collaboration with Finnish composer Kaija Saariaho, American painter Brice Marden and actress Kathleen Chalfant.

For two days this weekend Bard College will stream the 2018 premiere of Four Quartets. The work is inspired by T.S. Eliot’s monumental work.

Four Quartets is comprised of four different poems written by Eliot over a period of six years. They are Burnt NortonEasy CokerThe Dry Salvages and Little Gidding. Thematically Eliot is exploring mankind’s place in the world and our relationships with both time and God.

Four Quartets is comprised of four different poems written by Eliot over a period of six years. They are Burnt NortonEasy CokerThe Dry Salvages and Little Gidding. Thematically Eliot is exploring mankind’s place in the world and our relationships with both time and God.

The result of this collaboration has earned worldwide acclaim. Rightly so, it is a beautiful and powerful work.

Tickets range from $5 for Bard Students up to $25 to stream Four Quartets. (Pricing is based on your individual ability to afford tickets.)

There is another option as well. On Friday, October 30th at 7:00 PM EDT/4:00 PM PDT, you can join the premiere of a documentary, There the Dance Is (In the steps of Pam Tanowitz’s Four Quartets). The film features interviews with the dancers, Tanowitz and Chalfant.

Prior to the screening there will be a live Q&A between Tanowitz and Alistair Macaulay of the New York Times. You will also gain early access to stream the performance of Four Quartets. Tickets are $100.

Gloria Cheng (Courtesy Pittance Chamber Orchestra)

Modern Beauty – Pittance Chamber Orchestra – November 1st – 6:00 PM EST/3:00 PM PST

Pittance Chamber Orchestra is comprised of musicians from the LA Opera Orchestra. This weekend they begin rolling out a three-part performance series called Modern Beauty. The performances were all filmed during the pandemic and feature Grammy Award-wining pianist Gloria Cheng.

The first performance finds Cheng and bassoonist Judith Farmer performing Sonata for Bassoon and Piano by Billy Childs. Included in this performance will be comments from Childs.

Part two of the series will stream on November 8th and the third part will stream on November 15th.

There is no charge for the performances, but donations are strongly encouraged.

Quinteto Astor Piazzolla (Courtesy CAP UCLA)

En 3×4 – Quinteto Astor Piazzolla – November 1st – 6:00 PM EST/3:00 PM PST

One could argue that Astor Piazzolla redefined the tango with his compositions and his playing. Quinteto Astor Piazzolla celebrates his work in this performance filmed live in Buenos Aires for CAP UCLA.

On the program are seven different compositions: Verano Porteño, Camorra III, En 3×4, Soledad, Milonga del Ángel, Adios Nonino and Libertango.

The members of Quinteto Astor Piazzolla are Pablo Mainetti on bandoneón, Nicolás Guerschberg on piano, Serdar Geldymuradov on violin, Daniel Falasca on bass and Armando de la Vega on guitar.

There is no charge to watch the performance. However, donations are encouraged.

Carlos Izcaray (Courtesy of the artist)

American Youth Symphony Fall Concert – November 1st – 7:00 PM EST/4:00 PM PST

Since its inception in the early 1960s, the American Youth Symphony has afforded Los Angeles-based students the opportunity to perform symphonic works as part of a fully-functioning orchestra. They regularly perform live concerts (commonly at Royce Hall) throughout the year.

Obviously 2020 is a different year. For their Fall Concert, Music Director Carlos Izcaray has assembled a combination of remotely-lead performances and two in-person filmed performances.

On the program is Stravinsky’s Symphonies of Wind Instruments performed by the AYS Virtual Wind & Brass Ensemble, Jessie Montgomery’s Starburst performed by the AYS String Ensemble, the world premiere of Izacary’s Bloom, performed by a Percussion Trio and Britten’s Variations on a Theme of Frank Bridge also performed by the AYS String Ensemble.

Through the performance both Montgomery and Izacary will discuss the creation of their two compositions.

Tickets are free, but require registration. The link in the title will take you to details and provide access to register for the concert.

Beth Malone with Seth Rudetsky – November 1st – 8:00 PM EST/5:00 PM EST

Tony Award-nominee Beth Malone is best known for her performance as Adult Alison in the musical Fun Home. She recently appeared in the 2018 revival of Tony Kushner’s Angels in America. Earlier this year she starred as the title character in the off-Broadway production of The Unsinkable Molly Brown.

She is Seth Rudetsky’s guest this weekend for music and conversation about her life and career.

If you are unable to catch the live performance of Beth Malone‘s appearance, there is a re-stream on Monday, November 2nd at 3:00 PM EST/12:00 PM PST. Tickets are $25 for either date.

They are also making a VIP Upgrade available three hours prior to the live performance that allows a behind-the-scenes look at the sound check and prep for the live show. That’s an additional $25 and is only available on November 1st and requires the purchase of a ticket to the performance.

Those are our selections are your Best Bets at Home: October 30th – November 1st. As always, we offer a few reminders:

This weekend’s operas from the Metropolitan Opera are Boris Godunov on Friday, The Ghosts of Versailles on Saturday (which I strongly recommend) and Satyagraha on Sunday (another strong recommendation).

Table Top Shakespeare At Home features Cymbeline on Friday, Julius Caesar on Saturday and Antony and Cleopatra on Sunday.

You can stream all three plays in the Donmar Warehouse’s Shakespeare Trilogy on Film this weekend. St. Ann’s Warehouse is making Julius Caesar, Henry IV and The Tempest available.

The reading of David Mamet’s Race continues through Sunday.

Have a safe and enjoyable Halloween weekend. I hope you enjoy our Best Bets at Home: October 30th – November 1st.

Photo: Kamasi Washington (Courtesy of the artist)

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Pittance Chamber Music – Nate’s World https://culturalattache.co/2019/09/09/pittance-chamber-music-nates-world/ https://culturalattache.co/2019/09/09/pittance-chamber-music-nates-world/#respond Mon, 09 Sep 2019 14:25:22 +0000 https://culturalattache.co/?p=6719 Pasadena Conservatory of Music

September 15th

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Unless you sit in the front row of an LA Opera performance (or go to Kendall’s after the opera), the members of the LA Opera Orchestra remain fairly invisible. They play beautifully, but since they are in the pit for the operas, we don’t get a chance to see up close how talented they are. Pittance Chamber Music changes that. Their first concert of the  2019-2020  season takes place on Sunday at the Pasadena Conservatory of Music.

First some background. Pittance was formed in 2013 to remove the anonymity that playing in the pit forces upon the musicians. Members of the LA Opera Orchestra put together and play in programs all season long.

This season launches with a program called Nate’s World. Nate, in this case, is Nathan Farrington is the Principal Bassist of the LA Opera Orchestra. For Sunday afternoon’s concert he is joined by Robert Cani, Principal Concertmaster, on violin; percussionist Gabriel Globus-Hoenich; guitarist Molly Miller and Teddy Abrams, the Music Director of the Louisville Orchestra on piano.

The program is diverse.

Bach: Prelude from Cello Suite #1
Haydn: Divertimento
Brahms: Sonata in E minor
Bottesini: Grand Duo

That reflects the part you would expect. The music you might not includes works by
Abrams and Nathan Farrington along with compositions by Edgar Meyer, Don McLean (he of “American Pie”), Hank Williams, Gaetano Donizetti and Alberto Ginastera.

There will also be a live-to-picture performance of Gustav Holst’s Mars (from The Planets), arranged to accompany a clip from Battleship Potemkin, Sergei Eisenstein’s landmark 1925 silent film. This will certainly be unique instrumentation for that work.

I’ve heard Pittance perform on a couple of occasions and I’ve always enjoyed their performances. If you have haven’t had the opportunity to both hear and see these remarkable musicians, this is a great opportunity to do so.

For tickets go here.

Photo of Nathan Farrington courtesy of Pittance Chamber Music

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