Einhorn has long been a fan of Herman’s work. So it’s no surprise that early last year, shortly after the composer’s death, he presented You I Like at New York’s 92nd Street Y.

The Pasadena Playhouse, putting together plans for PlayhouseLive (their original programming platform during the pandemic), reached out to Einhorn to see about filming a revised version of that show.

You I Like – A Musical Celebration of Jerry Herman reflects the absolutely enthusiasm that Herman put into such shows as Mame, La Cage aux Folles and, of course, Hello, Dolly! Einhorn brings his own passion for this material as both music director, accompanist, writer and on-camera host for the show.

As the Capitol in Washington, D.C. was being overrun on January 6th, I spoke by phone with Einhorn about You I Like, Herman’s many musicals and why his songs resonate today with him personally and audiences around the world. What follows has been edited for length and clarity.

In May of 2017 you posted on your Facebook page part of an interview Bette Midler gave CBS This Morning in which she said, “Never look back…if you’re looking back you can’t look forward, you can’t go forward.” You commented, “She’s the wisest.” How does that advice apply to your approach to You I Like?

As we began this phone call we are in a moment where we have to look forward. What’s happening in the world is the perfect reason why Jerry Herman’s music needs to be heard. There are messages of optimism, joy and life. People in this world are hurting and are looking for a salve to emerge from this moment and find a way forward. Jerry was the master of commanding us to listen.

When I think of my whole journey on Hello, Dolly! – which was interesting and exciting and all things in between – a lot of what I learned about life came from working with Jerry Zaks and Bette and their messages of pushing forward to not relying on what we know; using it as a foundation to be ourselves to build upon to go forward.

There have been multiple revues of Herman’s work before and you did a previous version of this show last year. What was your goal in making this version of You I Like different from others that came before it?

What I’ve tried to do is pinpoint why Jerry Herman is special. I think it’s all there in the music and lyrics. The lemonade moment in the pandemic was getting a second chance to re-evaluate this piece and adapt a two-act musical revue into a 90-minute program that takes you on the same journey. I’m hoping through this people will know and love Jerry Herman where his shows were bigger than he was. This is celebrating the man.

What are your thoughts on Mack and Mabel and Mame? The former has been revised multiple times to make the book work without ever truly succeeding. The latter expresses reverence for Southern traditions that would not be considered acceptable today. Can Mack and Mabel ever work and can Mame ever be revived?

My answer is yes. Part of our job as artists it to present material. I’m not always sure re-writing pieces is in our favor. We don’t have the authors with us now. We only have their perspective. Part of our job in presenting Showboat or Mame, we cannot deny how it was written or set. We have to be careful and we have to evaluate on a case-by-case basis that feels informed and educated. There was no part of Jerry that was racist. He was adapting a piece and it was a strong piece to adapt.

You’ve had a lengthy professional relationship with Audra McDonald as her music director/accompanist. She’s recently added Before the Parade Passes By from Hello, Dolly! to her repertoire. Did you have something to do with that?

Of course! (He laughs). I was the one who brought it up to her. Audra is an artist who can make you hear a song and make you really listen to it. I said, “this is a landmine song for you.” Audra is 50 and she’s had an amazing career up to this point. As we always do, you look at what’s on the horizon and where do we want to go. That song spoke to her about having a second chance and she found a lot she can relate to. I’m excited we’re doing the song now and I think it’s tremendous. At the end of the day she’s the magic that makes it work. I just have the spark of the idea.

One of Jerry’s lesser known musicals was The Grand Tour. In the song I’ll Be Here Tomorrow he wrote, “If before the dawn this fragile world might crack, someone’s got to try to put the pieces back.” As we speak the world is cracking. How do Jerry Herman’s songs give you personally the confidence that we’ll all be here tomorrow?

I don’t need to say it, you said his words. I get very emotional about it. For some reason this material really speaks to me. My partner said it best, “society always find a way out and is better.” We have to endure all of this, but we are going to get out of this.

The reason we speak in music and words is because everybody can understand them. They don’t always agree, but they hear it. I know his work exemplifies that. That lyric made me cry. It’s an enormous catharsis. Maybe it’s my own therapy session, but I’m going to own it. I think it’s important to hear it. There’s a healing quality that people need right now. It speaks to exactly what we need to hear.

You I Like is available to rent through PlayhouseLive through February 7th.

Photo: Lesli Margherita, Andrea Ross, Ryan Vona, Nicholas Christopher, Ashley Blanchet, and Andy Einhorn in You I Like: A Musical Celebration of Jerry Herman (Photo by Jeff Lorch/Courtesy Playhouse Live)

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My top pick for the weekend is Close Quarters #6 from the Los Angeles Chamber Orchestra. Their ambitious series has redefined how classical music can presented in the 21st century. With innovative direction from James Darrah and interesting choices of music, LACO’s series is well worth exploring.

Here are my Best Bets: January 15th – January 18th:

OPERA: The West Is a Land of Infinite Beginnings – LA Opera – January 15th – January 29th

Missy Mazzoli’s opera, Proving Up, had its world premiere in 2018 at the Terrace Theatre in Washington, D.C. and is based on a short story by Karen Russell. Royce Vavrek wrote the libretto. This short film is inspired by the opera.

James Darrah directed this digital short for LA Opera. As he recently told me, “Proving Up is an excerpt, but I didn’t want it to feel like an excerpt. It was an opportunity to lean into 80s/90s counterculture. I’m using all my favorite horror movies. There’s a twist that allows you to think about the mystique of it. Let’s not tell the story of Proving Up, but let’s build mythology around this character and what would he look like in LA in 2021. The West is a Land of Infinite Beginnings is, I hope, a little unexpected.”

This digital short will have its premiere at 2:00 PM EST/11:00 AM PST on Friday, January 15th and remain available for free streaming for two weeks.

JAZZ: Virtual Halston – Cast Party Network YouTube Channel – January 15th: 5:00 PM EST/2:00 PM PST

If you’ve read this column on a regular basis, you know I think there’s no better way to start the weekend than with the charming and delightful Julie Halston and her Friday afternoon salons. Of course, if you’re on the West Coast, you’re getting an early start, but what’s so bad about that?

Her guests this week: jazz musician John Pizzarelli and his wife, actress Jessica Molaskey (Parade).

Mix your favorite cocktail and enjoy and hour of witty repartee and maybe even some music!

JAZZ: Kenny Garrett Quintet – SFJAZZ – January 15th – 8:00 PM EST/5:00 PM PST

Saxophonist Kenny Garrett announced himself to the world when he was a member of the Duke Ellington Orchestra in 1978 (at the tender age of 18) under the direction of Mercer Ellington. He would go on to record with Art Blakey, Miles Davis, Freddie Hubbard and Woody Shaw before striking out on his own as a bandleader.

His first album was appropriately entitled Introducing Kenny Garrett in 1985. He’s never needed an introduction since. He’s won one Grammy and has received seven other nominations.

Joining him for this 2019 concert from SFJAZZ are percussionist Rudy Bird, pianist Vernell Brown, Jr., bassist Corcoran Holt and drummer Samuel Laviso.

This concert is party of the Fridays at Five series from SFJAZZ and requires a one-month digital membership ($5) or an annual membership ($60) to watch it.

JAZZ: Thumbscrew – Village Vanguard – January 15th – January 16th

Giovanni Russonello, writing in the New York Times, selected a streaming concert by Thumbscrew in October as one of the 8 Things to Do This Weekend. He described them this way:

“The guitarist and MacArthur fellow Mary Halvorson works in all kinds of scenarios, but there’s no better way to get acquainted with her wavy, wiry style than to hear her play with Thumbscrew. In that trio, featuring the drummer Tomas Fujiwara and the bassist Michael Formanek, a playfully sympathetic rapport prevails whether the group is handling jazz standards, Brazilian folk songs or one of the bandmates’ own deceptively precise compositions.”

Doesn’t that sound intriguing? You can find out for yourself as Thumbscrew has two performances streaming from New York’s Village Vanguard this weekend. Each performance is $10.

CLASSICAL MUSIC: Close Quarters #6 – Los Angeles Chamber Orchestra – January 15th – 9:30 PM EST/6:30 PM PST

Two weeks ago, in the first of two Close Quarters films curated by Juan Pablo Contreras, the Los Angeles Chamber Orchestra released its most ambitious, so far, of this multi-film series. Which makes me all the more excited to see what’s in store from James Darrah and the musicians of LACO in #6 of the series.

Opening the program is the world premiere of Mariachitlán for Piano Four-Hands by Contreras. Also being performed is Seduccíon for flute, clarinet and piano by Miguel del Águila and Tangódromo by JP Jofre.

Performing Mariachitlán is the duo Hocket (composer/pianists Sarah Gibson and Thomas Kotcheff).

If you want to see just the performances without the surrounding filmmaking and storytelling, LACO makes that available on their YouTube channel. I recommend watching the full films.

DANCE: Matthew Bourne’s “Cinderella” – Center Theatre Group – January 15th – January 17th

In 2019 Matthew Bourne’s “Cinderella” returned to the Ahmanson Theatre in Los Angeles. This marked the 20th anniversary of the show’s original run at the theatre.

The ballet uses Sergei Prokofiev’s music, but is set in War-torn England during the Blitz. Ashley Shaw and Andrew Monaghan star.

If you are seeking a traditional ballet, Bourne’s work is not for you. What makes his projects compelling is he is constantly seeking out new ways of telling familiar stories. Bourne has had a long relationship with Center Theatre Group with many of his other projects, including The Car Man, Edward Scissorhands and The Red Shoes having appeared there.

As part of Center Theatre Group’s Digital Stage Plus, they are making a film of this production available for rent. There are five available performances: Friday, January 15th at 8:00 PM PST; Saturday, January 16th at 2:00 PM PST and 8:00 PM PST and Sunday, January 17th at 1:00 PM PST and 6:30 PM PST. Tickets are $10.

OPERA: Romeo & Juliet – San Francisco Opera – January 16th – January 17th

This production of Charles Gounod’s opera, directed by Jean-Louis Grinda, was new to San Francisco Opera when it was performed in 2019 and marked the first time this opera has been performed there in 32 years. Grinda is director at Opéra de Monte-Carlo and this was his American directorial debut.

Starring as Romeo is Pene Pati (who assumed the role after the announced Bryan Hymel withdrew a few days before opening). In the role of Juliet is Nadine Sierra. Additional members of the company were Lucas Meachem as Mercutio, Timothy Mix as Capulet, James Creswell as Friar Lawrence, Daniel Montenegro as Tybalt, Philip Skinner as the Duke of Verona, Stephanie Lauricella as Stéphano and Eve Gigliotti as Gertrude. Yves Abel conducted.

Joshua Kosman, writing for the San Francisco Chronicle, said of Pati’s performance, “He’s got a vigorous, full-bodied sound with a lustrous mid-range and glorious, perfectly placed top notes, including one long-held stratospheric closer that would have sounded like showboating if it hadn’t been so magnificent. Pati sings in a gleaming, sensuous stream of sound, with heroic accents in more athletic passages and a warm, tenderly inviting depth for moments of romantic intimacy.”

PLAY: Sinatra: RAW – The Wallis – January 16th – 11:00 PM EST/8:00 PM PST

If you went to central casting for the perfect type to portray Frank Sinatra in 1971, you probably wouldn’t think of hiring a British actor. Richard Shelton, however, had other ideas and put together a show that depicts Sinatra being Sinatra – warts and all – and allows Shelton to shine.

It’s late night in Palm Springs and the singer has had a few too many drinks. He starts to tell stories about his career, the Rat Pack and, of course, sings a few songs.

Press notes indicate that this is a cabaret version of his show. When Sinatra: Raw was reviewed by Donald Huerta for the Times of London, he said, “This solo performance (with pianist) is a mesmerising distillation of Shelton’s talent for inhabiting a showbiz legend. If you are in any way, shape or form a fan or, indeed, want to know more about a complex man, Shelton’s masterful take on Ol’ Blue Eyes is a must-see.”

Tickets are $25 and allow for streaming for 24 hours.

CABARET: Kelli O’Hara with Seth Rudetsky – Seth Concert Series – January 17th – 8:00 PM EST/5:00 PM PST

If you’ve seen Tony Award-winner Kelli O’Hara on stage in any of the musicals in which she has performed*, you know why any opportunity to hear her glorious singing is one not-to-be-missed. If you haven’t, do yourself a favor and watch this show.

Seth Rudetsky’s concert series performances are not glamorous. She’s in her home and he’s in his on a keyboard accompanying her. They communicate online through their computers. But somehow it all works and makes for some beautiful performances and always good stories.

*The Bridges of Madison County, The King and I, Kiss Me Kate, The Light in the Piazza, Nice Work If You Can Get It, The Pajama Game and South Pacific

If you cannot catch the performance live on Sunday, there will be an encore showing Monday, January 18th at 3:00 PM EST/12:00 PM PST. Tickets are $25.

CLASSICAL MUSIC: Mutual Admiration – Gershwin and Ravel – Music@Menlo – January 17th – 8:00 PM EST/5:00 PM PST

In 1928, composer Maurice Ravel was on a tour of America where he performed several of his works. During his stop in New York, he had a chance to meet George Gershwin. The two shared a keen interest in jazz.

This concert, featuring violinist Kristin Lee and pianist Orion Weiss, looks at their Mutual Admiration from the perspective of the music each man wrote.

The concert comes from Music@Menlo in Atherton, California.

On the program is Ravel’s Violin Sonata No. 2 in G Major, op. 45; five songs from Gershwin’s Porgy and Bess arranged for violin and piano by Jascha Heifetz and closes with Ravel’s Tzigane for violin and piano.

Tickets are $25.

CABARET: Pajama Cast Party – Cast Party Network YouTube Channel – January 18th – 8:00 PM EST/5:00 PM PST

Jim Caruso’s Cast Party is so much fun. It’s a shame that we can’t see this wildly entertaining show in person. But he’s putting on his pajamas, as are his guests. And you should, too! Switching to the online format as Pajama Cast Party allows Caruso to continue his show where performers from various genres show up and sing whatever they want.

Joining him on Monday (the show runs every Monday) are Claybourne Elder (the new production of Company that hadn’t officially opened when Broadway was shut down); Capathia Jenkins (Newsies), married opera singers Jessica Fishenfeld (New York City Opera’s Stonewall) and Scott Joiner (San Francisco Opera’s The Secret Garden) and singer/songwriter Susan Werner (composer of the musical Bull Durham).

PLAY: Crowndation – Center Theatre Group – January 18th – 9:00 PM EST/6:00 PM PST

Center Theatre Group is launching a new series called Not a Moment, But a Movement on their Digital Stage. The series centers on Black artists and combines the work of a musician, a theatre artist and a visual artist.

The series gets launched with Angelica Chéri’s Crowndation; I Will Not Lie to David. This one-woman show finds Fatima Seed struggling to define herself at the exact same age her mother was when she passed away. In the course of her journey she uncovers something previously unknown about her father.

Composer Jessica Lá Rep and visual artist Kenyatta A.C. Hinkle are paired with Chéri for this program.

Since Monday is Martin Luther King Day, Center Theatre Group is making this first showing available for free for all viewers. But only this one showing. It’s considered a sneak peak. Beginning on January 21st, the program will be free only for donors and subscribers, $10 for all others.

A few reminders before closing out Best Bets: January 15th – January 18th:

New York’s Prototype Festival concludes on January 16th. There is some terrific programming here. If you’re a bit on the adventurous side, I strongly urge you to check it out.

The Public Theater’s Under the Radar Festival 2021 concludes on Sunday, January 17th. This festival also has interesting and entertaining options. I strongly recommend the motown project by Alicia Hall Moran. (You can read my interview with her about the show here.)

PlayhouseLive began streaming You I Like – A Musical Celebration of Jerry Herman this week. This is a thoroughly entertaining 90 minutes guaranteed to please fans of musicals.

Finally, the Metropolitan Opera concludes a week of productions starring soprano Renée Fleming with Richard Strauss’ Capriccio on Friday; George Frideric Handel’s Rodelinda on Saturday and Antonín Dvořák’s Rusalka on Sunday. And here’s a preview of next week since we’re including options for Monday. Next week’s theme is Leading Ladies: Opera’s Greatest Heroines and the week gets started with a 2014 production of Georges Bizet’s Carmen.

That officially ends my Best Bets: January 15th – January 18th. Stay safe. Stay healthy. Enjoy the holiday weekend.

Main Photo: Piano duo Hocket (Courtesy Hocket.org)

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Jerry Herman was the Tony Award-winning composer of such musicals as Hello, Dolly!, Mame, Mack and Mabel and La Cage aux Folles. He passed away in late 2019. This revue of his music was created by Andy Einhorn and had its first performance at New York’s 92nd Street Y early last year. Einhorn has reworked the show and it was filmed by Pasadena Playhouse for their PlayhouseLive programming.

Starring in You I Like are Ashley Blanchet (Frozen), Nicholas Christopher (Hamilton), Olivier Award-winner Lesli Margherita (Matilda The Musical), Andrea Ross (The Sound of Music) and Ryan Vona (Once). Einhorn serves as music director and our guide through the show.

Songs from all those musicals listed above are in the show as are some rarer songs from his early work like Parade and Milk and Honey. There are also songs from his lesser-known musicals such as The Grand Tour.

Einhorn has created a true love letter to Herman. His passion and knowledge of Herman and his work is presented lovingly. This show is filled with the unfettered joy that was the hallmark of Herman’s own view of life.

The performers are all terrific and seem to be enjoying their roles.

A few moments definitely stand out: Christopher singing “If He Walked Into My Life” from Mame and “A Little More Mascara” from La Cage Aux Folles; “Time Heals Everything” from Mack and Mabel sung by Blanchet and pretty much everything Margherita does. Someone should seriously consider putting her in a revival of Funny Girl. (I know what purists will say, “she’s a bit too old for that.” Forget it…she’s got the talent to make it work.)

My initial response after seeing the show on Sunday (as I Tweeted) was “The best of times may not be right now, but You I Like is just what the doctor ordered.”

Tickets to watch You I Like are $24.99. If you think the show was only available on Sunday, January 10th, that was just a special opening night event featuring pre-show interviews with Bernadette Peters and David Hyde Pierce. Don’t delay. Any serious musical theatre fan will want to catch this show!

Photo: Jerry Herman (Courtesy PlayhouseLive)

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This weekend I have a great mix of classical music, jazz, plays and a new musical revue celebrating composer Jerry Herman (Hello, Dolly!). Once you catch up on my reminders you can add opera and musicals to the list!

So let’s get right to it. Here are the Best Bets at Home: January 8th – January 10th:

CLASSICAL MUSIC: Close Quarters #5 – Los Angeles Chamber Orchestra – Available Now

LACO continues their series of unique films that include performances of chamber music works. In Close Quarters #5, the music of Juan Pablo Contreras, Jimmy López and Jessie Montgomery is performed. Surrounding the performances is the story of a young woman on New Year’s Eve who finds herself alone after leaving a party and unsure of how she’s going to get home.

Contreras, whose work Pueblos Mágicos is the last piece performed in the film, curated the program. López’s Ccantu for solo piano opens the film. Montgomery’s Voodoo Dolls is between the two. All three pieces are terrific. I took particular joy in Pueblos Mágicos.

James Darrah directed the 42-minute film. The script was written by Christopher Oscar Peña and beautifully captures that emotional roller coaster that one experiences when left alone and is having to find acceptance and strength to move beyond. Note that there is strong language in the film.

AUDIO PLAY: The Nomad Project – Coeurage Ensemble – Available Now

Los Angeles-based Coeurage Ensemble has launched a very interesting series called The Nomad Project. The project consists of 10 stories based in Los Angeles and runs approximately 10-12 minutes.

Each of the stories is written to reflect a specific area of the city. By specific I mean down to GPS coordinates. This allows listeners to either listen from the comfort of their home or travel to those coordinates to hear the stories played out. Amongst the locations are Hollywood Boulevard & Western Avenue; the Walt Disney Concert Hall; outside the Faultline Bar; Sun Valley and more.

The playwrights who have created audio plays for The Nomad Project are Boni B. Alvarez, Kate Bailey, Mark Brown, Meghan Brown, June Carryl, Aaron Fullerton, Tom Jacobson, Ann Kimbrough, Roger Q. Mason, Shahrook Oomer and Yael Zinkow.

There’s no cost to listen to these audio plays. Donations, of course, are always welcomed.

MUSICAL: Closer Than Ever – MNM Theatre Company – Now – January 10th

When Closer Than Ever opened in 1989 at the Cherry Lane Theatre, it charmed critics and went on to be named the 1990 Outer Critics Circle Award Winner for Best New Off-Broadway Musical. The completely sung-through show features songs by Richard Maltby, Jr., and David Shire (Baby, Starting Here Starting Now).

Closer Than Ever examines adult life vis-a-vis songs about marriage, divorce and second marriages, mid-life crisis, growing old and more. Maltby and Shire based the songs on the lives of their friends.

Florida’s MNM Theatre Company has produced a streaming version of this musical that will be available through Sunday.  Aaron Bower, Johnbarry Green, Shelley Keelor and Elijah Word star. Jonathan Van Dyke directed.

Tickets are $20 and allow for 48 hours of streaming.

PLAY: Making Friends – IAMA Theatre Company – Now – January 18th

Seems like everyone is angry these days. Count amongst them Tom DeTrinis, who describes himself as a rage-aholic. In his one-man show, DeTrinis expunges some of that rage in very humorous was as he rants about transgressions from his childhood, his dislike of Rodgers & Hammerstein and particularly his disdain for New York City (rather ironic since he’s from NYC).

He portrays many of those who have offended him during this 67-minute show directed by Drew Droege. Note that this show contains adult material and language. Tickets start at $15 based on your ability to pay.

JAZZ: Chris Botti – SFJAZZ – January 8th – 8:00 PM EST/5:00 PM PST

This week’s Fridays at Five concert from SFJAZZ dates back almost exactly one year. On January 10th, 2020, trumpeter Chris Botti performed at the venue. That concert will be streamed only once at the time listed above.

Botti is a Grammy Award winner and best-selling artist who, in addition to his own albums, has collaborated with Joshua Bell, Tony Bennett, Michael Bublé, Lady Gaga, Yo-Yo Ma, Joni Mitchell, Paul Simon, Sting, Barbra Streisand and more.

To view this concert you must have either a monthly membership ($5) or an annual membership ($60).

CLASSICAL MUSIC: Teatro alla Scala Orchestra – January 9th – 2:00 PM EST/11:00 AM PST

The orchestra from Milan’s fabled La Scala has a streaming concert on Saturday. The program will feature performances of Johannes Brahms’ Symphony No. 3 in F major, Op. 90 and Antonin Dvorak’s Symphony No. 7 in D minor, Op. 70. Leading the orchestra is conductor Lorenzo Viotti.

The concert will be available for viewing on the Teatro alla Scala website, their YouTube channel and their Facebook page.

If you can’t see the concert as it happens, they usually remain available for a few days afterwards.

CLASSICAL MUSIC: Anne Akiko Meyers and Fabio Bidini – The Sorting Room Sessions at The Wallis – January 9th – 11:00 PM EST/8:00 PM PST

Violinist Anne Akiko Meyers and pianist Fabio Bidini team up for this intimate recital of music by French composers. On the program is Charles Gounod’s Ave Maria; Maurice Ravel’s Sonata No.2 in G Major and Jules Massenet’s Meditation from Thaïs.

Meyers has released over 30 albums. Her most recent recording is Estonian Lullaby which features the music of Arvo Pärt and was released earlier this year.

Italian pianist Bidini has released 13 albums and in addition to his performance career, teaches at Los Angeles’ Colburn School

Tickets are $25 and allow for 24 hours of streaming.

JAZZ: Exploring Billie’s Influence – 92nd Street Y – January 10th – 3:00 PM EST/12:00 PM PST

Grammy Award-winner Christian McBride hosts a conversation about the legendary Billie Holiday with Dee Dee Bridgewater, Dianne Reeves and Cassandra Wilson.

All three women have recorded albums as tributes to Lady Day. Let’s be honest, what female jazz singer can ignore the enormous impact Holiday had on all singers?

Will there be any singing? It doesn’t appear so from the website, but given the enormous talent on stage, this will be a riveting conversation with our without performances.

Tickets are $15.

JAZZ: Neal Caine Quartet – Smalls Live – January 10th – 5:00 PM EST/2:00 PM PST and 7:00 PM EST/4:00 PM PST

Jazz bassist Neal Caine is not only one of jazz music’s finest bass players, he’s also one of its most in-demand. Caine has performed and/or recorded with Jon Batiste and Stay Human; Brian Blade; Betty Carter; Harry Connick, Jr. Big Band; Benny Green; Dr. John; Elvin Jones Jazz Machine; Diana Krall, Branford Marsalis; Delfeayo Marsalis Quintet; Ellis Marsalis Trio; Wynton Marsalis;

If you haven’t heard his 2005 album Backstabber’s Ball, you should check it out.

Joining him for these two sets at New York’s Smalls are Donald Edwards on drums; Jerry Weldon on tenor sax and Anthony Wonsey on piano.

If you can afford to make a “reservation” for either performance, those funds go to the venue and the musicians. Otherwise, you can find the performances streaming live on Small’s website.

CLASSICAL MUSIC: Piano Sonata by Philip Glass – CAP UCLA – January 10th – 6:00 PM EST/3:00 PM PST

The world premiere of composer Philip Glass‘ first piano sonata took place in 2019 in Germany. The piece was performed by pianist Maki Namekawa who asked the composer to write the sonata for her.

She returns to the work in this special filmed performance that was recorded live in Austria for CAP UCLA.

The sonata came into being after a conversation Namekawa and her husband, Dennis Russell Davies, had with the composer in the back of a restaurant in 2017.

Zachary Woolfe, in his New York Times review of the sonata’s first American performance by Namekawa in 2019, said, “For all the work’s switches of mood — between major and minor, churning and calm — the stakes feel low, though not unagreeably. Even when it’s headlong, as in the chugga-chugga perpetual motion of the third movement, the work is light, even superficial, a revue of Glassian riffs that’s pleasant and passing. While it’s imposing, at nearly 30 minutes, the sonata feels larky.”

MUSICAL: You I Like, A Musical Celebration Of Jerry Herman – Pasadena Playhouse/PlayhouseLive – January 10th – February 7th

Jerry Herman was the Tony Award-winning composer of such musicals as Hello, Dolly!, Mame, Mack and Mabel and La Cage aux Folles. He passed away in late 2019. This revue of his music was created by Andy Einhorn and had its first performance at New York’s 92nd Street Y early last year. Einhorn has reworked the show and it was filmed by Pasadena Playhouse for their Playhouse Live programming.

Starring in You I Like are Ashley Blanchet (Frozen), Nick Christopher (Hamilton), Olivier Award-winner Lesli Margherita (Matilda The Musical), Andrea Ross (The Sound of Music) and Ryan Vona (Once). Einhorn serves as music director and our guide through the show. (Next week look for my interview with Einhorn!)

Songs from all those musicals listed above are in the show as are some rarer songs from his early work like Parade and Milk and Honey. There are also songs from his lesser-known musicals such as The Grand Tour.

On the virtual opening night there will be a Q&A with Bernadette Peters (who appeared in the recently revival of Hello, Dolly! and also Mack and Mabel) and David Hyde Pierce (also in Hello, Dolly!) with Einhorn and Pasadena Playhouse’s Danny Feldman.

Tickets are $29.99 to watch the virtual opening. All other viewings will be $24.99.

That’s my list of the Best Bets at Home: January 8th – January 10th. But, of course, there are a few reminders:

David Bowie fans will not want to miss his musical Lazarus, which is being made available for three performances this weekend from DiceFM. For full details go to my preview here.

New York’s 9th annual Prototype Festival launches this weekend with an intriguing program of new works. My preview has full details.

The Public Theater’s Under the Radar Festival has begun and I have a full rundown of the programming available.

The operas available this weekend from the Metropolitan Opera from this week’s Epic Rivalries theme. They are Cavalleria Rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo on Friday; Gaetano Donizetti’s Maria Stuarda on Saturday and Giuseppe Verdi’s Il Trovatore on Sunday. You can find full details here.

Here’s to taking a break, enjoying some great performances and recharging ourselves!

Enjoy the Best Bets at Home: January 8th – January 10th and enjoy your weekend.

Photo: Lesli Margherita, Andrea Ross, Ryan Vona, Nicholas Christopher, Ashley Blanchet, and Andy Einhorn in You I Like: A Musical Celebration of Jerry Herman (Photo by Jeff Lorch/Courtesy Playhouse Live)

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Music seems to be the best way to express holiday cheer (in a year when we truly need it) and multiple venues are using music to do just that. Fans of plays do not fear, we have a few options for you and there’s also a preview of a musical-in-development that was 10,000 years in the making.

Here are my Best Bets at Home: December 18th – December 20th:

MUSICAL: Iceboy! – PlayhouseLive – Now Available

As part of their original programming, Pasadena Playhouse’s PlayhouseLive offers a look into a musical in development called Iceboy!

Them musical tells the story of a Broadway star, Vera Vimm, who adopts a 10,000 year old Neanderthal, IceBoy. After being thawed out he becomes a fast-rising star whose popularity and fame begins to eclipse Vimm’s career.

Megan Mullally (Young Frankenstein) plays Vimm; Adam Devine plays Iceboy. Nick Offerman (Annapurna) and Laura Bell Bundy (Legally Blonde) are also in this preview. Three-time Tony nominee Kevin Chamberlin directs.

IceBoy! was written by by Mark Hollmann (Tony Award-winner for Urinetown), Erin Quinn Purcell (Duet!) and Jay Reiss (The 25th Annual Putnam County Spelling Bee). This 22-1/2 minute preview features four songs from the musical.

This is free to view, but you do need to register at PlayhouseLive.

MAGIC/PLAY: Elephant Room: Dust from the Stars – Center Theatre Group Digital Stage – Now – December 20th

Some show are just so out there that you have two choices: you go with it or you resist. According to the New York Times, it might be futile to resist the charms of Elephant Room: Dust from the Stars.

Elisabeth Vincentelli, writing for the paper, said, “The show, part of the Fringe Festival in Philadelphia, packs a lot in just over an hour and is the most resourceful, gleefully entertaining new theater piece I have seen during the pandemic. Yes, it all happens on Zoom. Yes, there are tricks, some of them involving the audience. And yes, it’s possible to laugh alone in front of your computer.”

That’s good information to have because the video about the show might leave you scratching your head (or thinking you’ve wandered into magic-meets-Spinal Tap):

Perhaps you have. This meta-show, which appears to be taking place in our present-day world, will hopefully explain just what the meta is for.

Tickets are $10 for non-members/free for members. Performances take place on Friday, December 18th at 7:00 PM PST; Saturday, December 19th and Sunday, December 20th at 1:00 PM PST and 7:00 PM PST.

INTERNATIONAL HOLIDAY MUSIC: Nochebuena en Casa – The Soraya – December 18th – 8:00 PM EST/5:00 PM PST

Acclaimed writer/director/producer Dan Guerrero is your host for this at-home version of The Soraya’s annual holiday concert.

The artists performing include Ballet Folklórico de Los Ángeles, Aida Cuevas, Mariachi Garibaldi de Jaime Cuéllar, Suzanna Guzmán and José “Pepe” Martínez Jr. with Susie García. Some of them will welcome you into their homes for their performances, others were filmed safely on the stage at The Soraya.

There is no cost to watch this festive show which begins streaming on Friday, December 18th at 5:00 PM PST.

JAZZ: Kenny Barron: Quartets – Village Vanguard – December 18th – December 19th – 8:00 PM EST/5:00 PM PST

When Dizzy Gillespie and Stan Getz needed a pianist they turned to Kenny Barron. The eleven-time Grammy Award nominee, who has recorded with more artists than this page can hold, has two performances this weekend from New York’s Village Vanguard.

He is performing in quartet formation, but the two performances will feauture slightly, but significantly, different line-ups.

At the core of both performances will be Kiyoshi Kitagawa on bass and Jonathan Blake on drum. Rounding out the quartet on Friday will be vibraphonist Steve Nelson (who appeared on Barron’s 1982 recording Golden Lotus). For Saturday’s performance saxophonist Immanuel Wilkins joins Barron. Omega, by Wilkins, was named Best Jazz Album of 2020 by the New York Times.

Tickets for each concert are $10.

GOSPEL MUSIC: Blind Boys of Alabama Holiday Show – SFJAZZ – December 18th – 8:00 PM EST/5:00 PM PST

This week’s Fridays at Five concert from SFJAZZ is a bit of a departure from their regular jazz programming, but the concert being shown is an annual holiday tradition at the venue.

Blind Boys of Alabama will perform a concert of gospel and holiday music as only they can. If you’ve never heard them, you should. They are terrific.

The five-time Grammy Award-winning ensemble perform in this concert from 2018. They have recorded two Christmas albums: the 2003 Christmas release, Go Tell It on the Mountain, and their 2014 Talkin’ Christmas, which was a collaboration with blues great Taj Mahal.

The concert will stream only once at the allotted time. To view the Fridays at Five concerts you need either a monthly membership ($5) or an annual membership ($60).

PLAY READING: A Christmas Carol – Primary Stages – December 18th – December 22nd

Pulitzer Prize finalist Theresa Rebeck has co-written (with Erin Daley) a new version of Charles Dickens’ A Christmas Carol which will have a live-reading on Friday, December 18th as a fundraiser for New York’s Primary Stages and their programming aimed at younger audiences.

Starring as Scrooge is four-time Tony-nominated actor Raúl Esparza (Speed-the-Plow; Company).

Joining him are Mary Bacon (Rock ‘n’ Roll), Abadi Bacon Leynse, Kimberly Chatterjee (Life Sucks), W. Tré Davis (Seared), David Mason (Seared), Krysta Rodriguez (Spring Awakening) and Matthew Saldivar (Bernhardt/Hamlet). Rebeck is directing the reading.

The Friday, December 18th, performance is live at 8:00 PM EST/5:00 PM PST. Tickets for the live reading are $100. Beginning December 19th, and through December 22nd, the reading will be available for free viewing.

CLASSICAL MUSIC: Bach’s Brandenburg 5 – Los Angeles Chamber Orchestra – December 18th – 9:30 PM EST/6:30 PM PST

Los Angeles Chamber Orchestra continues their Close Quarters series with this concert that features Johann Sebastian Bach’s Brandenburg Concerto No. 5 in D Major and Claude Debussy’s Syrinx.

Music Director Jaime Martín will perform Syrinx which is a brief work by the French composer for solo flute.

Featured musicians performing the Bach will be Martín on flute; Conductor Laureate Jeffrey Kahane on fortepiano and Tereza Stanislav on violin.

Joining them will be Margaret Batjer, Susan Rishik and Josefina Vergara on violin; Erik Rynearson and Robert Brophy on viola; Andrew Shulman and Armen Ksajikian on cello and David Grossman on bass.

This series involves newly-created visuals to accompany each performance. This fourth episode of the Close Quarters series features the art of Ardeshir Tabrizi.

The concert is free and can be watched on the LA Chamber Orchestra website, their YouTube channel or their Facebook page.

JAZZ: Cyrus Chestnut & Dezron Douglas – MEZZROW – December 19th – 5:00 PM EST/2:00 PM PST and 7:00 PM EST/4:00 PM PST

Jazz pianist and bassist Dezron Douglas team up for two shows from New York’s Mezzrow. They last performed together at sister club Small’s in July. (You can watch that and many other archived videos from Smalls and Mezzrow with a membership.)

Chestnut has released 34 records. He and Douglas have recorded together since 2007’s Cyrus Plays Elvis. They have five other recordings together. Douglas, amongst his many performances, appears in Beyonce’s Homecoming.

I’m a fan of both musicians. Though somewhat crudely filmed, you always get great music from these performances live at Small’s and Mezzrow.

There is no charge to watch the concert. However, those who have the means can purchase tax-deductible “reservations” for $50 for each set.

JAZZ: Big Band Holidays – Jazz at Lincoln Center – December 19th – December 26th

Every year Jazz at Lincoln Center celebrates the holidays with a big band concert filled with seasonal songs. This year is no exception, but it will be virtual instead of live.

Wynton Marsalis leads the Jazz at Lincoln Center Orchestra in the concert. Special guests include Rubén Baldes, Kurt Elling, Ashley Pezzotti and Catherine Russell.

Premieres at 7:00 PM EST/4:00 PM PST on December 19th and will remain available for streaming through December 26th. Tickets are $25 for non-members; $20 for members.

PLAY: Interviewing Miss Davis – Fountain Theatre – December 19th – 8:00 PM EST/5:00 PM PST

I’m sure I don’t have to tell you who Miss Davis is. (Okay, I will.) Bette Davis, of course. This play by Laura Maria Censabella is based on her experiences.

Just after leaving college with dreams of being a writer, she gets a job interview with the screen legend to be her assistant. Would this job be a fast track to her dreams or sideline her aspirations?

And what of her possible new employer? A woman who famously said, “In this business until you’re known as a monster, you’re not a star.”

Karen Kondazian plays Davis in this reading. Wonjung Kim plays the woman being interviewed and Aleisha Force is the longtime assistant who is leaving Davis.

There is no charge to watch Interviewing Miss Davis. There will be a Hollywood holiday theme party along with the reading.

FILMED RADIO PLAY: It’s a Wonderful Life – Laguna Playhouse – December 19th – January 1st

Who doesn’t watch It’s a Wonderful Life during the holidays? Well, even if you are one of those who doesn’t consider the play a seasonal tradition, you might want to check out this version from the Laguna Playhouse.

Nick Cearley and Lauren Molina, who are known together as The Skivvies, have filmed a radio play version that has been adapted by Joe Landry to suit their talents. Since The Skivvies usually perform in their underwear, I’m not sure I can guarantee which talents Landry is relying on.

One thing that does serve as a foundation for his work is the screenplay from the original Frank Capra movie written by Frances Goodrich, Albert Hackett, Capra and Jo Swerling.

For the uninitiated, It’s a Wonderful Life tells the story of George Bailey. He’s suicidal and it’s only because of the intervention of his guardian angel, Clarence, that Bailey learns just how valuable his life has always been. The film starred Jimmy Stewart and features the classic line, “every time a bell rings an angel gets his wings.”

Maybe in this version every time a bell rings a cast member removes an article of clothing.

Tickets are $20.

VOCALS CONCERT: Audra Mae: Songs of Joy and Peace with Dylan Meek – The Sorting Room at The Wallis – December 19th – 11:00 PM EST/8:00 PM PST

Christina Aguilera, Avicii, Kelly Clarkson, Celine Dion and Miranda Lambert are just some of the performers who have recorded songs written/co-written by Audra Mae. The singer-songwriter, who happens to be the great great niece of Judy Garland, is also a singer with multiple albums of her own.

She performs a concert of holidays songs and is joined by Dylan Meek, a singer/jazz pianist who was mentored by Johnny O’Neal. The concert is part of The Sorting Room series from The Wallis in Beverly Hills and is produced in conjunction with For the Record Live.

Mae has two special guests joining for the show: Darren Criss and Tracie Thoms.

Tickets are $25 and will allow for streaming for 24 hours from the start time.

BROADWAY VOCALS: Adam Pascal with Seth Rudetsky – December 20th – 8:00 PM EST/5:00 PM PST

Broadway fans, and particularly Rent-heads, know Adam Pascal from his role as Roger in the original production of Jonathan Larson’s Rent. His other Broadway credits include the Elton John and Tim Rice musical, Aida, Cabaret, Chicago, Memphis, Something Rotten! and most recently, Pretty Woman.

He’s Seth Rudetsky‘s guest for this week’s concert and conversation. Pascal knows Rudetsky well. He appeared in his musical, Disaster!

This replaces the concert with Pascal that was originally scheduled for November.

If Sunday’s live stream doesn’t work for you, they will re-stream the concert on Monday, December 21st at 3:00 PM EST/12:00 PM PST.

Tickets are $25.

Those are my Best Bets at Home: December 18th – December 20th. Stay safe. Stay healthy. Enjoy your weekend. Happy Holidays!

Photo: Jesse Vargas and Megan Mullally in Iceboy (Photo by Jeff Lorch/Courtesy Pasadena Playhouse)

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A wizard takes Demetrius Nova Twinklestar III on a whirlwind tour of the holiday galaxies. Amongst the locations on their itinerary are Santa’s workshop, the world of Charles Dickens (author of A Christmas Carol), a Hannukah celebration, a visit from a certain reindeer with a red nose and some charming and endearing North Pole animals.

There are several things that make these shows from the imagination of the late Bob Baker so magical.

First is that he always knew he was appealing to children of all ages. The shows are always appropriate for all ages, but you can often find little references that will certainly sail above the younger viewers and straight into the hearts of adults.

Secondly, he used music very creatively. You won’t necessarily hear the most popular or even best recordings of a given song, but you will always heart the right recording for the sequence being performed.

Thirdly, the performances remove the barrier between the puppets, the performers and the audience. The floor was the stage and the audience is part of that stage. That makes the puppets tangible, doesn’t hide that they are being manipulated and that combination always put smiles on the faces of those in the audience, particularly those lucky enough to have one of these magical puppets interact with them.

Which leads to the last, and perhaps most important, reason these shows succeed. The marionettes, all made by Baker and his team in his studio, are simply without equal. The puppeteers certainly give life to the marionettes, but they were imbued with tremendous spirit from the moment they were first created.

Holiday on Strings! was filmed in front of a live audience (no doubt pre-pandemic). The rental fee is $14.99.

On a separate note, the Bob Baker Marionette Theatre is facing possible closure. The theatre was established in 1963 and has provided millions of children and adults countless hours of pleasure (myself included in grade school and later again as an adult). They recently moved out of their long-time location into a new space in Highland Park. If you are interested in reading more about BBMT and/or making donation, please go here.

Photo by Lisa Whiteman/Courtesy PlayhouseLive

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Thankfully a number of people have created new programming to keep us in the spirit – or to let the spirits move us. The programming ranges from fun for the entire family to idiosyncratic entertainment for adults seeking more adventurous offerings.

Tim Burton said, “Every day is Halloween isn’t it? For some of us.” At least every day this week will be for all of us. So which one of these shows do you want in your trick or treat bag? Whatever you do, don’t fall asleep.

Bob Baker’s HaLLoWe’eN SpoOkTaCuLar – PlayhouseLive – Now – November 18th

Pasadena Playhouse’s PlayhouseLive has added another Bob Baker Marionette Theater show to their line-up: the classic HaLLoWe’eN SpoOkTaCuLar. This annual Halloween tradition has been filmed and is perfect entertainment for the entire family.

There will be some classic characters including Dracula, The Invisible Man and the Purple People Eater. Think of this as a Monster Mash with strings.

Renting the show, which runs 48 minutes, costs $14.99

Attention Deficit Disorder *COBWEB* Cabaret – Club Cumming – October 27th – 8:00 PM EDT/5:00 PM PDT

This is not your typical cabaret. Nor should it be for Halloween. Angela Di Carlo, a comedic cabaret singer, is the hostess for this special Halloween edition of her recurring Attention Deficit Disorder Cabaret shows. This live show will emanate from Alan Cumming’s Club Cumming in New York City.

What to expect? Let me use their own description: Join us as we take a virtual stroll thru the Dead Baby Graveyard in a slutty nurse costume while eating Pumpkin Spice potato chips. In these troubled and uncertain times there’s nothing better than curing your raging ADD with all your favorite spooky songs and laffs galore with ADD *COBWEB* Cabaret. 

Joining Di Carlo for this show will be David Ilku of Unitard Comedy and Kyle “Special K” Forester on piano. Other guests might be added.

ADD Cabaret has been running for over five years and has attracted great reviews and celebrity fans like Parker Posey and Jake Shears of Scissor Sisters. This won’t be a traditional show at all. That’s why I like it!

Tickets are $20.

Lena Hall Virtually Halloween Edition – October 29th – 7:30 PM EDT/4:30 PM PDT

Not only will you get Lena Hall rocking out some great Halloween tunes, you are encouraged to dress in costume for this week’s Lena Hall Virtually concert. VIP tickets that include a song request are sold out, but there are still general admission tickets available as are charitable donation tickets. The Ali Forney Center receives all money raised with donation tickets.

What will she sing? Depends on the requests. But I wouldn’t be surprised to see at least one or two songs from The Rocky Horror Show, Monster Mash and I Put a Spell On You to be part of the repertoire. Whatever it is, it’s going to be (psycho) killer, Qu’est-ce que c’est, Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better.

I Put a Spell On You: The Sanderson Sisters Break the Internet – October 29th – 8:00 PM EDT/5:00 PM PDT

The 1993 film Hocus Pocus is the focus of a couple shows this week. I Put a Spell On You is an annual concert and party. For obvious reasons, this year’s party is going online.

It is free, but donations to Broadway Cares/Equity Fights AIDS are encouraged.

Jay Armstrong Johnson, Allison Robinson and Amanda Williams Ware take on the roles of Winifired, Sarah and Mary Sanderson played by Bette Midler, Sarah Jessica Parker and Kathy Najimy in the film.

This online party, which takes the form of a filmed adventure, will find the Sanderson Sisters recruiting as many iconic villains as they can to carry out a fiendish plot.

Joining in the fun will be Broadway’s Nick Rashad Burroughs (Tina: The Tina Turner Musical), Drew Gehling (Waitress), J. Harrison Ghee (Mrs. Doubtfire), Todrick Hall (Kinky Boots), Robyn Hurder (Moulin Rouge! The Musical), Julia Mattison (Godspell), Eva Noblezada (Hadestown), Ahmad Simmons (West Side Story) and Will Swenson (Waitress). 

There will also be some popular drag queens including Bob The Drag Queen (TV’s RuPaul’s Drag Race), Kizha Carr, Marti Gould Cummings, Peachez and Alexis Michelle (TV’s RuPaul’s Drag Race).

Rounding out the show are cast members from The Marvelous Mrs. Maisel, West Side Story, The Cher Show, The Real Housewives of New York City, On Your Feet! and several other shows.

Sharon Needles: Mask It Or Casket! – Club Cumming – October 29th – 9:00 PM EDT/6:00 PM PDT

If you are familiar with the drag queens from RuPaul’s Drag Race, you know there is one queen who screams Halloween: Sharon Needles. She won Season 4 and has put together a show that will undoubtedly be like no other. Mask It or Casket! will run four times: 3 performances on October 29th and one late show on Halloween.

It is said in press materials that this show will be a contemporary spin on camp classics like the Paul Lynde Halloween Special. And here’s a reminder of what that show was like:

Joining Sharon Needles will be Amanda Lepore, RuPaul’s Drag Race stars Alaska 5000 (Season 5) and Aja (Season 9), Michael Musto, Jada Valenciaga, illusionist Michael Carbonaro and special appearances by Countess Luann from Real Housewives of New York and Tony Award-winner (and club owner) Alan Cumming.

Tickets are $25 with showtimes on October 29th at 5:00 PM EDT/2:00 PM PDT, 9:00 PM EDT/6:00 PM PDT and a midnight show that will air at 9:00 PM PDT on the West Coast. The Halloween showtime is midnight on the East Coast and 9:00 PM PDT on the West Coast.

The Brett Loudermilk Halloween Special – October 29th – October 30th

America’s Got Talent 2020 semi-finalist Brett Loudermilk is putting on his own Halloween special and he’s enlisted Elvira, Gilbert Gottfried and Puddles Pity Party to join him.

Loudermilk earned his spot on AGT by not just swallowing swords – his specialty along with a quick wit – but in making the judges wholly uncomfortable, particularly Sofia Vergara.

Elvira we all know and certainly Halloween is the perfect occasion to revisit the Mistress of the Dark. Puddles Pity Party, who was a quarter-finalist on the 2012 season of America’s Got Talent, is also joining the show. He is one of the most unique and talented performers I’ve ever seen. The less you know, the better the surprise is of what Puddles Pity Party does.

There will be two performances of The Brett Loudermilk Halloween Special. One on October 29th at 8:00 PM EDT/5:00 PM PDT and one on October 30th at 10 PM EDT/7:00 PM PDT. Tickets are $25.

In Search of the Sanderson Sisters: A Hocus Pocus Hulaween Takeover – October 30th – 8:00 PM EDT/5:00 PM PDT

This is our second Hocus Pocus-related event for Halloween. In Search of the Sanderson Sisters: A Hocus Pocus Hualween Takeover finds Bette Midler reunited with co-stars Sarah Jessica Parker and Kathy Najimy. This is a fundraiser for The New York Restoration Project.

NYRP started as a grass roots project by Midler to clean up parks in New York City.

One of their biggest events each year is Hulaween – a masquerade ball with a Hawaiian twist (Midler was born in Honolulu). Circumstances being what they are, this year’s event is online.

In Search of the Sanderson Sisters takes the form of a “documentary” program in which Elvira (she’s back) explores with all three Sisters their background. Mysterious secrets will be revealed about their ancestry, education and loves found and lost.

Joining Midler, Parker and Najimy will be co-stars Thora Birch, Omri Katz and Doug Jones. But they also have a few special guests lined-up: Glenn Close, Billy Crystal, Jamie Lee Curtis, John Debney, Samantha Diaz, Todrick Hall, Jennifer Hudson, Anjelah Johnson-Reyes, Michael Kors, Adam Lambert, George Lopez, Alex Moffat, Vinessa Shaw, Martin Short, Sarah Silverman, John Stamos, Meryl Streep, Kenan Thompson, Sophie von Haselberg and other surprise guests.

Tickets to watch the show are $10 plus a $3 service charge. Proceeds benefit the New York Restoration Project. It is important to be aware that there will be only this one showing of In Search of the Sanderson Sisters.

The Nightmare Before Christmas Concert – October 31 – 7:00 PM EDT/4:00 PM PDT

“Just because I cannot see it, doesn’t mean I can’t believe it.” Well Jack Skellington, believe it.

The Actors Fund and the Lymphoma Research Foundation are teaming up for a one-night-only benefit concert of the music and songs from Tim Burton’s The Nightmare Before Christmas. The event takes place on Halloween and will be a one-time-only presentation.

The concert was the idea of Tony Award-winner James Monroe Iglehart (Aladdin). He has invited many of his friends from Broadway to perform the classic Danny Elfman songs from their homes. The stars joining him are Danny Burstein (Moulin Rouge!), Rafael Casal (Blindspotting), Lesli Margherita (Matilda), Rob McClure (Mrs. Doubtfire), Nik Walker (Ain’t Too Proud) and Adrienne Warren (Tina: The Tina Turner Musical).

Each of the cast members was tasked with coming up with costumes and props using things they already had in their homes.

This show is not only family-friendly, but also has a family-friendly price of $4.99.

In Hocus Pocus, Winifred Sanderson says, “Oh look, another glorious morning. Makes me sick.” I believe with all this Halloween programming available to you this week, you’ll start November in a much brighter place than Winifred ever did.

Photo: Sharon Needles (Courtesy Club Cumming)

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“We looked around and really started understanding we’re not going to be back in a while,” he told me during a recent phone call. “We studied the data and knew fairly early on life would not be normal. At the same time we discussed is this the time to hibernate or should we innovate. The mission here is to enrich the lives of our community and we don’t have to be in the building to do that.”

Feldman and his team decided in April to create newly-filmed programming and give birth to PlayhouseLive. They also re-purposed some existing materials and dug into their archives (including the discovery of some never-before-seen film of the Playhouse from 1932.)

PlayhouseLive launched two weeks ago with several shows: Still. by poetry-slam champion Javon Johnson and The Circus from Bob Baker’s Marionette Theatre – two theatre on demand offerings. Intermission with Hashtag Booked (an interview show with Alfred Molina as the first guest) is available with membership to Playhouse Live. All were filmed specifically by and for PlayhouseLive. There is also free programming including Page to Stage which currently goes behind-the-scenes with their 2019 production of Little Shop of Horrors.

“From the beginning we saw Zoom play readings and I participated in it and enjoyed it, but there was a disconnect between the work at Pasadena Playhouse and Zoom. We work really hard to deliver world class theatre and we wanted to match the quality of the filming and the work itself to stand out.”

Finding the right balance of material was of paramount importance to everyone involved. Some might be surprised that PlayhouseLive launched with a provocative piece like Still. in which Johnson employs intense descriptions of Black lives and profanity. Feldman sees Still. as part of the Playhouse’s on-going mission and the direction he’s been taking the theatre since joining in 2017.

“For those who have been following what we’re doing a show like Still. is not a surprise. We did Bordertown Now with an all Latinx cast and creative team that dealt with issues of immigration. We did Ragtime. We don’t shy away from hot-button issues. That’s the role of the arts and of theatre, to provoke conversation. We like to provide the widest tent possible. Whether you like a musical, a straight play, there’s something for everyone. My job is to make sure we serve different groups.”

Upcoming announced future programming at PlayhouseLive include Iceboy! (which will star Megan Mullally, Nick Offerman and Adam Devine), a celebration of composer Jerry Herman and a collaboration with the Ojai Playwrights Conference.

What future PlayhouseLive and in-person productions will be weighs heavily on Feldman. It isn’t just the pandemic, but issues of civil rights – not just in the public-at-large, but also within the theatre community – and a divided country are amongst his considerations today.

“We had not announced what we are doing next year or what we were going to do. What I was looking at doesn’t quite make sense now. While our audience was on the rise, there were questions about the viability of the field as well as race and inequity in the theatre. I’m doing some deep-dive thinking with our board and staff.”

It’s hard to know how or when theatres can re-open. This another challenge for the Pasadena Playhouse and every other arts organization.

“You can look at it as doom and gloom. I don’t. We stopped making firm plans. Now we’re looking at a series of scenarios that show different timetables of coming back and different kinds of returns. It’ll be a long time before you see a Ragtime here. We usually plan a year in advance. This is a tough lesson of being flexible and nimble and we will be ready to return as soon as it is safe to do so for our patrons, artists, crews and production teams.”

When Feldman first joined the Pasadena Playhouse he told the Los Angeles Times he wanted “to be like Hal Prince.” (Prince was a 21-time Tony Award winning producer and director.) Prince’s philosophy of working in theatre is perhaps best summed up in this quote:

“The idea is to work and experiment. Some things will be creatively successful. Some things will succeed at the box office. And some things will only, which is the biggest only, teach you things that see the future. And they’re probably as valuable as any of your successes.”

Feldman pauses for a minute before discussing how he feels his idol’s comments reflect on the challenges he is facing today.

“The future is a question mark because we aren’t sure when we’ll be back on stage. We know it will be a rolling effort and not a light switch. I’ve learned that the way we were doing it before is not the answer in basically every respect. What I’m working on now is giving our organization enough resources to navigate through this so we can re-envision and build on what we’ve learned. If we were coming back anew, what would that be? I hope it results in transformative change.”

Photo: Danny Feldman (Courtesy Pasadena Playhouse)

Update: This post has been updated to include a period – “.” at the end of the title of the show. Still. is the show’s complete title.

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You will notice that as the inability to hold in-person performances continues to be the reality for performing arts organizations that more original programming is becoming available. With that comes fees to view many of those new offerings. It’s just a fact that performing arts organizations are struggling like any other business during these troubled times. Not only does this new material keep the conversation going between venue and audience, it helps keep the theatres in business.

This weekend there are truly options for everyone in your family: from kid-friendly programming to cutting-edge explorations of topical events; from a new vision for two popular one-act operas to a Latinx Broadway extravaganza; from an exploration of parallels between present-day America and the Rome Republic to gender-bending farce. And more. Much more.

Without further ado, here are your Best Bets at Home: October 1st – October 4th.

Still. – PlayhouseLive – Now – November 1st

PlayhouseLive is a new digital platform introduced yesterday by the Pasadena Playhouse. The site will offer a combination of free material and paid material – all of which is completely new and/or newly discovered. To help launch the site they enlisted three-time national poetry slam champion Jovan Johnson. Still. is his show.

Still. finds Johnson performing his poetry.

Fans will recognize some of the material (Cuz He’s Black, Black and Happy) and there will also be new work that has never been filmed or recorded.

Johnson directly tackles several of the major issues of our time. But he does so in a way that both forces the viewer to confront his/her own thoughts while at the same time generating tremendous empathy. By the time Still. is over, you have gone through an incredible journey that will ultimately leave you somewhat hopeful.

I interviewed Johnson recently. You can read that interview here.

Update: This post has been updated to include a period – “.” at the end of the title of the show. Still. is the show’s complete title.

Kiki & Herb: Seeking Asylum! – Joe’s Pub/The Public Theater – Now – November 5th

Justin Vivian Bond and Kenny Mellman are well known, when performing together, as Kiki & Herb, a lounge-singing duo in their 70s who have failed in their pursuit of fame. In 2016 their show Seeking Asylum was both a critical and commercial hit. The show sold out at Joe’s Pub. In fact, the entire one-month run sold out within minutes.

Promo materials for the show describe their misadventures leading up to this show like this:

“After major successes at Carnegie Hall, on Broadway, and on the International Concert Circuit, cabaret legends Kiki and Herb took a break from the live performance grind to explore other opportunities. Kiki’s sabbatical included a stint as a Middle East correspondent for Al Jazeera, while Herb found himself in hot water—both literal and proverbial—in Southeast Asia.”

Joe’s Pub and The Public are making the show available on both Joe’s Pub’s YouTube page and The Public’s website for viewing through November 5th. There is no charge to watch this thoroughly entertaining show.

Bob Baker Marionette Theater’s The Circus – PlayhouseLive – Now – November 18th

Pasadena Playhouse’s new series, PlayhouseLive, launched on Wednesday. Amongst the shows available is a new film of a classic show by the Bob Baker Marionette Theater: the 1950 classic The Circus.

With over 100 hand-made marionettes, the lives and performances of a circus troupe come to vivid life. Everything you expect from the circus is performed with these amazing creations: animals acts, clowns, trapeze artists, acrobats and more.

For those who went to Bob Baker’s theater downtown before they moved to Highland Park, you know how magical their performances have always been. Puppeteers are not separated from the audience. That brings an immediacy to what they are doing and also makes the marionettes approachable for younger audiences.

This filmed version of The Circus is available for $14.99 and allows repeated viewings over the course of 48 hours. Trust me when I say that these shows appeal to the kid in all of us, regardless of age.

The Tribute Artist – Primary Stages/59E59 Theaters – October 1st – October 4th

Playwright/actor Charles Busch debuted The Tribute Artist in 2014. The play tells the story of a female impersonator who assumes the identity of his newly-deceased elderly landlady. Since he doesn’t have work, why not pretend to be her and live in her townhouse? Because this is the work of Charles Busch, you don’t really think things are going to go as planned do you?

The Tribute Artist was the last show presented by Primary Stages at 59E59 Theaters.

The original company of that production has reunited for virtual readings of the show. Joining Busch are Mary Bacon, Julie Halston, Keira Keeley, Carole Monferdini and Jonathan Walker. Carl Andress, who directed the original production, returns to direct this reading.

Tickets are $36.50 which includes a $1.50 service charge.

The Boys in the Band – Netflix – Now Available

Does history repeat itself? Mart Crowley’s play The Boys in the Band opened in 1968 at Off-Broadway’s Theater Four where it ran for 1,001 performances. Before the show closed in September of 1970 it was already a feature film. William Friedkin (The French Connection; The Exorcist) directed the film adaptation. Friedkin’s film featured many of the play’s original cast members.

In 2018, the first Broadway production of the play opened at the Booth Theatre. The limited run of the play was directed by Joe Mantello.

The cast included Matt Bomer, Robin De Jesús, Jim Parsons, Andrew Rannells and Zachary Quinto. The show went on to win the Tony Award for Best Revival of a Play.

Mantello and the cast reunited and the film of The Boys in the Band just started running on Netflix.

What is The Boys in the Band? It depicts a group of gay friends who have assembled for one of their birthdays. During that party each man is challenged by the party’s host to place a phone call to someone he has loved and tell them about it.

Edward Albee had the “game about the baby” and Crowley (who passed away earlier this year) has “the game about love.”

New York’s 92 Street Y is streaming a conversation with Jim Parsons, Zachary Quinto, Matt Bomer and Joe Mantello discussing The Boys in the Band on Friday, October 2nd at 4:00 PM EDT/1:00 PM PDT.

WHAT THE HELL IS A REPUBLIC ANYWAY? – New York Theatre Workshop – Now – November 8th

If you had the opportunity to experience An Iliad by Denis O’Hare and Lisa Peterson, you know how powerful their approach to history and theatre can be. What might first appear as merely an intellectual pursuit, in their hands, becomes palpably exciting.

New York Theatre Workshop was the home for An Iliad. So it is only appropriate that their latest project, WHAT THE HELL IS A REPUBLIC, ANYWAY?, finds itself streaming through the company’s website.

O’Hare and Peterson look at what is going on in American democracy through the prism of the Roman Republic. This is a four-part series. Part one launched live on September 22nd, but there are two remaining “re-runs” of that episode.

Here is the full line-up:

Episode 1: Rome & America: Joined at Birth (Special Guest: Roberta Stewart)

Encore showings: October 4th at 2:00 PM EDT/11:00 AM PDT; October 5th at 7:00 PM EDT/4:00 PM PDT

Episode 2: Citizenship (Special Guest: Sonia Sabnis)

Live presentation: October 6th at 7:00 PM EDT/4:00 PM PDT

Encore showing: October 11th at 7:00 PM EDT/4:00 PM PDT

Episode 3: How Republics Fall Apart

Live presentation: October 20th at 7:00 PM EDT/4:00 PM PDT

Encore showing: October 25th at 7:00 PM EDT/4:00 PM PDT

Episode 4: The Election

Live presentation: November 2nd at 7:00 PM EST/4:00 PM PST

Encore showing: November 8th at 7:00 PM EST/4:00 PM PST

Not only will audience members be watching what’s going on, they will be asked to participate in the democratic process (at least during the live presentations).

Tickets for each episode are $10.

Coming Together – 5 Boroughs Music Festival – October 1st – 5:00 PM EDT/2:00 PM PDT

This is the world premiere of a film featuring the Quodlibet Ensemble and countertenor Reginald Mobley performing Frederic Rzewski’s Coming Together.

The text was written by Samuel Melville, a leader of the revolt at New York’s Attica Prison in 1971. Melville was killed during those riots. The text is from a letter he had written that was published after his death.

Rzewski composed Coming Together shortly after the riots took place.

The film, created with Pastor Isaac Scott, presents the journey we’re all probably on right now – navigating our way through difficult times and still finding a way to have hope. Footage of the musicians performing remotely and safely is included.

Bach’s Cantata No. 54 and songs and spirituals by Florence Price are also performed. Part of these performances were filmed this month at the Baryshnikov Arts Center.

There is no charge to watch the film. However, donations are encouraged. The date listed is when the film becomes available. It will remain available for viewing after its premiere.

The Skivvies: Classic Undie Rock – Radio Free Birdland – October 1st – 7:30 PM EDT/4:30 PM PDT

Lauren Molina made her Broadway debut in the 2005 revival of Stephen Sondheim’s Sweeney Todd as Johanna. She also appeared on Broadway in Rock of Ages. Around the same time she was in Sweeney Todd, Nick Cearley was making his Broadway debut in All Shook Up.

No Broadway shows together, but they do appear together as The Skivvies.

They are the duo that performs unique arrangements of songs uniquely. Make that stripped down arrangements while stripped down. Yes, they perform in their underwear.

Perhaps you’ve seen their videos on YouTube?

They have filmed a concert at Birdland in New York. Their show is part of the programming of Radio Free Birdland. The performance was filmed without an audience, but they do have two special guests.

Matt Doyle, who appeared on Broadway in The Book of Mormon and was in previews for this season’s revival of Company, and Tamika Lawrence, who appeared in Come From Away and is in the revival of Caroline, Or Change that was forced to postpone its opening, will both be joining. They’ll be stripping down to their underwear, too.

The only fully-dressed people at a Skivvies show are usually in the audience. But you’ll be at home. Who will know if you’re wearing clothes or not?

Tickets are $23.50.

¡Viva Broadway! Hear Our Voices – October 1st – 8:00 PM EDT/5:00 PM PDT

In spite of the success of In the Heights and On Your Feet, Latinx talent isn’t frequently seen or heard on Broadway. Since October is Latinx Heritage Month, Playbill and The Broadway League have teamed up to present ¡Viva Broadway! Hear Our Voices. The show will be available on Playbill’s website, their YouTube Channel and on The Broadway League’s website.

Andréa Burns, who originated the role of “Daniela” in In the Heights, serves as the host. The show is directed and choreographed by Tony Award winner Sergio Trujillo (Ain’t Too Proud).

The show will feature a reunion of In the Heights cast members (including Christopher Jackson and Karen Olivo) who will be joined by Anthony Ramos who stars as “Usnavi” in the upcoming film of the musical.

There will also be a presentation from the Spanish language production of A Chorus Line that starred Antonio Banderas and was co-directed by Banderas with original cast member Baayork Lee.

Lest this all be a trip down memory lane, three new shows will be given an opportunity to shine during ¡Viva Broadway! including John Leguizamo’s Kiss My Aztec!, Arrabal and Passing Through.

The list of artists making appearances and performing includes Lucie Arnaz, Gloria Estefan, Yvette Gonzalez-Nacer, Quiara Alegría Hudes, Moisés Kaufman, Leguizamo, Matthew López, Lin-Manuel Miranda, Chita Rivera and Daphne Rubin-Vega.

This show will remain available for viewing through October 5th at 8:00 PM EDT/5:00 PM PDT.

Chicago Symphony Orchestra: Sessions Episode One – Chicago Symphony – October 1st – October 30th

The Chicago Symphony Orchestra is launching a new series of small ensemble performances filmed with social distancing guidelines as a way of keeping the music playing.

For their first episode of Sessions, the program features Three Preludes by George Gershwin; Fuga y misterio by Astor Piazzolla; Bachianas brasileiras No. 6 by Heitor Villa-Lobos; Rapide et brilliant from Sonatine for Flute and Bassoon by Pierre Gabaye and Carl Nielsen’s Wind Quintet.

The small ensemble includes Stefán Ragnar Höskuldsson on flute, William Welter on oboe, Stephen Williamson on clarinet, Keith Buncke on bassoon, David Cooper on horn, Jennifer Gunn on flute and William Buchman on bassoon.

Tickets are $15 to watch the performance.

Salón Los Ángeles – Los Angeles Philharmonic Sound/Stage – Begins October 2nd

The second newly-filmed concert in Los Angeles Philharmonic’s Sound/Stage series is called Salón Los Ángeles. The concert features performances of Arturo Márquez’s Danzón No. 1 and George Gershwin’s Rhapsody in Blue.

Gustavo Dudamel is conducting and Jean-Yves Thibaudet is the soloist for Rhapsody in Blue. Given these performances were filmed with social distancing and minimal musicians, it is probably safe to assume the original jazz band version of Rhapsody in Blue will be performed.

Márquez appears in an interview during the show and there will be performances of Mexican danzón and boleros.

There is no charge to watch this program. However, donations are encouraged.

Sound/Stage is a multi-episode series. For a full preview of the entire series, please go here.

Cavalleria rusticana/Pagliacci – Royal Opera House – October 2nd – November 1st

Perhaps no pairing of one-act operas is more popular than the combination of Cavalleria rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo.

Cavalleria rusticana had its world premiere in Rome in 1890. The opera is based on a short story which later became a play by Giovanni Verga. Giovanni Targioni-Tozzetti and Guido Menasci adapted them both for their libretto.

Mascagni’s opera centers on a love triangle. Turridu, who has returned from military service, goes to see his ex-lover, Lola, before seeing his current lover, Santuzza. Lola is married to Alfio. Santuzza decides to tell Alfio about the infidelity and the two men decide to duel. At the end of the opera, multiple hearts are left broken.

Pagliacci had its world premiere in Milan in 1892. Leoncavallo also wrote the libretto.

The opera tells the story of a married couple, Canio and Nedda, who are performers in a small theatre company on the road. Canio is insanely jealous and that jealousy drives Nedda to seek affection from another man, Silvio. Nedda and Silvio make plans to elope, but their plans are overheard by Tonio, another member of the company. He tells Canio about Nedda’s plans. Looking for revenge, Canio, during a performance of their touring play, makes his personal life mirror the drama in the play.

In 2015 Damiano Michieletto staged the two works for the Royal Opera in London. One of the conceits of his production is that both operas take place in the same village. So you might find characters from one opera appear in the other.

The end result was an Olivier Award for Best New Opera in 2016. Michieletto shared the award with the production’s conductor, Sir Antonio Pappano.

This production will remain available for one month. The cost is £3 which equates to just under $4.

Orfeh and Andy Karl with Seth Rudetsky – October 4th – 8:00 PM EDT/5:00 PM PDT

I’ve previously written about Broadway performers Orfeh and Andy Karl. They are married and met during the Broadway production of Saturday Night Fever. By the time they appeared together again in Legally Blonde sparks were flying. More recently they appeared together in Pretty Woman.

The two join Seth Rudetsky for conversation and performance this weekend. (Rudetsky took last week off.)

To get a sense of their chemistry (and their history), take a look at this clip from an appearance at Feinstein’s/54 Below:

The live performance takes place on Sunday, October 4th. There is an Encore showing on October 5th at 3:00 PM EDT/12:00 PM PDT for those unable to watch the live stream on Sunday.

Tickets for either date are $25

While that might seem like a lot, there’s more to your Best Bets at Home: October 1st – October 4th by way of a few reminders:

This week’s Table Top Shakespeare: At Home features Hamlet on October 1st; Love’s Labour’s Lost on October 2nd; The Winter’s Tale on October 3rd and All’s Well That Ends Well on October 4th.

Most of our choices in this week’s Jazz Stream take place in the next four days. Artists like Catherine Russell, James Carter, Joey Alexander are performing. I won’t recap them all in this space. Go here to see our listings.

Metropolitan Opera’s Mozart Week continues with Julie Taymor’s production of The Magic Flute on October 1st; Don Giovanni on October 2nd; The Marriage of Figaro on October 3rd and Idomeneo on October 4th.

I hope you have a lot of devices in your home to watch all this great programming. If not, you’ll have to choose. And who wants to do that?

Enjoy the Best Bets at Home: October 1st – October 4th and Happy October!

Photo: The company of The Tribute Artist (Photo by James Leynse)

The post Best Bets at Home: October 1st – October 4th appeared first on Cultural Attaché.

If you know Johnson’s poetry, it isn’t the first thing you’d expect to see or hear at the Pasadena Playhouse. He boldly tackles issues of race and civil rights in language that is blunt, direct and some might even consider profane. His work is powerful, challenging and moving.

Johnson is very well known in the poetry slam world. He is a three-time national poetry slam champion and a four-time national finalist. He is also the author of several books. His new book, Ain’t Never Not Been Black, will be released on October 13th by Button Poetry. It should also be noted that Johnson has his Ph.D. and is the Director of African American and African Diaspora Studies at the University of Nevada, Las Vegas.

Last week I spoke by phone with Johnson. With his infant daughter on his lap we spoke about Still., his collaboration with the Pasadena Playhouse and whether this moment in time makes him optimistic for his daughter’s future. Below are excerpts from our conversation that have been edited for length and clarity.

When you were first contacted by the Pasadena Playhouse did you ask yourself, “Really, the Pasadena Playhouse?”

[He laughs before answering] Actually I’ve performed in odd places in my entire poetry career. You’d be surprised. This wasn’t one of the odd ones. I know the Pasadena Playhouse has done things before like Fences. The reason I know is my uncle and my great aunt used to go. They would primarily go to see Black plays.

Theatre has a troubled history with Black performers and writers. One could make the argument theatre is the wrong place. But it has opened its door, even if it’s been a fraught history.

Art has the capacity to push beyond and make people uncomfortable. What other place is best to explore than the performance; to exercise, to imagine alternate possibilities. Art should make us uncomfortable. If not, it’s not doing it’s job and we’re not doing our job.

In the announcement video for Still. you said, and I’m paraphrasing, the show is about being joyous in spite of the fact the way the world exists has announced us as dead on arrival. Your poem Black and Happy announces you as being proudly happy in spite of current events. Is that poem, which ends with the line “We still,” both an inspiration for your show and going to be included in it?

That poem is what we end on. Interestingly enough I thought about calling it Still. before we decided to end on that line. Thinking of the stillness of this moment and what it means. Black folks are still targeted by the judicial apparatus, still fighting for something different, still fighting fights we thought we got over in the civil rights era, fighting for medical, housing and education. In spite of that, young people are still living and still caring and giving America the opportunity to be the country it says it is.

When creating art that has a strong political component, are you preaching to the converted who attend the performing arts?

I’ve always had an issue with preaching to the converted because the converted still need to be preached to. I’m a preacher’s kid. I grew up in the church. We want to feel that we are in a space for a moment and we’re amongst like-minded people. We’re good. The world is beautiful and amazing for one moment.

That’s the magic of theatre to lift us slightly above our emotional capacity and force us to ask the questions to live our lives like this all the time. What if we could always be this emotionally open, this vulnerable, this sort of human beings with one another? I think that matters.

As an artist and now a father, where do you find the faith, if you do, that things will ultimately get better?

I don’t. I don’t know if they will. I hold out hope. I do my part. I hope and trust other human beings will do their part. But I’m not entirely sure that I can trust that things will get better. I think my daughter has terrified me significantly in that they might not get better and what does that mean to her. I’ll be honest, there are moments I look at this face and I’m utterly terrified that I would have failed, and others would have failed, in creating the kind of world the next generation needs and desires. I’m paralyzed with what possibilities it opens up to her and what opportunities it closes off to her. What does that look like? They are hard questions that aren’t easy to answer.

Musician/artist/composer Jason Moran told Billboard Magazine that one reason his staged reading of Between the World and Me (a collaboration with Ta-Nehisi Coates) doesn’t offer resolution is, “specifically because this country hasn’t found a way to resolve centuries of terror.” Do you think this country ever will and, if it did, how do you think that would impact your artistic expression?

To answer what it would do for my art, I will always have things to write about. My journey is to try to understand racism, sexism, homophobia, xenophobia – all of those start first and foremost with family. At the end of the day I’m still a mama’s boy who wants his mama to say it’s okay. I want to have a daughter who says to me the same.

I don’t believe a resolved racism world can happen unless we solve those other troubled -isms. There are still issues. The utopia of having a perfect place – and no place can be perfect – means there will always be issues or concerns. Even if I just turned to writing about my personal life and my family life, there will always be something to perform about.

The first part of your question I’m torn and I guess that’s the easiest way to say it. The academic and cynic in me says it won’t. We seek solutions in the very structure that creates the problems we are trying to solve. The artist in me is somewhat hopeful. The one who constantly creates is somewhat hopeful. The one who says there’s a tomorrow is somewhat hopeful. The activist in me has seen so many young activists do so much brilliant work that I cannot help but see the hope in the artist in me. But the academic has read so much, I don’t know how to see that. I live with that contradiction.

Tickets to rent “Still.” are $19.99 and allow you to watch the show through November 1st.

Photo of Javon Johnson in Still. by Jeff Lorch/Courtesy Pasadena Playhouse

Update: This post has been updated to include a period – “.” at the end of the title of the show. Still. is the show’s complete title.

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