GAVIN CREEL: WALK ON THROUGH – MetLive Arts YouTube Channel 

When I spoke with Gavin Creel last year he was so excited about putting a production of his musical Walk On Through in New York. He performed excerpts from it while in Los Angeles on the Into the Woods tour, but this would be the first full production. He had high hopes for its future.

Unfortunately, his life was cut tragically short this fall. The Metropolitan Museum of Art, who commissioned Walk On Through, has posted an early version of the show performed in 2021. It’s available for all to see and is a great reminder of how bright a star Creel was.

You can find the video HERE.

Also, a memorial service is taking place on December 2^nd at 4 PM ET/1 PM PT. MCC Theater, where Walk On Through: Confessions of a Museum Novice, will livestream the service. You can watch it HERE.

2024 YEAR OF CZECH MUSIC – Carnegie Hall – New York, NY – December 2^nd – December 7^th

Any concert celebrating Czech music is certainly going to feature the work of Dvořák and this is no exception. There’s also music by Janáček, Smetana and more to be seen and heard.

The festival kicks off with a free concert at Bohemian National Hall featuring Young International Stars from the Czech Philharmonic Orchestral Academy, National Youth Orchestra of the US, Royal Academy of Music and the Czech Philharmonic. The program features two works by Dvořák plus music by Wynton Marsalis and Elgar.

Tuesday, December 3^rd has cellist Yo-Yo-Ma joining the Czech Philharmonic at Carnegie Hall for a performance of Dvořák’s Cello Concerto in B Minor. Selections from Smetana’s Má vlast are also on the bill. Semyon Bychkov conducts.

On Wednesday, December 4^th violinist Gil Shaham performs Dvořák’s Violin Concerto. Mahler’s Symphony No. 5 follows. This is also performed by the Czech Phil with Bychkov.

Thursday, December 5^th pianist Daniil Trifonov is the soloist for Dvořák’s Piano Concerto. That is followed by Janáček’s Glagolitic Mass. Bychkov heads the Czech Philahrmonic for this show.

There are additional concerts as part of this fascinating program. And no performances of Dvořák’s Symphony No. 9 are on the bill making this an opportunity to hear much more of his music than is usually performed.

For tickets and more information for any or all of these concerts, please go HERE.

SCHOENBERG AT 150 FESTIVAL – Los Angeles Philharmonic – Los Angeles, CA – December 3^rd – December 15^th

If you know Arnold Schoenberg’s music, it is probable that you know him for his twelve-tone compositions that required the use of each of the 12 notes of the scale equally rather than relying on just one or two notes to drive the composition.

His work was much more than that.

The breadth of his work will be on display in this festival that features an evening of his chamber music on December 3^rd.

Verklärte Nacht, Op. 4 for string sextet opens the concert. His String Quartet No. 1 closes the concert.

Ten members of the LA Phil will be performing this including Bing Wang on violin. For tickets and more information, please go HERE.

December 13^th and 15^th, Zubin Mehta will conduct the LA Phil performing Schoenberg’s Gurrelieder, a three-part oratorio for five soloists, narrator, orchestra and chorus. This is one of Schoenberg’s most impressive compositions and runs approximately 1 hour and 48 minutes.

The soloists are baritone Gabriel Manro, mezzo-soprano Violeta Urmana, soprano Christine Goerke and tenors Brandon Jovanovich and Gerhard Siegel. Dietrich Henschel is the narrator.

They will be joined by the Los Angeles Master Chorale.

For tickets and more information, please go HERE.

Note: Schoenberg at 150 Festival resumes in February

INGRID JENSEN QUARTET – SFJAZZ at Home – December 6^th and 7^th

This concert by trumpeter Ingrid Jensen originally took place at SFJAZZ on November 9^th of this year. Members of their SFJAZZ at Home subscription can watch the concert on Friday, December 6^th at 10:30 PM ET/10:30 PM PT and also on December 7^th at 2:00 PM ET/11:00 AM PT.

Membership can be purchased either annually for $75 or monthly for $7.50. This gives you access to their library of live recordings from the SFJAZZ archives.

Jensen may be best known as a member of Artemis. She’s also performed with the Maria Schenider Orchestra and Darcy James Orchestra (if you don’t know them, stop what you’re doing an find their music now) and more.

For more information and to explore membership to SFJAZZ at Home, please go HERE.

REBEL WITH A CAUSE: THE ARTISTRY AND ACTIVISM OF NINA SIMONE – 92^nd Street Y – New York, NY – December 7-December 9^th

For any fan of legendary singer/songwriter/activist Nina Simone, this is too good to miss. Amber Iman, who was nominated this year for her performance in the musical Lempicka, has teamed up with playwright Jocelyn Bioh (Jaja’s African Hair Braiding) for this show that is part of the 92^nd Street Y’s Lyrics & Lyricists series.

Michael O. Mitchell, associate conductor of MJ The Musical, is the music director here for a show that will feature such Simone classics as My Baby Just Cares For Me, Feeling Good and Mississippi Goddam. Reggie D. White directs.

For tickets and more information, please go HERE.

That’s it for this week’s Best Bets: December 2nd – December 8th. Have a great week and go so a concert or a show!

Main Photo: Conductor Semyon Bychkov (Photo ©PetraHajska/Courtesy Enticott Music Management)

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Prima Facie – Golden Theatre – New York, NY

Jodie Comer stars in this play by Suzie Miller that is now playing on Broadway. Miller and Comer won Olivier Awards for Best New Play and Best Actress at this year’s Olivier Awards. Could Tony Awards all come their way?

For tickets and more information, please go here.

Good Night, Oscar – Belasco Theatre – New York, NY Sean Hayes stars in this play about Oscar Levant written by Doug Wright and directed by Lisa Peterson. The show originated in Chicago and received rave reviews for both the play and for Hayes.

For tickets and more information, please go here.

TRADE/Mary Motorhead – LA Opera at REDCAT – Los Angeles, CA – April 27^th – April 30^th

These two one-act operas by composer Emma O’Halloran and her librettist uncle, Mark O’Halloran, debuted at the Prototype Festival in New York earlier this year. Now they are in Los Angeles with original cast members Kyle Bielfield, Mark Kudisch and Naomi Louisa O’Connell in tow.

For tickets and more information, please go here.

Dee Dee Bridgewater & Bill Charlap – SFJAZZ – San Francisco April 27^th – April 30^th

Rarely have two artists so perfectly melded their talents the way jazz singer Bridgewater and pianist Charlap do in concert. I’ve seen them twice and would go again and again given the opportunity. You have the opportunity to hear how great this duo is even if you don’t live in San Francisco. Their performance on April 28^th will be streaming live at 7:30 PM PT (with an encore showing on April 29^th at 11 AM PT).  

For in-person tickets and more information, please go here. For streaming tickets and information, please go here.

Champion – Met Opera Live in HD – Cinemas Worldwide – April 29^th – 12:55 PM ET/9:55 AM PT

This Saturday the Metropolitan Opera will present Terence Blanchard’s first opera, Champion, in a live transmission from the Met in New York City. Ryan Speedo Green, Eric Owens, Latonia Moore, Stephanie Blythe, Paul Groves and Eric Greene star in this opera based on the true story of boxer Emile Griffith. The production is directed by James Robinson with choreography by Camille A. Brown (both of whom were involved in the world premiere of Blanchard’s Fire Shut Up in My Bones.) Yannick Nézet-Séguin conducts.

To find a theater near you, please go here.

Photo: Ryan Speedo Green in Champion (Photo by Ken Howard/Courtesy Met Opera)

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Blanchard has scored the upcoming film The Woman King, which marks his first epic film score. Next March the Los Angeles Philharmonic will dedicate an entire evening to his film scores for director Spike Lee.

But wait, there’s more! He begins a tour on August 4th with The E-Collective and the Turtle Island Quartet that will find him performing music from Absence and many of his other albums. They’ll also perform music from Fire Shut Up in My Bones (see more about that below) in San Francisco.

Which means this was a great time to catch up, once again, with Blanchard. We spoke via Zoom last month while he was on the road with Hancock. Blanchard was in Sant Feliu de Guíxols, Spain. What follows are excerpts from that conversation that have been edited for length and clarity. To see the full interview, please go to our YouTube channel.

Q: This is our third conversation over the course of several years. Each conversation we’ve had, we’ve always talked about whether the world is getting to be a better place for jazz music. In 2015 you thought we were in the dirty part of the recovery. In 2019 you said, “I think we recovered a great deal.” Three years later where are we?

I think extremely healthy. You look at all the young people who are making records and doing a lot of great things. I didn’t see that necessarily happening this way when I first got in the business in the eighties, but to see it now, it’s like extremely exciting. Ambrose Akinmusire, the list is endless: Walter Smith, Theo Crocker, there are so many young people who are doing a lot of great things that I’m looking at them to see what’s going to happen next.

I listened to new albums by Tyshawn Sorey or Gerald Clayton or Joel Ross. I’m struck by how there’s so much calm and a quieter approach to their music right now. Even your album, Absence, has a lot of calm music in it. Do you think that’s a coincidence or is that a reaction to the upheaval that we’ve experienced in the last few years? 

I think it’s kind of a reflection of what’s happening with where we are as a society. With everything that’s been going on within the last five to ten years we started to have demonstrations again. Prior to that there was a lot of things going on and we weren’t in the streets like we were in the sixties, you know. But I think once we hit well past the 2000s people started coming out again.

And I think you’ll start to see that in the music. Actually you are seeing it in the music. It’s just that these guys have a different way of approaching it and dealing with it. It’s not about screaming and yelling, it’s about dealing with facts. It’s about dealing with issues and dealing with them head on. So I think that’s something that’s reflected in what’s going on with the music.

You’re working right now with Herbie Hancock, an artist who has had a major impact in the world. Your recent album, Absence, was a tribute to Wayne Shorter. When you have been working with and around these guys who have had incredible careers, do you consider what your own legacy might be when you’re at that age and is that important to you?

I’m not thinking about it now. I’m thinking about how does he do what he does every night? You know what I mean? It’s crazy, man. I can’t pin him down to anything. He plays differently every night. He’s always stretching and he’s always finding new ideas. And it’s pretty miraculous when you think about it, because he’s 82 and he’s had enough hits where he could just sit out and go and play his hits and just be cool. But that’s not what he’s about. He’s a true artist in terms of trying to find new things all the time.

Speaking of trying new things, I wish I lived in San Francisco because I know you’re doing four nights with the Turtle Island Quartet of music from Fire Shut Up in My Bones with vocalists. How are you reimagining some of that music for that configuration of musicians?

I love David Balakrishnan’s writing and arranging, so I hired him to do the arrangements and we sat down and talked about what it is that we want to do. And I told them I’m not trying to mimic what the orchestrations are in the opera. This is a chance for us to show the world what The E Collective and Turtle Island is along with this music so people can re-imagine this music in a different way. And I’m really excited about what he’s coming out with, man, because it’s going to be very unique. It’s going to be very different. 

Is that something that you can foresee recording at some point? 

Definitely. I mean, it’s something we’re talking about for sure. 

I’m sure that would appeal to people who see the word opera and get scared.

I’m trying to demystify that. Look, it’s the same thing used to happen with some of our friends when you said the word jazz. “I don’t know anything about jazz.” I didn’t ask you if you did. I just want you to come and check out the music.

You should just go experience music, whether you think you like it or not, because you never know what you’re going to respond to.

Of course. But in this world that we live in, and especially in the pop culture side of our existence, there’s always these kind of images that people have of whether it’s jazz or whether it’s opera, anything, [they] take a small snippet of an idea and try to portray it as being the entire thing. So people always get the wrong impression about what these things are. A lot of my friends would come to see the opera in New York. [They] got really excited about opera because they’d never been before. And I was trying to tell them, “Listen, man, you have to experience this. It is the highest form of musical theater you could ever experience in the world.“

Fire Shut Up in My Bones was a huge success for the Met. I’m wondering what that says to you about new works and what impact they can have versus the classic repertoire and maybe in particular about works by Black composers? 

Well, I think really what it boils down to is just trying to be as honest as you can in your writing. You know, one of the things Art Blakey used to tell us, “Man, you never want to be too hip when you when you’re composing music”. And he said “Two hips make an ass.” That was always his thing you know. And it’s one of the things that I try to live my life by.

I’m not trying to write music that goes over people’s heads. I’m trying to write music that’s right with them in their souls. I think when you do that the music can have an effect on people and it’s what people are looking for. It’s what we need in this world. We need music that’s not going to intimidate you.

The other thing Art Blakey used to always say was “The easiest thing to do is to write something that nobody can understand – that’s easy to do.” He said the hardest thing to do is to write something that touches people in their soul and still have your own identity within it, you know? That’s what’s been on my mind. The thing that’s been driving me throughout my career is to be right with the public who’s listening to the music and hopefully create something that everybody can enjoy.

When we spoke in 2019, which was which was before Fire was at the Met, you said that you were under no illusion that you were standing on the shoulders of a lot of people who didn’t have the same opportunities that you did. With your first opera, Champion, coming up next season as well, your shoulders are the ones that are now supporting other musicians who perhaps thought the glass ceiling at the Met could never be broken. 

That really hasn’t hit me as of yet. I’m still thinking of William Grant Still. I’m still thinking of people who should have been at the Met, who deserved to be there. I read that ledger that had all of these names of rejected projects. Then to see his name in it three times and listen to some of and read some of the excuses as to why his music was turned away, it’s infuriating. Because you start to think to yourself there’s somebody who doesn’t know anything about opera claiming that he doesn’t know anything about opera when actually he’s revolutionizing opera with what he’s written.

So those things make me really determined to make sure that what we’re doing is going to live up to the legacy of those guys and hopefully open the door for other composers to come through later on. Which we already know is already happening. Peter Gelb has made it his mission to open up the doors to all different races, every gender, to express themselves on the stage. I think this has been a profound thing and it should be an eye-opening thing for everybody across the globe in the opera world to see that people are clamoring to see themselves on a stage.

The Santa Fe Opera has a world premiere of a new opera inspired by the play M. Butterfly. I think it’s incumbent upon institutions to give opportunities, but also not just be one and done and say, well, we’ve done it.

The other thing, too, is not only one and done, but not only be one and done with composers. Writing an opera is a very arduous thing, obviously. As soon as I had written my first one and it premiered, there was a certain amount of clarity that came over me the night of the premiere that went into the development of the second one, you know what I mean? And I look at it and think to myself, had I been one and done, I wouldn’t have gotten a chance to make Fire better.

Now with Champion going to the Met, I get a chance to go back and revisit that and even kind of beef that up based on what I did the first time. So I think it’s incumbent upon these companies to really understand that it’s really about trying to develop the talent, not just giving them a chance, but to also help them to develop their craft. 

One of the things I love about about Absence, going back to this album, is that it isn’t a traditional tribute album. You’ve said before in interviews that Wayne Shorter instilled in you the idea that he didn’t want to hear you do what he did. He wanted to hear you do what you do – to paraphrase. Now that you’re going on the road with The E Collective and Turtle Island Quartet, how are you giving new life to the compositions so that you aren’t doing just what you did on the record, but you’re doing what you need to do live?

I mean, it’s one of those things where those guys play it differently every night. And I can’t explain it to you. You have to experience it. There are people who have come to hear us play at a club date when we play a few nights and they come to hear us on different nights and can’t believe that we’re the same band. And that’s what I take from Wayne. That’s what I take from Herbie. You know, I’ve been around those guys where you can’t have any expectations because it’s really about being in the moment.

I know teaching is important to you. How much are you learning from guys like David Ginyard, Charles Altura and David Balakrishnan? [Members of The E-Collective]

You can’t even put it in the words because I feel blessed to be around those guys because they bring in ideas that I never would have thought of. They are so creative in their approach, not only to composition, but improvisation that it becomes a really a big challenge man just to be on a stage with them. If you make a musical statement, they respond to it in a way where now you have to be flexible. You have to be able to just shift on a dime with these guys. And it’s been a learning experience of which I’m grateful for and I feel truly blessed to be experiencing right now.

Is it nice to know at this point in your career that there’s still new stuff to learn and that there always will be or to be reminded of that? 

Of course. I would quit if it weren’t that way. I couldn’t just do the same thing night after night just to make a dollar. No, no, no, no, no. Because this isn’t all about money, but about uplifting my spirit and my soul. What’s going to help other people to hear, you know? So that’s really what it’s about.

I do want to ask you about something that Wayne Shorter said in a 2005 interview with Abstract Logix. He said, “It’s okay to be vulnerable, to open one’s self and take chances and not to be afraid of the unknown. And that goes for the audience wise, too. Because we’re going to have to deal with the unexpected from now on.” How much does the unexpected inform who you are today and the work you do? 

It’s one of those things where you’d like to think that it’s a huge part of it, because you want to be open to what’s going on in the universe. But the reality of it is that we do have a style and a sound. Just by merely having a style means that you’ve already eliminated other things that are possible for you to play because you’re playing within a context and that’s what dictates your style.

It goes back to find a balance between all of those things, you know, allowing yourself to be in the moment and allowing yourself to be free to respond to things that you may not have thought of, but are really a part of what’s going on in music at that time. Because that’s one of the things that we have to do as a community as well.

I always think jazz is probably the best representation of how we should live as a community. We all have ideas about what it is that we want to do, but at a certain point it’s really about the music. So I have to throw away some of my ideas if they’re not relevant to what’s going on at that particular time. That in itself is a thing that excites me because it keeps you on your toes and it keeps you guessing and it makes you quick. You know, it keeps you moving. 

To watch our full interview with Terence Blanchard, please go here.

For tickets and more information about Blanchard’s four shows (August 4th-7th) at SFJAZZ, please go here. For tickets and more information about Blanchard’s August 8th performance at Kuumbwa Jazz in Santa Cruz, please go here. For tickets and more information about the August 9th performance at The Ford in Los Angeles, please go here. For tickets and more information about Blanchard’s August 12th appearance at the Telluride Jazz Festival, please go here. For additional tour dates, please go here.

Photo: Terence Blanchard (Photo by Cedric Angeles/Courtesy Blue Note Records)

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There are some live events happening this weekend and as the summer rolls out we’ll be offering top selections of live events.

That doesn’t mean, however, that there aren’t great options for you to enjoy at home this week. In fact, one of the year’s most exciting projects is having its premiere on Sunday. It is called America/Beautiful and it is our top pick

Here is our complete line-up of Top Ten Best Bets: July 2nd – July 5th:

*TOP PICK* CLASSICAL MUSIC: America/Beautiful – Premieres July 4th – 3:00 PM ET/12:00 PM PT

We all know the song America the Beautiful. Pianist Min Kwon has commissioned over 70 composers to create variations on that song for Kwon to perform. She begins streaming performances of these variations on July 4th.

Kwon was able to get a veritable who’s who of contemporary composers to participate: Samuel Alder; Bruce Adolphe; Leila Adu-Gilmore; Timo Andres; Andrew Bambridge; Jonathan Berger; Victoria Bond; Kris Bowers; Peter Boyer; Kenji Brunch; Theo Chandler; Anthony Cheung; Jaehyuck Choi; Charles Coleman; Viet Cuong; Sebastian Currier; Richard Danielpour; Tyson Davis; Jed Distler; Avner Dorman; Geena Esmail; Alan Fletcher; Michael Gandolfi; Michael Gilbertson; John Harbison; Stephen Hartke; Jake Heggie; Fred Hersch; Jonathan Bailey Holland; Huang Rao; Vijay Iyer; Pierre Jalbert; JP Jofre; Kristjan Järvi; Aaron Jay Kernis; Texu Kim; Jiyoung Ko; Libby Larsen; Hannah Lash; George Lewis; Tania León; Lei Liang; David Serkin Ludwig; Miya Masoaka; Jessica Meyer; Patricio Molina; Paul Moravec; Nico Muhly; John Musto; Qasim Naqvi; Daniel Newman-Lessler; Paola Prestini; Dave Ragland; Shulamit Ran; City Razaz; Gian Riley; Terry Riley; Daniel Bernard Roumain; Greg Sandow; David Sanford; Paul Schoenfeld; Jeff Scott; Juri Seo; Robert Sirota; Derrick Skye; Augusta Read Thomas; Christopher Trapani; Lilya Ugay; Melinda Wagner; Wang Vie; Trevor Weston; Pamela Z; Judith Lang Zaimont; Patrick Zimmerli and Samuel Zyman.

This is a true melting pot of composers. This thoughtful selection of creative partners for Kwon reflects everything America represents.

Kwon, who was born in Korea, has toured the world as a soloist with major orchestras around the world. She’s recorded five albums for MSR Classics.

For those in New York, Kwon will be performing many of these compositions in person on July 8th and 9th at the Green-Wood Catacombs.

I’ve seen previews of three of the compositions she’ll be playing. This will be a treat! Thus it is our top pick for the weekend.

CABARET: Night of a Thousand Judys – Now available through July 24th

The ninth annual celebration of Judy Garland benefitting the Ali Forney Center debuted in mid-June, but its all-star line-up of performers taking their turns with songs made famous by the star of The Wizard of Oz makes it a perfect holiday entertainment.

This year’s line-up includes Alan Cumming, Duchess, Nathan Lee Graham, Sam Harris, Kevin Smith Kirkwood, Jose Llana, Karen Mason, Grace McLean, Jane Monheit, Nadia Quinn, Vivian Reed, Margo Seibert, Kim David smith, Gabrielle Stravelli and Mary Testa.

The show was written and hosted by Justin Sayre.

The Ali Forney Center is a non-profit organization that helps LGBT homeless youth throughout the country. Donations are encouraged.

OPERA: Puccini’s La Bohème – Royal Opera House – Now – July 25th

Conducted by Renato Balsadonna; starring Anna Princeva, Joshua Guerrero, Boris Pinkhasovich, Danielle de Niese and Cody Quattlebaum. This 2021 is a revival of the 2017-2018 season Richard Jones production.

Easily one of the most popular operas in the world, Giacomo Puccini’s La Bohème had its world premiere in Turin, Italy in 1896.

The libretto is by Luigi Illica and Giuseppe Giacosa. The opera is based on Henri Murger’s 1851 novel, Scènes de la vie de bohème.

The story centers on four friends who are unable to pay their rent. Successfully getting out of a potentially bad situation with their landlord, all but one go out on the town. Rodolfo stays home and meets a young woman named Mimi. They fall in love, but Mimi’s weakness may be a sign of something far more life-threatening than they know. (If this sounds like the musical Rent, it is because La Bohème served as Jonathan Larson’s inspiration for that musical.)

Tickets to watch La Bohème are $18.50

CLASSICAL MUSIC: What’s Past is Prologue Parts 1 and 2 – Baryshnikov Arts Center and Tippet Rise Arts Center – Now available

The Aizuri Quartet celebrates the music of female composers in this two-part concert under the title What’s Past is Prologue.

This all-female quartet is comprised of violinist Emma Frucht, violist Ayane Kozasa, cellist Karen Ouzounian and violinist Miho Saegusa.

In part one (available through July 7th) the quartet performs music by Rhiannon Giddens, Gabriella Smith and Hildegard von Bingen.

In part two (available through July 14th) they perform works by Eleanor Alberga and Barbara Strozzi.

You probably don’t know most of these composers. I know I don’t. But that’s what makes this two-part concert so appealing – the ability to discover new music and new voices.

The link above goes to Part one on the Baryshnikov Arts Center. Part two can be found on the Tippet Rise Art Center website here.

MODERN DANCE: Animals & Angels – The Joyce Theater – Now – July 18th

As part of celebrating Pride Month, The Joyce Theater in New York has made available the premiere of Animals & Angels. The work is a pas de deux for two female dancers: Cortney Taylor Key and Audrey Malek.

It is unusual to find a duet for two female dancers. That’s just one of the things that makes this work by #QueertheBallet interesting.

Through the length of this work the two women not only explore their burgeoning relationship, but also the traditional roles played by dancers in the world of ballet.

#Queertheballet was created by choreographer Andriana Pierce. Animals & Angels was created by Pierce in conjunction with the dancers.

It’s a brief work running less than six minutes. The video includes a conversation amongst the creators.

PLAYWRIGHTS: TCG Books’ First Fridays with Larissa FastHorse – July 2nd – 7:00 PM ET/4:00 PM PT

MacArthur Fellow and acclaimed playwright Larissa FastHorse (The Thanksgiving Play) will be in conversation with Cornerstone Theater Company’s Michael John Garcés on Friday to discuss her work.

Garcés has directed three of FastHorse’s plays: Native Nation, Urban Rez and The Thanksgiving Play.

In addition to her writing, FastHorse is the co-founder of Indigenous Direction, the nation’s leading consulting company for Indigenous arts and audiences.

TCG Books has published The Thanksgiving Play along with What Would Crazy Horse Do?

JAZZ: The Hot Club of Cowtown – SFJAZZ – July 2nd – July 3rd

This week’s Fridays at Five presentation from SFJAZZ has a bit more twang than their usual offerings. The Hot Club of Cowtown offers more swing than jazz and they do so in a style that easily follows in the tradition of such artists as Stephane Grappelli, Django Reinhardt and Bob Wills.

This three-member band features bassist Jake Erwin, violinist Elana James and guitarist Whit Smith.

The concert being shown comes from their appearance at SFJAZZ in 2018 as they were supporting their latest release, Crossing the Great Divide.

An apt title as their work crosses the divide between country and jazz, swing and roots music. Earlier this year they released their latest album, What Makes Bob Holler. Listening to their music you just know they’d be right at home on the soundtrack to a Woody Allen movie.

If you are unable to watch the show on Friday at Five (that’s pacific time/8:00 PM ET), there is a second streaming of the show on Saturday, July 3rd at 1:00 PM ET/10:00 AM PT.

JAZZ: Bill Frisell Solo – Village Vanguard – July 2nd – July 4th

Throughout the pandemic, New York’s Village Vanguard has offered streaming concerts filmed inside this world-famous venue. Apparently they kept one tucked away for a special occasion and this holiday weekend appears to be the event that finds this solo concert by guitarist Bill Frisell being made available.

For over four decades Frisell has been one of music’s finest guitarists. Whether performing solo or with his trio, Frisell has been making music that defies easy categorization. His compositions range in style from jazz to Americana to fusion and more. He’s received 6 Grammy Award nominations and won the trophy for Best Contemporary Jazz Album in 2004 for Unspeakable.

Tickets are $10 and allow for viewing through Sunday, July 4th at 8:00 PM ET/5:00 PM PT.

OPERA: Mozart’s La Clemenza Di Tito – Glyndebourne – July 4th – July 18th

Conducted by Robin Ticciati; starring Richard Croft, Anna Stéphany, Alice Coote, Clive Bayley, Michéle Losier and Joélle Harvey. This Claus Guth production is from the 2016-2017 season.

La Clemenza di Tito (“The Clemency of Titus”) has a libretto by Caterino Mazzolà who altered Pietro Metastasio’s libretto which had been used by other composers before Mozart.

The world premiere took place in Prague in 1791.

Roman Emperor Tito has his eyes set on his friend Sesto’s sister, Sevilla. Sesto is in love with Vitellia. She wants to be married to Tito, but he is not interested in her and she recruits Sesto to assassinate the Emperor in exchange for her love. Intrigue, betrayal and mercy are in store for all involved.

Tim Ashley, writing in The Guardian, said of this production:

“…[Gruth] is helped immeasurably by exceptional performances from Croft and Stéphany. Both achieve rounded characterisations through the seamless integration of recitative and aria, and use Mozart’s verbal and melodic repetitions to suggest shifts in psychological perception and meaning. Croft beautifully conveys the lonely isolation attendant on absolute authority and the anger that both informs and threatens Tito’s idealism. Stéphany trawls Sesto’s emotional and moral anguish with tragic intensity.”

POPS/CLASSICAL: Boston Pops July 4th Spectacular – Bloomberg TV, Bloomberg Radio, Bloomberg.com – July 4th – 8:00 PM ET/5:00 PM PT

The annual tradition of a Boston Pops concert for July 4th continues. For the lucky few they will be able to attend in person at Tanglewood. For the rest of us, we can watch it on July 4th live on various Bloomberg outlets.

Joining Keith Lockhart and the Boston Pops will be two special guests.

They are recent Academy Award-winner Jon Batiste (bandleader of The Late Show with Stephen Colbert) and legendary singer Mavis Staples.

The full program hasn’t been announced, but it will continue the tradition of patriotic music (The Star Spangled Banner, Stars and Stripes Forever) with the one piece of classical music that inspires fireworks with nearly ever outdoor performance: Tchaikovsky’s 1812 Overture.

If you have other plans that night and suffer from FOMO if you can’t see this concert, you’ll have the ability to stream it for 24 days.

Those are the Top Ten Best Bets: July 2nd – July 5th. But a few reminders before we close out this week’s listings:

Unmasked: A Theatrical Celebration of Black Women’s Liberation is only available through the end of the day on Sunday, July 4th from The Wallis.

This weekend’s offerings from the Metropolitan Opera include John Adams’ Nixon in China on Friday; Kurt Weill’s Rise and Fall of the City of Mahagonny on Saturday and Philip Glass’ Akhnaten on Sunday.

On Monday the Met begins a week of operas by Richard Strauss. Monday the series starts with the 1982-1983 season production of Der Rosenkavalier starring Kiri Te Kanawa and Luciana Pavarotti. We’ll have the full line-up for you on Monday.

The Los Angeles Philharmonic’s Sound/Stage season 2 episodes are all available for viewing including the most recent episode featuring Carlos Vives (who will be performing at the Hollywood Bowl with Gustavo Dudamel and the LA Philharmonic in August.)

Here ends our complete list of Top Ten Best Bets: July 2nd – July 5th. Whatever you do, have a safe and sane and wonderful holiday weekend.

Photo: Min Kwan (Courtesy America/Beautiful)

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Our top pick this week is actually a twofer. Jazz vocalist Jazzmeia Horn, who has taken the world by storm since her 2017 debut album A Social Call, is featured in two concerts you’ll want to watch this weekend.

With several operas, a very wide range of dance, play readings and more, it will seem at first glance like a pretty intense selection of programs. However, nothing is what it seems this week. Read about each of these programs and you’ll find they almost all represent a new way of telling both familiar and new stories.

Here are the Top Ten Best Bets: June 18th – June 21st.

*TOP PICK* JAZZ: Jazzmeia Horn – SFJAZZ – June 18th – 8:00 PM ET/5:00 PM PT and Cal Performances on demand through July 21st

This week’s Fridays at Five offering from SFJAZZ is a 2019 performance from the 37th San Francisco Jazz Festival in support of her second album, Love and Liberation.

She rose to prominence after winning the 2015 Thelonious Monk Institute International Jazz Competition.

In a 2017 review of a performance Horn gave at Dizzy’s Club Coca-Cola in New York, Giovanni Russonello wrote in the New York Times after calling her one of the most talked-about jazz singers to emerge since Cécile McLorin Salvant and Gregory Porter:

“…she’s possessed of some distinctive tools, all of which were on display: a pinched, sassy tone in the highest register; a fondness for unguarded duets with her bassist (at Dizzy’s, it was Noah Jackson); an array of rough, pealing nonverbal sounds that add drama to codas and interludes, hinting at meanings in the music that go beyond what fits on the page.”

Should you be unable to catch the streaming of this concert on Friday, there is an encore showing on Saturday at 1:00 PM ET/10:00 AM PT. Tickets are $5 which includes a one-month digital membership to SFJAZZ.

If you want to explore more of what Horn can do (and perhaps see and hear how she evolved her performances and her set list almost two years later), you can check out a concert filmed at New York’s Le Poisson Rouge in February of this year for Cal Performances.

That concert is available for on-demand streaming with prices ranging from $5 for Cal students and $15 per non-student viewers up to $68 for those who have the ability to pay.

Horn is a force to be reckoned with. These two concerts allow you to chart her growth as, we hope, a new album will soon be on the horizon.

OPERA: Stravinsky’s Oedipus Rex – LA Opera – Now – July 18th

Igor Stravinsky composed this opera/oratorio in 1927. Based on the tragedy by Sophocles, it is a work for orchestra, speaker, soloists, and male chorus. If you believe you know well the story of Oedipus, I think you’ll be surprised at all the ultimately timely material to be found in this story.

For this filmed performance of Oedipus Rex, Los Angeles Opera has assembled a terrific ensemble.

Singing the title role is tenor Russell Thomas. The role of his mother, Jocasta, is sung by mezzo-soprano J’Nai Bridges. Creon and the Messenger are sung by John Relyea. Tiresias is sung by Morris Robinson. The role of the Shepherd is sung by Robert Stahley. Serving as narrator is Stephen Fry (via video).

James Conlon conducts the LA Opera orchestra.

I attended a rehearsal of this production two weeks ago (prior to a live performance in Los Angeles – LA Opera’s first live performance back in their home at the Dorothy Chandler Pavilion). Collaborating with them is Manual Cinema. They are the Chicago-based company that did a truly memorable production of A Christmas Carol that was streamed last December (and was also a Best Bet).

At 50 minutes, this is a terrific way to get some opera into your weekend. And it’s free; though donations to LA Opera are encouraged.

If you want to see more of what Thomas and Bridges have to offer, let us remind you of LA Opera’s Signature Recital Series which has recitals by each of them available for streaming through the end of the month. Check out our preview here.

PLAY READING: Dear Elizabeth – Spotlight on Plays from Broadway’s Best Shows – Now – June 21st

You don’t need to know who poets Elizabeth Bishop and Robert Lowell were. You don’t need to know that they became very good friends, mostly through the hundreds of letters they wrote to each other. Nor that they had an affair. You don’t even need to know that this play, which had its New York premiere in 2015, is written by award-winning playwright Sarah Ruhl.

All you really need to know about this reading is that it stars Kevin Kline and Meryl Streep. The two famously appeared together in Sophie’s Choice. This was the film that earned Streep her second Academy Award. They also appeared as exes in Jonathan Demme’s Rikki and the Flash in 2015.

Not to be outdone, Kline won an Academy Award for his performance in A Fish Called Wanda.

They appeared on stage in the 2001 production of The Seagull and the 2006 production of Mother Courage and Her Children at the Delacorte Theater as part of The Public Theater’s Shakespeare in the Park series.

This seems like a pretty easy choice to make for your weekend plans. Why not see these incredibly talented actors together again? This is the final play in the Spotlight on Plays series. They are clearly going out on a high note.

Kate Whoriskey directs.

Tickets are $19 and allow for streaming through Monday, June 21st at 6:00 PM ET/3:00 PM PT. Proceeds benefit The Actors Fund and The Acting Company.

OPERA/MINI-SERIES: desert in – Boston Lyric Opera – Now available

As befits a project from the mind of James Darrah, desert in does not fit easily into any one category. It is a mini-series. It is an opera. It contains nudity. There’s strong sexual content and adult language. It also comes from the minds of playwright christopher oscar peña and Pulitzer-Prize winning composer Ellen Reid.

In other words, it’s like nothing you’ve seen before.

The stories of multiple characters swirl around a lodge in the desert and its swimming pool. A combination of trysts, betrayals and shamanic ceremonies result in the lodge’s owners Cass and Sunny and new guests Ion and Rufus caught up in its mysterious ways.

Appearing in desert in are mezzo-soprano Isabel Leonard (for whom the project was written), soprano Talise Trevigne, Tony-nominated performer Justin Vivian Bond (Kiki & Herb Alive on Broadway), actors Carlis Shane Clark, Alexander Flores, Anthony Michael Lopez, Jon Orsini, Ricco Ross and Raviv Ullman with vocal performances by tenor Neal Ferreira, Tony Award-winner Jesus Garcia (La Bohème), baritone Edward Nelson, tenor Alan Pingarrón, soprano Brianna J. Robinson, mezzo-soprano Emma Sorenson and bass-baritone Davóne Tines.

Joining Reid in composing music for desert in are Michael Abels, Vijay Iyer, Nathalie Joachim, Nico Muhly, Emma O’Halloran, Wang Lu and Shelley Washington. Each one a truly fascinating composer.

Six of the eight episodes have been released and are available for viewing on operabox.tv. The final two episodes will be released in the next couple of weeks.

You have several options for viewing with varying price points. You can subscribe to operabox.tv, purchase on-demand streaming of the entire series or for individual episodes. Details can be found here.

CLASSICAL MEETS HIP-HOP: Common with the Los Angeles Philharmonic – Debuts June 18th

We’ve previewed the second season of the LA Philharmonic’s Sound/Stage series, but can attest from personal experience that seeing Common on the stage of the Hollywood Bowl with the orchestra is an event like few others. Frankly, it’s almost one of a kind, except that they created this 17-minute film available for free streaming that didn’t come from that concert.

Common is one of the most important and exciting performers in hip-hop. Gustavo Dudamel leads one of the most adventurous orchestras in this country. This pairing is going to please those who can’t imagine hip-hop with classical music institutions and those who can’t imagine a symphony orchestra with hip-hop.

Other episodes in this series are available for streaming and can be found at the link above.

OPERA: This Little Light of Mine – Kentucky Opera in collaboration with the Santa Fe Opera – June 19th – 6:00 PM ET/3:00 PM PT

Here’s a great opportunity to see a work truly in development. The Santa Fe Opera commissioned this opera inspired by the story of Fannie Lou Hamer. She was a voting rights activist whose relentless efforts lead to the passage of the Voting Rights Act in 1965.

Chandler Carter is the composer of This Little Light of Mine. The libretto is by Diana Solomon-Glover.

The two had previously collaborated on No Easy Walk to Freedom about Nelson Mandela. Solomon-Glover portrayed Winnie Mandela in that work.

On Saturday they will be streaming a workshop of This Little Light of Mine that was filmed on Monday at Kentucky Opera. This opera had been scheduled for a workshop last fall, but was cancelled due to the pandemic.

Nicole Joy Mitchell sings the role of Fannie Lou Hamer. Aundi Marie Moore sings the role of Dorothy Jean Hamer and Heather Hill sings the roles of June Johnson and an Student Nonviolent Coordinating Committee Worker. The workshop is directed by Beth Greenberg.

There is no charge to watch This Little Light of Mine. It will be available on Kentucky Opera’s YouTube channel.

ONE-ACT PLAYS: Unmasked: A Theatrical Celebration of Black Women’s Liberation – The Wallis – Debuts June 19th

The Wallis collaborated with Black Rebirth Collective on Unmasked, one-act plays by four Black female playwrights that was filmed in the Lovelace Studio Theatre at The Wallis.

Those writers are: Ngozi Anyanwu, Jocelyn Bioh, Dominique Morisseau and Stacy Osei-Kuffour.

Anyanwu is best known for Good Grief, an award-winning play that was first performed at the Kirk Douglas Theatre in 2016. Her play is called G.O.A.T. which finds three close friends who try to determine who is the greatest of all time (hence the title) through a sacred ritual.

Bioh, best known for School Girls; Or, The African Mean Girls Play, has written White-N-Luscious. While appearing on a talk show a Nigerian pop star and an Afro-British scholar face issues of self-representation and beauty standards.

Morisseau, who was Tony nominated for writing the book for Ain’t Too Proud and also wrote The Detroit Project trilogy of plays, contributes Jezelle the Gazelle. As the title perhaps alludes to, the title character is a young female runner who is easily the fastest on her block. But does she have the skill set to navigate what life has in store for her and still remain on top?

Osei-Kuffour’s work is called Madness. While handling an issue at work on a phone call, the protagonist is offered a new way to address the situation by a new colleague whom she doesn’t know. Osei-Kuffour’s ANIMALS was recorded by the Williamstown Theater Festival and can be heard on Audible.

The ensemble cast – Kelly M. Jenrett, Masha Mthembu, Candace Thomas and Jonah Wharton – are accompanied by violinist Katherine Washington. Unmasked was co-drected by Kimberly Hébert of Black Rebirth Collective and The Wallis’ Camille Jenkins.

Tickets are $19 for all four plays. If you only want to watch one of the plays, you can purchase a single ticket for $5. Please go here for details on ticket sales. Unmasked will be available for streaming on demand through July 2nd.

BROADWAY VOCALS: Jenn Colella – SETH Concert Series – June 20th – 3:00 PM ET/12:00 PM PT

I’ve never been lucky enough to see Broadway star and Tony-nominated actor Jenn Colella in any of the shows in which she’s appeared (Come From Away, If/Then, Chaplin, High Fidelity and Urban Cowboy). But that last show did lead to a chance to see her early in her career and I realized how special she was immediately.

Colella was a guest at a concert by composer Jason Robert Brown in North Hollywood. (He music directed Urban Cowboy). When she sang a couple songs with him it was like the best possible hurricane just blew into and through the theater.

I can only imagine what Colella will do this weekend as Seth Rudetsky’s guest in his concert series.

If you’re unable to see the live stream on Sunday as scheduled, there will be a re-stream of the show at 8:00 PM ET/5:00 PM the same day. Tickets for either showing are $25.

DANCE: Broadway Bares: Twerk from Home – Broadway Cares/Equity Fights AIDS – June 20th – 9:00 PM ET/6:00 PM PT

Just as Broadway is on the cusp of coming back comes an annual tradition that is one of the toughest tickets in town. And because Broadway isn’t back yet…we all get a front row seat.

Broadway Bares is an annual dance/performance fundraiser, usually performed on a Broadway stage.

For the uninitiated, it is one where clothes become less necessary as each performance goes on. This year’s show is called Twerk from Home and it will debut on Sunday night.

Two-time Tony Award winning choreograph Jerry Mitchell (Kinky Boots, the 2005 revival of La Cage Aux Folles), is the creator of Broadway Bares and once again he directs this year’s show. Joining this year as co-directors are Laya Barak and Nick Kenkel.

Over 170 dancers are participating in Twerk from Home. Joining them will be Harvey Fierstein, J. Harrison Ghee, Jay Armstrong Johnson, Robyn Hurder, Peppermint and Jelani Remy who make special appearances. This year’s Broadway Bares culminates in a finale extravaganza that was filmed outdoors in Times Square.

There is no charge to watch Twerk from Home, but donations are encouraged. This is one of their biggest fundraisers of the year. Last year’s virtual edition raised $596,504 for Broadway Cares. You can watch the show on BC/EFA’s YouTube Channel.

MODERN DANCE: Future Dance Festival – 92Y – June 21st – July 4th

From a pool of 185 applicants, seven panelists selected 21 choreographer finalists to be part of the 92nd Street Y’s first Future Dance Festival. The goal of the festival is to pair emerging choreographers and creators with working directors.

Beginning on Monday, those 21 finalists will have their work showcased in three different programs that will all be available for free streaming.

Program 1 features work by Annie Rigney, Max Levy, Madison Elliott, Leonardo Sandoval, Burr Johnson, Nicole von Are and Brian Josiah Martinez.

Program 2 features works by Barkha Patel, Adrienne Lipson, Jessie Lee Thorne, William Ervin, Vera Kvarcakova & Jeremy Galdeano, Brian Golden and Caroline Payne.

Program 3 features works by Taylor Graham, Baye & Asa, Patrick Coker, Charly and Eriel Santagado, Jamal Callender, Beatrice Panero and Nicholas Ranauro.

The panelists, who come from Ballet Hispánico, Dance Magazine, Martha Graham Dance Company and other organizations, will introduce each work.

Registration is required.

Here ends the Top Ten Best Bets: June 18th – June 21st. But just a couple reminders:

The Metropolitan Opera celebrates Father’s Day with Verdi’s Rigoletto from the 1981-1982 season Friday; his Don Carlo from the 2010-2011 season on Saturday and his Luisa Miller from the 1978-1979 season Sunday. If you’re not a father, consider this the end of Verdi Week.

Next week the Met will be celebrating Pride Week. Monday that program gets launched with the 2017-2018 season production of Thomas Adés’ The Exterminating Angel. We’ll have the full line-up for you on Monday. We strongly recommend this opera.

Your last chance to watch A Tribute to John Williams from the Boston Pops Orchestra is Saturday. Film music fans, what are you waiting for?

On Monday South Coast Rep starts streaming the final production of their Pacific Playwrights Festival. It’s a concert performance of Harold & Lillian. You can find details here.

You’re now fully loaded with options to enjoy the performing arts this weekend. That’s all for this week’s Top Ten Best Bets: June 18th – June 21st.

Enjoy your weekend!

Photo: Jazzmeia Horn (Photo by Emmanuel Afolabi/Courtesy imnworld.com)

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Also on tap are two great (and very different ballets); two great jazz concerts; a contemporary classical music festival; a celebration of playwrights and a reading of a rare comedy from the 17th century that seems as topical as ever.

Here are our Top Ten Best Bets: June 11th – June 14th

*TOP PICK* MUSICAL REVUE: Show of Titles – Broadway’s Best Shows – June 13th – 7:00 PM ET/4:00 PM PT

What exactly is a Show of Titles? Simply put, a show featuring title songs from some of Broadway’s biggest musicals. For instance, Oklahoma has a well-known title song. Dear Evan Hansen does not. The Light in the Piazza does. Gypsy does not.

The cast of Broadway stars performing in this show, directed by Lonny Price, includes Annaleigh Ashford, Stephanie J. Block, Kerry Butler, Len Cariou, Glenn Close, Gavin Creel, Darren Criss, Dame Edna, Santino Fontana, Kelsey Grammar, David Alan Grier, Jake Gyllenhaal, Joshua Henry, Isabelle Huppert, Norm Lewis, Patti LuPone, Rob McClure, Brian Stokes Mitchell, Melba Moore, Jessie Mueller, Eva Noblezada, Kelli O’Hara, Laura Osnes, Steven Pasquale, Michael Rupert, Ernie Sabella, Lea Salonga, Phillipa Soo, Will Swenson, Aaron Tveit, Leslie Uggams, Vanessa Williams and Patrick Wilson.

There will also be special appearances by Debbie Allen, Broadway Inspirational Voices, Candice Bergen, Danny Burstein, Bryan Cranston, Tony Goldwyn, Adam Guettel, John Kander, Angela Lansbury, John Leguizamo, John Lithgow, Lindsay Mendez, Phylicia Rashad, Chita Rivera, Ben Stiller, Charles Strouse, Richard Thomas, Blair Underwood, BD Wong, and Florian Zeller.

The link to this event goes to Center Theatre Group in Los Angeles. There are two options for tickets: a $29 ticket allows purchasers to view Show of Titles on demand for 96 hours. (An appropriate number with the film adaptation of In the Heights opening this weekend. A show that not only has a title number, but also a song called 96,000).

A $39 ticket will include a ticket to stream Sarah Ruhl‘s Dear Elizabeth which begins on June 17th and reunites Kevin Kline with Meryl Streep (they appeared on screen together in Sophie’s Choice and Rikki and the Flash). That ticket also allows you to stream it for, you guessed it, 96 hours.

JAZZ: Coltrane: A Love Supreme – Jazz at Lincoln Center – Now – June 16th

Many many years ago I attended the New Orleans Jazz and Heritage Festival. One of the concerts I went to – not on the fairgrounds – was a performance by Wynton Marsalis and his band. They were the last of several performers and concluded their main set around midnight. As an encore he announced they would be performing A Love Supreme.

I’m well-acquainted with John Coltrane’s masterpiece and assumed he meant they would perform one of the tracks (they all include A Love Supreme as part of their title). I was wrong. They performed the entire album from start to finish. It was exhilarating and one of the best concerts I’ve ever attended.

Marsalis will once again perform A Love Supreme with the Jazz at Lincoln Center Orchestra as the final concert of their virtual season.

This performance will be feature big band arrangements with saxophonist Camille Thurman serving as guest soloist. Sherman Irby will lead the Jazz at Lincoln Center Orchestra.

Tickets are $20 and allow for streaming through June 16th. Tickets can be purchased here.

BALLET: Giselle of Loneliness – Ballez/The Joyce Theater – Now – June 23rd

Perfectly timed for Pride Month is this presentation of Giselle of Loneliness by Ballez. The decade-old dance company is comprised of queer, transgender, non-binary and gender non-confirming artists.

As you might imagine from the title, Giselle of Loneliness uses a key moment from that classic ballet as its inspiration.

The dancers in this work, choreographed and directed by Katy Pyle (founder of Ballez), are all auditioning to win the title role of Giselle. To do so, they have to come up with their own version of the insanely challenging mad scene from that ballet.

In what seems to be a bit of a nod to and a twist on A Chorus Line, the dancers have to come face-to-face in this work with their desire to perform within an industry that doesn’t welcome them. It begs the question, how much personal degradation and rejection of your identity will you undergo to continue to do what you love.

The dancers performing in Giselle of Loneliness are Charles Gowin, Meg Harper, Maxfield Haynes, Matthias Kodat, Deborah Lohse, MJ Markovitz, Janet Panetta, Ash Phan, Alexandra Waterbury, and Nat Wilson.

Tickets are $25 and allow for viewing through June 23rd at 11:59 PM ET/8:59 PT.

BALLET: Balanchine and Robbins – Royal Opera House – Debuts June 11th – 2:30 PM ET/11:30 AM PT

The Royal Ballet will live stream their June 11th performance of a trio of works under the title Balanchine and Robbins. Which means, of course, that the works were either choreographed by George Balanchine or Jerome Robbins.

The evening begins with a performance of Apollo by Balanchine set to the music of Igor Stravinsky.

Four dancers are featured in this work which had its world debut in 1928. In this performance the ballet will be danced by Matthew Ball, Claire Calvert, Melissa Hamilton and Fumi Kaneko.

Next up is another work by Balanchine entitled Tchaikovsky Pas de Deux. No need to tell you who wrote the music. This short work had its world premiere in 1960. For this performance the dancers are Vadim Muntagirov and Marianela Nuñez.

The performance concludes with Jerome Robbins’ Dances at a Gathering. This hour-long work, set to the piano music of Frederic Chopin, had its world premiere at New York City Ballet in 1969. Reece Clarke, Teo Dubreuil, Benjamin Ella, James Hay, Fumi Kaneko, Mayara Magri, Yasmine Naghdi, Anna Rose O’Sullivan and Romany Pajdak are the dancers.

Tickets are $18.50. The performance will remain available for streaming through July 11th.

JAZZ: Brian Blade and the Fellowship Band – SFJAZZ – June 11th – 8:00 PM ET/5:00 PM PT

This week’s Fridays at Five concert from SFJAZZ features a 2016 performance by Brian Blade and the Fellowship Band.

Drummer Blade formed this band in 1997 with pianist Jon Cowherd, bassist Chris Thomas, saxophonists Myron Walden and Melvin Butler, guitarist Jeff Parker and pedal steel guitarist Dave Easley.

All but Easley join him for this show that features a five-song set featuring two traditional songs arranged by Blade and three original compositions by Cowherd.

Those songs are Landmarks found on the album of the same name from 2014; Duality from their 2017 album Body and Shadow and Return of the Prodigal Song from their 2008 album Season of Changes.

There is an encore showing of this concert on Saturday, June 12th at 1:00 PM ET/10:00 AM PT. Tickets for either show require either a monthly digital membership ($5) or an annual membership ($50).

If you join to watch this Brian Blade concert you will also have access to a special matinee broadcast on Sunday featuring Marcus Shelby and His Orchestra in a tribute to Duke Ellington. That concert will stream at 2:00 PM ET/11:00 AM PT. You can find details about that show here.

CONTEMPORARY CLASSICAL MUSIC: Kronos Festival – June 11th – 10:00 PM ET/7:00 PM PT

The renowned Kronos Quartet launches a virtual festival this year on Friday with a 45-minute concert. Included in this program are several world premieres and one classic work closely associated with Kronos.

Works by Nicole Lizée (Are You From Here Or Just Visiting?), Soo Yeon Lyuh (Tattoo), Hawa Kassé Mady Diabaté (Wawani) and Mahsa Vahdat (Vaya, Vaya) are given their debut performances.

Stacy Garrop’s Glorious Mahalia; Clint Mansell’s Lux Aeterna; Jlin’s Little Black Book and Pete Seeger’s Where Have All the Flowers Gone? are also being performed.

There is no charge to watch this, or any, performance. There is also a kids concert on Sunday, June 13th at 2:00 PM ET/11:00 AM PT.

The festival will continue with performances on Wednesday, June 16th at 10:00 PM ET/7:00 PM PT and Friday, June 18th at 10:00 PM ET/7:00 PM PT. The evening concerts are 45 minutes and the kids concert is 30 minutes.

All performances will remain available for viewing online through August 31st.

PLAY/FUNDRAISER: Connections – Ojai Playwrights Conference – June 12th – 8:00 PM ET/5:00 PM PT

The works of playwrights Luis Alfaro, Jon Robin Baitz, Father Greg Boyle, Bill Cain, Culture Clash, Stephen Adly Guirgis, Danai Gurira, Samuel D. Hunter, David Henry Hwang, Julia Izumi, James Morrison (with his son Seamus), Jeanine Tesori and Charlayne Woodard will be performed in this 90-minute celebration from the Ojai Playwrights Conference.

Liza Powel O’Brien is also contributing a piece.

Performing their work will be a mix of the playwrights themselves and some well-known actors: Brian Cox, Culture Clash, Eileen Galindo, Danai Gurira, Francis Jue, James and Seamus Morrison, Tony Okunghowa, Rose Portillo, Samantha Quan, John C. Reilly, Israel López Reyes, Nikkole Salter, Samantha Sloyan, Jimmy Smits, Phillipa Soo, A. Zell Williams and Charlayne Woodard.

The theme of the show, as the title would suggest, is human connections moving forward in a post-pandemic world.

This is a one-time only event. There is a requested donation of $20 to watch Connections.

Looking forward the Ojai Playwrights Conference New Works Festival will take place August 5th – August 15th.

PLAY: 1 Hour Photo – East West Players – June 12th – 11:00 PM ET/8:00 PM PT

Tetsuro Shigematsu’s 1 Hour Photo had its world premiere in 2017 at Vancouver’s The Cultch. The ostensibly one-man play tells the story of Mas Yamomoto, a man who owned and operated multiple Japan Camera stores which promised processing of film in one hour. (Remember those? Remember film?)

His conversations with Mas, a much older man, covered a lot of territory of personal and racial history of the 20th century. What starts as a humorous catch-up to outdated 1970s technology riff turns into a very personal and emotional story.

To help tell the story Shigematsu incorporates models, miniatures and some very interesting effects.

Shigematsu has now created a 75-minute film version of 1 Hour Photo and East West Players in Los Angeles will offer five virtual screenings of the film beginning on Saturday, June 12th. (Additional shows are on Sunday, June 13th; Friday, June 18th; Saturday June 19th and Sunday June 20th – times vary). Tickets are $34.99.

BROADWAY VOCALS: Matthew Morrison – Seth Concert Series – June 13th – 3:00 PM ET/12:00 PM PT

I’ve seen Matthew Morrison in three Broadway musicals: Hairspray, The Light in the Piazza and South Pacific. Perhaps the only thing they have in common is that he appeared in all three.

For many people Morrison may be best known for his role as Mr. Schuester on Glee.

All four projects allowed him to showcase one thing he does very well: sing. As will this weekend’s Seth Concert Series with Seth Rudetsky.

Yes there will be some conversation sprinkled amongst the performances, but it will mostly be about the music.

If you are unable to see the live stream on Sunday at 3:00 PM ET, there is an encore showing at 8:00 PM ET/5:00 PM PT the same day. Tickets for either are $25.

PLAY READING: Volpone, or The Fox – Red Bull Theater – Debuts June 14th – 7:30 PM ET/4:30 PM PT

17th-century playwright Ben Johnson may not be the best-known writer today, nor are his works commonly performed, but time hasn’t dulled his quick wit and ability to skewer the foibles of human behavior.

Take for example Volpone, or the Fox. The title character loves nothing more than gold. And he will stop at nothing to get as much of it as he can. With the assistance of his servant Mosca, the men of Venice who should know better inevitable fall for his schemes and his charm. It seems as nothing can outwit Volpone.

André De Shields (who won the Tony Award for his performance in Hadestown) plays Volpone. He’s joined by Jordan Boatman, Sofia Cheyenne, Franchelle Stewart Dorn, Clifton Duncan, Amy Jo Jackson, Peter Francis James, Hamish Linklater, Roberta Maxwell, Sam Morales, Kristine Nielsen and Mary Testa for this reading.

Jesse Burger, the Founder and Artistic Director of Red Bull directs. He and Jeffrey Hatcher have made some tweaks to Johnson’s play. (The press release calls them “emendations & elaborations.”)

After the live performance on Monday, June 14th, the show will be available for streaming through June 18th at 7:00 PM ET/4:00 PM PT. There is a suggested donation of $25.

A small bit of trivia: Larry Gelbart, who co-wrote Tootsie and was instrumental in the long-running television show M*A*S*H, wrote an updated version of Volpone that went by the name Sly Fox. It had its Broadway debut in 1976 with George C. Scot in the title role.

That concludes our official Top Ten Best Bets: June 11th – June 14th. But a few reminders before we go:

The film version of Lin-Manuel Miranda’s In the Heights is now in theaters and streaming on HBO MAX.

Los Angeles Opera’s Signature Recital Series has now unveiled all five recitals for streaming with Russell Thomas, Susan Graham, Christine Goerke, Julia Bullock and J’Nai Bridges. They will remain available through July 1st. You can find details here.

The Los Angeles Philharmonic has added a newly-announced episode for the second season of Sound/Stage. Debuting on June 11th is a performance by the LA Phil with the Youth Orchestra Los Angeles and the band Weezer. They will be performing songs from their album OK Human. Rob Mathes leads the LA Phil and did the orchestrations.

This weekend’s offerings from the Metropolitan Opera are the 2012-2013 season production of Thomas Adés’ The Tempest on Friday; Verdi’s Falstaff from the 2013-2014 season on Saturday and the 2017-2018 season production of Mozart’s Cosi fan tutte on Sunday.

Monday the Met begins a week of operas to celebrate Father’s Day. The first production being streamed is Verdi’s Simon Boccanegra from the 1994-1995 season. We’ll have the full schedule and clips on Monday.

What inevitably follows another opening is another closing. Here ends this weekend’s Best Bets: June 11th – June 14th.

Update: This post has been updated to include newly announced participants in Connections

Photo: Jake Gyllenhaal in Sunday in the Park with George (Photo by Matthew Murphy/Courtesy IBDB.com)

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They include Jim Parsons in Harvey, jazz pianist Chano Domínguez (if you don’t know him, you should!), the pentulimate episode of Close Quarters from Los Angeles Chamber Orchestra and For the Record Live’s Brat Pack.

Here is the full list of our Best Bets: May 21st – May 24th:

*TOP PICK* – A Tribute to John Williams – Boston Pops – Now – June 19th

We showcased this concert in yesterday’s preview of our Best Bets. Here is the the top line. Composer John Williams and his music are celebrated in this concert by his one-time home, The Boston Pops. Keith Lockhart will be on the podium for this program of Williams’ film scores ranging from the well-known (Star Wars) to lesser-known tracks.

A special part of this program is the inclusion of interviews with Williams about many of these scores and his memories of creating them with filmmakers such as George Lucas and Steven Spielberg.

A 7-day pass is required to watch A Tribute to John Williams. Those passes are $9

PLAY: Harvey – Roundabout Theatre Company on Broadway on Demand – Now – June 13th

Mary Chase’s play about a man’s friendship with an invisible rabbit (who gives the play its name) first opened on Broadway in 1944 with Frank Fay in the role of Elwood P. Dowd. (Trivia note for theater buffs: Antoinette Perry, the woman for whom the Tony Award is named, was the director.)

A 1970 revival of the play starred James Stewart who starred as Elwood in the 1950 film classic.

It would be 42 years before Harvey would find its way back to Broadway. Jim Parsons (The Big Bang Theory) starred as Elwood with Jessica Hecht and Charles Kimbrough co-starring. This Roundabout Theatre Company production from 2012 is streaming for free on Broadway on Demand.

Charles Isherwood, in his New York Times review, hailed Parsons’ performance:

“The breakout star of the popular sitcom “The Big Bang Theory,” the soft-spoken Mr. Parsons makes an ideal Elwood, the drinker and dreamer who passes his days in the company of Harvey, doing little more than sitting around saloons making friendly conversation with whoever happens by. Mr. Parsons possesses in abundance the crucial ability to project an ageless innocence without any visible effort: no small achievement for an actor in these knowing times.

You will need to register to stream the play. After you do so you’ll receive streaming instructions.

BALLET: Swan Lake – San Francisco Ballet – Now – June 9th

When San Francisco Ballet debuted Helgi Tomasson’s new Swan Lake ballet, it was a runaway hit. Interest in this production was so intense that they sold out nearly every performance.

In the ballet, Odette is a princess turned into a swan by a sorcerer. Prince Siegfried falls in love with Odette. At night she turns back into her human form and it was upon seeing this transformation that the romance begins. Other spells and deception awaits the leads in Swan Lake. While love triumphs, it isn’t necessarily the happiest of endings, but it is certainly romantic.

Tchaikovsky’s music is still present, but it is Tomasson’s vision that was different after he updated the choreography by Lev Ivanov and Marius Petipa.

The cast for this streaming performance features Yuan Yuan Tan in the dual roles of Odette and Odile. Tiit Helimets dances the role of Prince Siegfried. Alexander Reneff-Olson dances the role of Von Rothbart and the Pas de Trois is performed by Dores André, Taras Domitro and Sasha De Sola. Martin West conducts.

Tickets are $29 which allows for 72 hours of access to Swan Lake.

PLAY READING: The Sisters Rosensweig – Spotlight on Plays on Broadway’s Best Shows – Now – May 24th

Jason Alexander, John Behlmann, Lisa Edelstein, Kathryn Hahn, Kathryn Newton, Tracee Chimo Pallero, Chris Perfetti and James Urbaniak star in a reading of Wendy Wasserstein’s play. The reading is directed by Anna D. Shapiro (Tony Award-winner for her direction of August: Osage County).

The Sisters Rosensweig opened at the Ethel Barrymore Theatre in 1993. This was her first Broadway play since wining the Tony Award and the Pulitzer Prize for The Heidi Chronicles.

The play depicts a reunion of three sisters who haven’t seen each other in years. Through the course of the play they come to understand that the bond of being sisters is more important than any of the reasons they’ve stayed apart.

Mel Gussow, in his review for the New York Times said of the play:

“Ms. Wasserstein’s generous group portrait is not only a comedy but also a play of character and shared reflection as the author confronts the question of why the sisters behave as they do. The immediate answer is that they are Rosensweigs and are only doing what is expected of them. The play offers sharp truths about what can divide relatives and what can draw them together.”

Wasserstein passed away in 2006 at the age of 55 due to complications of lymphoma.

Tickets are $18 which allows for repeated viewings through May 24th at 6:00 PM ET/3:00 PM PT. Proceeds benefit The Actors Funds, TDF Wendy Wasserstein Project and Steppenwolf Theatre Company.

JAZZ: Chano Domínguez – SFJAZZ – May 21st – 8:00 PM ET/5:00 PM PT

Spanish born pianist Chano Domínguez has long put postbop, flamenco and fusion influences together to create a wholly original approach to jazz music. In this concert from 2018, Domínguez celebrates the work of Miles Davis.

Joined by bassist Alexis Cuadrado, drummer Henry Cole, flamenco singer Blas Córdoba and dancer Daniel Navarro, Domínguez will offer his take on such classic Davis tracks such as So What, All Blues and Freddie the Freeloader from Davis’ 1959 classic album Kind of Blue.

The concert is streaming right around dinner time on the East Coast (8:00 PM) and happy hour on the West Coast (5:00 PM). As a wine pairing for this concert I suggest a crisp Albariño for those who prefer white wine and a dry Rioja for those who prefer red.

If you can’t make the Fridays at Five showing, there will be an encore presentation on Saturday, May 22nd at 1:00 PM ET/10:00 AM PT.

Tickets are $5 which includes a one month digital membership.

BROADWAY VOCALS: Elizabeth Stanley – Broadway Stories & Songs with Ted Sperling – May 21st – 8:00 PM ET/5:00 PM PT

I first saw Elizabeth Stanley in the 2006 revival of Stephen Sondheim and George Furth’s Company. Since then she’s appeared on Broadway in Cry-Baby, Million Dollar Quartet, the 2014 revival of On the Town and she was starring in Jagged Little Pill when the pandemic hit. That show, for which she was nominated for a Tony Award for Best Actress in a Musical, will re-open on October 21st.

Stanley is an amazing singer and one who performs songs in the truest sense of the word. She doesn’t just sing, she imbues them with whatever the song calls for: comedy, drama, pathos, etc..

She joins Ted Sperling for this weekend’s Broadway Stories & Songs with Ted Sperling. The show will first air at 8:00 PM ET/5:00 PM PT on Friday. It will also be rerun on Saturday at 2:00 PM ET/11:00 AM PT. The $25 ticket price allows you to view both showings.

CLASSICAL MUSIC: Shin, Reid + Britten – Los Angeles Chamber Orchestra – Debuts May 21st – 9:30 PM ET/6:30 PM PT

In this penultimate episode of LA Chamber Orchestra’s Close Quarters series, the music of Benjamin Britten and Pulitzer Prize winner Ellen Reid is performed along with the world premiere of Hyo by Peter S. Shin.

Shin was the recipient of the 2020/2021 Sound Investment Honor which finds donors investing in the creation of a new work and following its progress leading up to its premiere.

Les Illuminations by Britten is a 16-minute song cycle that had its world premiere in 1940. Joining LACO for this performance is soprano Nicole Cabell. She’s performed in opera houses around the world in Porgy and Bess, La Traviata, Don Giovanni and more.

Lumee’s Dream from Reid’s opera p r i s m is the last work on the program.

Dance is included in this episode with choreography by Rebecca Steinberg performed by Layne Paradis Willis and Joe Davis.

Visuals are by Jian Lee and the LACO is lead by Grant Gershon.

There is no charge to watch this show. If you haven’t look at the other 12 episodes in this ambitious and very satisfying series, I urge you to do so.

MUSICAL: Brat Pack – The Wallis Annenberg Center for the Performing Arts – May 21st – May 23rd

Don’t you forget about films like The Breakfast Club, Pretty in Pink, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off and more. You won’t be able to if you stream Brat Pack this weekend.

For the Record Live created a cottage industry of shows dedicated to the soundtracks from various films centered around individual directors. Amongst the most popular was their show celebrating John Hughes. That show serves as the inspiration for Brat Pack which tells the story of the high school experiences of the archetypal Basket Case, Geek, Jock, Mister and Rebel. Does that sound like a club with whom you might like to have breakfast?

Brat Pack was filmed live on stage at The Wallis with James Byous, Emily Lopez, Parissa Koh, Patrick Ortiz, Doug Kreeger and Kenton Chen. As with any For the Record Live production, they are accompanied by a killer band.

Tickets are $20 which allows for viewing all weekend long. One note of caution: the show does contain adult subject matter and language.

OPERA: Janáček’s The Cunning Little Vixen – Glyndebourne – May 23rd – June 6th

Vladimir Jurowski conducts; starring Emma Bell; Lucy Crowe, Sergei Leiferkus and Mischa Shelomainaksi. This Melly Still production is from the 2011-2012 season.

Leoš Janáček’s opera had its world premiere in Prague in 1924. The Cunning Little Vixen has a libretto by the composer based on a serialized novel by Rudolf Těsnohlídek called Liška Bystrouška.

In The Cunning Little Vixen a foster, while taking a nap, is taken by a young vixen to be her pet. Once she gets older she pursues a more independent life. The vixen gets mistaken for a gypsy girl and her life becomes a whirlwind she never expected.

We’ve covered literally hundreds of opera productions here at Cultural Attaché. I can say with absolute certainty that this is the first time we’ve offered up a production of Cunning Little Viven. This is not a commonly performed opera.

Fiona Maddocks, in her review for The Guardian, said of this production:

“Melly Still’s staging, designed with folkloric charm by Tom Pye and atmospherically lit by Paule Constable, wins enough plus points to balance out the minuses. The action is often chaotic and unfocused. There is no allowance made for the speed at which the text moves. Lacking the requisite fluency in Czech – feeble, I know – one had to cling on to the surtitles at the risk of missing the action. The shooting of the Vixen passed almost without notice, though this may be the point: another ordinary day in the genocidal war of man and beast.”

There is no charge to watch Cunning Little Vixen which will be available for streaming through June 6th.

BROADWAY FUNDRAISER: Broadway Barks – May 23rd – 7:00 PM ET/4:00 PM PT

This annual event supports the adoption of shelter animals. Broadway Barks was started by good friends Mary Tyler Moore and Bernadette Peters in 1998. Every year they have had in-person events where Broadway stars and shelter pets combine to entertain and find homes for the four-legged friends.

This is the second virtual edition and they have an incredible line-up:

Sebastian Arcelus, Annaleigh Ashford, Alec Baldwin, Christine Baranski, Bill Berloni, Stephanie J. Block, Carol Burnett, David Burtka, Victoria Clark, Glenn Close, Lily Collins, Harry Connick Jr., Sheryl Crow, Jason Danieley, Ted Danson, Ariana DeBose, Daveed Diggs, Gloria Estefan, Harvey Fierstein, Calista Flockhart, Whoopi Goldberg, Josh Groban, Kathryn Grody, Emmylou Harris, Neil Patrick Harris, Megan Hilty, James Monroe Iglehart, Hugh Jackman, Christopher Jackson, Allison Janney, Nathan Lane, Bob Mackie, Audra McDonald, Charlie McDowell, Brian Stokes Mitchell, Bebe Neuwirth, Mandy Patinkin, David Hyde Pierce, Randy Rainbow, Kelly Ripa, Chita Rivera, Lea Salonga, Phillipa Soo, and Mary Steenburgen. 

Peters will serve as the host.

Broadway Barks will stream on Broadway.com and Broadway Cares/Equity Fights AIDS’ Facebook and YouTube pages. 

Those are our Best Bets: May 21st – May 24th. As usual, a few reminders before we conclude:

Tales from the Wings: Celebrating Lincoln Center Theater with Patti LuPone, Audra McDonald and others remains available through Sunday, May 23rd only. Don’t miss it.

LA Opera’s Signature Series adds a recital by Julia Bullock on Friday to still available performances by Russell Thomas, Susan Graham and Christine Goerke.

Next week the fourth and final episode of Myths and Hymns from MasterVoices debuts. If you haven’t seen the first three episodes, take a look.

The Romero Quartet launches their 60th anniversary celebration with a streaming concert from Belly Up in Solano Beach on Sunday. For details and our interview with Pepe Romero, please go here.

The Metropolitan Opera productions streaming this weekend are the 2016-2017 season production of Verdi’s Nabucco on Friday; Donizetti’s Lucia di Lammermoor from the 1982-1983 season (with Joan Sutherland) on Saturday and the 1995 production of Tchaikovsky’s The Queen of Spades on Sunday. This will conclude the Unhinged Mad Scenes week.

Monday the Met begins Rare Gems week with a 2008-2009 season production of Massenet’s Thaïs. We’ll have the full line-up on Monday for you.

Lastly if you’ve read our interview with Isabel Leonard (and please do, she has a lot to say), you’ll remember that Saturday the Met streams Three Divas at 1:00 PM ET/10:00 AM PT featuring Leonard with Ailyn Pérez and Nadine Sierra.

That’s truly the end of our Best Bets: May 21st – May 24th.

I hope you have a great weekend. Enjoy the culture!

Photo: Keith Lockhart conducting the Boston Pops (Photo by Stu Rosner/Courtesy Boston Pops)

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With yesterday’s good news that those who are vaccinated can go around without masks with the exception of a few specified areas, it seems like only a matter of time before live events will come roaring back.

The question now is whether or not all the streaming events of the past 15 months will become a relic of the era or a regular part of our cultural experience. Only time will tell.

For now, there are still plenty of great programs available for viewing. Topping our list is MCC Theater’s Miscast 2021 Gala. There are two other gala events, a new musical reading, a vintage classical music concert, new music, a play reading and more.

Here are the Best Bets: May 14th – May 17th.

*TOP PICK* – Miscast 2021 – MCC Theater – May 16th – May 20th

Yesterday we posted a full preview of this event, but here’s what makes this show so entertaining: Broadway stars perform songs separately or with others they would never be cast to sing. For instance, Robert Fairchild sings this song from the musical Sweet Charity in a clip from last year’s “quarantine” edition of Miscast.

This year’s line-up includes Annaleigh Ashford (Sunday in the Park with George), Melissa Barrera (In the Heights), Gavin Creel (Hello, Dolly!), Robin de Jesús (The Boys in the Band), Renée Elise Goldsberry (Hamilton), Leslie Grace (In the Heights), Cheyenne Jackson (Finian’s Rainbow), Jai’Len Josey (SpongeBob SquarePants), LaChanze (Summer: The Donna Summer Musical), Idina Menzel (Wicked), Kelli O’Hara (Kiss Me, Kate), Billy Porter (Kinky Boots), Kelly Marie Tran (Raya and the Last Dragon), Aaron Tveit (Moulin Rouge) and Patrick Wilson (The Full Monty).

This is a free event, though donations are encouraged.

PLAY READING: Watch on the Rhine – Broadway’s Best Shows – Now – May 17th

Lillian Hellman’s Watch on the Rhine had its world premiere at the Martin Beck Theater on April 1, 1941. Her play tells the story of a German man, Mueller, married to an American woman, who is involved with anti-fascist causes in Europe. While visiting his wife’s relatives in Washington, D.C., another guest, also staying with the family, blackmails Mueller after discovering Mueller is planning to send money to aid underground operations in Germany.

For this reading as part of Spotlight on Plays, Ellen Burstyn, Alan Cox, Carla Gugino, Mary Beth Peil and Jeremy Shamos star in this reading directed by Sarna Lapine.

Tickets are $18 with the reading available for viewing through Monday at 6:00 PM ET/3:00 PM PT. Proceeds from the reading benefit The Actors Fund.

Trivia: Two years later a film version of Watch on the Rhine was released starring Bette Davis and Paul Lukas (reprising his role from Broadway). The film was nominated for four Academy Awards including Best Picture. Lukas won for Best Actor.

DANCE: Stephen Petronio Company – The Joyce Theater – Now – May 26th

There are five works being showcased in this new film by the Stephen Petronio Company, the New York-based dance company that was founded in 1984.

Two of the five pieces being performed are set to songs made famous by Elvis Presley: Are You Lonesome Tonight and Love Me Tender.

There are two versions of Are You Lonesome Tonight being performed. Love Me Tender was originally performed in 1993 in a collaboration with artist Cindy Sherman.

New Prayer For Now (Part 1) has its debut in this film. Petronio was inspired by Balm in Gilead and Bridge Over Troubled Water when creating New Prayer…. Monstah Black (who is also a dancer and choreographer in addition to being a musician) composed the music and performs with the Young People’s Chorus of New York City.

The program wraps up with a new version of Group Primary Accumulation by Trisha Brown and Pandemic Portraits, a film by Dancing Camera.

Tickets are $25.

CLASSICAL MUSIC: Berlin Philharmonic 1967 – Carnegie Hall – May 14 – May 21st

Herbert von Karajan leads the Berliner Philharmoniker in a performance of Tchaikovsky’s Piano Concerto No. 1 with soloist Alexis Weissenberg.

This is amongst the most popular concerti in the world. But if Weissenberg’s name isn’t familiar to today’s audiences, this quote from his obituary by Maraglit Fox in the New York Times defines his reputation:

“Mr. Weissenberg possessed a technical prowess rivaled by few other pianists. The ice of his demeanor at the keyboard (he sat, leaned forward and got down to business, playing with scarcely a smile or grimace) was matched by the fire that came off the keys.” (Weissenberg passed away in 2012.)

There is no charge to watch this performance. This is the first of a new series Carnegie Hall Selects featuring performances by artists who played major roles in the 130-year history of the venue.

BROADWAY VOCALS: Jose Llana: Broadway Stories & Songs with Ted Sperling – May 14th – 8:00 PM ET/5:00 PM PT

Broadway star Jose Llana is Ted Sperling‘s guest for Broadway Stories & Songs. Llana has been seen in The King and I, Rent, Street Corner Symphony, Flower Drum Song, The 25th Annual Putnam County Spelling Bee and Wonderland on Broadway.

I first saw him in Flower Drum Song at the Mark Taper Forum. I also saw him in the incredible show Here Lies Love at the Public Theater.

He also performed Adam Guettel’s song cycle Saturn Returns (later renamed Myths and Hymns) which is where he and Sperling first worked together.

If you can’t see the show on Friday, there is an encore showing scheduled for May 15th at 2:00 PM ET/11:00 AM PT. Tickets for either showing are $25. You can watch the show a second time if you buy tickets for the Friday night showing.

JAZZ: Robert Glasper: Everything’s Beautiful – SFJAZZ – May 14th – 8:00 PM ET/5:00 PM PT

This 2018 concert found innovative musician/composer Robert Glasper putting his own spin on works by Miles Davis for his album Everything’s Beautiful. Glasper’s music was featured in Don Cheadle’s film Miles Ahead from 2015.

If you don’t know Glasper or his work, he’s one of the most interesting artists working in jazz today. He’s also collaborated with Erykah Badu, Herbie Hancock, Kendrick Lamar, Ledisi and Jill Scott.

Joining Glasper in this performance are vocalist Bilal; Michael Severson on guitars; Burniss Travis on bass and Justin Tyson on drums.

If you can’t watch Friday night’s showing that is part of SFJAZZ’s Fridays at Five series, there is an encore showing on Saturday, May 15th at 1:00 PM ET/10:00 AM PT. Tickets require either a one-month digital membership for $5 or a $50 annual digital membership.

MUSICAL: Breathe: A New Musical – May 14th – July 9th

Playwright Timothy Allen McDonald (Roald Dahl’s Willy Wonka) and novelist Jodi Picoult (The Book of Two Ways) have teamed up for this new musical suite that features interlocking stories of five different couples navigating their way through the Covid pandemic and its impact on their lives.

The songs were written by Doug Besterman (The Big One-Oh!), Zina Goldrich (Ever After), Marcy Heisler (Hollywood Romance), Kate Leonard (Ratatouille: The TiKTok Musical), Douglas Lyons (Peter, Darling), Daniel J. Mertzlufft (Ratatouille: The TikTok Musical), Rebecca Murillo (Credence & Cecilia), Ethan Pakchar (Five Points), Rob Rokicki (The Lightning Thief: The Percy Jackson Musical) and Sharon Vaughn (My Heroes Have Always Been Cowboys).

Appearing in this online musical are Tony Award winners Kelli O’Hara and Brian Stokes Mitchell along with Denée Benton (Hamilton), Rubén J. Carbajal (Hamilton), Max Clayton (Moulin Rouge), Josh Davis (Beautiful: The Carole King Musical), Colin Donnell (Anything Goes), Matt Doyle (the upcoming revival of Company), Patti Murin (Frozen), T. Oliver Reid (Hadestown), and Daniel Yearwood (Once on This Island).

Tickets are $25 to watch Breathe. If you want to join the official opening night on Friday, May 14th at 8:00 PM ET/5:00 PM PT, those tickets are $40 and includes an post-premiere cast party and a download of the music from the show.

CONTEMPORARY SONG CYCLE: Dorothea – CAP UCLA – Debuts May 15th – 10:00 PM ET/7:00 PM PT

Ted Hearne, one of our most fascinating and interesting composes, has created a song cycle inspired by the poetry of Dorothea Lasky.

Lasky is an acclaimed poet who told the LA Review of Books, “I do believe it’s better not to be safe in your poems.” As a composer, Hearne also doesn’t play it safe.

They both are utterly compelling. This combination should double down on that and prove to be very exciting to watch.

Hearne was a Pulitzer Prize finalist for his 2018 composition Sound From the Bench. Both Los Angeles Opera and San Francisco Opera performed his opera The Source about Chelsea Manning.

Hearne will be singing vocals in this performance. Joining him are Eliza Bagg on vocals and synths; Ashley Bathgate on cello; Nathan Koci on piano/keyboards; Diana Wade on viola; Ron Wiltrout on drums and Ayanna Woods on bass.   

There is no charge to watch Dorothea. Donations to CAP UCLA are encouraged.

CLASSICAL MUSIC: Nadia Sirota, Gabriel Cabezas and Rob Moose – The Phillips Collections – Debuts May 16th – 4:00 PM ET/1:00 PM PT

Johann Sebastian Bach’s Trio Sonata No. 6 in G Major, BWV 530 serves as the foundation for this performance by violist Nadia Sirota, cellist Gabriel Cabezas and violinist Rob Moose.

The concert will begin and end with a movement from the sonata with a third movement at the halfway point.

Interspersed amongst the concert are works by three of today’s most interesting contemporary composers: Marcos Batler, Missy Mazzoli and Nico Muhly.

Sirota is also the music producer for Los Angeles Chamber Orchestra’s Close Quarters series.

There is no charge to watch this performance, however registration is required. The program will remain available for viewing through May 22nd.

PLAY READING: Sejanus, His Fall – Red Bull Theater – Debuts May 17th – 7:30 PM ET/4:30 PM PT

New York’s Red Bull Theater will present a new adaptation of Ben Johnson’s 17th-century play Sejanus, His Fall on Monday night. The adaptation is by Nathan Winkelstein, who also directs.

The play depicts a power struggle between Tiberius, the Emperor of Rome and Sejanus, his right-hand man. Sejanus covets being the emperor. Tiberius has no desire to make that a possibility. Factions line up behind each man and the power struggle begins with all of our own contemporary issues surrounding politics and power at play.

Participating in the reading are: Shirine Babb (Harry Potter and the Cursed Child), Grantham Coleman (The Great Society), Keith David (Seven Guitars), Manoel Felciano (To Kill a Mockingbird), Denis O’Hare (Assassins), Matthew Rauch (Junk), Liv Rooth (To Kill a Mockingbird), Laila Robins (Heartbreak House), Stephen Spinella (Angels in America), Emily Swallow (High Fidelity), Raphael Nash Thompson (The Red Letter Plays), Tamara Tunie (Radio Golf) and James Udom (The Rolling Stone).

Tickets are pay what you can with proceeds going to Red Bull Theater.

CONCERT/GALA: Stand Up, Stand Strong – Covenant House – May 17th – 8:00 PM ET/5:00 PM PT

Sara Bareilles, Stephanie J. Block, Jon Bon Jovi, Zach Braff, Terron Brooks, Rachel Brosnahan, Stephen Colbert, Charlie Day, Darius De Haas, Ariana DeBose, Mary Elizabeth Ellis, Morgan Freeman, Jon Hamm, Adrianna Hicks, James Monroe Iglehart, Capathia Jenkins, Jewel, Jeremy Jordan, Amanda Kloots, Ames McNamara, Laurie Metcalf, Lin-Manuel Miranda, Brian Stokes Mitchell, Abby Mueller, Alex Newell, Desus Nice and The Kid Mero, Kelli O’Hara, Laura Osnes, Dolly Parton, Jo Ellen Pellman, Ben Platt, Jason Ralph, Ryan Reynolds, Chita Rivera, Robin Roberts, Aliza Russell, Keala Settle, Tony Shalhoub, Meryl Streep, Ana Villafañe, Dionne Warwick, Marlon Wayans, Frank Wildhorn, Vanessa Williams, Daniel Yearwood and more will join co-hosts Audra McDonald and John Dickerson for this annual fundraiser for Covenant House.

The organization provides shelter for homeless youth living on the streets. They have helped more than one million youth since their inception more than 40 years ago.

This gala fundraiser will offer music, stories and more. There is no charge to watch the show, however donations are encouraged. For a list of the many ways you can watch Stand Up, Stand Strong, please go here.

VOCALS/STORIES: Jim Caruso’s Pajama Cast Party – May 17th – 8:00 PM ET/5:00 PM PT

Though Jim Caruso has multiple guests for this Monday’s 58th episode of Pajama Cast Party, I can sum up the reason to tune into this particular episode with two words: Marilyn Maye.

That’s the official list of Best Bets: May 14th – May 17th. Here are also a few reminders:

Lincoln Center Theater’s Tales from the Wings, which we previewed here, will remain available through Monday, May 17th. This is a must for theater fans.

The Los Angeles Philharmonic debuts Chamber Music: Piazzolla in their Filmed at the Ford series. You can find details here.

This weekend’s offering from the Metropolitan Opera include the documentary The Audition on Friday; Rossini’s Il Barbiere di Siviglia from the 2014-2015 season on Saturday and Donizetti’s Roberto Devereux from the 2015-2016 season on Sunday.

Sunday will also be the finals of the National Council Auditions at the Met at 3:00 PM ET/12:00 PM PT.

Monday begins Week 62 at the Met where the theme is Unhinged Mad Scenes. The first production being streamed is the 2006-2007 season production of Bellini’s I Puritani with Anna Netrebko.

There are just two weeks left to see Sutton Foster’s Bring Me to Light. You can find details in our preview here.

There you have a jam-packed list of Best Bets: May 14th – May 17th.

Enjoy your weekend and enjoy the shows!

Photo: Renée Elise Goldsberry (Photo by Justin Bettman/Courtesy MCC Theater)

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My top pick this week celebrates International Jazz Day. Another significant jazz event this weekend is a concert by Christian Sands. SFJAZZ offers a 2019 concert by Orquesta Akokán on Friday with a re-stream on Saturday.

If jazz isn’t your thing, we’ve got plenty of other options. There are several play readings, a very ambitious new film from the Colburn School in Los Angeles, a couple cabaret performances and a very unique fundraiser that realizes the first three letters in that word are FUN.

Here are my Best Bets: April 30th – May 3rd:

*TOP PICK* JAZZ: 2021 Global All-Star Concert for International Jazz Day – April 30th – 5:00 PM ET/2:00 PM PT

Yesterday we started revealing our Top Pick for the weekend in a sneak peek of the weekend’s Best Bets. So I won’t rehash everything from that column. You can read the full preview here.

Simply put, there aren’t many places where you’ll find performances by Dee Dee Bridgewater, Cyrus Chestnut, Gerald Clayton, Herbie Hancock, Stefon Harris, Angélique Kidjo, Dianne Reeves, Antonio Sánchez, Ben Williams and many more from around the world.

The concert is free and can be found on the event’s website, their YouTube channel, Facebook page and more. International Jazz Day’s concert will remain available for viewing for 30 days.

CLASSICAL/JAZZ/DANCE: The Way Forward – Colburn School – Now – May 13th

Few projects would offer the opportunity to see and hear music and performances by Kris Bowers, Johannes Brahms, Aaron Copland, Gabriel Fauré, George Frideric Handel, Thelonious Monk, Esa-Pekka Salonen, Jean-Yves Thibaudet, Christoph Waltz, Eric Whitacre and thousands of singers, dancers and musicians.

The pandemic-era project was filmed in Australia, Canada, England, Finland, Spain and at the Colburn School in Los Angeles.

This one-of-a-kind film and it will be available for free streaming. You do have to register on the Colburn School website. The Way Forward will only be available for two weeks.

For those in Los Angeles, there will be one in-person screening of the one-hour film. That screening will take place on Saturday, May 1st at 8:00 PM PT at Thayer Hall at Colburn. Capacity will be limited to 25%. Tickets for this screening are $25 and can be purchased here.

PLAY READING: The Baltimore Waltz – Spotlight on Plays on Broadway’s Best Shows – Now – May 3rd

When playwright Paula Vogel’s The Baltimore Waltz opened off-Broadway in 1992, it was immediately acclaimed as a unique way of addressing the AIDS crisis. The play went on to win three Obie Awards for Best New American Play, Best Director and Best Performance (Cherry Jones).

Vogel’s play depicts a real-life situation between a school teacher and her brother.

How the sister chooses to address that he is dying of a terminal disease is at the heart of The Baltimore Waltz. Vogel uses fantasy to take her characters on a journey that is both fanciful and heartbreaking in its inevitable return to reality.

For this reading the cast features Mary-Louise Parker, Eric McCormack and Brandon Burton. Lileana Blain-Cruz directs.

Tickets are $15 with proceeds going to The Actors Fund.

VIRTUAL MUSICAL: Working: A Musical – CATCO – Now – May 9th

When I was a much younger man I remember seeing Working on the PBS series American Playhouse. I was immediately taken in by this collage of interviews and songs. Based on Studs Terkel’s 1974 book  Working: People Talk About What They Do All Day and How They Feel About What They Do, the musical features songs by Stephen Schwartz, Mary Rodgers, James Taylor and more.

The musical received six Tony Award nominations when it opened on Broadway in 1978. It’s run, however, was short. There were only 12 previews and 24 performances.

CATCO in Columbus, OH is presenting a streaming version of the updated 2012 version of the musical that includes contributions from Lin-Manuel Miranda.

This is a perfect musical for the virtual format. I will be interested to see how the show holds up and how Miranda’s revisions help the show.

Working streams only Thursday – Sunday through May 9th. Tickets are $20.

PLAY READING: The Line – Public Theater – Now – June 21st

Great timing for this encore presentation of the Public Theater’s Zoom reading of Jessica Blank and Erik Jensen’s The Line. Their play was constructed by doing interviews with frontline medical workers in New York at the outset of the pandemic.

As restrictions start to loosen around the country, this is a great reminder of the heroism that was required (and still is) to get us through this crisis.

The Line also reflects the personal toll their actions took on their lives. This should be a wake-up call that there is still work to be done by all of us.

Thankfully The Line is thoroughly engrossing. Assisting the storytelling is music by Aimee Mann and Jonathan Coulter (which was produced by Michael Penn).

If you’ve ever experienced The Exonerated by Blank and Jensen you know what powerful storytellers they are.

There is no charge to stream The Line, but registration is required.

PLAY READING: Home – The Refocus Project at Roundabout Theatre Company – April 30th – May 3rd

New York’s Roundabout Theatre Company debuts the first of five readings of little-known plays from the twentieth century by Black playwrights. The first to be streamed is Samm-Art Williams’ Home.

The Negro Ensemble Company first performed the work in 1979. It was critically-acclaimed and it transferred to Broadway in 1980 and earned two Tony Award nominations including Best Play.

The central character, Cephus, tells two women stories from his life. He loves the idea of just staying…home. But circumstances require he travel from his country home to the big city.

The play is a fable that dabbles in elements of realism – like war and racism. Though there are only three actors (Rob Demery, Brittany Inge and Tony nominee Joaquina Kalukango), Williams has his cast perform dozens of characters.

Tony Award-winner Kenny Leon directs.

Mel Gussow, writing for the New York Times, raved about Williams’ writing:

“The play itself is a freshet of good will, a celebration of the indomitability of man, a call to return to the earth. In all respects — writing, direction and performance — this is one of the happiest theatrical events of the, season.”

He went on to say, “More often, with his gift for local language, Mr. Williams seems closer to the spirit of Mark Twain. If Twain were black and from North Carolina, he might have written like Samm‐Art Williams.”

There is no charge to stream Home, but RSVP/registration is required.

CUBAN JAZZ: Orquesta Akokán – SFJAZZ – April 30th – 8:00 PM ET/5:00 PM PT

Orquesta Akokán began as a one-time-only recording band to become a touring and live celebration of mambo. So for those who do not want to go gentle into their weekends, this show is for you.

Their performance at SFJAZZ is from June 2019. This big band will have you shaking your groove thing and burning down the house.

Pianist and arranger Michael Ekroth, vocalist José “Pepito” Gómez are joined by members of legendary Cuban bands Irakere and Los Van Van and more as they take to the stage for this show.

Tickets are $5 which allows for a one-month digital membership. If you’re unable to see the show on Friday, there will be an encore streaming on Saturday, May 1st at 8:00 PM ET/5:00 PM PT. The show will then be available on demand from May 1st – June 30th.

JAZZ: The Christian Sands Trio – Just Jazz – April 30th – 9:00 PM ET/6:00 PM PT

LeRoy Downs, host of Just Jazz on KCRW in Los Angeles, is celebrating International Jazz Day with an intimate concert by pianist Christian Sands, drummer Jonathan Pinson and bassist Ben Williams. The concert will be streaming live from Mr. MusicHead Gallery in Los Angeles.

The trio will be joined by special guest trumpeter Theo Croker.

Sands is one of the most exciting young musicians on the jazz scene. This is a concert you won’t want to miss.

If you’d like more information on Downs and his take on jazz in 2021, check out my interview with him here.

Tickets are $20.

CABARET: Chester Gregory: Celebrating the Motown Era – The Wallis Sorting Room Sessions – April 30th – May 2nd

Chester Gregory has been seen on Broadway in the musicals Hairspray!, Tarzan, Cry-Baby, Sister Act and Motown: The Musical where he portrayed Berry Gordy.

That last credit no doubt awakened Gregory’s appreciation for all things that Gordoy accomplished.

He’ll be Celebrating the Motown Era in this weekend’s first of The Wallis Sorting Room Sessions.

The show becomes available at 10:00 PM ET/7:00 PM PT and will remain available through Sunday, May 2nd. Tickets are $20 and allow for 48 hours of streaming.

PLAY: The Importance of Being Earnest – L.A. Theatre Works – May 1st – May 31st

Residents of Los Angeles know that in addition to their fine radio play performances, LATW coordinates with HD Live to offer in person viewings of filmed productions from theater companies from around the world.

For the month of May they are making the 2011 Broadway revival of Oscar Wilde’s throughly delightful play available for streaming.

Certainly you know this very funny play about identity and marriage. And why a man would play a woman in it – as is done here.

This production was directed by and starred Brian Bedford as Lady Bracknell. Dana Ivey, Paxton Whitehead and Santino Fontana are also in this production which was nominated for a Tony Award for Best Revival of a Play.

Tickets are $15 and allow for viewing anytime within two weeks of purchase.

PLAY READING: We Have to Hurry – Broadway on Demand – May 1st – May 2nd

Elliot Gould and Kathleen Chalfant will perform this new play by Dorothy Lyman. We Have to Hurry is set in a retirement complex in Florida. Gil and Margaret cannot see each other because they and all the residents at the complex are forced to quarantine. They only communicate with each other from their respective balconies.

Gil has fallen in love with Margaret and realizes time is not on their side. Will they have a chance to get together and take a walk on the beach? Unsure of what the future holds for them, time is of the essence.

There are two ways to watch this show. The first is with a general ticket priced at $15. For $25 they have created a virtual stage door where ticket holders can submit questions in advance for Chalfant, Gould and Lyman. Those who purchase that ticket will get a separate Zoom link.

There is one performance on May 1st 8:00 PM ET/5:00 PM PT. A second performance takes place on May 2nd at 3:00 PM ET/12:00 PM PT. The link above in the title takes you to purchase tickets for the May 1st performance. For tickets to the May 2nd performance, please go here.

PLAY: Shoot Me When… – San Francisco Playhouse – May 1st – May 22nd

I love the premise of Ruben Grijalva’s play. As the two daughters of a woman suffering from dementia, what do you do when you want to honor your mother’s wishes for end of life plans, but she forgets what she agreed to because of her condition?

Susi Damilano directs cast members Blythe de Oliviera Foster, Dan Hiatt, Lorri Holt and Melissa Ortiz.

Tickets are $15 – $100 based on your ability to pay and contribute to the San Francisco Playhouse.

OPERA: Rameau’s Hippolyte et Aricie – Nationaltheater Mannheim on OperaVision – May 1st – July 31st

Conducted by Bernhard Force; starring Amelia Scicolone, Sophie Rennert, Marie-Belle Sandis, Estelle Kruger and Charles Sy. This Lorenzo Fioroni production was filmed on April 21st and 24th of this year.

Jean-Philippe Rameau’s opera had its world premiere in Paris in 1733. The libretto is by Simon-Joseph Pellegrin and is based on Jean Racine’s Phèdre.

Gods and humans are involved in this story of Hippolyte, son of Thésée, the King of Athens and Hippolyte (not Thésée’s wife, that’s Phèdre). Hippolyte falls in love with the wrong woman, Aricie, who is the daughter of his father’s enemy, Pallas. You just know this isn’t going to end well.

I’ve included this production because I do not believe it has previously been available in other productions so far. Frankly it also looks quite interesting!

CABARET: Julian Ovenden: Can’t Help Singing – May 2nd – May 9th

Fans of Bridgerton will want to check out Sir Henry Granville singing. Okay, well it won’t actually be Granville, but it will be actor Julian Ovenden who plays him on the smash series. (Of course if you’re more of a Downton Abbey fan he played Charles Blake. And if you like The Crown, he played Bobby Kennedy in one episode.)

This concert will find Ovenden singing songs by composers and artists he loves including George Gershwin, Michel Legrand and Tom Waits.

Tickets are £12 which at press time equals approximately $17.

CABARET: Andrea McArdle – Seth Concert Series – May 2nd – 3:00 PM ET/12:00 PM PT

Seth Rudetsky’s guest on this weekend’s Concert Series is the actress who originated the roles of Ashley in the US production of Andrew Lloyd-Webber’s Starlight Express and Margy Frake in the 1993 musical State Fair. She’s also appeared in Les Misérables and Beauty and the Beast.

Of course, she’s best known for introducing the song Tomorrow to us through her Tony-nominated performance as the title character in the musical Annie. Her nomination made her the youngest nominee for Lead Actress in a Musical. (She lost to co-star Dorothy Loudon.)

Tickets are $25 for either this live stream or the replay at 8:00 PM ET/5:00 PM PT.

CONTEMPORARY CLASSICAL MUSIC: Caroline Shaw and Attacca Quartet – The Phillips Collection – May 2nd – 4:00 PM ET/1:00 PM PT

Pulitzer Prize-winning composer Caroline Shaw teams up with the Attacca Quartet for this performance from The Phillips Collection in Washington, D.C.

Their collaboration on the album Orange led to a Grammy Award nomination for Best Contemporary Classical Recording.

This concert will feature the world premiere of Imago by composer inti figgis-vizueta. The work was commissioned by The Phillips Collection.

A selection of Shaw’s own compositions (both songs and works for quartet) will also be performed.

There’s no charge for this concert, but you do have to register to be able to see it. The event will remain available for seven days.

CHAMBER MUSIC: Calidore Quartet – Shriver Hall Concert Series – May 2nd – May 9th

Violist Jeremy Berry, cellist Estelle Choi and violinists Ryan Meehan and Jeffrey Myers make up Calidore Quartet. They were founded in 2010 at the Colburn School in Los Angeles.

For this concert from Baltimore’s Shriver Hall, they will be performing the world premiere performance of Hannah Lash’s new quartet.

Also on the program is Franz Schubert’s String Quartet No. 15 in G Major and Antonin Dvořák’s String Quartet No. 12 in F Major, nicknamed the American Quartet.

Tickets are $15. There is a Q&A after the performance.

BROADWAY FUNDRAISER: Broadway Acts for Women – A Is For – May 2nd – 8:00 PM ET/5:00 PM PT

This fundraiser puts the fun front and center. This is the realization of a karaoke fantasy for all fans of Broadway.

Ticket holders get to bid on the songs the performers will sing. Martha Plimpton serves as the host.

Who are the performers in this year’s event?

Sara Bareilles, Elizabeth Banks, Annette Bening, Reed Birney, Ashley Nicole Black, Kathryn Brody, Danny Burstein, Ever Carradine, Ariana DeBose, Garret Dillahunt, Eden Espinosa, Jesse Tyler Ferguson, Montego Glover, Kelli O’Hara, Josh Hamilton, Michelle Hurd, Jason Isaacs, Amy Landecker, Jenn Lyon, Lesli Margherita, Howard McGillin, Patton Oswalt, Mandy Patinkin, Harold Perrineau, Carrie Preston, Judy Reyes, Annabella Sciorra, Cecily Strong, Jessica Vosk, Steven Weber, Shannon Woodward, BD Wong and Karen Ziemba.

And if you’ve got deep pockets you can also bid on unique auction items that include a voice lesson with O’Hara, cooking class with Ferguson and a private zoom concert with Bareilles.

Broadway Acts for Women will be live streamed from 54 Below in New York. Tickets start at $75 and go up to $300 with different perks along the way.

A is For is a non-profit working to eliminate the stigma of abortion.

CLASSICAL MUSIC: Taiwan Philharmonic – Los Angeles County Museum of Art – May 2nd – 9:00 PM ET/6:00 PM PT

Works of four Taiwanese composers will be performed in this free streaming concert on Sunday. They are Tyson Hsiao, Yu-Shian Deng, Ching-Mei Lin and I-Uen Wang Hwang.

The concert will be performed by the Taiwan Philharmonic.

Within Taiwan they are as the National Symphony Orchestra. Music Director Shao-Chia Lü will lead the orchestra in this performance.

How often do you get to hear this music? There’s no charge to watch the concert, but you do need to RSVP on the website.

CABARET: Jim Caruso’s Pajama Cast Party – Cast Party Network – May 3rd – 8:00 PM ET/5:00 PM PT

This week’s Pajama Cast Party guest list features Anjali Bhimani (Bombay Dreams); James Gish (Beautiful: The Carole King Musical); Alyssa May Gold (the upcoming revival of How I Learned to Drive); singer/bandleader John Malino (with family) and cabaret singer Sue Matsuki.

There is no charge to watch this always delightful show.

However, should you be so inclined, Jim Caruso and Pajama Cast Party accepts donations and makes weekly donations to Broadway Cares/Equity Fights AIDS and The Actors Fund.

That’s the official list of Best Bets: April 30th – May 3rd, but there are a few reminders:

Covenant by York Walker concludes its run this weekend as part of South Coast Repertory’s Pacific Playwrights Festival. For details on the show and the full schedule of plays, please go here.

Two-time Tony Award-winner Sutton Foster’s Bring Me to Light continues from New York City Center. Amongst her guests are Raúl Esparza and Kelli O’Hara. For full details, please go here.

Carnegie Hall’s Voices of Hope Festival officially ends on Friday, April 30th, but many of the programs will be available for viewing through May 31st. Take a look at my recommendations to see if something might appeal to you.

Sound/Stage from the Los Angeles Philharmonic debuts a new episode on April 30th. The orchestra will perform Franz Schubert’s Unfinished Symphony with Gustavo Dudamel conducting.

This weekend’s offerings from the Metropolitan Opera are the 1980-1981 season production of Verdi’s La Traviata on Friday; the 2018-2019 season production of Cilea’s Adriana Lecouvreur on Saturday and the 2008-2009 season production of Puccini’s La Rondine on Sunday.

Next week’s theme at the Met is Happy Mother’s Day and will start with the 2015-2016 production of Strauss’ Elektra. Not my idea of a happy mother, but this production is staggering. Do not miss it!

Do you have enough options for your weekend? Hopefully you have more choices than you have time to watch everything on this week’s Best Bets: April 30th – May 3rd.

Enjoy your weekend!

Photo: Gerald Clayton, who is performing at the 2021 Global All-Star Concert for International Jazz Day (courtesy GeraldClayton.com)

The post Best Bets: April 30th – May 3rd appeared first on Cultural Attaché.

Indirectly celebrating this natal day are multiple options that fall under the category of a line from Hamlet, “The play’s the thing.” Beyond the Shakespeare options are five other plays.

If you want funky jazz, contemporary classical music, operas from Europe or modern dance, I’ve got that for you as well. They’re all so good, I can’t make one of them the top pick.

In As You Like It, these famous words are said, “All the world’s a stage and all the men and women merely players.” So in this spirit of this weekend’s Academy Awards, the nominees for great players in Best Bets: April 23rd – April 26th are:

THEATER: Neat – Manhattan Theatre Club – Now – April 25th

Charlayne Woodard’s one-person show Neat opened at New York City Center in a Manhattan Theatre Club production in 1997.

Lawrence Van Gelder, writing for the New York Times, said of Woodard’s play, “Ms. Woodard sings, she dances, but most of all she tells good stories, bringing them to life in ways that are poignant.”

Woodard revisits the work in this prevention as part of MTC’s Curtain Call series. The great thing is you can see this wonderful play and performance for free. All you have to do is register. But act quickly, the run ends on Sunday, April 25th.

DANCE: Digital Program 5 – San Francisco Ballet – Now – May 12th

Three archival performances make up this program from San Francisco Ballet. They include 7 for Eight from 2016 and Anima Animus and Snowblind from 2018.

Helgi Tomasson is the creator of 7 for Eight which is set to the music of Johann Sebastian Bach. David Dawson is the choreographer of Anima Animus which is set to music by Ezio Bosso. Cathy Marston is the choreographer of Snowblind which uses music by Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt.

Tickets are $29 and allow for 72 hours of access to the program.

PLAY READING: Two Sisters and a Piano – New Normal Rep – Now – May 23rd ART IN AN EMAIL

Playwright Nilo Cruz is best-known for his Pulitzer Prize winning play Anna in the Tropics from 2002. Three years prior to that success he premiered Two Sisters and a Piano.

The play tells the story of two sisters under house arrest in Cuba in 1991. One sister is an author and the lieutenant keeping track of their case has fallen in love with her. The other is a pianist who finds her piano tuner falling head over heels for his client.

Cruz has directed a new reading of Two Sisters and a Piano with Jimmy Smits (Anna in the Tropics); Florencia Lozano (Rinse, Repeat), Gary Perez and Daphne Rubin-Vega (both of whom appeared in Two Sisters and a Piano at The Public Theater.)

In A.D. Amorosi‘s review of this reading for Variety, he says, “Cruz’s playful poetic language, even at its most harshly politicized, and his easy direction allow his actors a delicious freedom. Even when its characters are not free, enclosed in one cramped apartment with nothing but mangoes, rice and the occasional rum shot (and despite the virtual limitations of a laptop’s viewing screen), Two Sisters and a Piano is as open as a Havana landscape, with all of its flavors, scents and sensory overloads at full tilt.”

Tickets are $25 with $10 tickets available for students.

PLAY: The Royale – Private Reels: From the LCT Archives on Broadway on Demand – Now – May 16th

Real life boxer Jack Jackson (the first African-American world heavyweight champion) serves as the inspiration for the story of Jay “The Sport” Jackson in Marco Ramirez’s 2016 play The Royale. (He was also the inspiration for The Great White Hope).

The story is told in six rounds.

Rachel Chavkin, Tony Award-winner for Hadestown, directed this production. Starring are McKinley Belcher III (the 2020 revival of A Soldier’s Play), Khris Davis (Sweat), Montego Glover (Tony nominee for Memphis), John Lavelle (Catch-22) and Clarke Peters (Five Guys Named Moe).

As Ben Brantley said in his rave New York Times review, “…the great subject of The Royale, which has been given such original and graceful theatrical form, is the selfish single-mindedness required of champions, and the repercussions such a focus has when it’s exercised by a black man in a white man’s world.” 

There is no charge to watch The Royale, but you will have to register with Broadway on Demand.

THEATER: An Iliad – A Noise Within – Now – May 16th

Easily one of the most challenging and rewarding experiences I’ve had seeing a play was when I attended Denis O’Hare and Lisa Peterson’s An Iliad at the Broad Stage in Santa Monica. It’s a powerful work that is inspired by Homer’s Iliad.

This play, specifically called An Iliad because it isn’t the Iliad, calls for just one actor and a cellist and that actor has to be completely on top of his/her game.

A Noise Within is offering streaming performances of An Iliad with co-founder Geoff Elliott and actress Deborah Strang alternating performances. Joining them as both composer and cellist is Karen Hall. Julia Rodriguez-Elliott directs.

The link in the title will take you to the website so you can see which actor is performing in each performance. Tickets, which are $25 for an individual and $40 for a family, must be reserved a minimum of two hours before each performance.

To see what Denis O’Hare had to say about the show, check out my 2014 interview with him here.

OPERA: Jules Massenet’s Manon – Wiener Staatsoper – April 22nd – 1:00 PM EDT/10:00 AM

Conducted by Frédéric Chaslin; starring Nina Machaidze, Juan Diego Flórez and Adrian Eröd. This Andrei Serban production is from 2019.

Massenet’s opera was composed in 1883 and had its world premiere in January of 1884 in Paris. The libretto is by  Henri Meilhac and Philippe Gille.

They based the opera on the 1731 Abbé Prévost novel, L’histoire du chevalier des Grieux et de Manon Lescaut.

A young woman from a small town has an intense desire to lavish herself with all the riches and pleasures life has to offer her. But life doesn’t always work out the way we want. Sounds like a story that could be written today.

This is the first of Vienna State Opera’s productions I’ve included in our listings. Very much like the Metropolitan Opera, they offer a different production each day. There is no charge to watch the productions, but you do need to register on their website. Each production will be available for 24 hours.

MUSICAL: A Letter to Harvey Milk – Now – April 25th

The creators of this musical, Jerry James, Laura I. Kramer, Ellen M. Schwartz and Cheryl Stern were inspired by a short story of the same name by Lesléa Newman. A Letter to Harvey Milk opened off-Broadway in 2018 at the Acorn Theatre in New York.

The setting is San Francisco in the mid 1980s. Harry, a kosher butcher who has retired and is also a widower, is given an assignment to write a letter to someone who is dead. He chooses California politician Harvey Milk – the first openly gay politician elected in California who was later assassinated by Dan White in 1978. But why?

Members of the original cast has reunited for this streaming production. They include Adam Heller, Julia Knitel, Cheryl Stern who are joined by Michael Bartoli, Jeremy Greenbaum, Aury Krebs and Ravi Roth. Evan Pappas directs.

Tickets range from $10 – $50 with proceeds going to The Actors Fund and HIAS. All tickets purchased will allow viewing of the musical through Sunday, April 25th at 11:59 PM EDT/8:59 PDT.

SHAKESPEARE: Shakespeare Sonnet Slam – Gingold Theatrical Group – April 23rd – 6:00 PM EDT/3:00 PM PDT

Happy Birthday William Shakespeare. You don’t look a day over 450. The Gingold Theatrical Group is celebrating by holding a virtual open mic where Shakespeare’s sonnets or other material based on or inspired by the Sonnets will be performed. Everyone is invited to participate and you have three minutes to give it your all.

Joining in this celebration are Stephen Brown-Fried, Robert Cuccioli, Tyne Daly, George Dvorsky, Melissa Errico, Alison Fraser, Tom Hewitt, Daniel Jenkins, John-Andrew Morrison, Patrick Page, Maryann Plunkett, Tonya Pinkins, Laila Robins, Jay O. Sanders, Renee Taylor, Jon Patrick Walker and more.

You’ll have to come up with your own take on the Sonnets, but this is a free party! You can find the Shakespeare Sonnet Slam on Gingold Theatrical Group’s Facebook page.

CONTEMPORARY CLASSICAL MUSIC: Sonic Shift – Los Angeles Chamber Orchestra – Premieres April 23rd at 9:30 PM EDT/6:30 PM PDT

Composer Jessie Montgomery has curated this new episode of LA Chamber Orchestra’s Close Quarters series. On the program are works by composers Marcos Balter, Anna Meredith and Alyssa Weinberg. Each work explores the progression from acoustic music to electronic and electro-acoustic music with an emphasis on the wind section.

Will Kim provides the visuals that accompany the performance which is lead by Christopher Rountree of Wild Up! Nadia Sirota is the music producer.

This is the first of two Close Quarters episodes curated by Montgomery. I recently interviewed her about working with LACO. You can read that interview here.

There’s no charge to watch this performance. Donations are encouraged.

CHAMBER MUSIC: Neave Trio – Asheville Chamber Music Series – April 23rd – April 25th – Art in an EMAIL

Pianist Eri Nakamura, cellist Mikhail Veselov and violinist Anna Williams are the members in Neave Trio. Following on the heels of their 2019 album Her Voice, which featured female composers, their concert this weekend as part of the Asheville Chamber Music Series will also showcase female composers.

On the program is the Trio No. 1, Op. 33 by Louise Farrench; Rebecca Clarke’s Piano Trio and Cécile Chaminade’s Piano Trio No. 1, Op. 11.

Perhaps none of these composers is familiar to you. They aren’t to me. But Neave Trio’s passion for this lesser-known music makes this concert utterly compelling.

There are three performances: Friday, April 23rd at 7:30 PM EDT/4:30 PM PDT; Saturday at 7:30 PM EDT/4:30 PM PDT and Sunday at 3:00 PM EDT/12:00 PM PDT.

You can watch this concert for free, but donations are encouraged.

JAZZ: Sun Ra Arkestra – SFJAZZ – April 23rd – 8:00 PM EDT/5:00 PM PDT

The name Herman Poole Blount probably doesn’t mean anything to you. But if told that was the birth name of Le Sony’r Ra who would later become known as Sun Ra, you might have a better idea who he was.

Experimental, free and avant-garde jazz was his specialty. It was always performed best by the Sun Ra Arkestra.

After Sun Ra’s death in 1993, alto saxophonist Marshall Allen starting leading the ensemble. As he does in this concert at SFJAZZ from 2017.

To get a sense of what might be in store for you in this Fridays at Five concert, here are some of the songs being performed: Space Loneliness, Saturn, Angels and Demons at Play and Space is the Place. It’s going to be trippy.

And you can take that trip for $5 (which offers one full month of digital membership or $60 (which includes a one year digital membership.)

There is an encore showing on April 24th at 1:00 PM EDT/10:00 AM PDT.

PLAY: Romeo and Juliet – Great Performances on PBS – April 23rd – Check Local Listings

You don’t expect just some stand-up sonnets for Shakespeare’s birthday, do you? Of course not. Let’s throw in some tragedy. As in the tragic love story of them all – Romeo and Juliet.

The National Theatre created this film which maneuvers its way from rehearsal into and around the Lyttleton Theatre. The cast are stuck in a theater that has shut down and act out the story of the Capulets and the Montagues.

Starring as the title characters are Josh O’Connor and Jessie Buckley. The cast also includes Fisayo Akinade, Ella Dacres, Deborah Findlay, Tamsin Greig, Ellis Howard, Lloyd Hutchinson, David Judge, Adrian Lester, Lucian Msamati, Alex Mugnaioni, Shubham Saraf and Colin Tierney. Simon Godwin is the director.

As with any show on PBS, I’d advise checking your local listings for exact airdate and time in your part of the country.

OPERA: Mozart’s Die Zauberflöte – Wiener Staatsoper – April 24th – 1:00 PM EDT/10:00 AM PDT

Conducted by Adam Fischer; starring Benjamin Bruns, Olga Bezsmertna, Íride Martínez, Markus Werba and Annika Gerhards. This Moshe Leiser and Patrice Caurier production is from 2015.

Mozart’s opera premiered in September 1791 in Vienna a mere two months before the composer died. It features a libretto by Emanuel Schikaneder.

Prince Tamino is asked by the Queen of the Night to free her daughter Pamina from Sarastro. Tamino, however, is impressed with Sarastro and the way his community lives in the world and wants to be a part of it. Both alone and together Tamino and Pamina endure multiple tests. If they succeed, what will happen to them? To the Queen of the Night?

MONOLOGUES: Whispers International – April 24th – 2:00 PM EDT/11:00 AM PDT

As you know, there was a massive blast in Lebanon on August 4th of last year. Almost 200 people were killed and over 6,000 people were injured.

Whispers International was created to raise money for the victims and to help in the rebuilding of the area around the blast site.

British playwrights Geraldine Breenna, Mike Elliston, Kim Hardy, Angela Harvey, John Jesper and Kate Webster have made their writing available to a company of Lebanese actors to perform.

Those actors are Nadine Labaki, Georges Khabbaz, Nada Abou Farhat, Talal El Jurdi, Bernadette Houdeib, Rita Hayek, Badih Abou Chacra, Dory Al-Samarany, Bshara Atallah, Sany Abdul Baki, Josyane Boulos, Agatha Ezzedine and Hagop Der Ghougassian 

Tickets are £13.52 which at press time equals approximately $18.75.

OPERA: Humperdinck’s Hänsel und Gretel – Weiner Staatsoper – April 25th – 1:00 PM EDT/10:00 AM PDT

Conducted by Christian Thielemann; starring Ileana Tosca, Daniela Sindram, Adrian Eröd, Janina Baechle, Michaela Schuster, Annika Gerhards

The Grimm brother’s fairly tale about a brother and sister who are lured to a house with sweets and candies only to find a witch who wants to eat the duo is the basis for this opera that had its debut in 1893 in Weimar. Richard Strauss conducted the premiere. A second production the next year in Hamburg was conducted by Gustav Mahler. Adelheid Wette, Humpderdink’s sister, wrote the libretto.

Hansel and Gretel has the distinction of finding much of its popularity not just through opera houses, but on the radio. It was the first opera broadcast on the radio in Europe when a 1923 Covent Garden production was heard over the airwaves. Eight years later in 1931, it became the first ever opera broadcast in its entirety by the Metropolitan Opera.

The opera is commonly seen and heard during the Christmas season. An odd choice, but librettist Adelheid Wette did soften some of the harsher elements found in the original Grimm tales for her brother’s opera.

CABARET: Mandy Gonzalez – Seth Concert Series – April 25th – 3:00 PM EDT/12:00 PM PDT

With the upcoming film version of Lin-Manuel Miranda’s In the Heights, it’s a great time to check in on one of the musical’s original cast members: Mandy Gonzalez, who originated the role of Nina.

Gonazalez is an insanely talented singer and actress.

I saw her in In the Heights. She’s also appeared in Wicked, Lennon, Dance of the Vampires and as Angelica Schuyler in Hamilton.

I’ve also seen her perform her cabaret act and it is impossible to express the amount of pure joy that comes out of her when she’s singing. (And she does a killer version of Born to Run by Bruce Springsteen.)

She is Seth Rudetsky’s guest in his concert series this weekend.

Tickets are $25 and you can watch the live performance at 3:00 PM EDT or the replay of the concert at 8:00 PM EDT. Whichever you choose, you will certainly have a good time.

IN PERSON: DANCE: Uniting in Movement – American Ballet Theatre – Segerstrom Center for the Arts – April 25th – 1:30 PM PDT

You could be ambivalent about the Academy Awards and go see a rare live performance of ballet in Costa Mesa. ABT has been creating a program of three different works that were filmed this week. On Sunday, they are opening up Segerstrom Center for the Arts for a limited number of people to see the performance live.

The works are Let Me Sing Forever More by choreographer Jessica Lang and set to the recordings of Tony Bennett (clearly the title comes from Fly Me to the Moon); La Follia Variations by Lauren Lovette set to music of the same name by composer Francesco Geminiani and Indestructible Light by Darrell Grand Moultrie which is set to music by Duke Ellington, Count Basie, Neal Hefti and Billy Strayhorn.

Hefti, by the way, composed the theme for the television series Batman.

At press time the only available tickets were $80 each. There are Covid-protocols in place for this performance.

For those willing to wait, Uniting in Movement will be available for streaming through Segerstrom Center for the Arts from May 12th – May 26th for $25.

CHAMBER MUSIC: Argus Quartet: noise/Silence – Five Boroughs Music Festival and The Noguchi Museum – April 25th – 7:30 PM EDT/4:30 PM PDT (Art in an email)

Cellist Audrey Chen, violinists Clara Kim and Gioncarlo Latta and violist Maren Rothfritz make up the Argus Quartet. Though they perform music from across all eras of classical music, they seem to excel in contemporary works.

This concert was filmed at one of my favorite museums in New York, The Noguchi Museum. It is being presented by the Five Boroughs Music Festival. The Argus Quartet will perform works by composers John Cage (String Quartet in Four Parts); Dorothy Rudd More (Modes for String Quartet), Rolf Wallin (several selections from Curiosity Cabinet) and Paul Wiancko (Vox Petra).

The concert will be available for free streaming on the Five Boroughs Music Festival YouTube channel through December 31st.

OPERA: Bizet’s Carmen – Weiner Staatsoper – April 26th – 1:00 PM EDT/10:00 AM PDT

Conducted by Andrés Orozco-Estrada; starring Anita Rachvelishvili, Piotr Beczala, Erwin Schrott and Vera-Lotte Boecker. This Calixto Bieito production is from 2021.

Georges Bizet collaborated with librettists Henri Meilhac and Ludovic Halévy on this immensely popular opera. It was based on Propser Mérimée’s novella of the same name. 

When Carmen was first performed in Paris in 1875 it was considered both shocking and scandalous. 

Set in Seville, Spain, Carmen is a gypsy who has caught everyone’s eye. A soldier, Don José, plays coy and gives her no attention. Her flirtation causes troubles for both when Don José’s girlfriend, Micaëla arrives. Tensions escalate between the two women and after a knight fight, José must arrest Carmen. When she seduces him it sets off a series of events that will not end well for the gypsy woman.

PLAY: Measure for Measure – Goodman Theatre – April 26th – May 9th

Here’s another opportunity to celebrate the bard. But this isn’t going to be your standard production of a Shakespearean play.

Director Robert Falls has transported this play from Vienna to New YOrk City circa the late 1970s (or as I like to describe it, before Disney moved into Broadway).

The story is still the same. Claudio is sentenced to death under an arcane law invoked by Angelo who has taken over for the Duke who has left rather than have to deal with morality issues in (originally Vienna). Claudio’s crime? Getting his girlfriend, Juliet, pregnant.

The Duke returns in disguise and becomes aware of the decisions Angelo has been making. Deception, bargains, bartering, love and death are all on the table in this fairly convoluted play.

Justin Hayford, in his review for the Chicago Reader, had mixed feelings about the production:

“It’s rare for one of Shakespeare’s plays to be ripped from its original setting, transplanted across centuries and continents—and still end up feeling vital, urgent, and utterly contemporary. At least for a while. If Falls and his stellar cast could maintain that vitality past intermission, they’d have a masterpiece on their hands.”

Nonetheless, I think the concept sounds interesting and worth checking out. What else are you going to do on a Monday night? (Of course, I have another option for you…)

Tickets are free, but require registration.

AUDIO PLAY: Brother, Brother – New York Theatre Workshop – Live Premiere April 26th – 7:00 PM EDT/4:00 PM PDT Art in an email

New York Theater Workshop is offering up a twist on audio plays. This will feature visuals, but not of the performers. Rather, artists Ibrahim Rayintakath​ and Liang-Hsin Huang have created imagery that will accompany Aleshea Harris’ play.

Brother, Brother tells the story of two brothers sharing a bicycle while making their way through Appalachia. They are actors headed to Tennessee. They start getting followed by a mysterious man in a maroon suit. At this moment the dreams they have for their future are confronted by the acts from their past.

Starring in this audio play are Amari Cheathom (terrific in August Wilson’s Jitney), André De Shields (Tony Award-winner for Hadestown), Gbenga Akinnagbe (To Kill a Mockingbird) and Owen Tabaka (Ratatouille: The Tik Tok Musical). Shayok Misha Chowdhury directs.

Tickets are $10. Brother, Brother will remain available for streaming through July 25th.

Those are my Best Bets: April 23rd – April 26th. But a few reminders (and a preview):

MasterVoices has debuted the 3rd part of Myths and Hymns, a series of short films set to Adam Guettel’s song cycle. For details about the series, go here. For my interview with MasterVoices Artistic Director Ted Sperling, go here.

Jazz at Lincoln Center’s Gala 2021 is available for streaming through Sunday. For details about the program and how to get tickets, go here.

Carnegie Hall’s Voices of Hope series continues with multiple new shows available for free viewing. For details go here.

The Metropolitan Opera streams Philip Glass’ Satyagraha on Friday (highly recommended); Beethoven’s Fidelio on Saturday and Poulenc’s Dialogues des Carmélites on Sunday (also highly recommended). For details and previews go here.

Here’s a preview of next week at the Met where the theme is City of Light (all the operas take place in Paris). Monday’s opera is, what else, La Bohème by Puccini.

That truly is the full and complete list of Best Bets: April 23rd – April 26th. Enjoy your weekend!

Photo: William Shakespeare (By BatyrAshirbayev98/Courtesy Wikipedia Commons)

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