Stratford Festival Archives - Cultural Attaché https://culturalattache.co/tag/stratford-festival/ The Guide to Arts and Culture events in and around Los Angeles Tue, 20 Apr 2021 21:56:19 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 Stratford Festival’s “Romeo and Juliet” https://culturalattache.co/2020/12/14/stratford-festivals-romeo-and-juliet/ https://culturalattache.co/2020/12/14/stratford-festivals-romeo-and-juliet/#respond Mon, 14 Dec 2020 16:27:08 +0000 https://culturalattache.co/?p=12220 Center Theatre Group Digital Stage

Now - March 7th

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If you were unable to catch any of the streaming productions Canada’s Stratford Festival made available earlier this year, Center Theatre Group is making a few of them available through their Digital Stage+ program beginning with Romeo and Juliet

Antoine Yared and Sara Farb play the star-crossed lovers in Scott Wentworth’s production from 2017. The cast also includes Marion Adler as Lady Capulet, Evan Buliung as Mercutio, Jamie Mac as Benvolio, Seana McKenna as Nurse, Zlatomir Moldovanski as Tybalt and Gordon Patrick White as Paris.

The Toronto Star said of this production, “At the production’s heart is the freshness and credibility of the relationship between Sara Farb and Antoine Yared as the title characters. They play them as youthful, impulsive, and vivacious, but far from a perfect hero and heroine. There are tantrums, shrieks, and teenage mood swings aplenty, many of which play as welcome moments of comedy. The usually central scenes of their meeting, marriage, and morning-after-consummation are handled swiftly, as pivot points in the driving forward action.”

This is the first of five productions that CTG will be making available. Upcoming in this series will be Love’s Labour’s Lost on January 14th; Antony & Cleopatra on February 11th; King Lear and March 11th and Macbeth on April 8th.

Tickets are free for donor and subscribers. $10 for everyone else.

Photo: Antoine Yared and Sara Farb in Stratford Festival’s Romeo and Juliet. (Photo by Cylla von Tiedemann/Courtesy Stratford Festival)

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Best Bets at Home: December 11th – December 13th https://culturalattache.co/2020/12/11/best-bets-at-home-december-11th-december-13th/ https://culturalattache.co/2020/12/11/best-bets-at-home-december-11th-december-13th/#respond Fri, 11 Dec 2020 08:01:02 +0000 https://culturalattache.co/?p=12131 Two dozen different shows to watch this weekend!

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Whether or not you celebrate the holidays, Cultural Attaché comes bearing gifts. Twenty-four of them in fact. We have two dozen different cultural offerings in Best Bets at Home: December 11th -December 13th.

I have to admit, we did sneak in one event that does actually take place live in a parking lot for those in the Los Angeles area. The other 23 are available for streaming from your home. And there’s great stuff, too.

Our two top picks are both holiday-themed, but couldn’t be more different. Manual Cinema’s Christmas Carol is an imaginative re-telling of Charles Dickens’ story that is suitable for the entire family. Taylor Mac’s Holiday Sauce…Pandemic! is truly for adults. (And you might want to have your favorite holiday sauce at your side.)

I also have Shakespeare, jazz, dance, opera, Broadway stars and more for you. So let’s get started.

Here are your Best Bets at Home: December 11th – December 13th:

Antoine Yared and Sara Farb in Stratford Festival’s “Romeo and Juliet” (Photo by Cylla von Tiedemann/Courtesy Center Theatre Group)

PLAY: Stratford Festival’s Romeo and Juliet – Center Theatre Group – Now – March 7th

If you were unable to catch any of the streaming productions Canada’s Stratford Festival made available ealirer this year, Center Theatre Group is making a few of them available through their Digital Stage+ program (events that are free to donors/subscribers and $10 for non-subscribers).

The first of five Shakespeare plays being made available is Romeo and Juliet.

Antoine Yared and Sara Farb play the star-crossed lovers in Scott Wentworth’s production from 2017.

The Toronto Star said of this production, “At the production’s heart is the freshness and credibility of the relationship between Sara Farb and Antoine Yared as the title characters. They play them as youthful, impulsive, and vivacious, but far from a perfect hero and heroine. There are tantrums, shrieks, and teenage mood swings aplenty, many of which play as welcome moments of comedy. The usually central scenes of their meeting, marriage, and morning-after-consummation are handled swiftly, as pivot points in the driving forward action.”

Lesli Margherita in “Who’s Holiday!” (Courtesy Broadway Cares/Equity Fights AIDS)

PLAY: Who’s Holiday! – Broadway Cares/Equity Fights AIDS – December 11th – December 15th

The insanely talented Lesli Margherita stars in this one-person show that looks at the Dr. Seuss character Cindy Lou Who forty years after she first met The Grinch Who Stole Christmas. The play was written by Matthew Lombardo (Looped) and was written in rhyme to mirror the original story.

Parents should note this is an adult Cindy Lou Who – expect raunchiness and double-entendres.

Margherita won an Olivier Award for her role as Inez in Zorro the Musical. She originated the role of Mrs. Wormwood in Tim Minchin‘s Matilda the Musical. She also appeared in Dame at Sea.

Who’s Holiday! was performed off-Broadway in 2017 and garnered Margherita a Drama Desk Award for Best Solo Performance.

Elisabeth Vincentelli, writing in the New York Times, said of her performance, “More happens, but it is almost besides this hourlong production’s point, which is to watch the brassy, very funny Ms. Margherita strut her stuff in the designer Jess Goldstein’s festive holiday get-up.

She expertly milks the many double entendres and profane limerick-like rhymes, but this cabaret regular is equally comfortable ad-libbing. (After breaking into a rap at the Sunday matinee, she rasped “I’m out of breath” and reached for a cigarette). She also belts a mean ‘Blue Christmas.'”

There is no charge to watch the show. Donations to Broadway Cares/Equity Fights AIDS are encouraged.

Irene Rodriguez in “The Five Moons of Lorca” (Photo by Billy Yates/Courtesy LA Opera)

OPERA: The Five Moons of Lorca – Los Angeles Opera – December 11th – December 25th

Los Angeles Opera launches their digital shorts programs with this new work by composer Gabriela Lena Frank and playwright Nilo Cruz.

The Five Moons of Lorca was inspired by the poet Federico García Lorca’s assassination in the early days of the Spanish Civil War. The short was filmed on the stage at the Dorothy Chandler Pavilion. Choreography and dancing by Irene Rodríguez.

Frank is a Grammy Award-wining pianist and composer who has been commissioned by such artists as the Kronos Quartet, Yo Yo Ma and Dawn Upshaw. Cruz is the Pulitzer Prize-winning writer of Anna in the Tropics.

Frank and Cruz have collaborated several times previously including La centinela y la paloma (The Keeper and the Dove), The Saint Maker, Journey of the Shadow and the Conquest Requiem. Their opera, The Last Dream of Frida, was scheduled for its world premiere by the San Diego Opera earlier this year, but that was postponed due to the pandemic.

There is no charge to watch The Five Moons of Lorca. Of course, donations are encouraged.

Melissa Errico in “Meet Me in St. Louis” (Photo courtesy Irish Rep)

MUSICAL: Meet Me in St. Louis – Irish Repertory Theatre – December 11th – January 2nd

Vincente Minnelli’s 1944 film, Meet Me in St. Louis, serves as the inspiration for this musical adaptation by Hugh Martin (High Spirits), Ralph Blane (Best Foot Forward) and Hugh Wheeler (Sweeney Todd). The musical made its debut on Broadway in 1989.

Meet Me in St. Louis follows the Smith family in 1903 and follows them through the seasons leading up to the opening of the World’s Fair in 1904.

In addition to the title song, the musical includes The Boy Next Door, The Trolley Song and Have Yourself a Merry Little Christmas.

Irish Rep in New York has filmed a version of the musical that was adapted and directed by Charlotte Moore who appeared in the Broadway production. She’s assembled a terrific cast that includes Melissa Errico (Amour), Ali Ewoldt (Phantom of the Opera), Jay Aubrey Jones (Porgy and Bess) and Max von Essen (An American in Paris).

There are 31 opportunities to stream Meet Me In St. Louis. The price is listed as “Pay what you can” with a suggested donation of $25.

Philicia Saunders in “Breathe.” (Photo by Mike Struna/Courtesy of the artist)

PLAY: Breathe. – YouTube and Twitch – December 11th – December 13th and December 18th

This one-person show by Philicia Saunders follows her increasing participation in civil rights issues. She was inspired by her mentor, Sweet Alice Harris, a legendary community organizer in the Watts area of Los Angeles and a civil rights tour in Alabama.

In Breathe. Saunders depicts 20 different characters within a show that combines film, live performance, performance art and artistic swimming.

Saunders may be best-known to Star Wars fans for her role as Tabala Zo in The Force Awakens and The Rise of Skywalker.

Departing from a lot of programming available now, Saunders will perform Breathe. live on December 11th at 8:00 PM EST/5:00 PM PST and on December 12th at 6:30 PM EST/3:30 PM PST. Both performances will be on YouTube.

Encore presentations are taking place on December 13th at 5:00 PM EST/2:00 PM PST on Twitch. This will also feature a TalkBack with Sweet Alice. A second encore takes place on December 18th on YouTube at 8:00 PM EST/5:00 PM PST.

Tickets are available from $5-$50 with proceeds going to Sweet Alice’s Parents of Watts and Community Coalition.

Manual Cinema’s Christmas Carol (Courtesy The Soraya)

PLAY: Manual Cinema’s Christmas Carol – The Soraya – December 11th – December 13th TOP PICK

We are all familiar with Charles Dicken’s A Christmas Carol and its bitter character, Scrooge. But I can assure you you haven’t seen A Christmas Carol like the one Manual Cinema has put together.

Each live performance (and they are live) combines acting, music, puppets and film to create a one-of-a-kind experience with a twist on the story that will surprise you!

There are six performances available over the weekend. Tickets are $20. I strongly recommend Manual Cinema’s Christmas Carol.

Suzanna Guzmán in “La Virgen de Guadalupe” (Photo by Pablo Santiago/Courtesy Latino Theater Company)

PAGEANT PLAYLa Virgen de Guadalupe, Dios Inantzin – Latino Theater Company – December 11th – December 20th

For 18 years, Los Angeles-based Latino Theater Company has performed La Virgen de Guadalupe, Dios Inantzin in Los Angeles. The pageant play depicts the story of Juan Diego, a peasant in 1531, who has a vision of the Virgin Mary. Diego’s vision took place in Spanish colonial territory that is now known as Mexico.

Mezzo-soprano Suzanna Guzmán (Hopscotch, Carmen) stars in this 2009 filmed performance at Our Lady of the Angels Cathedral in Los Angeles. She is joined by over 100 actors, singers, Aztec dancers and members of the Los Angeles community. This is performed in English and Spanish.

Evelina Fernández adapted The Nican Mopohua (a mid-16th century text) for La Virgen de Guadalupe. José Louis Valenzuela directed. The director first created the work as a thank you to the community after it supported him during a sleep-in he lead protesting the potential closing of the Los Angeles Theater Center in downtown Los Angeles.

There’s no charge to watch the streaming production and it will be available through December 20th.

Heidi Kettenring (Courtesy her Facebook page)

CABARET: Merry Christmas Darling: Heidi Kettenring Sings Karen Carpenter – Laguna Playhouse – December 11th – December 28th

On October 13, 1978 – when the soundtrack to the film version of Grease and albums by The Rolling Stones, Donna Summer and The Who were topping the Billboard charts, A&M records released A Christmas Portrait, an album of holiday songs by The Carpenters.

That was followed by a television special. The record became very popular and ultimately went Platinum. A second album, using outtakes from that recording session, was released two years after Karen’s death in 1983.

The darling of Downey, California is being celebrated in Merry Christmas Darling: Heidi Kettenring Sings Karen Carpenter. The show is being streamed via the Laguna Playhouse.

Kettenring appeared as Nessarose in the Chicago company of Wicked. She’s toured as Belle in Beauty and the Beast; Anna in The King and I and Penny in Hairspray.

Karen Carpenter had a one-of-a-kind voice. Kettenring sounds terrific even if she’s not Karen. But that doesn’t take away from the pure joy of hearing these songs sung well and remembering everything that made the Carpenters so beloved.

Tickets are $35 can be purchased through December 25th. The show will be available for streaming through December 28th.  

The Klezmatics (Photo courtesy FLi Artists)

JAZZ: The Klezmatics: Happy Joyous Hanukkah – SFJazz – December 11th – 8:00 PM EST/5:00 PM PST

Hanukkah has started and what better way to celebrate than with the Grammy Award-winning ensemble The Klezmatics. Their music is so infectious it is impossible not to be filled with joy – particularly in this concert at SFJAZZ from 2015.

This is part of SFJAZZ’s Fridays at Five series. The concert will only stream once at 8:00 PM EST/5:00 PM PST. You’ll need either a one-month membership ($5) or an annual membership ($60) to stream the concert. That will give you access to additional concerts for the length of your membership.

Bassist Dave Holland (Photo by Ulli Gruber/Courtesy International Music Network)

JAZZ: Dave Holland – Village Vanguard – December 11th – December 12th – 8:00 PM EST/5:00 PM PST

Since his start at London’s Ronnie Scott’s Jazz Club, bassist Dave Holland has made a name for himself in the jazz world. From collaborations with Miles Davis (including Bitches’ Brew), Joe Henderson, Kenny Wheeler through to his work as a bandleader (including the 2005 Grammy Award winner Overtime), Holland is considered one of the best.

His most recent release is this year’s Without Deception which finds him performing with pianist Kenny Barron and drummer Johnathan Blake.

For these two concerts from New York’s Village Vanguard he’ll be joined by Jaleel Shaw on saxophone; Steve Nelson on vibraphone and Obed Calvaire on drums.

Tickets are $10.

Pianist Stephen Hough (Photo by Robert Torres/Courtesy Harrison Parrott)

CLASSICAL: Stephen Hough Recital – Philharmonic Society of Orange County – December 11th – December 18th

Easily one of the finest classical pianists in the world, Stephen Hough will perform a live recital for the Philharmonic Society of Orange County. Critics long ago ran out of superlatives to describe his playing.

The scheduled program finds Hough performing: Bach/Busoni: Chaconne from Partita No. 2 in D minor, BWV 1004; Schumann: Fantasie in C major, Op. 17; Liszt: Funérailles and Mephisto Waltz No. 1, S. 51 and Schumann: Kinderszenen, Op. 15, mvt. 7, “Träumerei.”

The recital debuts at 10:00 PM EST/7:00 PM PST and will remain available for streaming for one week. Tickets are $20.

Matthew Bourne’s “The Car Man” (Photo byJohan Persson/Courtesy Center Theatre Group)

DANCE/THEATRE: Matthew Bourne’s The Car Man – Center Theatre Group – December 11th – December 13th

Hector Berlioz’s opera Carmen serves as the inspiration for this ballet from Matthew Bourne (all-male swan version of Swan Lake.) Another source of inspiration for Bourne was the novel The Postman Always Rings Twice by James M. Cain and its subsequent film versions.

The ballet had its world premiere 20 years ago in Plymouth, England. The Car Man played the Ahmanson Theatre one year later.

Lewis Segal, in his Los Angeles Times review, said of Bourne’s choreography, “Whether he’s evoking the heat, insects and lust of a night when nothing is happening or the surreal frenzy of social dances that barely contain the characters’ primal urges, this is daring, accomplished, uncompromisingly lurid movement theater.

Center Theatre Group and Matthew Bourne have teamed up to make his film of The Car Man available for viewing with five opportunities to see it this weekend. The film of the ballet will stream on Friday at 8:00 PM PST; Saturday at 2:00 PM and 8:00 PM PST and on Sunday at 1:30 PM and 6:30 PM PST.

Tickets are $10 (whether you are a donor/subscriber or not).

Can you believe we’re halfway through Best Bets at Home: December 11th – December 13th? Let’s keep going.

Marc Antolin in “The Flying Lovers of Vitebsk” (Photo by Steve Tanner/Courtesy of The Wallis)

PLAY: The Flying Lovers of Vitebsk – The Wallis – December 11th – December 18th

England’s Kneehigh Theatre originally brought The Flying Lovers of Vitebsk to the Wallis in 2018. Now Kneehigh Theatre, Bristol Old Vic and Wise Children bring a film of the show to The Wallis for one week of streaming.

This highly theatrical show portrays the life of painter Marc Chagall and his wife Bella. Through the use of color and imagery mirroring the master painter’s work and music from the Russian Jewish history, this show offers many of the same delights found in other Kneehigh projects such as their Brief Encounter and Tristan and Yseult. Marc Antolin plays Marc Chagall and Audrey Brisson plays Bella. The show was written by Daniel Jamieson and directed by Emma Rice.

When The Flying Lovers of Vitebsk played The Wallis I spoke to Antolin about the show and his role. You can read that interview here.

This is a wonderful show. I strongly recommend seeing it. Tickets are $21.38 (the current exchange rate with the English pound. But it doesn’t not include any additional credit card fees).

Some of the creators involved with KICKBACK (Courtesy About Face Theatre)

PLAY/DANCE/MUSIC/POETRY: KICKBACK – About Face Theatre – December 12th – January 12th

A collection of short plays, dance, music, and poetry make up this online festival from Chicago’s About Face Theatre. The work centers around Blackness and queerness and where those two worlds meet.

For KICKBACK, About Face reached out to numerous artists to create work. The end result features contributions from Dionne Addai, Ky Baity, Keyonna Jackson, Robert Cornelius, Ben Locke, ShaZa (a collaboration between Zahra Baker and Shanta Nurullah), About Face Artistic Associate Paul Oakley Stovall, Michael Turrentine, Cori Wash, Vic Wynter and Rebuild Foundation resident artists Jenn Freeman and avery r. young.

Rebuild Foundation and their collections were made available to the artists who were asked to use their archives as inspiration for their work.

During our turbulent times, it will be fascinating to see what these artists have to say about where we’ve been, where we are and most importantly, where we might be going.

San Francisco Opera’s “La Bohème” (Photo by Cory Weaver/Courtesy SF Opera)

OPERA: La Bohème – San Francisco Opera – December 12th – December 13th Starting 2:00 PM EST/11:00 AM PST

Conducted by Giuseppe Finzi; starring Michael Fabiano, Alexia Voulgaridou, Nadine Sierra, Alexey Markov and Christian Van Horn. This John Caird production is from the 2014-2015 season.

Easily one of the most popular operas in the world, Giacomo Puccini’s La Bohème had its world premiere in Turin, Italy in 1896. The libretto is by Luigi Illica and Giuseppe Giacosa. The opera is based on Henri Murger’s 1851 novel, Scènes de la vie de bohème.

The story centers on four friends who are unable to pay their rent. Successfully getting out of a potentially bad situation with their landlord, all but one go out on the town. Rodolfo stays home and meets a young woman named Mimi. They fall in love, but Mimi’s weakness may be a sign of something far more life-threatening than they know. (If this sounds like the musical Rent, it is because La Bohème served as Jonathan Larson’s inspiration for that musical.)

San Francisco Opera had two casts performing La Bohème. Joshua Kosman, writing for the San Francisco Chronicle, said one performance in this production stood out.

“If one singer left a particularly outsize impression from the weekend’s openings, it was Fabiano, whose performance as Rodolfo made good on the promise of his fine 2011 company debut in Lucrezia Borgia and hinted at even more impressive things to come. This was a full-throated, almost heroic depiction of the moonstruck poet, with muscular sound, impeccably placed high notes and an air of romantic ardor that lent weight and power to everything he sang.”

Pianist Lang Lang (Photo ©Gregor Hohenberg & Büro Dirk Rudolph/Courtesy LLIMF)

CLASSICAL: Reaching Dreams Through Music – Lang Lang International Music Foundation – December 12th – 3:00 PM EST/12:00 PM PST

Classical pianist Lang Lang and his foundation have assembled an illustrious cast for Reaching Dreams Through Music. Joining Lang Lang and his wife will be Stay Human’s Jon Batiste, ballet dancer Misty Copeland, opera singer Renée Fleming, actor/director Ron Howard, musician Wyclef Jean, jazz pianist/vocalist Diana Krall and pop singer Sam Smith.

The purpose of this streaming event is to celebrate the role music plays in our lives and how it has shaped these artists lives since their childhood. In short, if reading is fundamental, music is instrumental in our lives.

The Young People’s Chorus of New York City will also be making an appearance, along with the LLIMF Young Scholars and Junior Music Camp Music Ambassadors.

There is no fee to watch Reaching Dreams Through Music. There was no information available as to how long this program will be available for viewing at press time.

Bryn Terfel (Courtesy Metropolitan Opera)

OPERA: Bryn Terfel in Wales – Met Stars Live in Concert – December 12th – 12:00 PM EST/9:00 AM PST

Bass-baritone Bryn Terfel is what you’d call a cross-over artist. He’s performed in countless opera productions (you should see him in Don Giovanni if you get the chance), he’s portrayed the title character in Stephen Sondheim and Hugh Wheeler’s Sweeney Todd and he has released albums of songs from his native Wales.

That’s exactly where you’ll find him in this Met Stars Live in Concert performance – specifically Brecon Cathedral.

Joining Terfel are harpist Hannah Stone, pianist Jeff Howard, the Welsh traditional folk group Calan plus soprano Natalya Romaniw and tenor Trystan Llyr Griffiths – two rising young Welsh singers.

The announced program finds a combination of holiday-appropriate songs, music by Gustav Holst, Richard Wagner, Lerner and Loewe and traditional songs.

The show takes place live on Saturday, but will remain available for streaming afterwards. Tickets are $20.

Pam Tanowitz Dance (Photo by Erin Baiano/Courtesy The Joyce Theater)

DANCE: Pam Tanowitz Dance – The Joyce Theatre – December 12th – December 26th

Acclaimed choreographer Pam Tanowitz debuts new work live from New York’s The Joyce Theatre on Saturday at 5:00 PM EST/2:00 PM PST. You may recall she is the choreographer of Four Quartets in which she collaborated with Finnish composer Kaija Saariaho and American painter Brice Marden on a presentation of T.S. Eliot’s monumental work.

Finally Unfinished: Part 1 was created during the pandemic (with obvious precautions in place) and is set to new music by composer Ted Hearne. It is a site-specific work that utilizes The Joyce Theatre in all its emptiness.

Gustave Le Gray, No. 2 has its New York premiere in this program. Composer Caroline Shaw‘s music for solo piano serves not just as the score for the dance, but also its inspiration.

The dancers are Jason Collins, Brittany Engel-Adams, Christine Flores, Zachary Gonder, Lindsey Jones, Victor Lozano, Melissa Toogood.

Tickets are $13 (including service charges).

Pacific Opera Project’s “La Bohème aka The Hipsters” (Courtesy of POP)

OPERA: La Bohème aka The Hipsters – Pacific Opera Project – December 12th – December 13th

Josh Shaw and Pacific Opera Project are back with another drive-in opera for you: their version of Puccini’s La Bohème (I guess it’s La Bohème week). Only their version, as you would expect, is not going to be traditional.

Several years ago Shaw updated Puccini’s opera to present-day and gave the opera a subtitle, The Hipsters. He’s been reworking it again so that the opera takes place between Christmas Eve 2019 and November 2020. I wonder what significant events might inspire him since Act 3 is in April of 2020 and Act 4 appears timed to the elections.

No longer will you find the bohemian characters Puccini introduced to the world. These hipsters are a graphic designer, a screenwriter, an English major, an indie-rocker and a fashion designer.

The cast includes Arnold Livingston Geis as Rodolfo, Oriona Falla as Mimi, Ben Lowe as Marcello, Maria Dominique Lopez as Musetta, E. Scott Levin as Schaunard, Keith Colclough as Colline, and Luvi Avendano in the roles of Benoit, Alcindoro and Parpignol.

The socially-distanced performances take place in the parking lot of the Camarillo United Methodist Church at 5:30 PM. Tickets are $65-$175 per car (there are sections just as there would be in an opera house).

Shoshana Bean (Photo by Maxwell Poth/Courtesy For the Record Live)

CABARET: Shoshana Bean – Sing Your Hallelujah – For the Record Live at the Apollo Theatre – 9:00 PM EST/6:00 PM PST

Singer/actress Shoshana Bean sold out New York’s Apollo Theatre the last two years in a row. The pandemic made a trifecta impossible, so what’s a girl to do? Film a special there. That’s exactly what Bean has done with Sing Your Hallelujah which is being streamed on Saturday night.

The show was inspired by the holiday television specials some of us grew up with (or maybe you experienced A Holly Dolly Christmas earlier this week).

Joining Bean for the show are Gavin Creel (Tony Award-winner for Hello, Dolly!), tap dancer Jared Grimes, Jeremy Jordan (The Last Five Years), singer Shayna Steele, Connie Talbot (Britain’s Got Talent Finalest) and Daniel J. Watts (Tony Award-nominee for his performance as Ike in Tina – The Tina Turner Musical). David Cook serves as Music Director.

Tickets start at $30 with various VIP packages also available that will include a Q&A hosted by Sara Bareilles.

Taylor Mac (©Little Fang Photography/Courtesy CAP UCLA)

PERFORMANCE: Taylor Mac’s Holiday Sauce…Pandemic! – CAP UCLA – December 12th – 10:00 PM EST/7:00 PM PST TOP PICK

Two years ago, after rocking my world with A 24-Decade History of Popular Music, Taylor Mac returned to Los Angeles to perform Taylor Mac’s Holiday Sauce. Mac, who prefers judy as the preferred pronoun, brought to CAP UCLA at Royce Hall a holiday concert like no other.

judy is back in a pandemic version of this holiday show which has been safely produced to skewer our world this holiday season. Fans of Mac will know to expect wildly imaginative costumes (by designer Machine Dazzle), uniquely arranged songs (with the assistance of Music Director Matt Ray) and definitely an adult take on everything. This is NOT family friendly material. Unless, of course, you’re “family.”

Mac was the named a MacArthur Fellow and this year became the first American to win the International Ibsen Award. American Theatre Magazine says the award is considered “the Nobel Prize for theatre.”

Taylor Mac’s Holiday Sauce…Pandemic will only stream once. Tickets require a minimum of $25 with proceeds going to CAP UCLA.

Pianist Jeremy Denk (Courtesy his Facebook page)

CLASSICAL: Jeremy Denk Recital – 92nd Street Y – December 13th – 3:00 PM EST/12:00 PM PST

If you didn’t get a chance to see pianist Jeremy Denk‘s recital from Caramoor in October, he’s performing the same program from New York’s 92nd Street Y on Sunday.

The program is scheduled to include: Mozart’s Piano Sonata in C Minor, K 457; Thomas “Blind Tom” Wiggins’s The Battle of Manassas; Joplin/Chauvin’s Heliotrope Bouquet; Tania León’s Ritual; Frederic Rzewski’s Winnsboro Cotton Mill Blues and Beethoven’s Piano Sonata No 32 in C Minor, Op. 111.

You’ll get two classical period compositions, ragtime, the work of a young Black man during The Civil War and the work of two contemporary composers. How’s that for diverse?

Tickets are $15.

Denis Vélez, Craig Terry and Ana María Martínez in “Pasión Latina” (Photo ©Kyle Flubacker/Courtesy Lyric Opera of Chicago)

OPERA: Pasión Latina – Lyric Opera of Chicago – December 13th – 7:00 PM EST/4:00 PM PST

Music from Argentina, Cuba, Guatemala, Mexico, Puerto Rico and Spain is on tap in this concert starring soprano Ana María Martínez that will premiere on Sunday on the Lyric Opera of Chicago’s YouTube channel and Facebook page.

Martínez has appeared at LA Opera in the title role of Carmen and in the title role of Madama Butterfly with Lyric Opera of Chicago. Those are just two of her many roles she’s performed around the world.

Joining Martínez in Pasión Latina are Mexican-American tenors René Barbera and David Portillo; Mexican tenor Mario Rojas, Mexican-American bass-baritone Richard Ollarsaba; Mexican soprano Denis Vélez and Puerto Rican baritone Ricardo José Rivera.

The singers will be accompanied on piano by Ryan Opera Center music director Craig Terry and Ensemble pianist Chris Reynolds. The show concludes with a concert segment in which the singers are joined by members of the Lyric Opera Orchestra.

This concert is free.

Broadway Inspirational Voices (Courtesy BIV)

CHORAL: Broadway Inspirational Voices: A Season of Hope and Inspiration – December 13th – 7:00 PM EST/4:00 PM PST

What began as the Broadway Gospel Choir in 1994 has become an acclaimed ensemble that has captured the hearts of all those who hear them sing. Broadway Inspiration Voices is a music group that has members of Broadway and off-Broadway shows – whether singers or musicians – as their members.

Last year BIV was awarded a Special Tony for Excellence in Theatre.

This Sunday they are live streaming A Season of Hope and Inspiration. As it is a live stream, this will only be shown live as scheduled.

You won’t want to miss this concert. Take a look at who’s joining them: guest appearances by Debbie Allen, Gavin Creel, Montego Glover, Celia Rose Gooding, Angela Grovey, Marva Hicks, LaChanze, Telly Leung, Lisa Lynne Mathis, Audra McDonald, Michael McElroy, Brian Stokes Mitchell, Karen Olivo, John Eric Parker, Phylicia Rashad, Angela Robinson, Jeanine Tesori, Leslie Uggams, Schele Williams and Vanessa Williams.

There will also be performances featuring Shoshana Bean, Crystal Monee Hall, Marcus Paul James, Patti LuPone, Leslie Odom Jr., Billy Porter, Daniel J. Watts, and hundreds of guest artists from Broadway, U.S. National tours, London’s West End, and Australia.

You can watch the concert for free, but you do need to register for it. you can also make donations to Broadway’s Inspiration Voices and also purchase a VIP experience that allows for some pre-show fun.

We’ve come to the end of Best Bets at Home: December 11th – December 13th. With so many options from which to choose, I’m not going to add any reminders. If you are curious, check out our This Week in Culture section on the main page or the Now Playing section.

Stay safe. Stay healthy. Have a great weekend and enjoy these Best Bets at Home: December 11th -December 13th.

Photo: Scrooge and the Ghost of Christmas Past from Manual Cinema’s Christmas Carol (Courtesy of The Soraya)

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Culture Best Bets at Home: July 17th – July 19th https://culturalattache.co/2020/07/16/culture-best-bets-at-home-july-17th-july-19th/ https://culturalattache.co/2020/07/16/culture-best-bets-at-home-july-17th-july-19th/#respond Thu, 16 Jul 2020 21:42:18 +0000 https://culturalattache.co/?p=9742 Opera, theatre, dance and an assortment of performances from Lincoln Center are available.

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Welcome to your weekend. When you review this list you might think, there’s another ten great options for the weekend. But look closely, your Best Bets at Home: July 17th – July 19th include a treasure trove of live performances from the archives at Lincoln Center.

This weekend’s selections include Cuban jazz, a comedy from Shakespeare (and the conclusion of the Stratford Shakespeare Film Festival), George Gershwin’s only opera, live performances by a legendary tenor, a mandolin musician who straddles the worlds of classical and jazz music and so much more.

Here are this week’s Culture Best Bets at Home: July 17th – July 19th:

Virtual Fire Island Dance Festival – July 17th – 7:00 PM EDT/4:00 PM PDT

The Fire Island Dance Festival – Dancers Responding to AIDS, was launched in 1991 by Denise Roberts Hurlin and Hernando Cortez who were both former Paul Taylor Dance Company members. Nearly three decades later the festival is taking place during another pandemic.

And due to that pandemic, has been forced to go online.

This year’s line-up has a mix of world premiere pieces and some returning favorites. All pieces are being performed and/or were filmed keeping social distancing guidelines in place. Amongst the choreographers and dancers involved are:

Tap Dancer Ayodele Casel in a new work called Oscar Joy; When the Sum Comes Out from KEIGWIN + COMPANY’s Larry Keigwin with a number of dancers performing across Fire Island; Are You Lonesome Tonight from Stephen Petronio; Weekend ’76 from Al Blackstone; Continuum from Garrett Smith and an excerpt from a work in progress from A.I.M’s Kyle Abraham.

You need to register to get the link to Fire Island Dance Festival. There is no charge, but as this is an annual fundraiser, donations are definitely encouraged.

Afro-Cuban All-Stars (Photo by Aaron Wagner/Courtesy of Riot Artists)

Afro-Cuban All-Stars with Juan de Marcos – SF Jazz – July 17th – 8:00 PM EDT/5:00 PM PDT

This week’s Friday at Five from SFJazz offers up the Afro-Cuban All-Stars performing at the venue in a concert on May 3, 2019.

Juan de Marcos has lead the band since the early 1990s. His mission is to celebrate classic Cuban music. This is the orchestra that appears in the film and on the records, Buena Vista Social Club. Like any ensemble, the line-up changes over the years.

If this isn’t music that puts a smile on your face at the end of a week, I don’t know what will.

SF Jazz’s Fridays at Five requires that you sign up for either a one-month package (for all of $5) or a one-year package ($60) to access these concerts. These concerts are only available at 5:00 PM PDT.

Deborah Hay as Katherina and Ben Carlson as Petruchio in “The Taming of the Shrew.” (Photo by David Hou/Courtesy of Stratford Festival)

The Taming of the Shrew – Stratford Festival – Now – August 6th

Stratford Festival’s Shakespeare Film Festival comes to a conclusion with this 2015 production of The Taming of the Shrew.

Chris Abraham directed this production of two on-again/off-again lovers who appear in the play-within-the-play. Starring as Petruchio and Katherina are Ben Carlson and Deborah Hay.

This film festival has been a great way to get familiar with Shakespeare’s plays during the past few months. Since productions remain available for three weeks, you can still catch Antony and Cleopatra and Romeo and Juliet.

Eric Owens and Angel Blue in “Porgy and Bess” (Photo by Ken Howard/Courtesy of the Metropolitan Opera)

Great Performances: Porgy and Bess at The Met – July 17th – Check Local Listings

DuBose Heyward’s 1925 novel, Porgy, was the inspiration for a play written by DuBose and Dorothy Heyward. That play served as the inspiration for this opera by George Gershwin with a libretto by DuBose Heyward and Ira Gershwin. Porgy and Bess had its world premiere in 1935 at Boston’s Colonial Theatre.

In the opera, Porgy (Eric Owens) lives in Charleston’s slums. He’s disabled and spends his time begging.

He is enamored with Bess (Angel Blue) and does everything he can to rescue her from an abusive lover, Crown (Alfred Walker) and a far-too-seductive drug dealer, Sportin’ Life (Frederick Ballentine.)

James Robinson directed this production at the Met Opera. His production was first seen at the English National Opera. David Robertson conducts the Met Opera Orchestra.

Anthony Tommasini, writing for the New York Times raved about the production and, in particular, its two stars:

“As Porgy, the magnificent bass-baritone Eric Owens gives one of the finest performances of his distinguished career. His powerful voice, with its earthy textures and resonant sound, is ideal for the role. His sensitivity into the layered feelings and conflicts that drive his character made even the most familiar moments of the music seem startlingly fresh. And, as Bess, the sumptuously voiced soprano Angel Blue is radiant, capturing both the pride and fragility of the character.”

Denis Matsuev (Photo courtesy of Columbia Artists)

Denis Matsuev plays Beethoven, Rachmaninov, Chopin, Tchaikovsky, and Prokofiev Medici.tv – July 17th – July 19th

In this week’s recital from Carnegie Hall Russian pianist Denis Matsuev gives the second of two recitals he performed there in 2018. This performance is from November 9th.

The program is extensive and includes five encores.

The announced program was Beethoven’s Piano Sonata No. 3 in C Major, Op. 2 No. 3; Rachmaninov’s Variations on a theme by Corelli, Op. 42; Chopin’s Ballade No. 4 in F Minor, Op. 52; Tchaikovsky’s Méditation from 18 Pieces, Op. 72 and Prokofiev’s Piano Sonata No. 7 in B-flat Major, Op. 83.

The encores were Schumann’s Dreaming from Kinderszene, Op. 15; Schubert’s Impromptu No. 3 in G flat major from Four Impromptus, Op. 90, D. 899; Sibelius’ Etude from 13 Pieces for Piano, Op. 76; Scriabin’s 12th Etude in D-sharp minor from Twelve Etudes, Op. 8 and he concluded with Grieg’s In the Hall Of The Mountain King from Peer Gynt.

Lucian Msamati in “Amadeus” (Photo by Marc Brenner/Courtesy of National Theatre Live)

Amadeus – National Theatre Live – Now – July 23rd

Peter Shaffer’s play that inspired the Oscar-winning best picture of 1984, has been performed on stage many times. Amongst the memorable actors to appear as either Mozart or Salieri are Paul Scofield, Tim Curry, Ian McKellen, Peter Firth, Mark Hamill, Frank Langella, Michael Sheen and David Suchet.

In this 2016 National Theatre production directed by Michael Longhurst, those roles are played by Adam Gillen (Mozart) and Lucian Msamati (Salieri).

Longhurst came up with the idea of having an 20-person orchestra and six singers on stage to fully integrate the music into the narrative. The results, according to critics, were nothing short of amazing.

Michael Billington, writing for The Guardian, said of this idea, “What is startling about Longhurst’s production is that the band is fully integrated into the dramatic action. As Lucian Msamati’s Salieri strikes a bargain with God to live a virtuous life in exchange for fame, the onstage orchestra bow their heads in silent prayer. At other times, the players are more mutinous: when Salieri proudly refers to his opera, The Stolen Bucket, they disdain his plea to offer an excerpt. The singers are also, literally, to the fore: an adored Viennese soprano (lustrously sung by Fleur de Bray) is wheeled in on a portable dais and key moments from the operas of Salieri’s detested rival, Mozart, are played in full pomp downstage.”

San Francisco Opera’s “Cinderella” (Photo by Cory Weaver/Courtesy of San Francisco Opera)

Rossini’s Cinderella SF Opera – July 17th – July 18th

Gioachino Rossini’s opera of the Cinderella story is based on Charles Perrault’s Cendrillon. The libertto, by Jacopo Ferretti, was based on two previous libretti for operas based on the same story: Charles-Guillaume Étienne’s libretto for Nicolas Isouard’s 1810 opera Cendrillon and Francesco Fiorini’s libretto for Stefano Pavesi’s 1814 opera, Agatina La virtú premiataLa Cenerentola had its world premiere in 1817 in Rome.

The story is exactly you expect. After being relegated to chores around the house by her Stepmother and her Stepsisters, Cinderella dreams of going to the Prince’s ball. They mock her before leaving themselves for the event. Cinderella’s fairy godmother appears to make her dream a reality, but only if she returns by midnight.

This 2014 production was directed by Gregory Fortner, based on the 1969 Jean-Pierre Ponnelle production. The orchestra was lead by Jesus-López Cobos. Karine Deshayes sings the role of Cinderella.

Joshua Kosman, writing for the San Francisco Gate, said of her performance, ” …French mezzo-soprano Karine Deshayes turned in a performance that grew continuously in strength and forcefulness, leading up to the big display of vocal fireworks with which Rossini caps the opera. Deshayes boasts a ripe upper register and the ability to maneuver her way through demanding passagework without breaking a sweat, and her stage demeanor suggests just the sort of inner fortitude that the character should convey.”

Jonas Kaufmann (Courtesy of Metropolitan Opera)

Jonas Kaufmann Live in Concert from Polling, Bavaria – Met Opera Stars Live in Concert – July 18th – 1:00 PM EDT/10:00 AM PDT

The Metropolitan Opera launches a new program this weekend with Met Opera Stars Live in Concert. For $20 you can get access to a live performance by one of opera’s biggest singers. You not only get access for the live event, but you can watch it as many times as you want for 12 days.

The series launches on Saturday with a recital by tenor Jonas Kaufmann who will be accompanied by pianist Helmut Deutsch. The venue is an abbey outside of Munich.

The program has been announced and will have Kaufmann singing 12 arias. He’s included works from such operas as Tosca, Carmen, Gounod’s Roméo et Juliette, Andrea Chénier and the inevitable Nessun Dorma from Turandot.

Upcoming recitals will feature Renée Fleming, Joyce DiDonato, Anna Netrebko, Bryn Terfel and more.

Josie Robertson Plaza, Revson Fountain, Metropolitan Opera House and Avery Fisher Hall (Photo by Mark Bussell/Courtesy of Lincoln Center)

Live from Lincoln Center – Lincoln Center at Home – Now Available

While researching this week’s selections, I discovered that there is a bounty of free streaming concerts from Lincoln Center currently available on their website. Here’s a quick rundown:

From the Chamber Music Society of Lincoln Center: a concert celebrating the work of Brahms with Jessye Norman; Odyssey: The Chamber Music Society in Greece; The Chamber Music Society with Itzhak Perlman; Bach to Bach; Masters and Masterpieces; 25th Season Opening Gala; 30th Anniversary Gala; An Evening of Beethoven; The Chamber Society at Shaker Village and I Can’t Believe It’s Schoenberg.

From Lincoln Center for the Performing Arts: Cynthia Erivo in Concert; Annaleigh Ashford in Concert; Megan Hilty in Concert and Yo-Yo Ma Plays Dvorak.

From the New York Philharmonic: Rodgers and Hammerstein’s Carousel in Concert (previewed last week); Renée Fleming Sings Mozart and Strauss; Celebrating Sondheim; Itzhak Perlman plays Mendelssohn and Brahms; 9/11 Memorial Concert: A German Requiem; New York Philharmonic: Masur, Ax and Beethoven’s 5th and Symphony No. 1 with Maazel.

Not specified with a link to a particular program or venue: The Romantic Violin with Joshua Bell and Dukas’ The Sorcerer’s Apprentice.

Chris Thile (Photo courtesy of Red Light Management)

Chris Thile Live – Caramoor – July 19th – July 20th

Bedford New York’s Caramoor has been a source of music and the arts since 1945. They have regular seasons there, but both ongoing work at the venue and the Covid crisis have them putting some performances online.

Mandolin musician Chris Thile will perform there on Saturday, July 18th. There won’t be audience, but the concert will be online the next day. Thile’s performance is being filmed and will be available for $10 for non-Caramoor members and free for members.

In addition to being a Grammy Award-winning artist, Thile is a MacArthur Fellow. He’s regularly performed across music genres and collaborated with a number of artists. Amongst those collaborators is pianist Brad Mehldau. When Thile and Mehldau were performing in Los Angeles in 2017, Mehldau told me about Thile, “I knew from hearing and seeing him that he is a true improviser – and that is what I like to do a lot. Second, his singing really affects me, and I was excited about the idea of making music with that kind of vocal expression.”

Before we close out your Best Bets at Home: July 17th – July 19th, a few reminders:

The weekend’s opera streams from the Metropolitan Opera include their 2008-2009 season of Rossini’s La Cenerentola (this is a popular weekend for Cinderella) on Friday; Mozart’s Marriage of Figaro on Saturday and Puccini’s La Bohème on Sunday.

Night of a Thousand Judys will still be available and features some terrific performances of songs made famous by Judy Garland.

That’s all for this week. I hope you enjoy your weekend and your Best Bets at Home: July 17th – July 19th.

Main photo: Angel Blue and Eric Owens in Porgy and Bess (Photo by Ken Howard/Courtesy of the Metropolitan Opera)

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Culture Best Bets at Home: July 10th – July 12th https://culturalattache.co/2020/07/10/culture-best-bets-at-home-july-10th-july-12th/ https://culturalattache.co/2020/07/10/culture-best-bets-at-home-july-10th-july-12th/#respond Fri, 10 Jul 2020 07:00:12 +0000 https://culturalattache.co/?p=9637 Drama, comedy, classical, jazz, Broadway and opera are all available

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Welcome to the weekend! This week our Culture Best Bets at Home: July 10th – July 12th include a few live performances. Not recorded events, but both jazz and classical music performances taking place lives in venues with fellow performers – albeit without audiences.

Our list this weekend also includes something for everyone: a deeply moving play, a Rodgers & Hammerstein musical in concert, a virtual reading of a bittersweet comedy from the 1970s, the longest-running one-woman show in Broadway history and concerts by two of Broadway’s finest leading ladies.

So here are your Best Bets at Home: July 10th – July 12th:

Marion Bailey, Helen McCrory and Hubert Burton in “The Deep Blue Sea” (Photo by Richard Hubert Smith/Courtesy of National Theatre Live)

The Deep Blue Sea – National Theatre Live – Now – July 16th

Terence Rattigan’s 1952 play, The Deep Blue Sea, has proven itself time and time again as great drama and also a great opportunity for an actress.

Peggy Ashcroft originated the part of Hester Collyer, a woman whose failed marriage and crumbling relationship with an RAF pilot leads to a suicide attempt. When Hester is discovered in her apartment after failing to take her own life, the residents of the tenement house in which she lives try to encourage her to choose life over death. One neighbor, Dr. Miller, (Nick Fletcher) proves to be particularly influential.

In this 2016 National Theatre production Helen McCrory took on the role of Hester. (Other actresses who have tackled the part include Vivien Leigh, Blythe Danner, Gretta Schacchi and Rachel Weisz.) Carrie Cracknell directed.

Michael Billington, writing for The Guardian, said of McCrory’s performance, “I’ve seen many fine Hesters but few who have conveyed so clearly what Shakespeare called ‘the very wrath of love.'” 

Sir Antonio Papano conducts the NYO-USA at Carnegie Hall, 8/3/19. (Photo by Chris Lee/Courtesy of Carnegie Hall)

National Youth Orchestras of the United States Highlights (2014-2019) – Medici.tv – July 10th – July 12th

This week’s offering from Carnegie Hall and Medici.tv features highlights from six years of performances by National Youth Orchestras from America. Joining the various orchestras are violinist Gil Shaham, singer Dianne Reeves and conductors Marin Alsop, Sir Antonio Pappano, David Robertson and more.

The program is split into three sections.

The first features John Adams’ Short Ride in a Fast Machine and Aaron Copland’s Billy the Kid Suite.

Part two features works by Sergei Prokofiev. Shaham joins for the composer’s Violin Concerto No. 1 in D Major and then the orchestra plays the second movement from Symphony No. 5 in B-flat Major.

The final segment features a jazz orchestra. Their program begins with the Symphonic Dances from West Side Story written by Leonard Bernstein. That is followed by works by John Coltrane and Miguel Zenon before Reeves comes out to sing a couple songs. The program ends with music by Dizzy Gillespie and Thad Jones.

Tovah Feldshuh in “Golda’s Balcony” (Photo courtesy of The Wallis)

Golda’s Balcony – The Wallis – Now – July 13th

William Gibson is a playwright best known for The Miracle Worker. He also wrote Two for the Seesaw and Golden Boy. One of his later works was a one-woman show about Golda Meir, the fourth Prime Minister of Israel (1969-1974). That show is called Golda’s Balcony.

Tovah Feldshuh, who recently appeared at The Wallis in Sisters in Law, has made Golda’s Balcony her own.

The play opened at New York’s Helen Hayes Theatre in 2003 and ran for nearly 500 performances making it the longest running one-woman show in Broadway history. Feldshuh received a Tony Award nomination for her performance.

This was not, by the way, Gibson’s first play about Meir. Anne Bancroft played her in a less-successful play called Golda in 1977. It only ran for 93 performances.

The Wallis has teamed up with the Los Angeles Jewish Film Festival to make Scott Schwartz’s film of Golda’s Balcony available for free viewing through July 13th. On the final day there will also be a Q&A with Feldshuh at 3:00 PM EDT/12:00 PM PDT.

Nathan Gunn and Kelli O’Hara in “Rodgers & Hammerstein’s Carousel: Live from Lincoln Center (Photo by Chris Lee/Courtesy of Lincoln Center)

Rodgers & Hammerstein’s Carousel: Live from Lincoln Center – Lincoln Center – July 10th -September 8th

In 2013, the New York Philharmonic staged a concert version of the classic Rodgers & Hammerstein musical Carousel. Starring in the production were Kelli O’Hara (Kiss Me, Kate) and baritone Nathan Gunn.

That concert will be available from Lincoln Center through September 8th.

The cast of Carousel also included Jessie Mueller (Beautiful: The Carole King Musical), Jason Danieley (Pretty Woman: The Musical), opera singer Stephanie Blythe, Shuler Hensley (The Ferryman), Kate Burton (Present Laughter) and John Cullum (Waitress).

Amongst the songs you will know from Carousel are “You’ll Never Walk Alone,” “If I Loved You,” “Soliloquy” and “June Is Busting Out All Over.”

Bernadette Peters: A Special Concert – Broadway Cares/Equity Fights AIDS – July 10th – 8:00 PM EDT/5:00 PM PDT

I published a separate preview of this concert earlier this week. So for details you can go here. This will be amazing and I just wanted to make sure it was on your radar.

Pianist Eric Reed (Courtesy of his website)

Eric Reed Quartet Live at the Village Vanguard – July 10th and July 11th – 9:00 PM EDT/6:00 PM PDT

If you’ve ever been to New York’s Village Vanguard you know how the venue is steeped in music history that permeates your experience of being in the room.

Live concerts won’t be happening anytime soon for you to experience in person, but that doesn’t mean the music has stopped playing.

Pianist Eric Reed leads his quartet in two live performances this weekend. There won’t be an audience in person, but you can join online for one of both of the sets.

Reed’s quartet includes Stacy Dillard on saxophone, Dezron Douglas on bass and McClenty Hunter on drums.

J.D. Considine, writing for DownBeat Magazine said of Reed, “(he) is one of those tremendously gifted players who has chops galore, but seldom uses them to show off, instead letting his obvious command of dynamics add color to the melodies he plays.”

You need to purchase tickets to watch either of these sets. Tickets are $10.

Composer Florence Price (Courtesy of FlorencePrice.org)

Los Angeles Chamber Orchestra Summerfest – July 11th – 8:00 PM EDT/5:00 PM PDT

Los Angeles Chamber Orchestra launches the first of five Summerfest concerts from Zipper Concert Hall at the Colburn School of Music this weekend.

Ensembles are small and practice social distancing during performance. Each performance is filmed in advance for streaming.

The series launches with principal cellist Andrew Shulman, concertmaster and violinist Margaret Batjer and pianist Andrew von Oeyen performing.

The program begins with Florence Price’s The Deserted Garden. Price was the first black female composer to be recognized as a symphonic composer. Her Symphony No. 1 had its world premiere in 1933 by the Chicago Symphony Orchestra.

The centerpiece of the program is a performance of Mendelssohn’s Piano Trio in D Minor. The composer wrote this four-movement trio in 1839. It is considered amongst his best compositions.

This is a free concert. If you cannot watch it live as it happens, the concert will be archived here for later viewing.

Additional concerts are scheduled to take place every other Saturday this summer. We will keep you notified of those performances.

Julianne Moore and Alec Baldwin (Courtesy of Guild Hall)

Same Time, Next Year – Guild Hall – July 12th – 7:30 PM EDT/4:30 PDT

Eastern Long Island’s Guild Hall is holding a virtual stage reading of Bernard Slade’s 1975 play Same Time, Next Year.

The play revolves around Doris and George who are married to other people, yet meet once a year in Northern California to continue their annual affair. Same Time, Next Year depicts the couple’s getaways from 1951 to 1975.

Starring in this virtual reading will be Julianne Moore (Still Alice) and Alec Baldwin (30 Rock).

When the play opened on Broadway the leads were Ellen Burstyn and Charles Grodin. Burstyn won the Tony Award for her performance. A film version was released in 1978 with Alan Alda joining Burstyn.

This is a fundraiser and tickets are priced at $100 per household. You can purchase tickets here. Once you have purchased tickets you will get details how and where to see the reading.

Audra McDonald (Courtesy of her website)

Audra McDonald with Seth Rudetsky – July 12th – 8:00 PM EDT/5:00 PM PDT

Six-time Tony Award winner Audra McDonald is Seth Rudetsky’s guest for his weekly concert series. Each concert features a live performance with a second opportunity to see the concert later.

McDonald has won Tony Awards in all four possible categories for an actor or actress: Best Actress in a Musical (The Gershwin’s Porgy and Bess); Best Featured Actress in a Musical (Carousel, Ragtime); Best Actress in a Play (Lady Day at Emerson’s Bar & Grill) and Best Featured Actress in a Play (Master Class, A Raisin in the Sun).

She and Rudetsky have known each other for years. They have regularly appeared together including this performance of “I Could Have Danced All Night” from My Fair Lady.

Tickets for either the live stream or the second viewing are $25 each. The rerun of Sunday’s concert will be streamed at 3:00 PM EDT/12:00 PM PDT on Monday, July 13th.

A scene from Glyndebourne’s 2010 production of “Billy Budd” (© Glyndebourne Productions Ltd.)

Billy Budd – Glyndebourne – July 12th – July 19th

Herman Melville’s short novel, Billy Budd, left unfinished by the author and published in 1924 (33 years after Melville’s death), serves as the inspiration for Benjamin Britten’s opera.

Billy Budd, the opera, had its world premiere in London in 1951. Novelist E.M. Forster (A Passage to India) and Eric Crozier wrote the libretto. Billy Budd is a rare opera in that it features no female roles. Even the chorus is all-male.

The opera tells the story of a young sailor (Jacques Imbrailo) who is newly recruited to join the HMS Indomitable. He possess great beauty and charm. The Master-at-Arms, Claggart (Phillip Ens), finds himself inexplicably drawn to the young man. Uneasy with the feelings Budd instills him, Claggart seeks to do everything he can to destroy the young man.

This 2010 production from Glyndebourne was directed by Michael Grandage. This was the first opera Grandage directed. He is best known for his work in theatre including the plays Red and Frost/Nixon. Mark Elder conducts the London Philharmonic Orchestra.

Andrew Clements, writing for The Guardian said of this production, “Jacques Imbrailo’s Billy is a total joy – slight, lithe and wonderfully guileless, singing his farewell to life with immense dignity and pathos. …The remorseless inhumanity of the story is certainly vivid, both on stage and in Mark Elder’s account of the score, by turns luminous and scaldingly intense. Elder does not neglect a single detail of what is perhaps Britten’s greatest orchestral accomplishment, and both the playing of the London Philharmonic and the singing of the Glyndebourne chorus have marvellous presence.”

That’s it for your Best Bets at Home: July 10th – July 12th. As always, a few reminders:

The Metropolitan Opera productions available this weekend are Tchaikovsky’s Eugene Onegin on Friday; Puccini’s Madama Butterfly on Saturday and my personal favorite opera, Wagner’s Tristan und Isolde on Sunday.

Fridays at Five from SFJazz this weekend features John Scofield and Lettuce in a concert from 2019.

Stratford Festival continues its Shakespeare films with their 2017 production of Romeo and Juliet. Also available are The Adventures of Perciles and Antony and Cleopatra.

Now we’re officially done with the Best Bets at Home: July 10th – July 12th. Enjoy your weekend and stay safe and healthy.

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Cultural Best Bets at Home: July 3rd – July 5th https://culturalattache.co/2020/07/01/cultural-best-bets-at-home-july-3rd-july-5th/ https://culturalattache.co/2020/07/01/cultural-best-bets-at-home-july-3rd-july-5th/#respond Wed, 01 Jul 2020 21:36:26 +0000 https://culturalattache.co/?p=9537 Yes, there's "Hamilton." And so much more. Take a look!

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Happy Fourth of July Weekend. Given that more and more of us are finding tightening restrictions on public activities this weekend, it is a good thing that there are some truly terrific Best Bets at Home: July 3rd – July 5th available to us.

We have ten options for you and each and every one is a winner. They include Lorraine Hansberry’s last play, a highly-acclaimed new ballet based on the writings of Virginia Woolf, two one-act operas by Ravel and one of a jazz legend’s final concerts. Oh…and a little show called Hamilton.

Here are your Best Bets at Home: July 3rd – July 5th:

Leslie Odom, Jr. and Lin-Manuel Miranda in a scene from the film of “Hamilton” (Courtesy of Disney Plus)

Hamilton – Disney Plus – Begins July 3rd

You pretty much have to be living under a rock not to know that the smash musical Hamilton becomes available for viewing on Disney Plus this weekend.

Before the original Broadway cast left the show, Lin-Manuel Miranda and Thomas Kail filmed the show. They shot a couple performances and then shot on-stage and close-ups with the cast without an audience.

This film was originally going to be released theatrically, but Disney has added it to their Disney Plus service realizing that no one was going to see Hamilton on stage for quite some time. Let’s also be honest, the pandemic has slowed down new content for the service. Both factored into the decision to release Hamilton this weekend.

Hamilton won 11 Tony Awards including Best Musical and also the Pulitzer Prize.

The cast includes Tony Award winner Daveed Diggs as “Marquis de Lafayette/Thomas Jefferson”; Tony Award winner Renée Elise Goldsberry as “Angelica Schuyler”; Tony Award nominee Jonathan Groff as “King George”; Tony Award nominee Christopher Jackson as “George Washington”; Jasmine Cephas Jones as “Peggy Schuyler/Maria Reynolds”; Lin-Manuel Miranda as “Alexander Hamilton”; Tony Award-winner Leslie Odom, Jr. as “Aaron Burr”; Okieriete Onaodowan as “Hercules Mulligan/James Madison”; Anthony Ramos as “John Laurens/Philip Hamilton”; and Tony Award nominee Phillipa Soo as “Eliza Hamilton.”

If you want to have the room where it happened come alive in your room, you will need to subscribe to Disney Plus. One month is $6.99 or you can get an annual subscription for $69.99. They are not currently offering one week free-trial memberships.

Danny Sapani in “Les Blancs” (Photo by Johan Persson/Courtesy of National Theatre Live)

Les Blancs – National Theatre Live – Now – July 9th

The National Theatre staged Lorraine Hansberry’s last play, Les Blancs, in 2016. This is the film of that production.

Hansberry is best known for her play A Raisin in the Sun.

After 30 previews Les Blancs opened at the Longacre Theatre on Broadway in November of 1970. It closed in mid-December of that year after 40 regular performances. This production came five years after Hansberry’s death. The text was adapted by her husband Robert Nemiroff and it is that text that is used for the National Theatre production directed by Yaël Farber.

Les Blancs, which Hansberry considered to be amongst her most important works, addresses colonialism bridging the time from the late 19th century into the 20th century. Tshembe (Danny Sapani) has returned home to his African country as its struggles with an impeding civil war over the issue of independence from colonial rule. There for his father’s funeral, he finds himself in the middle of the two warring factions.

Michael Billington, writing for The Guardian, said of Les Blancs, “…an epic production by Yaël Farber of a text that explores both the divided individual soul and the bitterness of the colonial legacy…An imperfect play…has been given a near-perfect production.”

A scene from “Woolf Works” at The Royal Ballet (Photo ©2015 ROH/Photo by Tristram Kenton)

Woolf Works – The Royal Ballet – Now – July 9th

If I offer you the combination of Virginia Woolf, choreographer Wayne McGregor and composer Max Richter, would you really need to know more? That alone is a compelling trio.

In this 2015 work created specifically for The Royal Ballet, McGregor used Woolf’s Mrs Dalloway, Orlando and The Waves as inspiration.

He then combined them with excerpts from her diaries, letters and essays. The end result won the Critics’ Circle Award for Best Classical Choreography and the Olivier Award for Best New Dance Production.

The company performing Woolf Works is Alessandra Ferri, Federico Bonelli, Edward Watson, Francesca Hayward, Sarah Lamb and Akane Takada. They are joined by soprano Anush Hovhannisyan. Koen Kessels leads the Orchestra of the Royal Opera House.

Yanna McIntosh and Geraint Wyn Davies in “Antony and Cleopatra.” (Photo by David Hou/Courtesy of Stratford Festival)

Antony and Cleopatra – Stratford Festival – Now – July 23rd

This 2014 Stratford Festival production of Shakespeare’s Antony and Cleopatra was directed by Gary Griffin. Starring as the titular couple are Geraint Wyn Davies and Yanna McIntosh.

One of Shakespeare’s historical dramas, Antony and Cleopatra tells of the love affair between Mark Antony (one of three men ruling the Roman republic) and the passionate and seductive queen of Egypt, Cleopatra.

Their affair leaves them vulnerable to political intrigue that will change their lives and their relationship dramatically.

This begins the final trilogy of Shakespeare productions from Canada’s Stratford Festival. Called Relationships, this trilogy will continue in the next couple weeks with Romeo and Juliet and The Taming of the Shrew.

Still available for streaming are Shakespeare’s King John and The Adventures of Pericles.

Glyndebourne’s production of “L’enfant et les sortilèges” (Courtesy of Glyndebourne)

Ravel’s L’heure espagnole and L’enfant et les sortilèges – -Glyndebourne – Now – July 5th

Two one-act operas by Maurice Ravel are paired together in this 2012 production by Laurent Pelly at Glyndebourne.

L’heure espagnole had its world premiere in Paris in 1911. Franc-Nohain wrote the libretto based on his own play of the same name from 1904.

The opera tells the story of an unfaithful Spanish woman who tries to make love to multiple different men while her husband is away. When he shows up, the men try hiding in the many clocks her husband owns and sometimes find themselves getting stuck inside them.

The cast of L’heure espagnole features Elliot Madore, François Piolino, Stéphanie d’Oustrac, Alek Shrader and Paul Gay.

The second opera, L’enfant et les sortilèges, had its world premiere in Monte Carlo in 1925. The libretto is by Colette who apparently wrote the libretto in eight days. (Did you see Wash Westmoreland’s 2018 film about her? You should. And classical music fans will enjoy Thomas Adés’ score for this wonderful film.)

In the opera a petulant young child, prone to throwing tantrums and destroying the toys and animals around him, is surprised when they come to life to give him a lesson about kindness.

The cast of L’enfant et les sortilèges features Khatouna Gadelia, Elodie Méchain, Madore, Gay, Julie Pasturaud, Piolino, Kathleen Kim, Natalia Brzezińska, Hila Fahim, d’Oustrac and Kirsty Stokes.

Kazushi Ono conducts the London Philharmonic Orchestra.

Dancers Olivier Tarpaga, Aziz Dermie and Ousseni Dabare with Musicians Boubacar Djiga and Daouda Guindo in “Declassfiied Memory Fragment” (Photo by Mark Simpson/Courtesy of the Joyce Theater)

Declassified Memory Fragment – Joyce Theater – July 2nd – July 31

Burkina Faso is a small, landlocked country in Africa. From it comes musician and choreographer Olivier Tarpaga who created Declassified Memory Fragment. This 70-minute piece had its world premiere in 2015. It is a work that features dancers and live musicians sharing the stage.

New York’s Joyce Theater will stream Declassified Memory Fragment for the first time during the month of July.

Tarpaga was inspired by the various political issues his own country faces as well as other countries like Kenya, Ivory Coast and Zimbabwe. Information from The Joyce Theater states that “Declassified refers to living in a society where aspects of everyday life are subjected to restrictions and cultural expectations of secrecy and privacy, even within the family. The act of declassifying is a process of revealing, exposing what is hidden from view and obscured, not spoken.”

Marina Hars, writing in the New York Times said Tarpaga’s piece, “is an extraordinary, distilled piece of music and dance. As the title suggests, it conjures fragmented memories, images and stories, often from childhood, gathered and transformed through movement and music by Mr. Tarpaga, three fellow dancers, and four musicians.”

Allen Toussaint (Courtesy of the Artist’s Website)

Allen Toussaint with Preservation Hall Jazz Band – SF Jazz – July 3rd – 8:00 PM EDT/5:00 PM PDT

This 2014 performance was one of the last concerts performed by jazz singer and pianist Allen Toussaint. He died one year after this performance at SF Jazz. He appears with Preservation Hall Jazz Band.

Toussaint’s concert is part of SF Jazz’s Fridays at Five. That means the concert will stream only once at 5:00 PM PDT/8:00 PM EDT.

If you like jazz you won’t want to miss this one. New footage from the concert has been added for this presentation. To watch Fridays at Five requires either signing up for one month of concerts for $5 or signing up for a year at $60. With upcoming concerts by John Scofield, Cécile McLorin Salvant and their ongoing Wayne Shorter Celebrations plus this rare performance by Toussaint, it seems like an easy decision.

Evgeny Kissin (Photo by F. Broede/EMI/Courtesy of IMG Artists)

New York Philharmonic at Carnegie Hall – Medici.tv – July 3rd- July 5th

This 2015 Carnegie Hall concert finds Alan Gilbert leading the New York Philharmonic. The highlight of this performance was the world premiere of Vivo by Magnus Lindberg. Carnegie Hall co-commissioned the work from Lindberg.

Pianist Evgeny Kissin joins for a performance of Tchaikovsky’s crowd-pleasing Piano Concerto No. 1 in B-flat Minor, Op. 23.

As an encore, Kissin performs Méditation from Tchaikovsky’s 18 Pieces.

Kissin made his Carnegie Hall debut in 1990. That performance also marked his US recital debut.

The concert concludes with Maurice Ravel’s Daphnis et Chloé, Suite No. 2.

San Francisco Opera’s “Susannah” (Photo by Cory Weaver/Courtesy of SF Opera)

Susannah -San Francisco Opera – July 4th – July 5th

American composer Carlisle Floyd wrote this opera during his tenure as a member of the faculty at Florida State University. Floyd wrote both music and the libretto. Susannah had its world premiere in 1955 at the University.

His inspiration was a story in the Book of Daniel in certain bibles. Floyd updates the story of Susannah and the Elders to a more contemporary story of a teenage girl whom many in her isolated religious community accuse of being a sinner. Her journey into womanhood is challenged by the residents in a small mountain town in Tennessee.

This San Francisco Opera production was staged in 2014. Michael Cavanagh directed the production and the performance is conducted by Karen Kamensek.

Patricia Racette sings the role of “Susannah.” Brandon Jovanovich sings the role of “Sam Polk”; Raymond Aceto sings the role of “Reverend Olin Blitch”; the role of “Elder Ott” is sung by Timothy Mix; Catherine Cook sings the role of “Mrs. McLean” and the role of Little Bat McLean is sung by James Kryshak.

This was the first time one of Floyd’s operas had been performed by San Francisco Opera. Critics hailed the production and Racette’s performance in the title role.

Melissa Errico (Courtesy of her website)

Melissa Errico with Seth Rudetsky – July 5th – 8:00 PM/5:00 PM (rerun July 6th 3:00 PM EDT/12:00 PM PDT)

Melissa Errico hasn’t had the Broadway career her many fans and admirers feel she deserves. A 1993 revival of My Fair Lady was followed by roles in High Society, Amour, Dracula the Musical and Irving Berlin’s White Christmas. Those subsequent shows had short runs.

Off-Broadway has been far kinder offering Errico a chance to shine in productions of Finian’s Rainbow, On a Clear Day You Can See Forever and Stephen Sondheim’s Passion.

You can experience how talented she is when she appears as Seth Rudetsky’s Concert guest in his online Concert Series. The live performance takes place on July 5th. There is a second streaming of the concert on July 6th. Tickets for each performance are $25.

Those are your Best Bets at Home: July 3rd – July 5th. But before we go, a couple reminders:

Metropolitan Opera offerings Friday – Sunday are Mozart’s Don Giovanni, Donizetti’s Don Pasquale and Rossini’s La Donna del Lago.

All Live with Carnegie Hall events-to-date are archived and available for viewing at any time. They include pianist Daniil Trifonov, opera singer Isabel Leonard, Yannick Nézet-Séguin discussing opera, Michael Feinstein celebrating composer Irving Berlin, opera singer Renée Fleming, violinist Joshua Bell and many more.

Stay safe. Stay sane. Be healthy. And enjoy your Bets Bets at Home: July 3rd – July 5th and your holiday weekend.

Photo: Lin-Manuel Miranda in a scene from the film of Hamilton (Photo courtesy of Disney Plus)

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Culture Best Bets at Home: June 12th – June 14th https://culturalattache.co/2020/06/11/culture-best-bets-at-home-june-12th-june-14th/ https://culturalattache.co/2020/06/11/culture-best-bets-at-home-june-12th-june-14th/#respond Thu, 11 Jun 2020 21:56:55 +0000 https://culturalattache.co/?p=9266 Eleven options for culture for this second weekend in June

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When there are ten great options for culture this weekend, it is tempting to call this the Top 10 events you can watch. The only problem is we have eleven. (Sounds very Spinal Tap doesn’t it?) So when a weekend offers a diverse line-up including Björk, Rita Moreno, Yuja Wang, Jeremy Jordan and a Samuel Barber opera, I think it’s safe to say these are your Best Bets at Home: June 12th – June 14th.

Most of the events listed are free. When they are not, they are noted. Links to each event can be found in the individual names of the events.

The company of Dance Theatre of Harlem’s “Creole Giselle” (Courtesy of Dance Theatre of Harlem)

Creole Giselle – Dance Theatre of Harlem – Now – June 19th

The classic ballet Giselle was reconceived by Arthur Mitchell in the early 1980s. In 1984, Dance Theatre of Harlem premiered Creole Giselle at the London Coliseum in England.

The original Giselle choreography was by Jean Coralli and Jules Perrot. The production was staged by Frederic Franklin.

Creole Giselle garnered rave reviews in both London and New York. For some background on the creation of this work, I suggest reading this 1984 column from Burton Taylor writing for the New York Times.

Dance Theatre of Harlem is making the full ballet available for free viewing through June 19th. The film they are showing of Creole Giselle aired on television in Denmark in 1987.

Joanthan Goad in “Hamlet” (Photo by David Hou/Courtesy of Straford Festival)

Hamlet – Stratford Festival – Now – June 25th

Stratford Festival’s ongoing series of Shakespeare’s plays continues with this 2015 production of Hamlet.

Jonathan Goad stars as “Hamlet” with Seana McKenna as “”Gertrude; Geraint Wyn Davies as “Claudius/The Ghost”; Tim Campbell as “Horatio”; Adrienne Gould as “Ophelia;” Tom Rooney as “Polonius;” and Mike Shara as “Laertes.” The production is directed by Stratford Festival Artistic Director Antoni Cimolino.

Stratford’s streaming productions of Shakespeare’s Timon of Athens and Love’s Labour’s Lost are also still available this weekend.

The company of “The Madness of King George” (© Nottingham Playhouse/Courtesy of National Theatre Live)

The Madness of King George – National Theatre Live – Now – June 18th

Many of us first became aware of this Alan Bennett play by seeing the 1994 Nicholas Hytner film starring Nigel Hawthorne and Helen Mirren.

This 2018 Nottingham Playhouse production stars Mark Gatiss as King George and Debra Gillett as Queen Charlotte. It was directed by Adam Penford.

Bennett’s play depicts a king whose relationship with what is real seems to change on a dime. He’s both a very powerful man and a wildly erratic leader whose delusions call into question his ability to lead. This prompts others to do whatever they can to undermine the King and take control of the Crown.

This production sold out and earned rave reviews. Bennett wrote staggeringly complicated roles for the two leads. It should be pure theater joy watching Gatiss and Gillett in this production.

Michael Tilson Thomas and the New World Symphony at Carnegie Hall (Photo by Richard Termine/Courtesy of Carnegie Hall)

Michael Tilson Thomas and Yuja Wang at Carnegie Hall – MediciTv – June 12th – June 14th

The collaboration between Carnegie Hall and Medici.Tv continues this weekend with a concert from May of 2019. Michael Tilson Thomas leads the New World Symphony and America’s Orchestral Academy. They are joined by pianist Yuja Wang.

The program features Julia Wolfe’s Fountain of Youth (in its New York premiere); Prokofiev’s Piano Concerto No. 5 and Berlioz’s Symphonie Fantastique. The encores find the conductor taking to the piano for a solo performance of his composition You Come Here Often? The concert concludes with Wagner’s Prelude to Act III of Lohengrin.

There is no charge to watch this program.

San Francisco Ballet in “Björk Ballet” (Photo © Erik Tomasson/Courtesy of SF Ballet)

Björk Ballet – San Francisco Ballet – June 12th – June 19th

San Francisco Ballet’s Unbound Festival in 2019 featured this ballet by Arthur Pita centered on the songs by best-selling singer/songwriter Björk.

Pita used a wide range of her music: from her first album in 1993, Debut, through 2017’s Utopia.

A playlist on SF Ballet’s website for Björk Ballet indicates that the songs used are “Overture” from Selmasongs; “All Is Full of Love” and “Bachelorette – Family Tree Version” from Homogenic; “Vokuro” from Medulla; “Frosti” from Vespertine; “The Gate” from Utopia; “Hyperballad” from Post and “The Anchor Song” from Debut.

Pita says that the duality he finds in Björk as an artist inspired the story he created for this ballet. “She’s this very playful, naughty fairy, dancing nymph, otherworldly creature, full of light and love. And then you’ve got this very deep, mournful, sorrowful, almost tragedy in some of her songs. So it’s like the theater masks.” 

The Royal Ballet company in “La Fille mal gardée” (Photo by Tristram Kenton/©ROH)

La Fille mal gardée – Royal Ballet – June 12th – June 26th

A love story between Lise and a young farmer, Colas, is the centerpiece of this ballet choreographed by Frederick Ashton. This ballet had its world premiere in 1960.

The translation of the title is The Wayward Daughter. Clearly her parents aren’t too keen on her taste in men. Or in this case, her widowed mother.

Ashton based this work on a 1789 ballet by Jean Dauberval. The music was adapted by John Lanchberry from an 1828 score by Ferdinand Hérold.

Marianela Nuñez dances the role of Lise. Carlos Acosta dances the role of Colas. The role of Lise’s mother is danced by William Tuckett.

San Francisco Opera’s “Il Trittico” (Photo by Cory Weaver/Courtesy of SF Opera)

Il Trittico – San Francisco Opera – June 13th – June 14th

Puccini’s trilogy of operas seems popular this month. Last week the Royal Opera in London made their 2012 production available. This weekend San Francisco Opera makes their 2009 production available for viewing.

The three operas are Il Tabarro, Suor Angelica and Gianni Schicchi. For details on these three operas, check out our Royal Opera House preview here.

Cast in this trilogy are soprano Patricia Racette (who performs in all three pieces), contralto Ewa Podles, tenor Brandon Jovanovich and baritone Paolo Gavanelli. Patrick Summers conducts this James Robinson production.

San Francisco Opera’s production received glowing reviews.

The Royal Opera House (Courtesy of their Facebook Page)

Live from Covent Garden – June 13th – 2:30 PM EDT/11:30 AM PDT

This is the first of three live performances from Covent Garden since it had to temporarily close. It takes place on Saturday evening in London.

The event is being streamed live and has an impressive line-up.

Benjamin Britten: On this Island op.11 (1937, to five poems by W.H. Auden), performed by soprano Louise Alder

George Butterworth: Six Songs from A Shropshire Lad (1911, to poems by A.E. Housman), performed by tenor Toby Spence

Ballet Interlude: New pas de deux, choreographed by Wayne McGregor to Richard Strauss Morgen! op.27 no.4 (1894, to the poem by John Henry Mackay). Louise Alder (soprano) and violinist (tbc). Performed by Francesca Hayward and Cesar Corrales

Mark-Anthony Turnage: Three Songs (2000, to texts by Stevie Smith, Thomas Hardy and Walt Whitman), performed by baritone Gerald Finley

arr. Benjamin Britten: The Crocodile (1941, to a traditional text and melody), performed by Gerald Finley

Gerald Finzi: Fear No More the Heat o’ the Sun op.18 no.3 (1929, to a text by William Shakespeare), performed by Gerald Finley

George Frideric Handel: ‘Tornami a vagheggiar’ (from the opera Alcina, 1735, after a story from Orlando furioso), performed by Louise Alder

Georges Bizet: ‘Au fond du temple saint’ (from the opera Les Pêcheurs de perles, 1863, to a libretto by Eugène Cormon and Michel Carré), performed by Toby Spence and Gerald Finley

A scene from “Vanessa” @ Glyndebourne. (Photo by Richard Hubert Smith/© Glyndebourne Productions Ltd.)

Vanessa – Glyndebourne – June 14th – June 21st

Composer Samuel Barber won the Pulitzer Prize for his 1958 opera that features a libretto by Gian Carlo Menotti. The world premiere was at the Metropolitan Opera in New York.

This Glyndebourne production took place in 2018. Keith Warner directed and the orchestra is conducted by Jakub Hrůša.

Barber’s opera is a psychological drama about family relationships. The title character (sung by Emma Bell) finds herself alone after her boyfriend, Anatol, has left her. She pulls away from the world leaving her with only her mother (Rosalind Plowright) and her niece (Virginie Verrez) for company. Their world gets upended when Anatol’s son (Edgaras Montvidas) shows up twenty years later.

Jeremy Jordan (Courtesy of his Facebook Page)

Jeremy Jordan – Seth Rudetsky Concert Series – June 14th – 8 PM EDT/5 PM PDT

Seth Rudetsky travels across the country with Broadway stars for evenings of conversation and songs. Unable to take his shows on the road, he’s bringing them to our homes.

This week’s performance features Jeremy Jordan who starred in the musicals Bonnie and Clyde and Newsies (for which he received both Drama Desk and Tony Award nominations). He was also featured in the television series Smash.

The live performance takes place as listed above. If you cannot watch that performance, there is an encore presentation on June 15th at 3 PM EDT/12 PM PDT. These are not free events. Tickets are $25 not including service fees.

Upcoming concerts will feature Seth with Jessie Mueller (Beautiful), Lea Salonga (Miss Saigon), Melissa Errico (Passion) and Audra McDonald (Porgy and Bess).

Rita Moreno, Norman Lear and the cast of “One Day at a Time” (Courtesy of Ms. Moreno’s Facebook Page)

Life in a Pandemic: “One Day At a Time:” Norman Lear and Rita Moreno in Conversation with RuPaul – 92Y – June 14th – 7:00 PM EDT/4:00 PM PDT

Legendary television producer Norman Lear and living legend Rita Moreno will discuss the many lives of the reboot of One Day at a Time with RuPaul. This is a live-streaming event presented by the 92Y in New York.

I find it unlikely that any of these three need introduction, but here goes. Norman Lear is the five-time Emmy Award winning creator of such shows as All in the Family and Maude. He has also won a Peabody Award and has been awarded a Kennedy Center Honor.

Rita Moreno is an EGOT. She won two Emmy Awards, one Grammy Award, an Oscar for West Side Story and a Tony Award for The Ritz. She also happens to have a Presidential Medal of Freedom, a National Medal of Arts, a SAG Lifetime Achievement Award and is also the recipient of a Kennedy Center Honor.

RuPaul is the six-time Emmy Award winning host and producer of RuPaul’s Drag Race.

Tickets are required for this event which is not free. The price of each ticket is $20. You must be registered in advance in order to get access to the event.

Before we close out our Best Bets at Home: June 12th – June 14th, here are a few reminders:

Friday’s at Five from SF Jazz features Rhiannon Giddens & Francesco Turrisi. This takes place at 8 PM EDT/5 PM PDT on June 12th.

The Metropolitan Opera programming this weekend features their April 2020 At-Home Gala on Friday and Saturday. Sunday is the 2011-2012 production of Handel’s Rodelinda with Renée Fleming.

The musical Allegiance streaming on Broadway on Demand has been extended through June 23rd. You can get details at our preview here.

Here ends our list of your Best Bets at Home: June 12th – June 14th. Enjoy your weekend. Stay safe and healthy!

Main Photo: Elizabeth Powell and Ulrik Birkkjaer in Björk Ballet at San Francisco Ballet (Photo ©Erik Tomasson/Courtesy of SF Ballet)

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Culture Best Bets at Home: May 29th – May 31st https://culturalattache.co/2020/05/29/culture-best-bets-at-home-may-29th-may-31st/ https://culturalattache.co/2020/05/29/culture-best-bets-at-home-may-29th-may-31st/#respond Fri, 29 May 2020 01:34:15 +0000 https://culturalattache.co/?p=9196 Operas, plays, musicals, concerts, ballets and a major competition top your list this weekend!

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What’s your pleasure this weekend? Do you want Shakespeare? A modern play? Two ballets choreographed by the same choreographer, but performed by different companies? A Broadway tribute? Or an all-star Broadway fundraiser? Maybe a couple of Broadway musicals? Opera? Solo piano recitals? These and more are part of your Best Bets at Home: May 29th – May 31st.

We’ve got quite the list for you. There are 14 Best Bets at Home: May 29th – May 31st. Plus a few reminders, of course!

Charles Edwards and the ensemble in “This House” (Photo by Johan Persson/Courtesy of National Theatre Live)

This House – National Theatre Live – Now – June 4th

James Graham wrote this play that sold out two runs at the National Theatre and transferred to the Garrick Theatre in 2017.

The setting is Parliament in Britain in 1974. The Labour and Tory parties are battling one another over the direction England should go. It’s a herculean task and one that requires cunning maneuvers, compromise and finding a way to bend the rules just to the point before breaking.

Michael Billington, writing in The Guardian, gave the show a five-star review. He said, “It has taken four years for James Graham’s enthralling play to make it from the National to the West End. It has been worth the wait because it enables us to see the work from a fresh perspective. In recording the struggle of the Labour government of 1974-79 to simply survive, the play offers a fascinating slice of history. Yet as we enter a new age of fractured opposition, the play raises serious questions about whether our current parliamentary system is fit for purpose.”

Jeremy Herrin directed This House.

Andrew Robinson, Mike Shar, Sanjay Talwar and Thomas Olajide in “Love’s Labour’s Lost” (Photo by David Hou/Courtesy of Stratford Festival)

Love’s Labour’s Lost – Stratford Festival – Now – June 18th

In Aristophanes’s Lysistrata women withhold sex from their husbands in an attempt to end war. It’s a dramatic play. Shakespeare took a similar premise for Love’s Labour’s Lost, but he was interested in making people laugh.

Four men, including the King of Navarre (Sanjay Talware), have vowed not to be in the company of women for three years. They are more interested in study than in females. Just as they have embarked on this plan, the Princess of France (Ruby Joy) and three female companions arrive testing each man’s resolve. Add a Spanish nobleman and his infatuation with a woman to the mix just to make things more frantic.

Shakespeare employs his usual tricks of disguises and mix-ups for this comedic play.

John Caird (Nicholas Nickelby, Les Misérables) directed this 2015 production.

Mathilde Froustey, Sarah Van Patten and Ulrik Birkkjaer in “Snowblind” (Photo © Erik Tomasson/Courtesy of San Francisco Ballet)

Snowblind – San Francisco Ballet – May 29th – June 5th

Edith Wharton’s Ethan Frome is the inspiration for this one-act ballet by Cathy Marston. In the ballet, Ethan Frome is married to his wife, Zeena. She is a difficult woman and also a hypochondriac. Mattie, Zeena’s cousin, joins the couple to help them in their home. But Ethan soon finds himself drawn to the woman. You know this won’t end well.

The music used in the ballet comes from a variety of composers including Amy Beach and Arthur Foote. Philip Feeney arranged the music. Scenery and costumes are by Patrick Kinmonth and the lighting was designed by James F. Ingalls.

Dancing the principal roles are Mathilde Froustey (Mattie), Sarah Van Patten (Zeena) and Ulrik Birkkjaer (Ethan). This performance took place in 2018.

The Broadhurst Theatre (Photo by Whitney Cox/Courtesy of the Shubert Archive)

The Broadhurst At 100! 54 Celebrates the Broadhurst Theatre Feinstein’s/54 Below – May 29th 6:30 PM EDT/3:30 PM PDT

When New York’s Broadhurst Theatre opened in 1917, George Bernard Shaw’s Misalliance was the first production. Amongst the musicals to have appeared there are Fiorello!, Cabaret, Godspell, The Tap Dance Kid, Kiss of the Spider Woman, Fosse and Anastasia.

100 years after The Broadhurst first opened, Feinstein’s/54 Below celebrated the centennial with a concert featuring cast members from many of the shows that have appeared on that stage. (This show took place in 2017.)

The performers include Jerry Adler (Oh What a Lovely War), Jim Brochu (Zero Hour), Carole Demas (Grease), Wayne Cilento (Dancin’), Josh Franklin (Grease), Marcy Harriell (Lennon), Sarah Charles Lewis (Tuck Everlasting), Howard McGillin (Kiss of the Spider Woman), Bonnie Milligan (Head Over Heels), Christiane Noll (Ragtime), Alice Ripley (Next To Normal), Don Scardino (Godspell), Rebecca Spigelman (Hairspray), and a Trivia Contest Video with Tony Award winner Jason Alexander (Broadway Bound).

Due to rights issues, these performances are only available at the set time and are not repeated.

Marcelino Sambé, Matthew Ball and Lauren Cuthbertson in “The Cellist” (Photo by Bill Cooper/© 2020 ROH)

The Cellist – The Royal Ballet – May 29th – June 12th

If you want to get another look at the work of choreographer Cathy Marston, you can check out the latest offering from The Royal Ballet. The Cellist is a ballet by Marston inspired by the life of cellist Jacqueline du Pré. She was at the pinnacle of her career when she passed away at the age of 28 after suffering from multiple sclerosis. (You might remember the film Hilary and Jackie with Rachel Griffiths and Emily Watson told her story.)

Lauren Cuthbertson dances the role of The Cellist. Marcelino Sambé dances The Instrument and Matthew Ball dances the role of The Conductor. The music includes Schubert’s Trout Quintet along with cello sonatas by Faure and Elgar. The cello solos are performed by Hetty Snell.

The world premiere of The Cellist was just this past February.

Bryce Pinkham, Megan Lawrence and the cast of “Irving Berlin’s Holiday Inn” (Photo by Joan Marcus)

Irving Berlin’s Holiday Inn – Broadway HD – May 29th – June 1st

The 1942 movie that introduced the world to the song White Christmas was turned into a stage musical that opened on Broadway in 2016. The movie was called Holiday Inn, but the musical includes the composer’s name: Irving Berlin.

Broadway HD is making this film of the 2016 production available for free this weekend.

The story remains pretty much the same: two men vie for the attention of a young rising star. In the film those roles were played by Bing Crosby, Fred Astaire and Marjorie Reynolds. In the musical they are played by Bryce Pinkham, Corbin Bleu and Lora Lee Gayer.

The musical, directed by Gordon Greenberg (who co-wrote the book with Chad Hodge), includes the classic Berlin songs, “Blue Skies,” “Steppin’ Out With My Baby,” “Cheek to Cheek” and “Easter Parade.”

I guess with everything that’s going on they think we need a little Christmas. (Wait, that’s in Mame.)

Daniil Trifonov at Carnegie Hall (Photo by Fadi Kheir/Courtesy of Carnegie Hall)

Daniil Trifonov Recital – Carnegie Hall – May 29th – May 31st

In February of 2019 pianist Daniil Trifonov gave a solo piano recital at Carnegie Hall. Medicitv.com, in association with Carnegie Hall, is making that performance available for free beginning on Friday, May 29th and continuing through the weekend.

Anthony Tommasini, in his New York Times review of this concert raved, “By this point, it’s no surprise that Daniil Trifonov, one of the most awesome pianists of our time, can sell out Carnegie Hall. Still, that the hall was packed for the unusual recital program he played on Saturday was a testimony to the trust his admirers place in him. At 27, he is also an adventurer intent on exploring overlooked realms of the repertory. On Saturday it was thrilling to go along on his journey.”

The program of which he was so enamored included: Beethoven’s Andante in F Major, WoO 57 (“Andante favori”) and Piano Sonata No. 18 in E-flat Major, Op. 31, No. 3; Schumann’s Bunte Blätter and Presto passionato and Prokofiev’s Piano Sonata No. 8 in B-flat Major. The encores featured Prokofiev’s Allegro rubato and Allegro precipitato from Sarcasms, Op. 17, Nos. 2 and 3 and Chopin’s Largo from Cello Sonata in G Minor, Op. 65 (arr. Alfred Cortot).

How are you doing so far? You’re halfway through the list of Best Bets at Home: May 29th – May 31st!

Lea Salonga, George Takei and Telly Leung in “Allegiance” (Photo by Matthew Murphy)

Allegiance – Broadway on Demand – May 29th – June 7th

Lea Salonga, George Takei and Telly Leung star in this musical set during World War II that tells a story of family, duty, customs and betrayal set during the forced incarceration of Japanese Americans after the bombing of Pearl Harbor. The story is based on Takei’s own experiences.

The book was written by Marc Acito, Jay Kuo and Lorenzo Thione. Kuo wrote the music and lyrics.

Allegiance was directed by Stafford Arima.

This is not a free streaming event. Broadway on Demand is charging $14.99 for the initial viewing on May 29th at 8 PM EDT/5 PM PDT. That fee includes a download of the cast album, exclusive content and the ability to watch the show over a 24-hour period. From May 30th – June 7th, the streaming fee, minus those extras, will be $8.99.

30 minutes before the May 29th event Playbill.com will host Toast to Allegiance which will include interviews with the cast. This event is free and open to everyone.

Pianist Igor Levit (Photo by FeliX Broede/Courtesy of the Artist)

Igor Levit: Vexations – The Gilmore – May 30th – 8 AM EDT/5 AM PDT

If you want to catch this recital you’ll have to get up early and stay up late. Pianist Igor Levit is going to live-stream a performance of Erik Satie’s Vexations. If you are unfamiliar with the work, it lasts 20 hours. There is one theme, two variations and they get repeated 840 times over the course of the 20 hours.

What propels someone to tackle so challenging a work? Levit says in press materials, “The sheer duration of over 20 hours of Vexations doesn’t feel like a ‘nuisance’ or ‘torture’ to me, as the title would suggest, but rather a retreat of silence and humility. It reflects a feeling of resistance.

“That’s why it feels right to play the Vexations right now. My world and that of my colleagues has been a different one for many weeks now and will probably remain so for a long time. Vexations represent for me a silent scream.”

John Williams: Maestro of the Movies – Pacific Symphony – May 30th – August 13th

The Pacific Symphony Orchestra had planned on having a May 30th Family Musical Morning performance. Having to cancel an in-person event, they are holding their first virtual concert and the program is a celebration of the music of composer John Williams.

During this 45-minute online concert, music from Star Wars, Jurassic Park, Raiders of the Lost Ark, Harry Potter and E.T., The Extra-Terrestrial will be performed by the Pacific Symphony which is being conducted by Richard Kaufman. Interspersed amongst the selections will be Ask the Composer with John Williams along with personal stories and anecdotes about playing at recording sessions with Williams.

Viewing the show requires signing up with an e-mail address, but there is no fee. The program will then be available for streaming for 45 days.

Renée Fleming and Michael Fabiano in San Francisco Opera’s “Lucrezia Borgia” (Photo by Cory Weaver/Courtesy of San Francisco Opera)

Lucrezia Borgia – San Francisco Opera – May 30th – May 31st

Victor Hugo’s play Lucrèce Borgia served as the inspiration for this opera by Gaetano Donizetti and his librettist Felice Romani.

The scandals and the intrigue in the house of Borgia have fascinated people for centuries. In Donizetti’s opera a young orphan named Gennaro (Michael Fabiano) finds himself in the company of Lucrezia Borgia (Renée Fleming). Though he and his friends were warned about her and her husband, he is enraptured by her beauty and sees in her the mother he never knew. Lucrezia’s husband believes Gennaro to be her lover and plots his murder. What happens over the course of the opera is tragedy at its most dramatic.

This San Francisco Opera production from 2011 marked the first time Lucrezia Borgia had been performed by the company. John Pascoe directed the production and the orchestra was lead by conductor Riccardo Frizza.

Jeff Bowen and Heidi Blickenstaff in [title of show] (Courtesy of Vineyard Theatre)

The [title of show] Vineyard Theatre Virtual Variety Show Show – May 30th – 8 PM EDT/5 PM PDT

In 2006, the Vineyard Theatre in New York presented a unique musical entitled [title of show]. The musical was written by Hunter Bell and Jeff Bowen. They starred in their own musical along with Susan Blackwell and Heidi Blickenstaff. Two years later [title of show] was on Broadway.

To celebrate this musical-within-a-musical that could (and the theatre that gave it life), the Vineyard Theatre is hosting a live-streaming fundraiser event. The evening, which costs a minimum of $25 (after which you are given a link to the show), is billed as “new material from the cast and creators of [title of show] and over 40 starry guest artists from theatre, film, and television sharing performances, sketches, reflections, special quarantine talents, and more.”

You have to secure your “ticket” prior to 12 PM EDT/9 AM PDT on May 30th in order to view the show. The show itself, which Christopher Isherwood of the New York Times called “a zesty, sweet, Broadway-trivia-riddled musical about the anxiety and excitement of creating a zesty, sweet, Broadway-trivia-riddled musical about the anxiety and excitement of creating a. …” has a cult following. Fans of musical theatre have loved it. So have Broadway stars as is indicated by the guests they have lined up for Saturday’s event.

A partial list includes: Laura Benanti, Victoria Clark, Billy Crudup, Christopher J. Hanke, Bill Irwin, Cheyenne Jackson, John Kander, Judy Kuhn, Linda Lavin, The Lopez Family Singers (Lindsay Anderson, Kristen Anderson-Lopez, Annie Lopez, Bobby Lopez, and Katie Lopez), Bob Mackie, Audra McDonald, Lin-Manuel Miranda, Alex Newell, Leslie Odom, Jr., Kelli O’Hara, Steven Pasquale, Zachary Quinto, Brooke Shields, Douglas Sills, Phillipa Soo and Michael Urie.

Dorothy Chandler Pavilion – May 2020 (Photo by Craig L. Byrd

Spotlight Virtual Grand Finale Music Center – May 30th – 10 PM EDT/7 PM PDT

Each year the Music Center in Los Angeles hosts a competition to find the best high school performers from San Diego up to Santa Barbara. They have several categories from which to choose: acting, dance, music and vocals. Usually the event is a big gala at the Dorothy Chandler Pavilion. This year Spotlight goes online.

There are fourteen students competing in this year’s finals. This Grand Finale will be hosted by an alumnus of the Spotlight program: Tony Award-winner Lindsay Mendez (Carousel). Special guests include Matthew Rushing from the Alvin Ailey American Dance Theater, ballet star Misty Copeland and singer Josh Groban.

The ensemble of Glyndebourne’s “Don Giovanni” (Photo by Bill Cooper/© Glyndebourne Productions Ltd.)

Don Giovanni – Glyndebourne – May 31st – June 7th

Mozart’s masterpiece opera about Don Juan is Glyndebourne’s featured opera this week. This 2010 production was directed by Jonathan Kent.

Starring in Don Giovanni are Gerald Finley as Don Giovanni; Luca Pisaroni as Leporello; Anna Samuil as Donna Anna; Brindley Sherratt as Commendatore; William Burden as Don Ottavio; Kate Royal as Donna Elvira; Anna Virovlansky as Zerlina and Guido Loconsolo as Masetto. Vladimir Jurowski conducts the orchestra.

Kent set this production in Southern Europe in the 1970s/1980s. Critics were very divided about how successful this Don Giovanni was. Which seems to make this must-see viewing so we can decide for ourselves.


Don’t forget that this weekend’s operas from the Metropolitan Opera are Bellini’s La Sonnambula (Friday); Donizetti’s L’Elisir d’Amore (Saturday) and R. Strauss’s Salome (Sunday).

Fridays at Five from SFJazz this week features Cuban pianist Chucho Valdés at 8 PM EDT/5 PM PDT on Friday only.

Stratford Festival has two additional Shakespeare plays available this week: The Tempest and Timon of Athens.

I hope that gives you enough Best Bets at Home: May 29th – May 31st for your weekend entertainment.

Main photo: Lauren Cuthbertson and Marcelino Sambé in The Cellist (Photo by Bill Cooper/©2020 ROH)

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Culture Best Bets at Home: May 22nd – May 25th https://culturalattache.co/2020/05/22/culture-best-bets-at-home-may-22nd-may-25th/ https://culturalattache.co/2020/05/22/culture-best-bets-at-home-may-22nd-may-25th/#comments Fri, 22 May 2020 14:00:27 +0000 https://culturalattache.co/?p=9139 There are plenty of options for this holiday weekend

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Welcome to Memorial Day Weekend! Did you think we’d make it this long staying safer at home? We have and one reason is the amazing culture offerings that are available for us to enjoy from the comfort of our living rooms. This long weekend is no exception. Here are your Culture Best Bets at Home: May 22nd – May 25th.

Gillian Anderson in “A Streetcar Named Desire” (Photo by Johan Persson/Courtesy of NT Live)

A Streetcar Named Desire – National Theatre Live – Now – May 28th

This week’s offering from National Theatre Live is the 2014 production of Tennessee Williams’ A Streetcar Named Desire starring Gillian Anderson as Blanche, Ben Foster as Stanley and Vanessa Kirby as Stella. Benedict Andrews directed this Young Vic production.

Williams won the 1948 Pulitzer Prize for Drama for this play about two sisters (Blanche and Stella) who find themselves sharing a small apartment in New Orleans with Stella’s volatile husband, Stanley. He doesn’t trust his wife’s sister and thinks there’s much more going on with her than she admits. Tensions rise as he becomes more distrustful and Blanche’s drinking, which she tries to conceal from them, becomes more and more problematic.

Andrews took a non-traditional approach to this production which was modern in look and feel and involved a set that was constantly in motion. Anderson earned rave reviews for her performance. Susannah Clapp, writing for The Guardian said of her performance:

“Gillian Anderson captures both Blanche’s airy pretensions to grandeur and her desolate loneliness. Her Blanche is a deeply sensuous, tactile woman whose natural instinct is to stroke Stanley’s hairy forearms or to provocatively disrobe in front of a flimsy curtain. But Anderson also conveys Blanche’s emotional solitude: she is especially fine in the scene with her nervous beau, Mitch, where you sense two helpless people desperately reaching out to each other.”

The Royal Ballet’s “Anastasia” (Photo by Tristram Kenton/©2016 ROH)

Anastasia – The Royal Ballet – Now – May 28th

The classic story of the young girl who may be Anastasia, the daughter of Tsar Nicholas II and the only person to survive the assassination of the Romanovs in 1918, was first turned into a one-act ballet by Kenneth MacMillan in 1967. Four years later he completed the full-length ballet set to music by Tchaikovsky and Bohuslav Martinu.

As part of their programming available for home viewing, The Royal Ballet has made this 2016 production of this ballet available for free streaming. Natalia Osipova dances the role of Anastasia. Christopher Saunders dances the role Tsar Nicholas II. Christina Arestis dances the role of Tsarina Alexandra Feodorova and Thiago Soares dances the role of Rasputin.

Cynthia Erivo (Courtesy of the Artist)

PBS Shows – Now – May 26th

Social media has been filled with posts about PBS making 20 Broadway musicals and/or concerts available for viewing through May 26th. A careful examination found that not all productions are available in all areas.

The following titles may be available regardless of where you live in the United States:

Annaleigh Ashford in Concert; Megan Hilty in Concert; Celebrating Sondheim; Leslie Odom, Jr. in Concert; A Broadway Celebration at the White House; Macbeth with Patrick Stewart; Alfred Molina in Red; Doubt from the Minnesota Opera and Cynthia Erivo in Concert.

Residents in these counties: NY: Bronx, Dutchess, Kings, Nassau, New York, Orange, Putnam, Queens, Richmond, Rockland, Suffolk, Sullivan, Ulster, Westchester; NJ: Bergen, Essex, Hudson, Hunterdon, Middlesex, Monmouth, Morris, Ocean, Passaic, Somerset, Sussex, Union, Warren; CT: Fairfield; PA: Pike have access to the following titles:

Buried Child with Ed Harris and Amy Madigan; Richard Thomas in Incident at Vichy; Bill Irwin and David Shiner in Old Hats; School Girls or, The African Mean Girls Play; Jay Sanders in Uncle Vanya and Kelli O’Hara in a New York Philharmonic concert of Rodgers & Hammerstein’s Carousel.

Sutton Foster in Concert seems to be an expired link.

Joseph Ziegler in “Timon of Athens” (Photo by Cell vo Tiedemann/Courtesy of Stratford Festival)

Timon of Athens – Stratford Festival – Now – June 11th

In this Shakespeare play, the title character starts off rather care-free. He’s generous to a fault which prompts his friends to take full advantage of that generosity. When suddenly he finds himself bankrupt, he also finds himself without those same friends. Disillusioned and bitterly disappointed, he leaves Athens and becomes a hermit.

Joseph Ziegler plays Timon in this 2017 production directed by Stephen Ouimette. Ben Carlson plays the philosopher Apemantus; Tim Campbell plays Timon’s friend Alcibiades and Michael Spencer-Davis plays Timon’s steward, Flavius.

This is part of Stratford Festival’s At Home series where each week a new production becomes available for streaming for three weeks. Still available are productions of Macbeth and The Tempest.

Anne-Sophie Mutter and Mutter Virtuosi (Photo © 2014 Nan Melville/Courtesy of Carnegie Hall)

Anne-Sophie Mutter: Mutter Virtuosi – May 22nd – May 24th

This 2014 Carnegie Hall concert by violinist Anne-Sophie Mutter found her leading the Mutter Virtuosi Ensemble and playing violin. The ensemble is comprised of young students and professional string players who are alumni of the Anne-Sophie Mutter Foundation. 

The program for this concert included: Bach’s Concerto for Two Violins, Strings, and Continuo in D Minor, BWV 1043; the US premiere of André Previn’s Concerto for Violin and String Orchestra (with two Harpsichord interludes); Vivaldi’s The Four Seasons and the Presto from Concerto in G Minor for Violin and Orchestra, RV 315 (L’estate) and Bach’s Air on the G String.

The program is available of Medici.tv and does not require membership. It is free.

Are you ready for more Best Bets at Home: May 22nd – May 25th?

Joyce DiDonato in The Royal Opera’s “Cendrillon” (Photo by Bill Cooper/©2011 ROH)

Cendrillon – The Royal Opera – May 22nd – June 4th

Of Jules Massenet’s best-known operas, his version of the Cinderella story isn’t top of the list. The opera had its world premiere in 1899 in Paris and features a libretto by Henry Caïn.

This 2011 Royal Opera production stars Joyce DiDonato as Cendrillon, Alice Coote as Prince Charming, Ewa Podlés as the Stepmother and Eglise Gutierrez as the Fairy Godmother.

Laurent Pelly directed this production. The orchestra is lead by Bertrand de Billy.

The company of SF Opera’s “Moby Dick” (Photo by Cory Weaver/Courtesy of SF Opera)

Moby Dick – San Francisco Opera – May 23rd

The next in the streaming productions from San Francisco Opera is Jake Heggie’s opera based on the Herman Melville novel no one wanted to read in high school. The libretto is by Gene Scheer. For those who might be worried, they have condensed this whale of a book into an opera that runs just shy of two-and-a-half hours.

Heggie, who is perhaps best known for his opera Dead Man Walking, was commissioned by the Dallas Opera, San Francisco Opera, Calgary Opera, San Diego Opera, and the State Opera of South Australia to write Moby Dick. The opera had its world premiere in Dallas in 2010. Reviews were overwhelmingly positive.

Jay Hunter Morris sings the role of the single-mindedly determined Captain Ahab. First mate Starbuck is sung by Morgan Smith and Queequeg is sung by Jonathan Lemalu. Interestingly, Ishmael, the narrator of the book, is not part of the opera.

Leonard Foglia directed this 2012 production (which was a San Francisco Opera premiere) and the orchestra is conducted by Patrick Summers.

This SF Opera production is available for viewing beginning at 1 PM EDT/10 AM PDT on Saturday, May 23rd through 2:59 AM EDT on May 25th/11:59 PM PDT May 24th.

Our Lady of 121st Street – LAByrinth Theatre Company – May 23rd

In the movie The Big Chill the characters talk about how there’s always great post-funeral bash. When friends of the family of Sister Rose show up at the funeral home in Our Lady of 121st Street, they can’t have that bash…until they find out who stole her body.

Don’t get carried away thinking this will be a riotous broad comedy. It comes from the mind of Pulitzer Prize-winning playwright Stephen Adly Guirgis. This dark comedy reveals what happens when life’s circumstances bring old friends back together who haven’t fully sorted out lingering issues nor overcome old wounds.

LAByrinth Theatre Company, who first premiered the play, will do a virtual reading with many of the members of the original off-Broadway cast on Saturday, May 23rd at 8 PM EDT/5 PM PDT. The reading will be available for viewing for 24 hours.

The reading will be directed by Elizabeth Rodriguez and feature eight members of the original Off-Broadway cast: Elizabeth Canavan, Liza Colón-Zayas, Scott Hudson, Russell G. Jones, Portia, Al Roffe, Felix Solis, and David Zayas. Joining them are Bobby Cannavale, John Doman, Laurence Fishburne, and Dierdre Friel. David Deblinger will read stage directions.

Glyndebourne’s “The Marriage of Figaro” (Photo by Alastair Muir/© Glyndebourne Productions Ltd.)

The Marriage of Figaro – Glyndebourne – May 24th – May 31st

Michael Grandage directed this 2012 production of the Mozart/DePonte opera at Glyndebourne in Sussex County, England. He updates the setting to the 20th century during the waning days of Franco’s regime in Spain.

The Marriage of Figaro is a comic opera in which Figaro and Susanna plan to get married. In order to do so, they must navigate the wandering hands and eyes of her employer, Count Almaviva.

The opera continues the story that was started in Rossini’s The Barber of Seville.

Figaro is sung by Vito Priante. Lydia Teuscher is Susanna and Isabel Leonard sings the role of Cherubino. The countess is sung by Sally Matthews and her husband, Count Almaviva, is sung by Auden Iverson. Robin Ticcati conducts the orchestra.

Grandage, best known for his work on stage (he’s a Tony Award-winner for directing the play Red by John Logan), made his debut as a director of operas with Billy Budd at Glyndebourne.

Angela Lansbury, Jerry Herman and Carol Channing (Courtesy of JerryHerman.com)

Lyrics and Lyricists – Jerry Herman: You I Like – May 24th – May 31st

The 92nd Street Y in New York is celebrating the 54th anniversary of the opening of Jerry Herman’s musical Mame at the Winter Garden with this concert from the Lyrics and Lyricists series celebrating the composer.

In addition to Mame, Herman’s musicals include Milk and Honey, Hello Dolly!, Ben Franklin in Paris, Dear World, Mack and Mabel, The Grand Tour and La Cage Aux Folles. Herman, who died in 2019, was the recipient of three Tony Awards and a Special Tony Award for Lifetime Achievement.

Participating in this concert (which took place earlier this year) are Tony Award-winner Cady Huffman, who made her Broadway debut in the original production of La Cage Aux Folles; Quentin Earl Darrington (who starred as Coalhouse Walker in the 2009 revival of Ragtime); Bryonha Marie Parham (Prince of Broadway); Andrea Ross (The Sound of Music) and Ryan Vona (Beautiful).

This concert was conceived and music directed by Andy Einhorn (Hello, Dolly! revival) and was directed by Huffman.

Jerry Herman: You I Like becomes available on May 24th at 7 PM EDT/4 PM PDT and will remain available through May 31st at 11:59 PM EDT/8:59 PM PDT.

Don’t forget you can also check out SFJazz’s Wayne Shorter Celebration Part 1 on May 22nd. The Metropolitan Opera offerings this weekend are Don Giovanni, Faust and Manon.

That’s it for this weekend’s Best Bets At Home: May 22nd – May 25th

Enjoy your long weekend!

Update: This post has been updated to correct the composer of The Barber of Seville as Rossini, not Mozart. Cultural Attaché regrets the error.

Main Photo: Gillian Anderson in A Streetcar Named Desire (Photo by Johan Persson/Courtesy of NT Live)

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Culture Best Bets at Home: May 15th – May 17th https://culturalattache.co/2020/05/15/culture-best-bets-at-home-may-15th-may-17th/ https://culturalattache.co/2020/05/15/culture-best-bets-at-home-may-15th-may-17th/#respond Fri, 15 May 2020 13:00:41 +0000 https://culturalattache.co/?p=9035 Eleven great choices for your weekend

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With each passing week it seems there are more and more offerings to keep culture in our lives. That’s one upside to our current situation. I have for you eleven new options and a reminder about two others I wrote about earlier this week. Here are your Best Bets at Home: May 15th – May 17th.

Cyril Nri and Kwami Odoom in “Barber Shop Chronicles” (Marc Brenner/Courtesy of National Theatre Live)

Barber Shop Chronicles – National Theatre Live – May 14th – May 21st

This play by Inua Ellams was incredibly popular. Barber Shop Chronicles had two sold-out runs at the National Theatre in London and then went on a world tour.

Ellams’ play takes place in six different cities on the same day: Lagos, Nigeria; Johannesburg, South Africa; Accra, Ghana; Kampala, Uganda; Harare, Zimbabwe and London, England.

What unites these locations is the relationship between barbers and their clients. What’s universal about them is they all serve as a safe haven for discussing what’s going on in the world.

This film of a 2018 performance features the original cast: Fisayo Akinade, Hammed Animashaun, Peter Bankolé, Maynard Eziashi, Simon Manyonda, Patrice Naiambana, Cyril Nri, Kwami Odoom, Sule Rimi, Abdul Salis, David Webber and Anthony Welsh. Barber Shop Chronicles was directed by Bijan Sheibani.

Martha Henry and Michael Blake in “The Tempest” (David Hou/Courtesy of Stratford Festival)

The Tempest – Stratford Festival – May 14th – June 4th

The second trilogy of Shakespeare’s plays from Canada’s Stratford Festival kicks off this week with The Tempest. This is the first of three plays in the “Isolation” trilogy that also includes Timon of Athens and Love’s Labour’s Lost.

Propsero (Martha Henry) and her daughter, Miranda (Mamie Zwettler), have been trapped on an island after her brother, Antonio (Graham Abbey), cast them out to sea. Once she was seated on the throne, now Propspero rules in exile over the island’s unique inhabitants. This includes the bizarre and monstrous Caliban (Michael Blake) and a spirit named Ariel (André Morin). With word that Antonio and Alonso, the King of Naples (David Collins) are at sea and not far away, she conjures up her powers to force a confrontation.

Antoni Cimolino directed this production of Shakespeare’s last solely written play.

Martha Argerich (Courtesy of Agence Artistique Jacques Thelen)

Martha Argerich/Orchestra dell’Accademia Nazionale di Santa Cecilia – May 15th – May 18th

The collaboration between Carnegie Hall and Medici.tv continues with this Carnegie Hall Fridays concert from 2017. The Orchestra dell’Accademia Nazionale di Santa Cecilia, under the direction of Sir Antonio Pappano, performs. Legendary classical pianist Martha Argerich joins for a performance of Prokofiev’s Piano Concerto No. 3.

The orchestra opens the program with a performance of Verdi’s Sinfonia from Aida. After Argerich’s performance the orchestra continues with a performance of Respighi’s Fountains of Rome and Pines of Rome.

Three encores are part of this program. Ravel’s Laideronnette: Impératrice des Pagodes from Ma mère l’oye is performed on one piano with four hands by Argerich and Pappano. It is safe to assume this encore took place immediately after the Prokofiev.

The remaining encores are Valse triste, Op. 44, No. 1 by Sibelius and the Allegro vivace from William Tell by Rossini.

The concert does not require a subscription to Medici.tv.

San Francisco Ballet’s “Hurry Up, We’re Dreaming” (Erik Tomasson/Courtesy of SF Ballet)

Hurry Up, We’re Dreaming – San Francisco Ballet at Home – May 15th – May 22nd

San Francisco Ballet is making filmed performances available for free streaming each Friday beginning at 3 PM EDT/12 PM PDT. This week’s offering is the 2019 production of Justin Peck’s Hurry Up, We’re Dreaming.

Set to the music of M83 (an electronic music ensemble headed by Anthony Gonzalez), Peck’s work finds the dancers dressed in street clothes and sneakers. Thematically Peck has said that Hurry Up, We’re Dreaming is about “how we dream as children, how we dream as young, coming-of-age adults, and how we dream as fully matured adults. I thought that would be an interesting thing to explore through dance.”

Peck, who is the acting Resident Choreographer of New York City Ballet, has created over 40 ballets. He won the Tony Award for his choreography for the 2018 Broadway revival of Carousel. He’s also the choreographer of Steven Spielberg’s upcoming remake of West Side Story.

Karen Pittman and Namir Smallwood in “Pipeline” (Photo by Jeremy Daniel/Courtesy of Lincoln Center Theater)

Pipeline – Lincoln Center Theater in partnership with BroadwayHD – May 15th – May 22nd

Dominique Morriseau’s play, Pipeline, is the second Lincoln Center Theater production to be available for viewing for free on Broadway HD. Last week’s The King and I was the first.

Pipeline refers to the pipeline that finds youth going from public school to to prison, a situation that disproportionately impacts minorities and underprivileged young men.

Morriseau is the writer of the Skeleton Crew, Detroit ’67 and the book for the musical Ain’t Too Proud. She depicts this situation through the eyes of a mother (Karen Pittman) trying her best to stave off what she fears is an inevitable outcome for her teenage son (Namir Smallwood) who is having issues in school. In the process she has to come to terms with her own decisions as a parent and challenge the very same institutions where she’s made her career as a teacher.

The rest of the cast in Pipeline includes Tasha Lawrence, Morocco Omari, Jaime Lincoln Smith and Heather Velazquez. Lileana Blain-Cruz directed this production.

Monsieur Periné at SF Jazz (Courtesy of SF Jazz)

Fridays at Five with Monsieur Periné – SF Jazz – May 15th

SF Jazz has launched a weekly online series called Fridays at Five. Every Friday afternoon they open up their archives of filmed performance to give happy hour a lift. This week’s performance features Colombian Gypsy jazz ensemble Monsieur Periné. This performance was the opening concert of the 2018 San Francisco Jazz Festival.

Monsieur Periné won the Latin Grammy Award for Best New Artist in 2015. They have received six additional Grammy nominations since then. Their albums are Hecho a Mano (2012), Caja de Musica (2015) and Encanto Tropical (2018).

As NPR says in the description of this Tiny Desk Concert, “Words don’t do this band justice. Play the video and discover Monsieur Periné’s magic for yourself.”

SF Jazz’s Fridays at Five are not free. They require either a monthly fee of $5 or $60 annually to view these concerts. Next week we will have a detailed preview of upcoming Friday at Five concerts.

Paulo Szot and the Chicago Children’s Chorus in Leonard Bernstein’s “Mass” (Photo by Patrik Gipson/Courtesy of Ravinia Festival)

Leonard Bernstein’s MASS – Great Performances on PBS – May 15th

Jacqueline Onassis commissioned Leonard Bernstein to write a new work for the opening of the Kennedy Center in Washington, D.C. Mass is that work and it had its world premiere in 1971.

This performance took place at the Ravinia Festival in Chicago. Marin Alsop, music curator for the Ravinia Festival 2018-2019 and conductor, music director for the Baltimore Symphony Orchestra leads the Chicago Symphony Orchestra.

Bernstein’s Mass tells the story of a celebrant who goes from being challenged by members of his congregation to having his own doubts about the role of faith in the world. The work employs a variety of styles including classical, Broadway, jazz, blues, rock, gospel and more. Assisting Bernstein in the creation of Mass was an up-n-coming composer named Stephen Schwartz (Wicked).

Heading the company as The Celebrant is opera singer and Tony Award-winning actor Paulo Szot (South Pacific).

This is one of my personal favorites amongst Bernstein’s compositions. It is a truly powerful and emotional, albeit messy at times, work. As with all PBS Great Performances broadcast, check your local listings for exact times.

WHEW! We’re halfway through your Best Bets at Home: May 15th – 17th.

Impro Theatre’s “L.A. Noir”/Courtesy of Impro Theatre

Impro Theatre – May 15th – May 17th – various times

Impro Theatre is a comedy/improvisation company that takes well-known genres or authors or playwrights and, with the audience’s help, creates completely improvised new works in those styles.

This weekend they are doing two live-streamed performances and will be streaming two archived performances. The schedule is as follows:

May 15th: 8pm PDT – The Main Company’s Chekhov UnScripted LIVE
May 16th: 7pm PDT – The Portal re-broadcast of a 2019 performance from the Impro Studio (this work is in the style of The Twilight Zone)
May 16th: 8pm PDT – The Main Company’s Jane Austen UnScripted LIVE
May 17th: 1pm PDT- The Main Company’s L.A. Noir UnScripted re-broadcast of 2016 performance from Los Angeles’ John Anson Ford Amphitheater

Joyce DiDonato in “The Capulets and the Montagues” (Cory Weaver/Courtesy of San Francisco Opera)

The Capulets and the Montagues – San Francisco Opera – May 16th – May 17th

You obviously know what story this is by its name. As the Capulets and the Montagues were the warring families in Romeo and Juliet. But rather than using Shakespeare’s play as the inspiration, librettist Felice Romani reworked the libretto he had written for another opera based on the star-crossed lovers by Nicola Vaccai entitled Giulietta e Romeo. That opera was based on an 1818 play by Luigi Scevola.

The Capulets and the Montagues was composed by Vincenzo Bellini and had its world premiere in Venice in 1830. It is a two-act opera with a small cast.

Romeo is sung by Joyce DiDonato; Giulietta by Nicole Cabell. Tybalt is sung by Saimir Pirgu. Eric Owens sings the role of Capellio, the father of Giulietta. Ao Li sings the role of Lorenzo, the physician to the Capulets.

This San Francisco Opera production comes from 2012 and was a co-prodution between SF Opera and Bavarian State Opera in Munich. Vincent Broussard directed. Riccardo Frizza conducted.

This is the second opera production made available for streaming by San Francisco Opera. It will become available at 1:00 PM EDT/10:00 AM PDT on Saturday and remain available until 2:59 AM EDT Monday/11:59 PM PDT Sunday.

Cellist Sheku Kanneh-Mason (Lars Borges/Courtesy of LACO)

Jaime, Sheku + Beethoven – May 16th – 11:00 PM EDT/8:00 PM PDT

The Los Angeles Chamber Orchestra will be streaming a 2016 performance of Beethoven’s Symphony #3 (Eroica) conducted by Thomas Dausgaard. This will be followed by a conversation between LACO’s Music Director, Jaime Martín, and cellist Sheku Kanneh-Mason. If his name isn’t immediately familiar, he performed at the wedding of Prince Harry and Meghan Markle.

Following the conversation, Kanneh-Mason will be joined by his sister, pianist Isata Kanneh-Mason, for a performance of the third and fourth movements of Rachmaninoff’s Sonata in G minor for Cello and Piano, Op. 19.

This event will conclude with a preview of Derrick Spiva Jr.’s Prisms, Cycles, Leaps Part III: “To Be a Horizon.”

There will be an encore performance of this entire event on Sunday, May 17th at 10 PM EDT/7 PM PDT.

“Face the Torrent” (Photo courtesy of the Music Center)

Malpaso Dance Company – May 17th – 5:00 PM EDT/2:00 PM PDT

This presentation is part of the Los Angeles Music Center’s Inside Look program. This particular event features members of the contemporary Cuban ensemble Malpaso Dance Company. During this streaming event interviews and conversations with Malpaso’s founders and leaders will be combined with a behind-the-scenes look at link between Cuban and American artists. There will also be an exclusive streamed performance of Face the Torrent.

Face the Torrent was commissioned by The Music Center where the work had its world premiere in 2017. Sonya Tayeh choreographed this work for eight dancers.

Laura Bleiberg, writing for the Los Angeles Times, of Face the Torrent. “Tayeh’s premiere took Malpaso to a much darker place, an unspecified inky, secret world of tension, whispers, quivering, fear and lineups. Karen Young’s beige and black costumes and designer Nicole Pearce’s dim lighting pierced by spots suggested dystopia. Ultimately, individuals endured, but oppression never went away.

If you are unable to catch this as it goes out live, it will be available on demand on the Music Center’s website for a limited time afterwards.

Reminder:

Don’t miss out on the opportunity to experience The Encounter by Simon McBurney.

Saturday has the reunion of the original Broadway cast of Grand Hotel at Feinstein’s/Studio 54.

That’s a wrap on your Best Bets at Home: May 15th – 17th

 Main Photo: Paulo Szot and company in Leonard Bernstein’s Mass (Photo by Patrick Gipson/Courtesy of Ravinia Festival)

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Culture Best Bets at Home: May 8th – 10th https://culturalattache.co/2020/05/08/culture-best-bets-at-home-may-8th-10th/ https://culturalattache.co/2020/05/08/culture-best-bets-at-home-may-8th-10th/#respond Fri, 08 May 2020 19:56:05 +0000 https://culturalattache.co/?p=8920 Want Shakespeare? Rodgers & Hammerstein? Opera? Broadway? It's all here.

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What would you like to see this weekend? Shakespeare? A classic musical? Opera? Live-reading of contemporary plays? An all-star concert? This weekend you can find it all and on Mother’s Day this Sunday there are also a couple special events. So without further ado, here are your Best Bets at Home: May 8th – 10th.

Ian Lake in “Macbeth” (Photo by David Hou/Courtesy of Straford Festival)

Macbeth – Stratford Festival – Now – May 28th

In their continuing series of providing films of 12 Shakespeare plays, Canada’s Stratford Festival is adding Macbeth to the list of available films this week.

This drama tells the story of a Scottish general who is told by three witches that he will ascend to the throne and be King of Scotland. The combination of his singled-minded pursuit of power and the assistance of his wife, Lady Macbeth, allows him to stop at nothing to become King.

Ian Lake plays the title character, Michael Blake is Macduff, Krystin Pellerin is Lady Macbeth, Scott Wentworth is Banquo and Sarah Afful is Lady Macduff. Antonio Cimolino directed the production.

Remember that King Lear with Colm Feore will be available for one more week. Coriolanus also continues for two weeks.

Sophie Okonedo and Ralph Fiennes in “Antony and Cleopatra” (Photo by Jason Bell/Courtesy of National Theatre Live)

Antony and Cleopatra – National Theatre Live at Home – Now – May 14th

If you love Shakespeare, but don’t want to spend time with Macbeth, you have another option. National Theatre Live begins live-streaming today their sold-out 2018 production of Antony and Cleopatra which starred Ralph Fiennes and Sophie Okonedo as the ill-fated couple.

In this historical love story, written by Shakespeare around 1606, Antony is smitten with Cleopatra, Queen of Egypt. Mark Antony, Octavius Caesar and Lepidus share the power to rule Rome, but hints of scandal and libelous stories lead to death and destruction.

Daniel Barenboim and the West-Eastern Divan Orchestra (Photo by Chris Lee/Courtesy of Carnegie Hall)

Daniel Barenboim Conducts the West-Eastern Divan Orchestra Carnegie Hall – Now – May 11th

In this Carnegie Hall concert from November 2018, Daniel Barenboim takes to the podium to conduct a program that includes Richard Strauss’ Don Quixote and Tchaikovsky’s Symphony No. 5. He and the West-Eastern Divan Orchestra are joined by soloists soloists Miriam Manasherov (violin) and Kian Soltani (cello).

The concert includes three encores: Saint-Saëns’ The Swan from The Carnival of the Animals, Elgar’s Nimrod from Enigma Variations, Op. 36 and finally Wagner’s Prelude to Act I of Die Meistersinger von Nürnberg.

These concerts become available at 3 AM EDT/12 AM PDT on May 8th for 72 hours.

Neil LaBute’s The Shape of Things – YouTube – May 8th

On Friday at 7:00 PM EDT/4:00 PM PDT, Lena Hall, Tim Realbuto, Katie Rose Clarke and Jonah Platt will do a live reading of Neil LaBute’s The Shape of Things. After the reading, LaBute will join for a Q&A.

In the play, Evelyn (Hall) attempts to change Adam (Realbuto) which leaves his friends Jenny (Clarke) and Phillip (Platt) concerned about how influential Evelyn is being and how beneficial that ultimately is for Adam.

This reading is a benefit for The Actors Fund. There is no charge to view this event, but they are suggesting a $5 donation.

Kelli O’Hara and Ken Watanabe in “The King and I” (Photo by Paul Kolnik)

The King and I – Broadway HD – May 8th

Beginning at noon 8 PM EDT/5 PM PDT, Broadway HD is making available a film of the 2015 Broadway Revival of the Rodgers and Hammerstein musical, The King and I. This production starred Kelli O’Hara as Anna Leonowens, Ken Watanabe as The King of Siam and Ruthie Ann Miles as Lady Thiang. Not only did O’Hara and Miles win Tony Awards for their performances, the production was awarded the Tony for Best Revival of a Musical.

Bartlett Sher directed this production which features such beloved songs as “Hello Young Lovers,” “Getting to Know You,” “Shall We Dance” and “Whistle a Happy Tune.”

Gruesome Playground Injuries – Red Line Productions YouTube Channel – May 8th

Saturday morning in Sydney, Australia, Red Line Productions will live-stream a reading of Rajiv Joseph’s Gruesome Playground Injuries with Rose Byrne and Ewen Leslie. With the time difference, this reading will be available at 8:30 PM EDT/5:30 PM PDT.

The play, which appeared in New York in 2011, tells the story of Kayleen and Doug, two friends who meet in school and are reunited over the course of three decades. That they turn out to be masochists is just one of the intriguing aspects of their personalities.

Joseph was a Pulitzer Prize finalist for his play, Bengal Tiger at the Bagdad Zoo. Amongst his other plays are Guards at the Taj and Describe the Night.

Ildar Abdrazakov in “Mefistofele” (Cory Weaver/Courtesy of San Francisco Opera)

Mefistofele – San Francisco Opera – May 9th

San Francisco Opera starts making filmed productions available this weekend with this 2013 production of Arrigo Boito’s Mefistofele, based on Goethe’s Faust. Boito is best known and the librettist for Verdi’s Simon Boccanegra, Otello and Falstaff.

SF Opera’s production starred Russian bass-baritone Ildar Abdrazakov in his staged role debut as the devil Mephistopheles, Mexican tenor Ramón Vargas as Faust and American soprano Patricia Racette in the dual roles of Margherita and Elena. The production was directed by Robert Carsen and conducted by Nicola Luisotti.

The opera had its world premiere in Milan in 1868 were it was not well-received. Seven years later a new production with significant changes by Boito, was more warmly received.

Mefistofele becomes available on May 9th at 1 PM EDT/10 AM PDT and will remain available for streaming until midnight the following day. San Francisco Opera is making additional productions available for streaming over the next few weeks. We will be including them in our weekend Best Bets at Home.

Bernadette Peters (Courtesy of Broadway.com)

Broadway Does Mother’s Day May 10th

The Broadway community continues to rally for its own with this Sunday afternoon concert that celebrates Mother’s Day and serves as a fundraiser for Broadway Cares. Broadway Does Mother’s Day begins at 3 PM EDT/12 PM PDT.

A partial list of those participating in the concert includes Annaleigh Ashford, Kate Baldwin, Laura Benanti, Betty Buckley, Liz Callaway, Carolee Carmello, Victoria Clark, Lea DeLaria, Beanie Feldstein, Harvey Fierstein, Victor Garber, Mandy Gonzalez, Jennifer Holliday, James Monroe Iglehart, Judy Kaye, Celia Kennan-Bolger, LaChanze, Brian Stokes Mitchell, Bernadette Peters and Vanessa Williams.

Cast members from the shows Ain’t Too Proud, Beetlejuice, Chicago, Come From Away, Company, Dear Evan Hansen, Diana, Girl from the North Country, Harry Potter and the Cursed Child, Jagged Little Pill, Mean Girls, Moulin Rouge!, Mrs. Doubtfire, Sing Street, Six and Tina: The Tina Turner Musical will appear in sketches and make special appearances.

Hershey Felder as Irving Berlin (Courtesy of Hershey Felder)

Hershey Felder as Irving Berlin – May 10th – 8 PM EDT/5 PM EDT

Unlike the other events listed on this page, Hershey Felder as Irving Berlin is not a free event. Felder has teamed up with theatres around the world to perform the show as a fundraiser for those theatres. Tickets are $50 per household and will allow access to the live performance for 72 hours. There is also a live talk-back after the performance.

Felder, who will be giving the performance in Florence, Italy, is known for his one-man shows celebrating various composers including George Gershwin, Leonard Bernstein, Beethoven, Chopin, Tchaikovsky and Debussy.

Berlin is the songwriter who gave us “Always,” “Blue Skies,” “Puttin’ on the Ritz,” “White Christmas” and “God Bless America.” He also wrote the musical Annie Get Your Gun.

The link above is to raise money for The Wallis Annenberg Center for the Performing Arts.

Those are our choices for your Best Bets at Home: May 8th – 10th. But we also want to remind you of a couple additional selections that we wrote about earlier this week.

Reminder:

Great Performances on PBS is airing on Friday the Los Angeles Philharmonic Centennial Concert from October 2019. It features conductors Zubin Mehta, Esa-Pekka Salonen and Gustavo Dudamel. Check your local listings.

The operas available this weekend from the Met Opera in New York are La Boheme from 1977 with Luciano Pavarotti and Renata Scotto on Friday; the documentary The Opera House on Saturday and Cavalleria Rusticana and Pagliaci on Sunday. Each program becomes available at 7:00 PM EDT/4:00 PM PDT.

Main Photo: Kelli O’Hara and Ken Watanabe in The King and I (Photo by Paul Kolnik/Courtesy of Lincoln Center Theatre)

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