Here are my Best Bets: October 28th – November 3rd:

JOAN – South Coast Repertory – Costa Mesa, CA – Now – November 24^th

Playwright Daniel Goldstein’s play, having its world premiere at SCR, is about Joan Rivers. The play looks at both the professional and personal life of the woman who made outrageous jokes and suffered enormous tragedies.

Tessa Auberjonois, who has appeared in nearly a dozen other productions at South Coast Rep, takes on the dual roles of Joan and Mrs. Molinsky. Andrew Borba plays multiple roles including Dr. Molinsky, Edgar Rosenberg and Johnny Carson. Elinor Gunn plays Melissa (her daughter) and Young Joan. Zachary Prince plays at least five roles including Jimmy, Blake, Harold and Chet.

David Ivers directs. Opening night is November 1^st. The show is recommended for audiences age 16 and older.

For tickets and more information, please go here.

A STREETCAR NAMED DESIRE – Frogtown area of Los Angeles – October 28^th – October 30^th/Venice, CA – November 1^st – November 3^rd

Tennessee Williams’ classic play has been performed more times around the world than one could possibly calculate. So there must be something unique about this production to warrant inclusion in our best bets. And there is.

Four actors, without a set or props, perform the unabridged text of A Streetcar Named Desire in unique locations. These are fully realized performances, not a reading. By all accounts of previous performances on the East Coast, this is a production not-to-be-missed.

Williams’ poetic language will be front and center in this production. Might it lead to a new understanding of Streetcar? There’s only one way to find out. 

Co-creator Lucy Owen plays Blanche DuBois. Brad Koed is Stanley Kowalski. Mallory Portnoy is Stella DuBois. James Russell plays Harold Mitchell. Co-creator Nick Westrate directs.

For tickets and more information for the Frogtown dates, please go here. For the Venice dates, please go here.

STRIKE UP THE BAND – MasterVoices – Carnegie Hall – New York, NY –  October 29^th

George and Ira Gershwin’s 1927 musical had a rocky start. It played in Philadelphia but didn’t make it to Broadway until 1930 when the original book, by George S. Kaufman, was revised by Morrie Ryskind. Many songs appear in both versions, but there are differences.

MasterVoices Artistic Director Ted Sperling has collaborated with writer Laurence Maslon to create a new version which combines “the best of the 1927 and 1930 version for the show.”

Joining MasterVoices are Shereen Ahmed, Phillip Attmore, Victoria Clark, Lissa deGuzman, Claybourne Elder, Christopher Fitzgerald, Bryce Pinkham and David Pittu.

This is precisely the kind of one night only events in New York that makes any serious fan of musical theater and/or the Gershwins wished they lived there.

For tickets and more information, please go here.

DÍA DE LOS MUERTOS WITH DUDAMEL – Walt Disney Concert Hall – Los Angeles, CA –  November 1^st – November 3^rd

Latin American music is on the program for these three concerts celebrating Día de Muertos. 

Brazilian composer Villa-Lobos’ Chôros No. 10, “Rasga o Coração” opens the concert. That is followed by Yanga by Gabriela Ortiz – a work that was commissioned by the LA Phil and had its world premiere performance in 2019.

The second half of the program, and my personal favorite, is La noche de los Mayas by Silvestre Revueltas.

Joining Gustavo Dudamel and the LA Philharmonic are the Tambuco Percussion Ensemble and the Los Angeles Master Chorale.

For tickets and more information, please go here.

LAND OF GOLD – PBS Great Performances – November 1^st (check local listings)

This is a behind-the-scenes documentary into the premiere of John Adams’ opera Girls of the Golden West which has a libretto by Peter Sellars. The premiere took place at San Francisco Opera in November 2017.

Appearing in this 90-minute documentary are Adams, Sellars and singers Paul Appleby, J’Nai Bridges and Julia Bullock.

The world premiere of any opera is a daunting task. This documentary allows viewers to get a sense of how demanding it is, particularly when you are putting a more honest spin on a part of history.

Check your local listings or go to PBS.org to watch Land of Gold.

That completes my Best Bets: October 28th – November 3rd. Enjoy your week!

Main Photo: Concept art for MasterVoices’ Strike Up the Band (Courtesy MasterVoices)

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December Songs is a song cycle inspired by great works by Franz Schubert, Robert Schumann and others. Since Yeston is best known as a Broadway composer and lyricist (Nine, Grand Hotel), the work wasn’t going to be a fully classical composition, nor was it going to be musical theater. Andrea Marcovicci gave the world premiere performance in 1991.

Clark sings the song cycle in a new PS Classics recording featuring a large orchestra led by Sperling and orchestrations by Larry Hochman. In listening to December Songs it is hard to believe it wasn’t written specifically for the Tony Award-winning Clark (The Light in the Piazza).

Recently I spoke via Zoom with two-time Tony Award winner Yeston about December Songs, its inspiration, Clark and more. What follows are excerpts from our conversation that have been edited for length and clarity. If you want to see the full interview, please go to our YouTube channel.

I want to start by asking you about something you told the New York Times in 2003 in an interview with Robin Pogrebin. You said, “I’m a man of infinite patience. I write things and sometimes they don’t see the light for years and years and years.” Accepting that point of view in 2003, it is 19 years later and December Songs is newly recorded with beautiful Larry Hochman orchestrations and you have Victoria Clark singing. Has your patience paid off as it relates to December Songs? 

Absolutely. Absolutely. And by the way, with 37 in the band. There are orchestras and then pit orchestras are one thing. 37 great professional New York musicians and some of them were almost on the verge of tears because they sounded so wonderful. The tears were we don’t get to do this much anymore because there’s electronic machines that create violins and things like that. You just don’t have that experience very much anymore. It was quite, quite thrilling. 

I was commissioned to write the December Songs by Carnegie Hall. They commissioned a whole bunch of people: a new symphony, a string quartet, a piano concerto and a cello concerto and I guess they decided to go slumming. They wanted a group of cabaret songs that had Andrea Marcovicci, which was wonderful. They commissioned me to write a series of what they thought were going to be cabaret songs or whatever I wanted to, which I thought was rather wonderful because this was a commission that I felt in some ways was supposed to honor and reference what Carnegie Hall had done for 100 years.

I thought I could do nothing better than to write a song cycle in the tradition of the great masters like Franz Schubert. I thought, if there’s anything I’ve ever learned to do, it’s try to learn from the great ones. So when I began to write December Songs I resolved that I would tell my story as inspired as I can by them. Another way of saying that is steal from the best. 

I’m going to write it for Andrea, a modern woman. Instead of wandering the snows of the Vienna woods [as in Schubert’s Winterreise] she’ll be wandering the snows of Central Park. And instead of losing her mind and descending and devolving into quasi-insanity, she’ll get over the guy. That was my guide. That was my task.

I wouldn’t care if it wasn’t even performed in my lifetime. I wrote it because I was so inspired and so on fire. I just feel so lucky that we did it. It’s been recorded about eight or nine times in English, once in French, once in Polish and once in German. And, of course, this wonderful performance by Victoria Clark, which I think is just for the ages. She’s extraordinary. 

It sounds like it was written for her. I can’t imagine anyone else – and I love Andrea Marcovicci. It is such a perfect blend of artist and material. 

Vicki and I have, of course, the most wonderful relationship. I was actually the director of undergraduate studies in music at Yale after I had gotten my Ph.D. and joined the faculty. For quite a number of years I was in charge of the music majors. I taught the introductory course in harmony counterpoint. Vicki and I go back to when she was in that class. What’s crazy about that is that three years of each other who else was in that class? Tommy Krasker who founded PS Classics. Ted Sperling, who was the conductor, was also in that class. So it’s like a reunion of me and Tommy and Vicki.

Victoria Clark is a perfect example of the intersection of classical music, popular music, and particularly musical theater, because she’s a genius actress. Vicki is the sort of person who can say “I am longing to be loved” as an actress and get infinite meaning every single time she says that phrase differently or sings that phrase differently. She is an exquisite dramatist. I know that from having had the pleasure of writing some of the funniest material in the world. In her performance of Mrs. Bean in Titanic, she’s just hilarious. At the same time she makes us cry because she’s in the middle class and her husband is just a businessman. All she wants to do is interact and rub elbows with the rich people and go to the big dances. She breaks your heart out of her yearning and longing to do it.

I don’t know if you subscribe to the adage that write what you know, but if write what you know is something that you believe, is there a part of you and your own experience that has informed what December Songs became? 

It was very helpful to know what Schubert had done and what Schumann had done and what Brahms has done. To see that and know I don’t want to do that. But I want to be in that family. I want this music to know that it comes from a tradition. One of the great things about tradition is that you have to move it forward. I knew that I would be doing that just by doing something new from my point of view. Also to be able to stretch every muscle I have, whether it’s got to sound more like a musical theater song sometimes or whether it’s going to be a theme in variations sometimes or even have a jazz influence. I didn’t care about that. What I cared about was to make the music right for this moment in the story and it will all work out. 

Every time I listen to it I feel like this isn’t just something that was written in 1991. This is something that could have been written today and that maybe there’s a greater emotional response to it because of what the last handful of years have been like. How does it resonate with you today?

I feel the same way about it. I don’t even feel like it sounds like it was written yesterday. I think it sounds like it was written tomorrow.

Regret is regret. Heartache is heartache. But at the same time, hope is hope and recovery is recovery. I don’t know who it was who said nothing moves me more than unrequited yearning. That hooks into my heart always, because it’s so characteristic of all of us. Sometimes we deeply yearn for something that we had and don’t have or that we can’t have. But there’s something about that sense of yearning. 

I feel like I’m on my own cutting edge of the future because the song cycle can bring everything to the table that a musical can. Whatever Broadway’s going through in terms of how much it costs and what you have to do and how you market it and all that stuff, there’s something about the world of pure composition in the form of a song cycle that attracts me and and gives me an opportunity just to do my work.

The luxury I had in December Songs was a blessed year to really think about it and to approach it, not merely as a dramatist, but as a composer and also as a composer who has been schooled by musicology about how did Beethoven do this? How does Schumann do this? So you learn from your betters and take great inspiration.

There’s an old music theory book from the 18th century. It takes the form of a great maestro who’s teaching a young composer. In one place in the book, the composer says, “Maestro, is borrowing permitted in music?” And Maestro says, “Yes. As long as you pay back with interest.” I think that’s my M.O. I borrow and learn where I can and try to pay back with interest by bringing something to it that wasn’t there before. I feel so strongly that my whole process of writing December Songs has been that. I think that’s why it feels kind of rich.

I want to conclude by asking you about who you are today and what you see for the future by paraphrasing one of the lyrics from the last song on December Songs. Maury, is it amazing to still be here and a relief for you as we near 2023? 

Unquestionably. We all live and we all go through relationships, broken relationships, new relationships, illnesses, recoveries from illnesses, disappointments in a career. Miracles happen to you in a career. Yes. It’s amazing to still be here. It really is.

I just feel like the 13-year-old who discovered that I could make up stuff. That part is perennially filled with wonder of it all. It never ceases to amaze me. I very rarely have a feeling of relief in having done something. What I feel is an inspiration. This whole experience with Vicki and December Songs with Larry and Ted and Tommy, it has just catapulted me with more inspiration to just launch into something else. So, yeah, I feel like Vicki feels at the end of it and I’m looking forward to the rest of my life and my career. 

To watch the full interview with Maury Yeston, please go here.

Main photo: Maury Yeston (Photo by Mark Seliger/Courtesy PS Classics)

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They include Jim Parsons in Harvey, jazz pianist Chano Domínguez (if you don’t know him, you should!), the pentulimate episode of Close Quarters from Los Angeles Chamber Orchestra and For the Record Live’s Brat Pack.

Here is the full list of our Best Bets: May 21st – May 24th:

*TOP PICK* – A Tribute to John Williams – Boston Pops – Now – June 19th

We showcased this concert in yesterday’s preview of our Best Bets. Here is the the top line. Composer John Williams and his music are celebrated in this concert by his one-time home, The Boston Pops. Keith Lockhart will be on the podium for this program of Williams’ film scores ranging from the well-known (Star Wars) to lesser-known tracks.

A special part of this program is the inclusion of interviews with Williams about many of these scores and his memories of creating them with filmmakers such as George Lucas and Steven Spielberg.

A 7-day pass is required to watch A Tribute to John Williams. Those passes are $9

PLAY: Harvey – Roundabout Theatre Company on Broadway on Demand – Now – June 13th

Mary Chase’s play about a man’s friendship with an invisible rabbit (who gives the play its name) first opened on Broadway in 1944 with Frank Fay in the role of Elwood P. Dowd. (Trivia note for theater buffs: Antoinette Perry, the woman for whom the Tony Award is named, was the director.)

A 1970 revival of the play starred James Stewart who starred as Elwood in the 1950 film classic.

It would be 42 years before Harvey would find its way back to Broadway. Jim Parsons (The Big Bang Theory) starred as Elwood with Jessica Hecht and Charles Kimbrough co-starring. This Roundabout Theatre Company production from 2012 is streaming for free on Broadway on Demand.

Charles Isherwood, in his New York Times review, hailed Parsons’ performance:

“The breakout star of the popular sitcom “The Big Bang Theory,” the soft-spoken Mr. Parsons makes an ideal Elwood, the drinker and dreamer who passes his days in the company of Harvey, doing little more than sitting around saloons making friendly conversation with whoever happens by. Mr. Parsons possesses in abundance the crucial ability to project an ageless innocence without any visible effort: no small achievement for an actor in these knowing times.

You will need to register to stream the play. After you do so you’ll receive streaming instructions.

BALLET: Swan Lake – San Francisco Ballet – Now – June 9th

When San Francisco Ballet debuted Helgi Tomasson’s new Swan Lake ballet, it was a runaway hit. Interest in this production was so intense that they sold out nearly every performance.

In the ballet, Odette is a princess turned into a swan by a sorcerer. Prince Siegfried falls in love with Odette. At night she turns back into her human form and it was upon seeing this transformation that the romance begins. Other spells and deception awaits the leads in Swan Lake. While love triumphs, it isn’t necessarily the happiest of endings, but it is certainly romantic.

Tchaikovsky’s music is still present, but it is Tomasson’s vision that was different after he updated the choreography by Lev Ivanov and Marius Petipa.

The cast for this streaming performance features Yuan Yuan Tan in the dual roles of Odette and Odile. Tiit Helimets dances the role of Prince Siegfried. Alexander Reneff-Olson dances the role of Von Rothbart and the Pas de Trois is performed by Dores André, Taras Domitro and Sasha De Sola. Martin West conducts.

Tickets are $29 which allows for 72 hours of access to Swan Lake.

PLAY READING: The Sisters Rosensweig – Spotlight on Plays on Broadway’s Best Shows – Now – May 24th

Jason Alexander, John Behlmann, Lisa Edelstein, Kathryn Hahn, Kathryn Newton, Tracee Chimo Pallero, Chris Perfetti and James Urbaniak star in a reading of Wendy Wasserstein’s play. The reading is directed by Anna D. Shapiro (Tony Award-winner for her direction of August: Osage County).

The Sisters Rosensweig opened at the Ethel Barrymore Theatre in 1993. This was her first Broadway play since wining the Tony Award and the Pulitzer Prize for The Heidi Chronicles.

The play depicts a reunion of three sisters who haven’t seen each other in years. Through the course of the play they come to understand that the bond of being sisters is more important than any of the reasons they’ve stayed apart.

Mel Gussow, in his review for the New York Times said of the play:

“Ms. Wasserstein’s generous group portrait is not only a comedy but also a play of character and shared reflection as the author confronts the question of why the sisters behave as they do. The immediate answer is that they are Rosensweigs and are only doing what is expected of them. The play offers sharp truths about what can divide relatives and what can draw them together.”

Wasserstein passed away in 2006 at the age of 55 due to complications of lymphoma.

Tickets are $18 which allows for repeated viewings through May 24th at 6:00 PM ET/3:00 PM PT. Proceeds benefit The Actors Funds, TDF Wendy Wasserstein Project and Steppenwolf Theatre Company.

JAZZ: Chano Domínguez – SFJAZZ – May 21st – 8:00 PM ET/5:00 PM PT

Spanish born pianist Chano Domínguez has long put postbop, flamenco and fusion influences together to create a wholly original approach to jazz music. In this concert from 2018, Domínguez celebrates the work of Miles Davis.

Joined by bassist Alexis Cuadrado, drummer Henry Cole, flamenco singer Blas Córdoba and dancer Daniel Navarro, Domínguez will offer his take on such classic Davis tracks such as So What, All Blues and Freddie the Freeloader from Davis’ 1959 classic album Kind of Blue.

The concert is streaming right around dinner time on the East Coast (8:00 PM) and happy hour on the West Coast (5:00 PM). As a wine pairing for this concert I suggest a crisp Albariño for those who prefer white wine and a dry Rioja for those who prefer red.

If you can’t make the Fridays at Five showing, there will be an encore presentation on Saturday, May 22nd at 1:00 PM ET/10:00 AM PT.

Tickets are $5 which includes a one month digital membership.

BROADWAY VOCALS: Elizabeth Stanley – Broadway Stories & Songs with Ted Sperling – May 21st – 8:00 PM ET/5:00 PM PT

I first saw Elizabeth Stanley in the 2006 revival of Stephen Sondheim and George Furth’s Company. Since then she’s appeared on Broadway in Cry-Baby, Million Dollar Quartet, the 2014 revival of On the Town and she was starring in Jagged Little Pill when the pandemic hit. That show, for which she was nominated for a Tony Award for Best Actress in a Musical, will re-open on October 21st.

Stanley is an amazing singer and one who performs songs in the truest sense of the word. She doesn’t just sing, she imbues them with whatever the song calls for: comedy, drama, pathos, etc..

She joins Ted Sperling for this weekend’s Broadway Stories & Songs with Ted Sperling. The show will first air at 8:00 PM ET/5:00 PM PT on Friday. It will also be rerun on Saturday at 2:00 PM ET/11:00 AM PT. The $25 ticket price allows you to view both showings.

CLASSICAL MUSIC: Shin, Reid + Britten – Los Angeles Chamber Orchestra – Debuts May 21st – 9:30 PM ET/6:30 PM PT

In this penultimate episode of LA Chamber Orchestra’s Close Quarters series, the music of Benjamin Britten and Pulitzer Prize winner Ellen Reid is performed along with the world premiere of Hyo by Peter S. Shin.

Shin was the recipient of the 2020/2021 Sound Investment Honor which finds donors investing in the creation of a new work and following its progress leading up to its premiere.

Les Illuminations by Britten is a 16-minute song cycle that had its world premiere in 1940. Joining LACO for this performance is soprano Nicole Cabell. She’s performed in opera houses around the world in Porgy and Bess, La Traviata, Don Giovanni and more.

Lumee’s Dream from Reid’s opera p r i s m is the last work on the program.

Dance is included in this episode with choreography by Rebecca Steinberg performed by Layne Paradis Willis and Joe Davis.

Visuals are by Jian Lee and the LACO is lead by Grant Gershon.

There is no charge to watch this show. If you haven’t look at the other 12 episodes in this ambitious and very satisfying series, I urge you to do so.

MUSICAL: Brat Pack – The Wallis Annenberg Center for the Performing Arts – May 21st – May 23rd

Don’t you forget about films like The Breakfast Club, Pretty in Pink, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off and more. You won’t be able to if you stream Brat Pack this weekend.

For the Record Live created a cottage industry of shows dedicated to the soundtracks from various films centered around individual directors. Amongst the most popular was their show celebrating John Hughes. That show serves as the inspiration for Brat Pack which tells the story of the high school experiences of the archetypal Basket Case, Geek, Jock, Mister and Rebel. Does that sound like a club with whom you might like to have breakfast?

Brat Pack was filmed live on stage at The Wallis with James Byous, Emily Lopez, Parissa Koh, Patrick Ortiz, Doug Kreeger and Kenton Chen. As with any For the Record Live production, they are accompanied by a killer band.

Tickets are $20 which allows for viewing all weekend long. One note of caution: the show does contain adult subject matter and language.

OPERA: Janáček’s The Cunning Little Vixen – Glyndebourne – May 23rd – June 6th

Vladimir Jurowski conducts; starring Emma Bell; Lucy Crowe, Sergei Leiferkus and Mischa Shelomainaksi. This Melly Still production is from the 2011-2012 season.

Leoš Janáček’s opera had its world premiere in Prague in 1924. The Cunning Little Vixen has a libretto by the composer based on a serialized novel by Rudolf Těsnohlídek called Liška Bystrouška.

In The Cunning Little Vixen a foster, while taking a nap, is taken by a young vixen to be her pet. Once she gets older she pursues a more independent life. The vixen gets mistaken for a gypsy girl and her life becomes a whirlwind she never expected.

We’ve covered literally hundreds of opera productions here at Cultural Attaché. I can say with absolute certainty that this is the first time we’ve offered up a production of Cunning Little Viven. This is not a commonly performed opera.

Fiona Maddocks, in her review for The Guardian, said of this production:

“Melly Still’s staging, designed with folkloric charm by Tom Pye and atmospherically lit by Paule Constable, wins enough plus points to balance out the minuses. The action is often chaotic and unfocused. There is no allowance made for the speed at which the text moves. Lacking the requisite fluency in Czech – feeble, I know – one had to cling on to the surtitles at the risk of missing the action. The shooting of the Vixen passed almost without notice, though this may be the point: another ordinary day in the genocidal war of man and beast.”

There is no charge to watch Cunning Little Vixen which will be available for streaming through June 6th.

BROADWAY FUNDRAISER: Broadway Barks – May 23rd – 7:00 PM ET/4:00 PM PT

This annual event supports the adoption of shelter animals. Broadway Barks was started by good friends Mary Tyler Moore and Bernadette Peters in 1998. Every year they have had in-person events where Broadway stars and shelter pets combine to entertain and find homes for the four-legged friends.

This is the second virtual edition and they have an incredible line-up:

Sebastian Arcelus, Annaleigh Ashford, Alec Baldwin, Christine Baranski, Bill Berloni, Stephanie J. Block, Carol Burnett, David Burtka, Victoria Clark, Glenn Close, Lily Collins, Harry Connick Jr., Sheryl Crow, Jason Danieley, Ted Danson, Ariana DeBose, Daveed Diggs, Gloria Estefan, Harvey Fierstein, Calista Flockhart, Whoopi Goldberg, Josh Groban, Kathryn Grody, Emmylou Harris, Neil Patrick Harris, Megan Hilty, James Monroe Iglehart, Hugh Jackman, Christopher Jackson, Allison Janney, Nathan Lane, Bob Mackie, Audra McDonald, Charlie McDowell, Brian Stokes Mitchell, Bebe Neuwirth, Mandy Patinkin, David Hyde Pierce, Randy Rainbow, Kelly Ripa, Chita Rivera, Lea Salonga, Phillipa Soo, and Mary Steenburgen. 

Peters will serve as the host.

Broadway Barks will stream on Broadway.com and Broadway Cares/Equity Fights AIDS’ Facebook and YouTube pages. 

Those are our Best Bets: May 21st – May 24th. As usual, a few reminders before we conclude:

Tales from the Wings: Celebrating Lincoln Center Theater with Patti LuPone, Audra McDonald and others remains available through Sunday, May 23rd only. Don’t miss it.

LA Opera’s Signature Series adds a recital by Julia Bullock on Friday to still available performances by Russell Thomas, Susan Graham and Christine Goerke.

Next week the fourth and final episode of Myths and Hymns from MasterVoices debuts. If you haven’t seen the first three episodes, take a look.

The Romero Quartet launches their 60th anniversary celebration with a streaming concert from Belly Up in Solano Beach on Sunday. For details and our interview with Pepe Romero, please go here.

The Metropolitan Opera productions streaming this weekend are the 2016-2017 season production of Verdi’s Nabucco on Friday; Donizetti’s Lucia di Lammermoor from the 1982-1983 season (with Joan Sutherland) on Saturday and the 1995 production of Tchaikovsky’s The Queen of Spades on Sunday. This will conclude the Unhinged Mad Scenes week.

Monday the Met begins Rare Gems week with a 2008-2009 season production of Massenet’s Thaïs. We’ll have the full line-up on Monday for you.

Lastly if you’ve read our interview with Isabel Leonard (and please do, she has a lot to say), you’ll remember that Saturday the Met streams Three Divas at 1:00 PM ET/10:00 AM PT featuring Leonard with Ailyn Pérez and Nadine Sierra.

That’s truly the end of our Best Bets: May 21st – May 24th.

I hope you have a great weekend. Enjoy the culture!

Photo: Keith Lockhart conducting the Boston Pops (Photo by Stu Rosner/Courtesy Boston Pops)

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With yesterday’s good news that those who are vaccinated can go around without masks with the exception of a few specified areas, it seems like only a matter of time before live events will come roaring back.

The question now is whether or not all the streaming events of the past 15 months will become a relic of the era or a regular part of our cultural experience. Only time will tell.

For now, there are still plenty of great programs available for viewing. Topping our list is MCC Theater’s Miscast 2021 Gala. There are two other gala events, a new musical reading, a vintage classical music concert, new music, a play reading and more.

Here are the Best Bets: May 14th – May 17th.

*TOP PICK* – Miscast 2021 – MCC Theater – May 16th – May 20th

Yesterday we posted a full preview of this event, but here’s what makes this show so entertaining: Broadway stars perform songs separately or with others they would never be cast to sing. For instance, Robert Fairchild sings this song from the musical Sweet Charity in a clip from last year’s “quarantine” edition of Miscast.

This year’s line-up includes Annaleigh Ashford (Sunday in the Park with George), Melissa Barrera (In the Heights), Gavin Creel (Hello, Dolly!), Robin de Jesús (The Boys in the Band), Renée Elise Goldsberry (Hamilton), Leslie Grace (In the Heights), Cheyenne Jackson (Finian’s Rainbow), Jai’Len Josey (SpongeBob SquarePants), LaChanze (Summer: The Donna Summer Musical), Idina Menzel (Wicked), Kelli O’Hara (Kiss Me, Kate), Billy Porter (Kinky Boots), Kelly Marie Tran (Raya and the Last Dragon), Aaron Tveit (Moulin Rouge) and Patrick Wilson (The Full Monty).

This is a free event, though donations are encouraged.

PLAY READING: Watch on the Rhine – Broadway’s Best Shows – Now – May 17th

Lillian Hellman’s Watch on the Rhine had its world premiere at the Martin Beck Theater on April 1, 1941. Her play tells the story of a German man, Mueller, married to an American woman, who is involved with anti-fascist causes in Europe. While visiting his wife’s relatives in Washington, D.C., another guest, also staying with the family, blackmails Mueller after discovering Mueller is planning to send money to aid underground operations in Germany.

For this reading as part of Spotlight on Plays, Ellen Burstyn, Alan Cox, Carla Gugino, Mary Beth Peil and Jeremy Shamos star in this reading directed by Sarna Lapine.

Tickets are $18 with the reading available for viewing through Monday at 6:00 PM ET/3:00 PM PT. Proceeds from the reading benefit The Actors Fund.

Trivia: Two years later a film version of Watch on the Rhine was released starring Bette Davis and Paul Lukas (reprising his role from Broadway). The film was nominated for four Academy Awards including Best Picture. Lukas won for Best Actor.

DANCE: Stephen Petronio Company – The Joyce Theater – Now – May 26th

There are five works being showcased in this new film by the Stephen Petronio Company, the New York-based dance company that was founded in 1984.

Two of the five pieces being performed are set to songs made famous by Elvis Presley: Are You Lonesome Tonight and Love Me Tender.

There are two versions of Are You Lonesome Tonight being performed. Love Me Tender was originally performed in 1993 in a collaboration with artist Cindy Sherman.

New Prayer For Now (Part 1) has its debut in this film. Petronio was inspired by Balm in Gilead and Bridge Over Troubled Water when creating New Prayer…. Monstah Black (who is also a dancer and choreographer in addition to being a musician) composed the music and performs with the Young People’s Chorus of New York City.

The program wraps up with a new version of Group Primary Accumulation by Trisha Brown and Pandemic Portraits, a film by Dancing Camera.

Tickets are $25.

CLASSICAL MUSIC: Berlin Philharmonic 1967 – Carnegie Hall – May 14 – May 21st

Herbert von Karajan leads the Berliner Philharmoniker in a performance of Tchaikovsky’s Piano Concerto No. 1 with soloist Alexis Weissenberg.

This is amongst the most popular concerti in the world. But if Weissenberg’s name isn’t familiar to today’s audiences, this quote from his obituary by Maraglit Fox in the New York Times defines his reputation:

“Mr. Weissenberg possessed a technical prowess rivaled by few other pianists. The ice of his demeanor at the keyboard (he sat, leaned forward and got down to business, playing with scarcely a smile or grimace) was matched by the fire that came off the keys.” (Weissenberg passed away in 2012.)

There is no charge to watch this performance. This is the first of a new series Carnegie Hall Selects featuring performances by artists who played major roles in the 130-year history of the venue.

BROADWAY VOCALS: Jose Llana: Broadway Stories & Songs with Ted Sperling – May 14th – 8:00 PM ET/5:00 PM PT

Broadway star Jose Llana is Ted Sperling‘s guest for Broadway Stories & Songs. Llana has been seen in The King and I, Rent, Street Corner Symphony, Flower Drum Song, The 25th Annual Putnam County Spelling Bee and Wonderland on Broadway.

I first saw him in Flower Drum Song at the Mark Taper Forum. I also saw him in the incredible show Here Lies Love at the Public Theater.

He also performed Adam Guettel’s song cycle Saturn Returns (later renamed Myths and Hymns) which is where he and Sperling first worked together.

If you can’t see the show on Friday, there is an encore showing scheduled for May 15th at 2:00 PM ET/11:00 AM PT. Tickets for either showing are $25. You can watch the show a second time if you buy tickets for the Friday night showing.

JAZZ: Robert Glasper: Everything’s Beautiful – SFJAZZ – May 14th – 8:00 PM ET/5:00 PM PT

This 2018 concert found innovative musician/composer Robert Glasper putting his own spin on works by Miles Davis for his album Everything’s Beautiful. Glasper’s music was featured in Don Cheadle’s film Miles Ahead from 2015.

If you don’t know Glasper or his work, he’s one of the most interesting artists working in jazz today. He’s also collaborated with Erykah Badu, Herbie Hancock, Kendrick Lamar, Ledisi and Jill Scott.

Joining Glasper in this performance are vocalist Bilal; Michael Severson on guitars; Burniss Travis on bass and Justin Tyson on drums.

If you can’t watch Friday night’s showing that is part of SFJAZZ’s Fridays at Five series, there is an encore showing on Saturday, May 15th at 1:00 PM ET/10:00 AM PT. Tickets require either a one-month digital membership for $5 or a $50 annual digital membership.

MUSICAL: Breathe: A New Musical – May 14th – July 9th

Playwright Timothy Allen McDonald (Roald Dahl’s Willy Wonka) and novelist Jodi Picoult (The Book of Two Ways) have teamed up for this new musical suite that features interlocking stories of five different couples navigating their way through the Covid pandemic and its impact on their lives.

The songs were written by Doug Besterman (The Big One-Oh!), Zina Goldrich (Ever After), Marcy Heisler (Hollywood Romance), Kate Leonard (Ratatouille: The TiKTok Musical), Douglas Lyons (Peter, Darling), Daniel J. Mertzlufft (Ratatouille: The TikTok Musical), Rebecca Murillo (Credence & Cecilia), Ethan Pakchar (Five Points), Rob Rokicki (The Lightning Thief: The Percy Jackson Musical) and Sharon Vaughn (My Heroes Have Always Been Cowboys).

Appearing in this online musical are Tony Award winners Kelli O’Hara and Brian Stokes Mitchell along with Denée Benton (Hamilton), Rubén J. Carbajal (Hamilton), Max Clayton (Moulin Rouge), Josh Davis (Beautiful: The Carole King Musical), Colin Donnell (Anything Goes), Matt Doyle (the upcoming revival of Company), Patti Murin (Frozen), T. Oliver Reid (Hadestown), and Daniel Yearwood (Once on This Island).

Tickets are $25 to watch Breathe. If you want to join the official opening night on Friday, May 14th at 8:00 PM ET/5:00 PM PT, those tickets are $40 and includes an post-premiere cast party and a download of the music from the show.

CONTEMPORARY SONG CYCLE: Dorothea – CAP UCLA – Debuts May 15th – 10:00 PM ET/7:00 PM PT

Ted Hearne, one of our most fascinating and interesting composes, has created a song cycle inspired by the poetry of Dorothea Lasky.

Lasky is an acclaimed poet who told the LA Review of Books, “I do believe it’s better not to be safe in your poems.” As a composer, Hearne also doesn’t play it safe.

They both are utterly compelling. This combination should double down on that and prove to be very exciting to watch.

Hearne was a Pulitzer Prize finalist for his 2018 composition Sound From the Bench. Both Los Angeles Opera and San Francisco Opera performed his opera The Source about Chelsea Manning.

Hearne will be singing vocals in this performance. Joining him are Eliza Bagg on vocals and synths; Ashley Bathgate on cello; Nathan Koci on piano/keyboards; Diana Wade on viola; Ron Wiltrout on drums and Ayanna Woods on bass.   

There is no charge to watch Dorothea. Donations to CAP UCLA are encouraged.

CLASSICAL MUSIC: Nadia Sirota, Gabriel Cabezas and Rob Moose – The Phillips Collections – Debuts May 16th – 4:00 PM ET/1:00 PM PT

Johann Sebastian Bach’s Trio Sonata No. 6 in G Major, BWV 530 serves as the foundation for this performance by violist Nadia Sirota, cellist Gabriel Cabezas and violinist Rob Moose.

The concert will begin and end with a movement from the sonata with a third movement at the halfway point.

Interspersed amongst the concert are works by three of today’s most interesting contemporary composers: Marcos Batler, Missy Mazzoli and Nico Muhly.

Sirota is also the music producer for Los Angeles Chamber Orchestra’s Close Quarters series.

There is no charge to watch this performance, however registration is required. The program will remain available for viewing through May 22nd.

PLAY READING: Sejanus, His Fall – Red Bull Theater – Debuts May 17th – 7:30 PM ET/4:30 PM PT

New York’s Red Bull Theater will present a new adaptation of Ben Johnson’s 17th-century play Sejanus, His Fall on Monday night. The adaptation is by Nathan Winkelstein, who also directs.

The play depicts a power struggle between Tiberius, the Emperor of Rome and Sejanus, his right-hand man. Sejanus covets being the emperor. Tiberius has no desire to make that a possibility. Factions line up behind each man and the power struggle begins with all of our own contemporary issues surrounding politics and power at play.

Participating in the reading are: Shirine Babb (Harry Potter and the Cursed Child), Grantham Coleman (The Great Society), Keith David (Seven Guitars), Manoel Felciano (To Kill a Mockingbird), Denis O’Hare (Assassins), Matthew Rauch (Junk), Liv Rooth (To Kill a Mockingbird), Laila Robins (Heartbreak House), Stephen Spinella (Angels in America), Emily Swallow (High Fidelity), Raphael Nash Thompson (The Red Letter Plays), Tamara Tunie (Radio Golf) and James Udom (The Rolling Stone).

Tickets are pay what you can with proceeds going to Red Bull Theater.

CONCERT/GALA: Stand Up, Stand Strong – Covenant House – May 17th – 8:00 PM ET/5:00 PM PT

Sara Bareilles, Stephanie J. Block, Jon Bon Jovi, Zach Braff, Terron Brooks, Rachel Brosnahan, Stephen Colbert, Charlie Day, Darius De Haas, Ariana DeBose, Mary Elizabeth Ellis, Morgan Freeman, Jon Hamm, Adrianna Hicks, James Monroe Iglehart, Capathia Jenkins, Jewel, Jeremy Jordan, Amanda Kloots, Ames McNamara, Laurie Metcalf, Lin-Manuel Miranda, Brian Stokes Mitchell, Abby Mueller, Alex Newell, Desus Nice and The Kid Mero, Kelli O’Hara, Laura Osnes, Dolly Parton, Jo Ellen Pellman, Ben Platt, Jason Ralph, Ryan Reynolds, Chita Rivera, Robin Roberts, Aliza Russell, Keala Settle, Tony Shalhoub, Meryl Streep, Ana Villafañe, Dionne Warwick, Marlon Wayans, Frank Wildhorn, Vanessa Williams, Daniel Yearwood and more will join co-hosts Audra McDonald and John Dickerson for this annual fundraiser for Covenant House.

The organization provides shelter for homeless youth living on the streets. They have helped more than one million youth since their inception more than 40 years ago.

This gala fundraiser will offer music, stories and more. There is no charge to watch the show, however donations are encouraged. For a list of the many ways you can watch Stand Up, Stand Strong, please go here.

VOCALS/STORIES: Jim Caruso’s Pajama Cast Party – May 17th – 8:00 PM ET/5:00 PM PT

Though Jim Caruso has multiple guests for this Monday’s 58th episode of Pajama Cast Party, I can sum up the reason to tune into this particular episode with two words: Marilyn Maye.

That’s the official list of Best Bets: May 14th – May 17th. Here are also a few reminders:

Lincoln Center Theater’s Tales from the Wings, which we previewed here, will remain available through Monday, May 17th. This is a must for theater fans.

The Los Angeles Philharmonic debuts Chamber Music: Piazzolla in their Filmed at the Ford series. You can find details here.

This weekend’s offering from the Metropolitan Opera include the documentary The Audition on Friday; Rossini’s Il Barbiere di Siviglia from the 2014-2015 season on Saturday and Donizetti’s Roberto Devereux from the 2015-2016 season on Sunday.

Sunday will also be the finals of the National Council Auditions at the Met at 3:00 PM ET/12:00 PM PT.

Monday begins Week 62 at the Met where the theme is Unhinged Mad Scenes. The first production being streamed is the 2006-2007 season production of Bellini’s I Puritani with Anna Netrebko.

There are just two weeks left to see Sutton Foster’s Bring Me to Light. You can find details in our preview here.

There you have a jam-packed list of Best Bets: May 14th – May 17th.

Enjoy your weekend and enjoy the shows!

Photo: Renée Elise Goldsberry (Photo by Justin Bettman/Courtesy MCC Theater)

The post Best Bets: May 14th – May 17th appeared first on Cultural Attaché.

Indirectly celebrating this natal day are multiple options that fall under the category of a line from Hamlet, “The play’s the thing.” Beyond the Shakespeare options are five other plays.

If you want funky jazz, contemporary classical music, operas from Europe or modern dance, I’ve got that for you as well. They’re all so good, I can’t make one of them the top pick.

In As You Like It, these famous words are said, “All the world’s a stage and all the men and women merely players.” So in this spirit of this weekend’s Academy Awards, the nominees for great players in Best Bets: April 23rd – April 26th are:

THEATER: Neat – Manhattan Theatre Club – Now – April 25th

Charlayne Woodard’s one-person show Neat opened at New York City Center in a Manhattan Theatre Club production in 1997.

Lawrence Van Gelder, writing for the New York Times, said of Woodard’s play, “Ms. Woodard sings, she dances, but most of all she tells good stories, bringing them to life in ways that are poignant.”

Woodard revisits the work in this prevention as part of MTC’s Curtain Call series. The great thing is you can see this wonderful play and performance for free. All you have to do is register. But act quickly, the run ends on Sunday, April 25th.

DANCE: Digital Program 5 – San Francisco Ballet – Now – May 12th

Three archival performances make up this program from San Francisco Ballet. They include 7 for Eight from 2016 and Anima Animus and Snowblind from 2018.

Helgi Tomasson is the creator of 7 for Eight which is set to the music of Johann Sebastian Bach. David Dawson is the choreographer of Anima Animus which is set to music by Ezio Bosso. Cathy Marston is the choreographer of Snowblind which uses music by Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt.

Tickets are $29 and allow for 72 hours of access to the program.

PLAY READING: Two Sisters and a Piano – New Normal Rep – Now – May 23rd ART IN AN EMAIL

Playwright Nilo Cruz is best-known for his Pulitzer Prize winning play Anna in the Tropics from 2002. Three years prior to that success he premiered Two Sisters and a Piano.

The play tells the story of two sisters under house arrest in Cuba in 1991. One sister is an author and the lieutenant keeping track of their case has fallen in love with her. The other is a pianist who finds her piano tuner falling head over heels for his client.

Cruz has directed a new reading of Two Sisters and a Piano with Jimmy Smits (Anna in the Tropics); Florencia Lozano (Rinse, Repeat), Gary Perez and Daphne Rubin-Vega (both of whom appeared in Two Sisters and a Piano at The Public Theater.)

In A.D. Amorosi‘s review of this reading for Variety, he says, “Cruz’s playful poetic language, even at its most harshly politicized, and his easy direction allow his actors a delicious freedom. Even when its characters are not free, enclosed in one cramped apartment with nothing but mangoes, rice and the occasional rum shot (and despite the virtual limitations of a laptop’s viewing screen), Two Sisters and a Piano is as open as a Havana landscape, with all of its flavors, scents and sensory overloads at full tilt.”

Tickets are $25 with $10 tickets available for students.

PLAY: The Royale – Private Reels: From the LCT Archives on Broadway on Demand – Now – May 16th

Real life boxer Jack Jackson (the first African-American world heavyweight champion) serves as the inspiration for the story of Jay “The Sport” Jackson in Marco Ramirez’s 2016 play The Royale. (He was also the inspiration for The Great White Hope).

The story is told in six rounds.

Rachel Chavkin, Tony Award-winner for Hadestown, directed this production. Starring are McKinley Belcher III (the 2020 revival of A Soldier’s Play), Khris Davis (Sweat), Montego Glover (Tony nominee for Memphis), John Lavelle (Catch-22) and Clarke Peters (Five Guys Named Moe).

As Ben Brantley said in his rave New York Times review, “…the great subject of The Royale, which has been given such original and graceful theatrical form, is the selfish single-mindedness required of champions, and the repercussions such a focus has when it’s exercised by a black man in a white man’s world.” 

There is no charge to watch The Royale, but you will have to register with Broadway on Demand.

THEATER: An Iliad – A Noise Within – Now – May 16th

Easily one of the most challenging and rewarding experiences I’ve had seeing a play was when I attended Denis O’Hare and Lisa Peterson’s An Iliad at the Broad Stage in Santa Monica. It’s a powerful work that is inspired by Homer’s Iliad.

This play, specifically called An Iliad because it isn’t the Iliad, calls for just one actor and a cellist and that actor has to be completely on top of his/her game.

A Noise Within is offering streaming performances of An Iliad with co-founder Geoff Elliott and actress Deborah Strang alternating performances. Joining them as both composer and cellist is Karen Hall. Julia Rodriguez-Elliott directs.

The link in the title will take you to the website so you can see which actor is performing in each performance. Tickets, which are $25 for an individual and $40 for a family, must be reserved a minimum of two hours before each performance.

To see what Denis O’Hare had to say about the show, check out my 2014 interview with him here.

OPERA: Jules Massenet’s Manon – Wiener Staatsoper – April 22nd – 1:00 PM EDT/10:00 AM

Conducted by Frédéric Chaslin; starring Nina Machaidze, Juan Diego Flórez and Adrian Eröd. This Andrei Serban production is from 2019.

Massenet’s opera was composed in 1883 and had its world premiere in January of 1884 in Paris. The libretto is by  Henri Meilhac and Philippe Gille.

They based the opera on the 1731 Abbé Prévost novel, L’histoire du chevalier des Grieux et de Manon Lescaut.

A young woman from a small town has an intense desire to lavish herself with all the riches and pleasures life has to offer her. But life doesn’t always work out the way we want. Sounds like a story that could be written today.

This is the first of Vienna State Opera’s productions I’ve included in our listings. Very much like the Metropolitan Opera, they offer a different production each day. There is no charge to watch the productions, but you do need to register on their website. Each production will be available for 24 hours.

MUSICAL: A Letter to Harvey Milk – Now – April 25th

The creators of this musical, Jerry James, Laura I. Kramer, Ellen M. Schwartz and Cheryl Stern were inspired by a short story of the same name by Lesléa Newman. A Letter to Harvey Milk opened off-Broadway in 2018 at the Acorn Theatre in New York.

The setting is San Francisco in the mid 1980s. Harry, a kosher butcher who has retired and is also a widower, is given an assignment to write a letter to someone who is dead. He chooses California politician Harvey Milk – the first openly gay politician elected in California who was later assassinated by Dan White in 1978. But why?

Members of the original cast has reunited for this streaming production. They include Adam Heller, Julia Knitel, Cheryl Stern who are joined by Michael Bartoli, Jeremy Greenbaum, Aury Krebs and Ravi Roth. Evan Pappas directs.

Tickets range from $10 – $50 with proceeds going to The Actors Fund and HIAS. All tickets purchased will allow viewing of the musical through Sunday, April 25th at 11:59 PM EDT/8:59 PDT.

SHAKESPEARE: Shakespeare Sonnet Slam – Gingold Theatrical Group – April 23rd – 6:00 PM EDT/3:00 PM PDT

Happy Birthday William Shakespeare. You don’t look a day over 450. The Gingold Theatrical Group is celebrating by holding a virtual open mic where Shakespeare’s sonnets or other material based on or inspired by the Sonnets will be performed. Everyone is invited to participate and you have three minutes to give it your all.

Joining in this celebration are Stephen Brown-Fried, Robert Cuccioli, Tyne Daly, George Dvorsky, Melissa Errico, Alison Fraser, Tom Hewitt, Daniel Jenkins, John-Andrew Morrison, Patrick Page, Maryann Plunkett, Tonya Pinkins, Laila Robins, Jay O. Sanders, Renee Taylor, Jon Patrick Walker and more.

You’ll have to come up with your own take on the Sonnets, but this is a free party! You can find the Shakespeare Sonnet Slam on Gingold Theatrical Group’s Facebook page.

CONTEMPORARY CLASSICAL MUSIC: Sonic Shift – Los Angeles Chamber Orchestra – Premieres April 23rd at 9:30 PM EDT/6:30 PM PDT

Composer Jessie Montgomery has curated this new episode of LA Chamber Orchestra’s Close Quarters series. On the program are works by composers Marcos Balter, Anna Meredith and Alyssa Weinberg. Each work explores the progression from acoustic music to electronic and electro-acoustic music with an emphasis on the wind section.

Will Kim provides the visuals that accompany the performance which is lead by Christopher Rountree of Wild Up! Nadia Sirota is the music producer.

This is the first of two Close Quarters episodes curated by Montgomery. I recently interviewed her about working with LACO. You can read that interview here.

There’s no charge to watch this performance. Donations are encouraged.

CHAMBER MUSIC: Neave Trio – Asheville Chamber Music Series – April 23rd – April 25th – Art in an EMAIL

Pianist Eri Nakamura, cellist Mikhail Veselov and violinist Anna Williams are the members in Neave Trio. Following on the heels of their 2019 album Her Voice, which featured female composers, their concert this weekend as part of the Asheville Chamber Music Series will also showcase female composers.

On the program is the Trio No. 1, Op. 33 by Louise Farrench; Rebecca Clarke’s Piano Trio and Cécile Chaminade’s Piano Trio No. 1, Op. 11.

Perhaps none of these composers is familiar to you. They aren’t to me. But Neave Trio’s passion for this lesser-known music makes this concert utterly compelling.

There are three performances: Friday, April 23rd at 7:30 PM EDT/4:30 PM PDT; Saturday at 7:30 PM EDT/4:30 PM PDT and Sunday at 3:00 PM EDT/12:00 PM PDT.

You can watch this concert for free, but donations are encouraged.

JAZZ: Sun Ra Arkestra – SFJAZZ – April 23rd – 8:00 PM EDT/5:00 PM PDT

The name Herman Poole Blount probably doesn’t mean anything to you. But if told that was the birth name of Le Sony’r Ra who would later become known as Sun Ra, you might have a better idea who he was.

Experimental, free and avant-garde jazz was his specialty. It was always performed best by the Sun Ra Arkestra.

After Sun Ra’s death in 1993, alto saxophonist Marshall Allen starting leading the ensemble. As he does in this concert at SFJAZZ from 2017.

To get a sense of what might be in store for you in this Fridays at Five concert, here are some of the songs being performed: Space Loneliness, Saturn, Angels and Demons at Play and Space is the Place. It’s going to be trippy.

And you can take that trip for $5 (which offers one full month of digital membership or $60 (which includes a one year digital membership.)

There is an encore showing on April 24th at 1:00 PM EDT/10:00 AM PDT.

PLAY: Romeo and Juliet – Great Performances on PBS – April 23rd – Check Local Listings

You don’t expect just some stand-up sonnets for Shakespeare’s birthday, do you? Of course not. Let’s throw in some tragedy. As in the tragic love story of them all – Romeo and Juliet.

The National Theatre created this film which maneuvers its way from rehearsal into and around the Lyttleton Theatre. The cast are stuck in a theater that has shut down and act out the story of the Capulets and the Montagues.

Starring as the title characters are Josh O’Connor and Jessie Buckley. The cast also includes Fisayo Akinade, Ella Dacres, Deborah Findlay, Tamsin Greig, Ellis Howard, Lloyd Hutchinson, David Judge, Adrian Lester, Lucian Msamati, Alex Mugnaioni, Shubham Saraf and Colin Tierney. Simon Godwin is the director.

As with any show on PBS, I’d advise checking your local listings for exact airdate and time in your part of the country.

OPERA: Mozart’s Die Zauberflöte – Wiener Staatsoper – April 24th – 1:00 PM EDT/10:00 AM PDT

Conducted by Adam Fischer; starring Benjamin Bruns, Olga Bezsmertna, Íride Martínez, Markus Werba and Annika Gerhards. This Moshe Leiser and Patrice Caurier production is from 2015.

Mozart’s opera premiered in September 1791 in Vienna a mere two months before the composer died. It features a libretto by Emanuel Schikaneder.

Prince Tamino is asked by the Queen of the Night to free her daughter Pamina from Sarastro. Tamino, however, is impressed with Sarastro and the way his community lives in the world and wants to be a part of it. Both alone and together Tamino and Pamina endure multiple tests. If they succeed, what will happen to them? To the Queen of the Night?

MONOLOGUES: Whispers International – April 24th – 2:00 PM EDT/11:00 AM PDT

As you know, there was a massive blast in Lebanon on August 4th of last year. Almost 200 people were killed and over 6,000 people were injured.

Whispers International was created to raise money for the victims and to help in the rebuilding of the area around the blast site.

British playwrights Geraldine Breenna, Mike Elliston, Kim Hardy, Angela Harvey, John Jesper and Kate Webster have made their writing available to a company of Lebanese actors to perform.

Those actors are Nadine Labaki, Georges Khabbaz, Nada Abou Farhat, Talal El Jurdi, Bernadette Houdeib, Rita Hayek, Badih Abou Chacra, Dory Al-Samarany, Bshara Atallah, Sany Abdul Baki, Josyane Boulos, Agatha Ezzedine and Hagop Der Ghougassian 

Tickets are £13.52 which at press time equals approximately $18.75.

OPERA: Humperdinck’s Hänsel und Gretel – Weiner Staatsoper – April 25th – 1:00 PM EDT/10:00 AM PDT

Conducted by Christian Thielemann; starring Ileana Tosca, Daniela Sindram, Adrian Eröd, Janina Baechle, Michaela Schuster, Annika Gerhards

The Grimm brother’s fairly tale about a brother and sister who are lured to a house with sweets and candies only to find a witch who wants to eat the duo is the basis for this opera that had its debut in 1893 in Weimar. Richard Strauss conducted the premiere. A second production the next year in Hamburg was conducted by Gustav Mahler. Adelheid Wette, Humpderdink’s sister, wrote the libretto.

Hansel and Gretel has the distinction of finding much of its popularity not just through opera houses, but on the radio. It was the first opera broadcast on the radio in Europe when a 1923 Covent Garden production was heard over the airwaves. Eight years later in 1931, it became the first ever opera broadcast in its entirety by the Metropolitan Opera.

The opera is commonly seen and heard during the Christmas season. An odd choice, but librettist Adelheid Wette did soften some of the harsher elements found in the original Grimm tales for her brother’s opera.

CABARET: Mandy Gonzalez – Seth Concert Series – April 25th – 3:00 PM EDT/12:00 PM PDT

With the upcoming film version of Lin-Manuel Miranda’s In the Heights, it’s a great time to check in on one of the musical’s original cast members: Mandy Gonzalez, who originated the role of Nina.

Gonazalez is an insanely talented singer and actress.

I saw her in In the Heights. She’s also appeared in Wicked, Lennon, Dance of the Vampires and as Angelica Schuyler in Hamilton.

I’ve also seen her perform her cabaret act and it is impossible to express the amount of pure joy that comes out of her when she’s singing. (And she does a killer version of Born to Run by Bruce Springsteen.)

She is Seth Rudetsky’s guest in his concert series this weekend.

Tickets are $25 and you can watch the live performance at 3:00 PM EDT or the replay of the concert at 8:00 PM EDT. Whichever you choose, you will certainly have a good time.

IN PERSON: DANCE: Uniting in Movement – American Ballet Theatre – Segerstrom Center for the Arts – April 25th – 1:30 PM PDT

You could be ambivalent about the Academy Awards and go see a rare live performance of ballet in Costa Mesa. ABT has been creating a program of three different works that were filmed this week. On Sunday, they are opening up Segerstrom Center for the Arts for a limited number of people to see the performance live.

The works are Let Me Sing Forever More by choreographer Jessica Lang and set to the recordings of Tony Bennett (clearly the title comes from Fly Me to the Moon); La Follia Variations by Lauren Lovette set to music of the same name by composer Francesco Geminiani and Indestructible Light by Darrell Grand Moultrie which is set to music by Duke Ellington, Count Basie, Neal Hefti and Billy Strayhorn.

Hefti, by the way, composed the theme for the television series Batman.

At press time the only available tickets were $80 each. There are Covid-protocols in place for this performance.

For those willing to wait, Uniting in Movement will be available for streaming through Segerstrom Center for the Arts from May 12th – May 26th for $25.

CHAMBER MUSIC: Argus Quartet: noise/Silence – Five Boroughs Music Festival and The Noguchi Museum – April 25th – 7:30 PM EDT/4:30 PM PDT (Art in an email)

Cellist Audrey Chen, violinists Clara Kim and Gioncarlo Latta and violist Maren Rothfritz make up the Argus Quartet. Though they perform music from across all eras of classical music, they seem to excel in contemporary works.

This concert was filmed at one of my favorite museums in New York, The Noguchi Museum. It is being presented by the Five Boroughs Music Festival. The Argus Quartet will perform works by composers John Cage (String Quartet in Four Parts); Dorothy Rudd More (Modes for String Quartet), Rolf Wallin (several selections from Curiosity Cabinet) and Paul Wiancko (Vox Petra).

The concert will be available for free streaming on the Five Boroughs Music Festival YouTube channel through December 31st.

OPERA: Bizet’s Carmen – Weiner Staatsoper – April 26th – 1:00 PM EDT/10:00 AM PDT

Conducted by Andrés Orozco-Estrada; starring Anita Rachvelishvili, Piotr Beczala, Erwin Schrott and Vera-Lotte Boecker. This Calixto Bieito production is from 2021.

Georges Bizet collaborated with librettists Henri Meilhac and Ludovic Halévy on this immensely popular opera. It was based on Propser Mérimée’s novella of the same name. 

When Carmen was first performed in Paris in 1875 it was considered both shocking and scandalous. 

Set in Seville, Spain, Carmen is a gypsy who has caught everyone’s eye. A soldier, Don José, plays coy and gives her no attention. Her flirtation causes troubles for both when Don José’s girlfriend, Micaëla arrives. Tensions escalate between the two women and after a knight fight, José must arrest Carmen. When she seduces him it sets off a series of events that will not end well for the gypsy woman.

PLAY: Measure for Measure – Goodman Theatre – April 26th – May 9th

Here’s another opportunity to celebrate the bard. But this isn’t going to be your standard production of a Shakespearean play.

Director Robert Falls has transported this play from Vienna to New YOrk City circa the late 1970s (or as I like to describe it, before Disney moved into Broadway).

The story is still the same. Claudio is sentenced to death under an arcane law invoked by Angelo who has taken over for the Duke who has left rather than have to deal with morality issues in (originally Vienna). Claudio’s crime? Getting his girlfriend, Juliet, pregnant.

The Duke returns in disguise and becomes aware of the decisions Angelo has been making. Deception, bargains, bartering, love and death are all on the table in this fairly convoluted play.

Justin Hayford, in his review for the Chicago Reader, had mixed feelings about the production:

“It’s rare for one of Shakespeare’s plays to be ripped from its original setting, transplanted across centuries and continents—and still end up feeling vital, urgent, and utterly contemporary. At least for a while. If Falls and his stellar cast could maintain that vitality past intermission, they’d have a masterpiece on their hands.”

Nonetheless, I think the concept sounds interesting and worth checking out. What else are you going to do on a Monday night? (Of course, I have another option for you…)

Tickets are free, but require registration.

AUDIO PLAY: Brother, Brother – New York Theatre Workshop – Live Premiere April 26th – 7:00 PM EDT/4:00 PM PDT Art in an email

New York Theater Workshop is offering up a twist on audio plays. This will feature visuals, but not of the performers. Rather, artists Ibrahim Rayintakath​ and Liang-Hsin Huang have created imagery that will accompany Aleshea Harris’ play.

Brother, Brother tells the story of two brothers sharing a bicycle while making their way through Appalachia. They are actors headed to Tennessee. They start getting followed by a mysterious man in a maroon suit. At this moment the dreams they have for their future are confronted by the acts from their past.

Starring in this audio play are Amari Cheathom (terrific in August Wilson’s Jitney), André De Shields (Tony Award-winner for Hadestown), Gbenga Akinnagbe (To Kill a Mockingbird) and Owen Tabaka (Ratatouille: The Tik Tok Musical). Shayok Misha Chowdhury directs.

Tickets are $10. Brother, Brother will remain available for streaming through July 25th.

Those are my Best Bets: April 23rd – April 26th. But a few reminders (and a preview):

MasterVoices has debuted the 3rd part of Myths and Hymns, a series of short films set to Adam Guettel’s song cycle. For details about the series, go here. For my interview with MasterVoices Artistic Director Ted Sperling, go here.

Jazz at Lincoln Center’s Gala 2021 is available for streaming through Sunday. For details about the program and how to get tickets, go here.

Carnegie Hall’s Voices of Hope series continues with multiple new shows available for free viewing. For details go here.

The Metropolitan Opera streams Philip Glass’ Satyagraha on Friday (highly recommended); Beethoven’s Fidelio on Saturday and Poulenc’s Dialogues des Carmélites on Sunday (also highly recommended). For details and previews go here.

Here’s a preview of next week at the Met where the theme is City of Light (all the operas take place in Paris). Monday’s opera is, what else, La Bohème by Puccini.

That truly is the full and complete list of Best Bets: April 23rd – April 26th. Enjoy your weekend!

Photo: William Shakespeare (By BatyrAshirbayev98/Courtesy Wikipedia Commons)

The post Best Bets: April 23rd – April 26th appeared first on Cultural Attaché.

As a boy of five or six, Ted Sperling attended a production of Mozart’s The Magic Flute at the Metropolitan Opera. Amongst its cast was a young boy soprano making his debut as a genie. Little did that singer, Adam Guettel, or Sperling know what the future held in store for them.

“The Magic Flute hit me at that sweet spot,” says Sperling in a Zoom call earlier this week. “I was at the right age to enjoy the spectacle and that spectacular music.”

Guettel became a Tony Award-winning composer of Broadway musicals and Sperling is the Tony Award-winning orchestrator of Guettel’s most recent show, The Light in the Piazza. That musical was their third collaboration. Sperling also worked on Guettel’s 1996 musical Floyd Collins and his song cycle Saturn Returns (which had its debut at The Public Theater in 1998).

When Saturn Returns was released on record in 1999 it had a new name: Myths and Hymns. Sperling returned to to the work this year with a four-part digital series of films of each song of the cycle. For Sperling this was the best way of keeping MasterVoices, the New York choral ensemble for which he serves as Artistic Director, functioning and relevant during the pandemic.

His collaboration with Guettel was not an accident. It was by design.

“Certainly working with Adam has been a highlight of my career and it was something I really sought out,” revealed Sperling. “I made a conscious decision after working as an assistant conductor on Broadway shows written by composers one or two generations before me, that the next step was to work with my peers – people my age who were creating exciting new work.

“I lobbied a little bit to work with Adam and [director] Tina Landau on Floyd Collins. I was thrilled when they invited me on board and that was one of the happiest experiences of my life. With Floyd, Saturn Returns and The Light in the Piazza, those three shows over a fairly short span of time are a huge part of my life.”

When the pandemic forced the cancellation of the 2020-2021 MasterVoices season, Sperling had to figure out quickly what to do in place of concerts.

“The question was what could we do from our homes that would sustain an audience’s interest on a computer,” he said. “My first impulse was to take a Rossini chorale masterwork, one of the pieces we were going to do. I thought that would be amazing and maybe we’ll still do that. But I thought it was a big ask for audience to sit at home and listen to a long work like that that didn’t tell a story, but was beautiful.”

Ultimately he returned to the work of his friend and collaborator.

“Saturn’s return loosely is supposed to be a moment of reflection, a moment of change, a moment of possibilities. It’s time for a new orbit in the next 28 years of your life.* Adam’s work is a journey, a hero’s journey and mythical journey. While the songs are not literal, for me they go through a journey of four different avenues to try to recover happiness.”

Having landed on the right material, Sperling had to figure out the best way to realize it for viewers who were going to be watching his endeavors at home and not in a concert hall. For inspiration he went back to the work’s beginning.

“I very explicitly parceled Myths and Hymns into four chapters – which was something we used as an organizing principle at the Public Theater production, but never said out loud. There’s also part of the nature of this piece, having gone through several workshops and seeing productions after ours, this is a piece that is going to change every time you see it. It felt wide open to interpretation for the screen.”

This meant bringing in various artists as performers, directors and visual artists.

“From the very beginning I thought of this work kaleidoscopically; that the idea would be that every piece would be different from the ones around it. I was hoping that people would be surprised and delighted.”

So far they have been. MasterVoices is easily reaching far more people through this project than any single concert or even a concert season could accomplish.

But what about Guettel? The Light in the Piazza opened 16 years ago this month. That’s an awfully long time without a new musical. Sperling suggests, to paraphrase Hannibal Lecter, that all good things to those who wait.

“Once stuff gets back on the boards there will be a bit of a flood,” he predicts. “I think he’s been working very hard during this time. There may be three or four shows in quick succession.

“I think shows take longer to write than they used to. It’s not uncommon for shows to take four-to-eight years. I think Adam’s written four shows during this time, so he’s right on schedule.”

On May 26th the fourth and final chapter of Myths and Hymns will be unveiled. So what does the success of this series mean for the future of MasterVoices?

“It’s a very good question and one I’m wrestling with. It’s hard when you do something you feel really great about; that you’ve set a new benchmark and you have to surpass that next time. I think I’m just going to try to learn from this and see how I can apply some of these wonderful experiences I’ve had to live experiences and maybe find a way to present some things online or in some hybrid form.

“I’m just going to try to expand the creative family that is MasterVoices. Always in my mind is that the MasterVoices was not just our chorus, but all the people we collaborate with: the voices of the composers, the voices of the lyricists, the voices of the soloists, the creative voices of our designers and creators and choreographers. This piece has given me the latitude to work with people from all over and all kinds of disciplines, so I’m hoping we’ll just continue to expand what the MasterVoices family is.”

Perhaps Sperling need look no further than the lyrics in Migratory V from Myths and Hymns:

A single voice in whispered prayer
Can only pray to travel there.
But all as one,
We sound the everlasting sound
And sing our salvation.

Myths and Hymns Chapter One: Flight can be seen here.

Myths and Hymns Chapter Two: Work can be seen here.

Myths and Hymns Chapter Three: Love can be seen here.

Myths and Hymns Chapter Four: Faith will debut on May 26th.

*In astrology it takes 28-30 years for Saturn to go through all twelve signs of the zodiac

Photo: Ted Sperling (Courtesy MasterVoices)

The post Ted Sperling Returns to Myths and Hymns appeared first on Cultural Attaché.

This week’s selections run the gamut from spoken word to Ukranian music to Cuban jazz to Broadway royalty.

My top pick amongst this week’s Best Bets: April 16th – April 19th is part 3 of MasterVoices’ Myths and Hymns. Adam Guettel’s song cycle is one of my favorite compositions of his and the first two parts of MasterVoices’ series were extraordinary. Dove Cameron (who appeared in a small tour of the composer’s The Light in the Piazza) and Broadway star Cheyenne Jackson are amongst the guest joining MasterVoices for this section called Love.

Here are my Best Bets: April 16th – April 19th:

*TOP PICK* VOCALS: Myths and Hymns Part 3: LOVE – MasterVoices YouTube Channel – Available Now

I’ve already written about this series of four programs that combine performance, film and animation to present Adam Guettel’s Myths and Hymns.

Part three is called Love and features performances by Dianne Drayse Alonso, Nina Bernstein, John Brancy, Dove Cameron, Drew Gehling, Cheyenne Jackson, Shereen Pimentel and Lori Wilne.

The films in this episode are directed by Victoria Clark (Tony Award winner for her performance in Guettel’s The Light in the Piazza) and Ted Sperling (Tony Award winner for his orchestrations of the same musical; he’s also the Artistic Director of MasterVoices).

The first two parts of Myths and Hymns were terrific. I have no doubt this will be just as inspiring and moving as the other two. Thus it is my top pick this week.

SPOKEN WORD: Black Nourishment – Not a Moment, But a Movement – Center Theatre Group – Now – June 15th

From the stage of the Kirk Douglas Theatre spoken word artists Tru Sound, Yazmin Monet Watkins and Alyesha Wise will speak their truth about being Black in America. Performing in front of murals from their home towns are spoken word artists Chris Webb and Sierra Freeman in Cleveland; Royce Hall and Jali Ajani Nafula in Atlanta and from Oakland are Shawn William and Prentice Powell.

Music is provided by Sugi Dakks who is joined by Jarren Heidelberg on drums; Josh Howard on bass; Aaron Mastin on keys and Terall Whitehead on guitar. Expect hip-hop music with a jazz flavor.

Black Nourishment is directed by Tyrone Davis and Bruce A. Lemon Jr. There will be an introduction from Emmy Award-winner Ron Cephas Jones (This Is Us).

There is no charge to watch Black Nourishment through April 30th. After that it will cost $10 to view the show.

ROCK OPERA: Weightless – Women’s Project Theater – Now – May 30th

One story Ovid’s Metamorphoses serves as the inspiration for this rock opera by The Kilbanes (married couple Kate Kilbane and Dan Moses). That story is one of sisterhood, but also includes extremely violent acts.

The Kilbanes have created a rock opera that was first performed at Z Space in San Francisco in 2018.

When it was presented at the Under the Radar Festival in 2019, Laura Collins-Hughes, writing in the New York Times, called Weightless, “an accomplished work, and an entertaining one. The Kilbanes banish rape from the narrative in favor of pleasurable sex, and shape the story with female voices.

“Unlike so many pieces of music theater, Weightless has a well-crafted form, and its spoken dialogue melds beautifully with the propulsive score.”

The Kilbanes have made a film of their rock opera (directed by Tamilla Woodard) with fellow cast members Lila Blue, Kofy Brown, Dan Harris and Joshua Pollock.

Weightless will be available for streaming through May 30th. There is no charge, however donations are encouraged.

WORLD MUSIC: DakhaBrakha – CAP UCLA – Now – May 31st

For those who like their music from other parts of the world, this Ukranian ensemble gives you a taste of the traditional and the adventurous.

DakhaBrakha is a four-person ensemble featuring Nina Garenetska, Marko Halanevych, Iryna Kovalenko and Klena Tsybulska. They have been winning over audiences and critics for 17 years with their unique blend of old and new.

Or perhaps as their name is translated, the Give and Take.

This concert was filmed exclusively for CAP UCLA in Kyiv.

There is no charge to watch this concert, but donations are encouraged. CAP UCLA will continue to make DakhaBrakha’s concert available through May 31st.

PLAY: Sitting and Talking – Laguna Playhouse – April 16th – May 2nd

How do sixty-somethings (or anyone for that matter) navigate dating during a quarantine? That’s the question asked by Lia Romeo in her designed-for-Zoom play Sitting and Talking. Her play will have its Southern California premiere via the Laguna Playhouse starting this weekend.

Starring as the man and woman trying to find love are Dan Lauria (The Wonder Years) and Wendie Malick (Just Shoot Me). James Grossman directs.

Tickets are $20 per household. There will be a live talkback this Sunday, April 18th at 8:30 PM EDT/5:30 PM PDT with Lauria, Malick, Romeo, Grossman and producer Chris O’Connor.

OPERA: Zemlinskys Zimmer – the little OPERA theatre of ny – April 16th – 7:30 PM EDT/4:30 PM PDT

This will be a livestream performance from St. John’s in the Village of a work that combines scenes from Alexander Zemlinsky’s opera Eine Florentinische Tragödie with vocal and chamber music by the composer. They are being combined to tell the story of a love triangle with a married woman torn between her husband and a Prince. (It’s opera, of course there’s a love triangle! Of course a Prince is involved!)

Zemlinsky’s work was based on an Oscar Wilde play. His opera had its world premiere in 1917 in Stuttgart.

the little OPERA theatre of ny production will feature Katy Lindhart, Eric McKeever and Nicolas Simpson. Catherine Miller accompanies on piano and serves as Music Director. Laura Frautschi will appear as a guest violinist. Philip Schneidman directs.

Tickets begin at $5 and increased based on your ability to pay/make a donation.

JAZZ: Daymé Arocena – SFJAZZ – April 16th – 8:00 PM EDT/5:00 PM PDT

Though not a household name in America, Daymé Arocena is very well-known in Cuba where she was born. Arocena began her professional career at the age of 14 working with the band Los Primos.

Her first album, New Era, was released in 2015. She followed with One Take (2016), Cubafonía (2017) and Sonocardiogram (2019).

This concert, part of SFJazz’s Fridays at Five series, comes from November 2019 when she was touring in support of Sonocardiogram. Raul Da Gama, in his review of the album for LatinJazzNet, said, “…what she does on Sonocardiogram is to raise the level of her music art to the heights achieved by men with a longer standing in this realm – even such men as the doyen of them all, Román Díaz, and the explosive Pedrito Martinez. Like them Miss Arocena’s ability to invoke (such goddesses as) Oyá, Ochún and Yemayá is not only palpable, but she delivers her invocations with enormous power, poise and stylistic grace.

There will be an encore presentation of this concert on Saturday, April 17th at 1:00 PM EDT/10:00 AM PDT. Tickets are $5 (which includes one month of digital membership) or $60 (which includes a full year of digital membership.) Digital membership allows for free streaming of the Fridays at Five concerts and discounted tickets to additional streaming events (one of which you can find below).

PLAY: An Evening with John Wilkes Booth – Whitefire Theatre – April 16th – 10:00 PM EDT/7:00 PM PDT

Given that Classic Stage Company is celebrating the musical Assassins, it seems only fair to offer another point of view. In this case, the point of view of Abraham Lincoln’s assassin, John Wilkes Booth.

The play was written by Lloyd J. Schwartz (a producer/director of The Brady Bunch) and Clinton Case.

Starring in An Evening with John Wilkes Booth is Stephen Spiegel.

Case’s extensive research forms the factual spine of this one-man show. We don’t often get to hear from those who pull the trigger, so this should be a fascinating companion piece to Tell the Story about Sondheim’s musical.

It features a performance by Spiegel that prompted a critic from The Free Press in Columbus, Ohio to state, “the actor does anything but phone his performance in. Indeed, Spiegel kills as America’s archetypal assassin.”

Tickets are $15.99 and allow for streaming on demand for 72 hours.

OPERA: Verdi’s Don Carlo – San Francisco Opera – April 17th – April 18th

Conducted by Nicola Luisotti; starring Michael Fabiano, Ana María Martínez, René Pape, Mariusz Kwiecień and Nadia Krasteva. This revival of Emilio Sagi’s 2003 production is from the 2015-2016 season.

Don Carlo had its world premiere in 1867 in Paris. Friedrich Schiller’s play Don Carlos, Infant von Spanien, served as the basis for the libretto by Joseph Méry and Camille du Locle. The opera was originally performed in French. Three months after its debut in Paris, Don Carlo was performed in Italian. First at Covent Garden in London and later in Bologna. It is most frequently performed in Italian.

Don Carlo of Spain and Elisabetta of Valois are betrothed to one another. They have never met. Don Carlo sneaks away to meet this unknown woman. They fall in love. However, their happiness is quickly ruined when Carlo’s father, Filippo, announces that he’s in love with her and she is to be his bride.

Even though she is now his stepmother, Don Carlo tries multiple times to woo Elisabetta away from his father. With the Spanish Inquisition ongoing, the affairs of all three and the appearance of a mysterious monk lead to murder plots, revenge, unrequited love, thievery and more being played out in Verdi’s longest opera.

James Ambroff-Tahan, writing in the San Francisco Examiner, said of this production, “It’s been 13 years since San Francisco Opera has staged Don Carlo, one of Verdi’s most mature operas. Yet the talented cast in this summer’s sumptuous revival of director Emilio Sagi’s production — boasting the vocal heft and staying power the four-and-a-half hour work requires — makes the dry spell well worth the wait.”

CONTEMPORARY CLASSICAL MUSIC: Bang on a Can Marathon – April 18th – 1:00 PM EDT/10:00 AM PDT

Bang on a Can (founded by Michael Gordon, David Lang and Julia Wolfe) began its traditions of marathon concerts celebrating new music in 1987. They return with another marathon this year and this one features all world premieres.

Here’s the line-up (using EDT):

1:00 PM: Anguish from Falling Sky by Michael Abels performed by Vicky Chow; witness… by Mantana Roberts; ad astra by Joan La Barbara performing by Iva Casian-Lakos (and noted to be for a cellist who sings) and Chaconne in A Minor by Anton Batagov.

2:00 PM: How Was Your Year by Rudresh Mahanthappa performed by Ken Thomson; House Calls by Timo Andres performed by David Byrd-Marrow; Meditation #1 by Leyla McCalla performed by Arlen Hlusko; Persuasion by John Hollenbeck performed by David Cossin

3:00 PM: STALLION by Carman Moore performed by Robert Black; new work written and performed by Kelly Moran; Song for Eric by Michael Friday performed by Jeff Anderle and new work by Jonathan Bailey Holland performed by Mark Stewart

4:00 PM: Six Riffs after Ovid for solo oboe by Michael Daughtery performed by Titus Underwood; new work written and performed by Andy Akiho and See You on the Other Side written and performed by Soo Yeon Lyuh

Tickets begin at $10 and increase based on your ability to pay.

CABARET: Stephanie J. Block and Sebastian Arcelus – Seth Concert Series – April 18th – 3:00 PM EDT/12:00 PM PDT

Married couple Stephanie J. Block and Sebastian Arcelus perform together in this weekend’s Seth Concert Series with Seth Rudetsky.

Block is the Tony Award winner for The Cher Show.

She also appeared in the 2016 revival of Falsettos, the 2012 revival of The Mystery of Edwin Drood and The Boy From Oz.

Arcelus appeared in Rent, Good Vibrations, Elf, A Time to Kill and co-wrote the book for Gettin’ the Band Back Together Again.

They both appeared in Wicked (she as Elphaba, he as Fiyero) where they met and fell in love.

There will be an encore showing at 8:00 PM EDT/5:00 PM PDT on Sunday. Tickets for either showing are $25.

CHAMBER MUSIC: Telegraph Quartet – Crowden Music Center – April 18th – 7:00 PM EDT/4:00 PM PDT

Violinists Eric Chin and Joseph Maile, violist Pei-Ling Lin and cellist Jeremiah Shaw formed Telegraph Quartet in 2013. They have toured the world with their mix of traditional classical music repertoire and more contemporary works.

This will be the case for their performance from Crowden Music Center in Berkeley, California. Scheduled repertoire includes Britten’s Three Divertimenti (their recording of this work can be found on their 2018 recording Into the Light), Beethoven’s String Quartet No. 1 in F Major, Op. 18 No. 1 and Brahms’ String Quartet No. 2 in A minor, Op. 51 No. 2.

There is no charge to watch their performance, however donations are encouraged. The concert will remain available for streaming for one week.

JAZZ: Alone Together: Tuck & Patti – SFJAZZ – April 18th – 9:00 PM EDT/6:00 PM PDT

On Thursday, April 15th jazz duo Tuck & Patti gave a live performance for SFJAZZ. That performance will be available again on Sunday, April 18th.

Guitarist Tuck Andress and singer Patti Cathcart have been performing for over four decades and they’ve been married for 38 years and counting.

They have regularly received rave reviews for their live performances. The combination of his playing and her voice is one that makes the complicated seem simple and the simple seem to have more depth than you imagined.

In 2018 they went on tour with St. Vincent. Why? Tuck is her uncle. St. Vincent is also a fascinating artist. Why wouldn’t she take advantage of their talent? You should, too.

Tickets are $5 for members and $10 for non-members. Ticket buyers will have access to on-demand streaming through May 31st.

CABARET: Broadway Close Up: Kay Swift – Kaufman Music Center – April 19th – 7:00 PM EDT/4:00 PM PDT

Kay Swift is one of the most interesting women in the history of Broadway musicals. Her musical Fine and Dandy opened on Broadway in 1930 and ran for 255 performances. This is one of five musicals she wrote (she also wrote the lyrics for her fifth, Paris ’90) and was easily the most successful.

One song of hers, Can’t We Be Friends, has proven particularly popular and has been recorded dozens of times. It’s also a favorite of filmmakers who have included it in such movies as Bonnie and Clyde, The Heartbreak Kid and Torch Song Trilogy.

Some might think of her only from her relationship with composer George Gershwin. Obviously there was much more to Swift than just one affair (and it was an affair). After Gershwin’s death she was regularly asked to offer her advice and knowledge about his works.

Sean Hartley will host an episode of Broadway Close Up from Kaufman Music Center looking at Swift’s life and career.

Joining for performances are Nikki Renée Daniels (the upcoming revival of Company), Jeff Kready (A Gentleman’s Guide to Love and Murder), Sally Wilfert (Assassins) and Klea Blackhurst (The Nutty Professor). Serving as music director is composer Georgia Stitt.

Tickets are $15. There will be a live Q&A with Hartley immediately following the show.

CABARET/CONVERSATION: Jim Caruso’s Pajama Cast Party – April 19th – 8:00 PM EDT/5:00 PM PDT

Joining Jim Caruso for this Monday’s Pajama Cast Party are Sally Mayes and George Dvorsky (whose musical Pete ‘n’ Keely is being made into a film), Jackie Cox (from season 12 of RuPaul’s Drag Race), cabaret artist Meg Flather and singer/actor Jacob Daniel Cummings.

You have probably already assumed that the Keely in the title of the musical is Keely Smith who was married to and performed with Louis Prima. But alas, you’d be incorrect.

This is Keely Stevens and he is Pete Bartel. They were once headliners in Vegas and a staple of television talk shows. They are reuniting for a live television appearance and it’s the first time they’ve done so since a very public break-up.

The timing for Jackie Cox to appear is quite good indeed. Next week RuPaul’s Drag Race will name the season 13 winner. Who will it be? (If you don’t know who is in the running they are Gottmik, Kandy Muse, Rosé and Symone. I’m personally rooting for Symone.) Jackie Cox will be spilling all the T with JC!

Caruso knows the most minute details about all his guests. This will be another fabulous way to start your week!

Those are my Best Bets: April 16th – April 19th, but you know I always have a few reminders.

Be sure to check out my preview for Carnegie Hall’s Voices of Hope festival as there are numerous offerings available this weekend including performances by pianist Emanuele Arciuli, The Boston Symphony Orchestra, the Dutch National Opera, singer/songwriter Ute Lemper, Movement Art Is and Third Coast Percussion.

Los Angeles Opera’s Signature Recital Series has begun and the first offering is a performance by tenor Russell Thomas. Go here to read my preview of the series.

Classic Stage Company’s in-depth look at the Stephen Sondheim/John Weidman musical Assassins will remain available through Monday. For details go here to read my preview.

Los Angeles Philharmonic’s second season of Sound/Stage continues this week with a new episode focused on John Adams’ Grand Pianola Music. I’ve seen this work performed live, you’re in for a treat.

This weekend’s offerings from the Metropolitan Opera are their 2016-2017 season production of Dvořák’s Rusalka on Friday; Saturday they will stream their 1986-1987 production of Puccini’s Turandot for the first time and on Sunday they are streaming their 2013-2014 season production of Rossini’s La Cenerentola.

And in a preview of next week’s streaming productions, the Met will stream Wagner’s Lohengrin from the 1985-1986 season as part of their Moral Authority week.

That does it. That’s the complete list of Best Bets April 16th – April 19th.

Have a terrific weekend! Enjoy the performing arts!

Photo: Dove Cameron in Myths and Hymns Chapter 3: How Can I Lose You” (Courtesy MasterVoices)

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Enter MasterVoices, a choral group originally founded as an interfaith, interracial ensemble in 1941. Ted Sperling, the organization’s Artistic Director, has taken the group to new levels of success and with that, has lead MasterVoices into more adventurous projects.

Few organizations have been able to perform as full ensembles during the pandemic. The 150 singers of MasterVoices were no exception. So rather than just do a simple zoom call performance, Sperling had the idea of creating a series of films for the 23 songs that make up Myths and Hymns. The songs are broken up into four themes: Flight, Work, Love and Faith.

Guettel was inspired by Greek mythology and uses those stories and his own take on them for Myths and Hymns.

If Adam Guetell’s name sounds familiar, he’s the composer of the Tony Award-winning musical The Light in the Piazza (in which O’Hara starred and Sperling was co-orchestrator and Music Director). He also wrote the musical Floyd Collins and there are indications a first-ever Broadway production may happen in the next couple years. The show has been performed regionally for quite some time.

Sperling was also the Music Director when this work first debuted with the title Saturn Returns. The cast featured Vivian Cherry, Lawrence Clayton, Annie Golden, José Llana, Theresa McCarthy and Bob Stillman. Tina Landau directed the show.

Stephen Holden, writing for the New York Times, said of the work upon its debut:

“Broadly speaking, the songs evoke a kind of human yearning that is as piercing as it is unappeasable: yearning for immortality, true love and God, and yearning to win the game of life. The lyrics are shadowed by intimations of failure and disconnection symbolized by the astrological return of Saturn from its nearly-three-decade cycle around the sun.”

Both Golden and Llana are participating in these films. Joining them are Anderson & Roe, Shoshana Bean, Daniel Breaker, Julia Bullock, Anthony Roth Costanzo, Renée Fleming, Adam Guettel, Joshua Henry, Cheyenne Jackson, Capathia Jenkins, Mykal Kilgore, Norm Lewis, John Lithgow, Michael McElroy, Kelli O’Hara, Ailyn Pérez, Nicholas Phan, Elizabeth Stanley and Take 6.

I’ve long been a fan of Myths and Hymns. I’ve also seen the first two parts of the MasterVoices series and strongly recommend this series. I can’t wait for the other two.

Flight and Work are available on their YouTube channel. Love will debut on April 14th at 6:30 PM EDT/3:30 PM PDT. Faith will debut on May 26th at 6:30 PM EDT/3:30 PM PDT. All four pieces will remain available for viewing through June 30th.

Photo: Joshua Henry in a scene from Myths and Hymns (Courtesy MasterVoices)

The post Adam Guettel’s Myths and Hymns appeared first on Cultural Attaché.

Where else would you find these people all in the same show?

Jelani Alladin, Jacqueline Antaramian, Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Jenn Colella, Elvis Costello, Daniel Craig, Alysha Deslorieux, Jesse Tyler Ferguson, Holly Gould, Danai Gurira, Stephanie Hsu, David Henry Hwang, Oscar Isaac, Nikki M. James, Alicia Keys, John Leguizamo, John Lithgow, Audra McDonald, Grace McLean, Lin-Manuel Miranda, Mia Pak, Kelli O’Hara, Suzan-Lori Parks, David Hyde Pierce, Phylicia Rashad, Liev Schreiber, Martin Sheen, Phillipa Soo, Meryl Streep, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall and Kate Wetherhead.

Tony Award-winning director Kenny Leon (A Raising in the Sun) is putting this all together. The music director is another Tony Award winner, Ted Sperling (The Light in the Piazza).

Why did all these people come together for Forward. Together.? Simply put, The Public Theater has supported playwrights and artists for decades. Amongst the show that began their life at The Public are A Chorus Line, Girl from the North Country, Take Me Out, Elaine Stritch: At Liberty, Caroline, Or Change and Hamilton.

There is also an online auction where there are 20 items you can bid on ranging from posters from Shakespeare in the Park seasons, to a ten-year premium seat pass for those annual summer gatherings at Delacorte Theater in Central Park to virtual drinks and meals and more. To view the items and bid, you can go here.

The fundraiser premieres at 8:00 PM EDT/5:00 PM PDT and will remain available for viewing until October 24th at 11:59 PM EDT/8:59 PM PDT. The show can be watched on The Public Theater’s website, their YouTube channel and Facebook page.

Having watched the show I can tell you there are some very real highlights. Amongst them, Antonio Banderas and Laura Benanti singing “What I Did For Love” from A Chorus Line; Danielle Brooks singing a Burt Bacharach song as a lullaby to her young child and to us all; a song from Shaina Taub’s musical, Suffragette and Oscar Isaac singing a song from Two Gentlemen of Verona.

Photo: The Public Theatre (Photo by Joseph Augstein/Courtesy The Public Theater)

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New York’s Public Theater has given birth to some of theater’s finest accomplishments. From the Pulitzer Prize-winning That Championship Season to Caryl Churchill’s Top Girls to Caroline, Or Change and a couple musicals you might have heard of: A Chorus Line and Hamilton. They will be celebrating their history and looking passionately towards the future on Monday, June 1st with their online gala event We Are One Public.

No pun intended, but the public is invited to join The Public for this event. We Are One Public begins at 8 PM EDT/5 PM PDT on their website. Hosting is Jesse Tyler Ferguson. Tony Award-winning director Kenny Leon directs and the music director is another Tony Award-winner, Ted Sperling.

If you want to see a list that defines an embarrassment of riches, the participants for Monday’s fundraiser will serve as just that:

Todd Almond, Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Troy Anthony Burton, Michael Cerveris,  Glenn Close, Jenn Colella, Elvis Costello, Daniel Craig, Claire Danes, Carla Duren, Danaya Esperanza, Jane Fonda, Nanya-Akuki Goodrich, Holly Gould, Danai Gurira, Anne Hathaway, Stephanie Hsu, David Henry Hwang, Oscar Isaac, Brian d’Arcy James, Nikki M. James, Alicia Keys, John Leguizamo, John Lithgow, Lin-Manuel Miranda, Audra McDonald, Grace McLean, Brian Stokes Mitchell, Margaret Odette, Kelli O’Hara, Sandra Oh, Mia Pak, Suzan-Lori Parks, David Hyde Pierce, Phylicia Rashad, Jay O. Sanders, Liev Schreiber, Deandre Sevon, Martin Sheen, Phillipa Soo, Meryl Streep, Trudie Styler & Sting, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall, Kate Wetherhead and more.

During We Are One Public, there will be two special honors awarded. The first is to benefactors Audrey & Zygi Wilf whose philanthropy has greatly benefited The Public Theatre. The second is to actor Sam Waterston.

The actor, who will be the artistic honoree, has appeared in over a dozen productions at The Public Theater. His work there began in 1963 and usually finds him performing the works of William Shakespeare – most often during The Public Theater’s Shakespeare in the Park season. His most recent appearance was as Prospero in the 2015 production of The Tempest.

Obviously donations are encouraged before, during and after this event. There is also an on-line auction that is already open for bidding. Amongst the items available are a virtual conversation with Queen Latifah and director Lee Daniels; a decade of premium Shakespeare in the Park seats; a signed sketch of the set of Hamilton by David Korins and a Zoom chat with ballet dancers Ethan Stiefel and Gillian Murphy. There are many more items available.

We Are One Public is scheduled to run 90 minutes. There is a virtual dance party immediately following the event.

Photo from Cymbeline courtesy of the New York Public Library.

Photo of The Public Theatre Courtesy of The Public Theater

Update: This post has been updated to include the postponement of the event.

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