As a boy of five or six, Ted Sperling attended a production of Mozart’s The Magic Flute at the Metropolitan Opera. Amongst its cast was a young boy soprano making his debut as a genie. Little did that singer, Adam Guettel, or Sperling know what the future held in store for them.

“The Magic Flute hit me at that sweet spot,” says Sperling in a Zoom call earlier this week. “I was at the right age to enjoy the spectacle and that spectacular music.”

Guettel became a Tony Award-winning composer of Broadway musicals and Sperling is the Tony Award-winning orchestrator of Guettel’s most recent show, The Light in the Piazza. That musical was their third collaboration. Sperling also worked on Guettel’s 1996 musical Floyd Collins and his song cycle Saturn Returns (which had its debut at The Public Theater in 1998).

When Saturn Returns was released on record in 1999 it had a new name: Myths and Hymns. Sperling returned to to the work this year with a four-part digital series of films of each song of the cycle. For Sperling this was the best way of keeping MasterVoices, the New York choral ensemble for which he serves as Artistic Director, functioning and relevant during the pandemic.

His collaboration with Guettel was not an accident. It was by design.

“Certainly working with Adam has been a highlight of my career and it was something I really sought out,” revealed Sperling. “I made a conscious decision after working as an assistant conductor on Broadway shows written by composers one or two generations before me, that the next step was to work with my peers – people my age who were creating exciting new work.

“I lobbied a little bit to work with Adam and [director] Tina Landau on Floyd Collins. I was thrilled when they invited me on board and that was one of the happiest experiences of my life. With Floyd, Saturn Returns and The Light in the Piazza, those three shows over a fairly short span of time are a huge part of my life.”

When the pandemic forced the cancellation of the 2020-2021 MasterVoices season, Sperling had to figure out quickly what to do in place of concerts.

“The question was what could we do from our homes that would sustain an audience’s interest on a computer,” he said. “My first impulse was to take a Rossini chorale masterwork, one of the pieces we were going to do. I thought that would be amazing and maybe we’ll still do that. But I thought it was a big ask for audience to sit at home and listen to a long work like that that didn’t tell a story, but was beautiful.”

Ultimately he returned to the work of his friend and collaborator.

“Saturn’s return loosely is supposed to be a moment of reflection, a moment of change, a moment of possibilities. It’s time for a new orbit in the next 28 years of your life.* Adam’s work is a journey, a hero’s journey and mythical journey. While the songs are not literal, for me they go through a journey of four different avenues to try to recover happiness.”

Having landed on the right material, Sperling had to figure out the best way to realize it for viewers who were going to be watching his endeavors at home and not in a concert hall. For inspiration he went back to the work’s beginning.

“I very explicitly parceled Myths and Hymns into four chapters – which was something we used as an organizing principle at the Public Theater production, but never said out loud. There’s also part of the nature of this piece, having gone through several workshops and seeing productions after ours, this is a piece that is going to change every time you see it. It felt wide open to interpretation for the screen.”

This meant bringing in various artists as performers, directors and visual artists.

“From the very beginning I thought of this work kaleidoscopically; that the idea would be that every piece would be different from the ones around it. I was hoping that people would be surprised and delighted.”

So far they have been. MasterVoices is easily reaching far more people through this project than any single concert or even a concert season could accomplish.

But what about Guettel? The Light in the Piazza opened 16 years ago this month. That’s an awfully long time without a new musical. Sperling suggests, to paraphrase Hannibal Lecter, that all good things to those who wait.

“Once stuff gets back on the boards there will be a bit of a flood,” he predicts. “I think he’s been working very hard during this time. There may be three or four shows in quick succession.

“I think shows take longer to write than they used to. It’s not uncommon for shows to take four-to-eight years. I think Adam’s written four shows during this time, so he’s right on schedule.”

On May 26th the fourth and final chapter of Myths and Hymns will be unveiled. So what does the success of this series mean for the future of MasterVoices?

“It’s a very good question and one I’m wrestling with. It’s hard when you do something you feel really great about; that you’ve set a new benchmark and you have to surpass that next time. I think I’m just going to try to learn from this and see how I can apply some of these wonderful experiences I’ve had to live experiences and maybe find a way to present some things online or in some hybrid form.

“I’m just going to try to expand the creative family that is MasterVoices. Always in my mind is that the MasterVoices was not just our chorus, but all the people we collaborate with: the voices of the composers, the voices of the lyricists, the voices of the soloists, the creative voices of our designers and creators and choreographers. This piece has given me the latitude to work with people from all over and all kinds of disciplines, so I’m hoping we’ll just continue to expand what the MasterVoices family is.”

Perhaps Sperling need look no further than the lyrics in Migratory V from Myths and Hymns:

A single voice in whispered prayer
Can only pray to travel there.
But all as one,
We sound the everlasting sound
And sing our salvation.

Myths and Hymns Chapter One: Flight can be seen here.

Myths and Hymns Chapter Two: Work can be seen here.

Myths and Hymns Chapter Three: Love can be seen here.

Myths and Hymns Chapter Four: Faith will debut on May 26th.

*In astrology it takes 28-30 years for Saturn to go through all twelve signs of the zodiac

Photo: Ted Sperling (Courtesy MasterVoices)

The post Ted Sperling Returns to Myths and Hymns appeared first on Cultural Attaché.

But that’s not all! There are operas both old and new; dance both modern and ballet; vocalists singing standards and show tunes; several jazz concert options; contemporary classical music and witty banter to start your weekend off just right. We have nearly two dozen options for you!

With so many plays available, one of them was destined to be my Top Pick this week. It’s almost as if it had been written in the stars. Topping this week’s list is the Public Theater’s radio play and bilingual version of Shakespeare’s Romeo y Julieta with Juan Castano as Romeo and Lupita Nyong’o as Julieta.

So here are the Four Days of Best Bets: March 19th – March 22nd. The list begins with my Top Pick and is followed by events in the order in which they become available.

*TOP PICK* RADIO PLAY: Romeo y Julieta – Public Theater – Now Available

William Shakespeare’s best-known play is certainly Romeo and Juliet. In this radio play version you’ll get to hone in on exactly what makes this play so riveting: the story and the words. But there’s going to be a difference: this is a bilingual version called Romeo y Julieta.

Director Saheem Ali and Ricardo Pérez González have adapted Alfredo Michel Modenessi’s Spanish-language translation for this audio only production.

Starring as the title characters are Juan Castano as Romeo and Lupita Nyong’o as Julieta. Ivonne Coll plays the Nurse, Hiram Delgado is Tybalt, Irene Sofia Lucia is Mercutio, Julio Monge is Friar Lawrence and Javier Muñoz is Paris.

The rest of the cast includes Carlo Albán, Karina Arroyave, Erick Betancourt, Michael Braugher, Carlos Carrasco, John J. Concado, Guillermo Diaz , Sarah Nina Hayon, Kevin Herrera, Modesto Lacen, Florencia Lozano,  Keren Lugo, Benjamin Luis McCracken, Tony Plana and David Zayas.

The Public is making closed-captioning available in both English and Spanish and are also providing a script to use to follow along for those who might want that. Just be prepared for a tragic story that ends with these words:

“For never was a story more of woe

Than this of Juliet and her Romeo.”

There is no charge to listen to Romeo y Julieta, but donations are encouraged.

PLAY: The Picture of Dorian Gray – now – March 31st

Oscar Wilde’s classic story of a man who sells his soul in order that his good looks don’t fade gets a contemporary spin in this new version of the story by Henry Filloux-Bennett. This updated approach has Dorian as a social media influencer who doesn’t want to see his fame fade. It’s just as much a Faustian deal here as in Wilde’s original.

Starring in this production are Fionn Whitehead (Dunkirk), Alfred Enoch (seven of the Harry Potter films), Joanna Lumley (Absolutely Fabulous), Emma McDonald (Hamlet), Russell Tovey (Angels in America) and Stephen Fry (Wilde).

Tickets are £12 which at press time was equal to just under $17. There is a warning that there is strong language and references to mental illness and suicide. The production is recommended for audiences age 16 and higher.

PLAY: Women Without Men – Mint Theater Company – Now – March 21st

This is the first of several plays that New York’s Mint Theater Company has started streaming. Set in Ireland in the 1930s, Hazel Ellis’ play depicts the unmarried teachers at an all-girls school. It is their interactions with one another that reveals petty jealousies and very different personalities.

This production was staged in 2016 and was directed by Jean Thompson. Appearing in Women Without Men are Mary Bacon, Joyce Cohen, Shannon Harrington, Kate Middleton, Aedin Moloney, Alexa Shae Niziak, Kellie Overbey, Dee Pelletier, Beatrice Tulchin, Emily Walton and Amelia White.

There is no fee to watch the play. Registration; however, is required.

PLAY: Katie Roche – Mint Theater Company – Now – March 28th

Also from Mint Theater Company is this 2013 production of Teresa Devey’s 1936 play. Katie Roche tells the story of a servant girl who has big dreams and finds herself torn between two men.

The play had its premiere with Ireland’s Abbey Theatre and made its first appearance in the United States in 1937.

Starring are Margaret Daly, Patrick Fitzgerald, Jon Fletcher, David Friedlander, Jamie Jackson, John O’Creagh, Wrenn Schmidt, Diana Toibin. Jonathan Bank directs.

There is no fee to watch the play. Registration; however, is required.

PLAY: How to Catch Creation – Goodman Theatre – Now – March 28th

Half a century after a young woman’s girlfriend hits her with some very surprising news, four artists are coming to grips with the ramifications of that fateful day. That’s the premise of Christina Anderson’s How to Catch Creation which Chicago’s Goodman Theatre will be streaming on demand for two weeks.

This is not a reading of the play. Rather it is a capture of their 2019 production directed by Niegel Smith. The cast features Karen Aldridge, Ayanna Bria Bakari, Jasmine Bracey, Bernard Gilbert, Maya Vinice Prentiss and Keith Randolph Smith.

How to Catch Creation runs 2 hours and 15 minutes. There’s no charge to stream the production.

PLAY: Vanya and Sonia and Masha and Spike – Broadway on Demand – Now – April 18th

You might think you need to know a lot about the work of Anton Chekhov to appreciate Christopher Durang’s Vanya and Sonia and Masha and Spike. While it certainly helps, it’s absolutely not essential. While the play does take place near a cherry orchard, there is familial conflict about what to do with a cherished home and the three siblings depicted all have names taken from Chekhov’s work, this comedy has proven popular around the world.

Durang had a rather circuitous route to Broadway with this play. Vanya and Sonia and Masha and Spike had its world premiere at the McCarter Theatre in Princeton in 2012. One month after closing there it went off-Broadway to Lincoln Center’s Mitzi E. Newhouse Theatre. Two months after closing there it opened on Broadway and ultimately was named the Best Play at the Tony Awards.

One thing this play was able to do was keep its cast intact for all those moves. So the film that Lincoln Center is making available for free on Broadway on Demand features David Hyde Pierce, Billy Magnussen, Kristine Nielsen, and Sigourney Weaver.

I’ve seen this play two times and strongly recommend you allow yourself the time to relax, sit back and enjoy yourself.  In 2014 I interviewed David Hyde Pierce about the play and his direction of it when it played the Mark Taper Forum. You can read that interview here.

OPERA: Breaking the Waves – Los Angeles Opera – March 19th – April 12th

The 1996 Lars von Trier film Breaking the Waves told the dark story of a husband, who is recovering from an accident at work, who encourages his wife to have sex with other men during his recovery. It was a bold film that featured a shattering performance by Emily Watson.

Composer Missy Mazzoli and librettist Royce Vavrek created an opera based on this film. Their work had its world premiere at Opera Philadelphia in 2016.

The work won universal acclaim including these comments by Alex Ross in The New Yorker:

“The opera created a world: it had a tone, a profile. There was an uncommonly strong relationship between libretto and music: the work felt urgent, driven by conviction, essential.”

Los Angeles Opera had scheduled a live production of Breaking the Waves, but the pandemic got in the way. In its place they are making a film of the opera directed by James Darrah available for free streaming (registration is required).

The original cast returns: Kiera Duffy, John Moore, Eve Gigliotti, David Portillo, Zachary James and Marcus DeLoach.

As you might imagine with this subject matter, a word of caution. This production includes explicit language, nudity and sexual content, some of a violent nature. Recommended for mature audiences only.

CONVERSATION: Virtual Halston – Cast Party Network – March 19th – 5:00 PM EDT/2:00 PM PDT

If you’re going to have an afternoon salon filled with ribald conversation and witty repartee, it helps to have two masters participating. In this week’s edition of Virtual Halston with Julie Halston, she’s got a great guest: playwright/author/screenwriter Paul Rudnick.

His plays include I Hate Hamlet, Jeffrey, The Most Fabulous Story Ever Told and the upcoming book for the musical adaptation of The Devil Wears Prada. His screenplays include The Addams Family, The First Wives Club and In and Out.

Actor Peter Bartlett, who received a Drama Desk nomination for his performance in The Most Fabulous Story Ever Told, will also be joining.

JAZZ: A Night in New Orleans – Derek Douget – Lobero Theatre – March 19th

When winter turns to spring and Lent is approaching many people immediately think of New Orleans and its grand tradition of Mardi Gras. Even later in spring thoughts turn to the New Orleans Jazz and Heritage Festival.

Mardi Gras didn’t happen this year and JazzFest is postponed until the fall.

So what’s a fan of that glorious music supposed to do?

Lobero Theatre in Santa Barbara is riding to your rescue this weekend. Saxophonist Derek Douget and his band will bring all that wonderful music into your home beginning Friday evening with A Night in New Orleans.

Joining Douget are Victor Atkins on piano; Ashlin Parker on trumpet; Herlin Riley on drums and vocals; Jason Stewart on bass and Don Vappie on banjo/guitar and vocals.

Tickets are $15, but you’ll have to provide your own beads!

JAZZ: Cindy Blackman Santana and Guests – SFJAZZ – March 19th – 8:00 PM EDT/5:00 PM EDT

Drummer Cindy Blackman Santana is well connected. She’s recorded and toured with Joe Henderson, Pharoah Sanders, Joss Stone, Cassandra Wilson and more. She spent many years on the road as the drummer for Lenny Kravitz. She also toured with Santana and in 2010 Carlos Santana proposed to her.

But those aren’t the friends or guests that are part of this weekend’s Fridays at Five concert from SFJAZZ. She has recent Oscar-nominated composer/musician Terence Blanchard (Da 5 Bloods), guitarist Bill Frisell, the Kronos Quartet, saxophonist Joe Lovano and members of the SFJAZZ Collective joining for this concert from 2017.

There will be an encore presentation of this concert on Saturday, March 20th at 1:00 PM EDT/10:00 AM PDT. Tickets are available with a monthly digital membership ($5) or an annual membership ($60).

OPERA: Renée Fleming Live from the Met – PBS (check local listings) – March 19th from 2021

If you are a regular reader of Cultural Attaché you know that Renée Fleming is one of the most beloved sopranos in opera. Whether seen and heard in productions or recitals, she is regularly a fan favorite.

PBS is airing a recital Fleming gave from Dumbarton Oaks in Washington, D.C. last August.

The program includes works by George Frideric Handel, Erich Wolfgang Korngold, Jules Massenet, Giacomo Puccini and Richard Strauss. Robert Ainsley serves as her accompanist.

BROADWAY VOCALS: Andrew Rannells Live from Lincoln Center – PBS (check local listings) – March 19th from 2018

In December of 2017 Andrew Rannells performed in The Appel Room at Lincoln Center. The concert was filmed and first broadcast on PBS in 2018. The show returns to PBS this weekend.

Rannells is best known for his Tony Award-nominated performance in The Book of Mormon and for his appearance on the HBO series Girls. He was recently seen as Whizzer in Falsettos (his second Tony Award nomination) and in Ryan Murphy’s stage production and the subsequent film of The Boys in the Band.

This is a fun concert that shows the boy can sing more than just show tunes! Fans will want to check it out.

BALLET: The Red Shoes – Ahmanson Theatre – March 19th – March 21st $10

As part of their continuing Digital Series and their relationship with Matthew Bourne, Center Theatre Group and the Ahmanson Theatre are offering up a filmed performance of Bourne’s ballet The Red Shoes.

The ballet is inspired by the Michael Powell/Emeric Pressburger film from 1948 (which in itself was inspired by a story by Hans Christian Anderson).

Bourne uses the music of legendary film composer Bernard Herrmann (Citizen Kane, Psycho) for this ballet.

Ashley Shaw stars as a ballerina torn between her love for the composer who wrote her a ballet and the impresario who runs the ballet company and controls her career.

There will be five opportunities to stream The Red Shoes. Friday, March 19th at 8:00 PM PDT/11:00 PM EDT; Saturday March 20th at 5:00 PM PDT/8:00 EDT and 8:00 PM PDT/11:00 PM PDT and Sunday, March 21st at 1:00 PM PDT/4:00 PM EDT and 5:00 PM PDT/8:00 PM EDT.

Tickets are $10. This program will not be available for streaming outside the United States.

OPERA: Siegfried – San Francisco Opera – March 20th – March 21st

Conducted by Sir Donald Runnicles; starring Daniel Brenna, Greer Grimsley, Iréne Theorin, Ronnita Miller and David Cangelosi. This revival of Francesa Zambello’s 2011 production is from the 2017-2018 season.

This third opera in Wagner’s Der Ring des Nibelungen had its premiere in Bayreuth in 1876 where it was seen at the first-ever performance of The Ring Cycle.

The title character is front and center in the third opera in the Ring Cycle. He matures throughout the opera via the choices he makes. He encounters an enigmatic Wanderer, but doesn’t know this is Wotan in disguise. When Siegfried is able to reassemble pieces of Siegmund’s sword (Siegmund is his father) he uses it to kill Fafner who has the responsibility of protecting the gold that was stolen from the Rhinemadiens in Das Rheingold. He also comes into possession of the ring. But what will he do with it and how will that impact his pre-destined love for Brunnhilde?

Lisa Hirsch, writing for the San Francisco Classical Voice, said of the production:

“…perhaps the greatest strength of the production remains: a splendidly staged and remarkably sympathetic Siegfried that flew by. In 2011, part of its charm was the surprisingly sweet Siegfried of Jay Hunter Morris, a handsome man with a beautiful voice. With the young heroic tenor Daniel Brenna stepping into the role this year, some of the sweetness and charm is lost to a more conventionally brash portrayal of the character. Still, the opera really did come off as a scherzo, a comparatively light moment in the Ring despite the deaths of Mime and Fafner. The encounters between the Wanderer and Mime, Alberich, Erda, and Siegfried retain their tremendous emotional power and depth.”

VOCALS: Songs from the Heart – Ute Lemper – March 20th – 2:00 PM EDT/11:00 AM PDT

Whether in concert halls, recording albums or gracing the stage of a musical, Ute Lemper has easily become of our most passionate and accomplished performers.

That wide range of material she handles will be on display in Songs from the Heart on Saturday. The concert will be streaming from Europe and includes songs from the musicals Cabaret and Chicago; from The Threepenny Opera; songs made famous by Édith Piaf and Marlene Dietrich, a song Lemper composed and also a song by Joni Mitchell.

I’ve seen her in multiple concert performances and also in the Broadway revival of Chicago. She’s absolutely amazing.

Joining Lemper for this concert will be Vana Gierig on piano; Tim Ouimette on trumpet; Matt Parrish on bass and Todd Turkish on drums and percussion.

Ticket are $24.99 and allow for 48 hours of access.

JAZZ: Jeremy Pelt Quintet – Vermont Jazz Center – March 20th – 8:00 PM EDT/5:00 PM PDT

You’re probably asking yourself how often will I recommend a performance by Jeremy Pelt? As long as he keeps putting out great music like Griot – This Is Important! I will do so as long as possible.

This concert from the Vermont Jazz Center will focus exclusively on music from this new album.

Joining Pelt for this concert are Vicente Archer on bass; Victor Gould on piano; Chien Chien Lu on vibraphone and Allan Mednard on drums.

There is no charge to stream the concert; however donations are encouraged.

ONE PERSON PLAY: Anyone But Me – IAMA Theatre Company – March 21st – April 18th

Sheila Carrasco’s Anyone But Me is the first of two one-person shows by Latinx-American women that Los Angeles’ IAMA Theatre Company will start streaming this weekend. Carrasco stars in this show in which she depicts multiple women struggling to define themselves and realizing that where they are is not where they want to be.

Anyone But Me is directed by Margaux Susi.

Tickets start at $15 (based on your ability to donate to IAMA).

ONE PERSON PLAY: The Oxy Complex – IAMA Theatre Company – March 21st – April 18th

The second play, The Oxy Complex, is written and performed by Anna LaMadrid. The play is set in the not-too-distant future – specifically the 500th day of quarantine. They Oxy of the title is not Oxycontin (source of opioid addictions), but rather Oxytocin.

What is oxytocin? It is defined by Medical News Today as:

“…a neurotransmitter and a hormone that is produced in the hypothalamus. From there, it is transported to and secreted by the pituitary gland, at the base of the brain.

“It plays a role in the female reproductive functions, from sexual activity to childbirth and breast feeding.”

So what is LaMadrid exploring in her show? All the things a woman might miss while being quarantined for so long. There is a reason, after all, that Oxytocin is called the “love hormone.”

Michelle Bossy directs. Tickets begin at $15 (based on your ability to donate).

CONTEMPORARY CLASSICAL MUSIC: Bang on a Can Marathon Live Online – March 21st – 3:00 PM EDT/12:00 PM PDT

For their spring live online marathon, Bang on a Can is showcasing performances from New York and Berlin.

Here’s the line-up:

3:00 PM EDT/12:00 PM PDT

Daniel Bernard Roumain Why Did They Kill Sandra Bland? performed by Arlen Hlusko; Arnold Dreyblatt; Mazz Swift and Rohan Chander △ or THE TRAGEDY OF HIKKOMORI LOVELESS from FINAL//FANTASY performed by Vicky Chow

4:00 PM EDT/1:00 PM PDT

Kristina Wolfe Listening to the Wind performed by Molly Barth; Miya Masaoka; Aeryn Santillan disconnect. performed by Ken Thomson and Adam Cuthbert

5:00 PM EDT/2:00 PM PDT

Ken Thomson Birds and Ambulances performed by Robert Black; Tomeka Reid Lamenting G.F., A.A., B.T., T.M. performed by Vicky Chow; Steve Reich Vermont Counterpoint performed by Claire Chase; Christina Wheeler and Molly Joyce Purity performed by David Cossin

6:00 PM EDT/3:00 PM PDT

Tyshawn Sorey; Jeffrey Brooks Santuario performed by Mark Stewart; Moor Mother and Bill Frisell

BROADWAY VOCALS: Jackie Hoffman – March 21st – 3:00 PM EDT/12:00 PM PDT

I’ve had the pleasure of seeing Jackie Hoffman in the original companies of Hairspray and Xanadu on Broadway. She’s always a joy to watch. Sadly I didn’t get a chance to see her in The Addams Family, On the Town or Charlie and the Chocolate Factory.

But you’ll get to see what makes Hoffman such a delightful and witty performer on Sunday.

She is Seth Rudetsky’s guest as part of his Concert Series. I can only imagine what stories she’ll have to tell and what songs she’ll choose to sing. We can all find out either in the live broadcast or in the encore showing (also on Sunday) at 8:00 PM EDT/5:00 PM PDT.

Tickets are $25.

DANCE: Uncharted Territory: Dancers in Isolation – Eryc Taylor Dance – Premieres March 21st – 6:00 PM EDT/3:00 PM PDT

Eryc Taylor has conceived a new work born out of the crisis that has hit us all in the last year. This work, Uncharted Territory: Dancers in Isolation, was created via Zoom, and focuses on New York City dancers.

The company features Nicole Baker, Chris Bell, Taylor Ennen, AJ Guevara, Eryc Taylor and Alex Tenreiro Theis. Each dancer choreographed their own work. The film is revealed in five separate segments which explore themes of death, mental instability, paranoia, sexual frustration and stillness.

The music was composed by Daniel Tobias.

There is no charge to watch the premiere, though donations are encouraged. Uncharted Territory will remain available online through March 28th.

PLAY: Yours Unfaithfully – Mint Theater Company – March 22nd – May 16th

Though written in 1933, Miles Malleson’s Yours Unfaithfully remained unperformed until Mint Theatre Company produced the show in late 2016.

It seems strange that a story about a married couple exploring an open relationship came from 1933. The all-too-virtuous husband (Max von Essen) is a writer seemingly unable to get inspired. His wife (Elisabeth Gray) runs a progressive school. She suggests opening up their relationship.

Alexis Soloski, in her review for the New York Times, said:

“Under the polished direction of Jonathan Bank, and in the hands of a fine team of designers, its arguments remain provocative, while its structure feels familiar, its tone decorous. Maybe that only makes it more unusual. It’s a bit like a sex farce with real sorrow instead of slammed doors, and something like a drawing room comedy with moral conundrums peeking out beneath the cushions. It is often very funny; it is also very nearly a tragedy.

There is no fee to watch the play. Registration; however, is required.

BROADWAY AND JAZZ VOCALS: Jim Caruso’s Pajama Cast Party – March 22nd – 8:00 PM EDT/5:00 PM PDT

Jim Caruso celebrates 50 episodes of Pajama Cast Party with this Monday’s edition. Which makes the absence of his usual venue for his weekly in-person Cast Party, Birdland, all that more palpable.

But this is a party and the show will celebrate turning 50. Joining this week are singer/songwriter Ben Clark, Broadway/pop singer Joshua Colley (Les Misérables), singer/artist Jared Wayne Gladly, Broadway’s Jason Kravits (Relatively Speaking), Brazilian singer/songwriter Denise Reis and Braodway’s Dee Roscioli (Fiddler on the Roof).

That’s this weekend’s Four Days of Best Bets: March 19th – March 21st. But a few reminders before we go:

Los Angeles Philharmonic releases a new Sound/Stage episode entitled A Pan-American Musical Feast with special guest Chef José Andrés. The episode features performances of works by Tania León; Paul Desenne and Aaron Copland. For details on this episode and the whole series please go here.

The 92nd Street Y is still streaming last weekend’s performance by violinist Gil Shaham with The Knights. You can read details about their entire series here. Check out my recent interview with Shaham here.

The Metropolitan Opera concludes their Viewer’s Choice week with a 2006-2007 season production of Rossini’s Il Barbiere di Siviglia on Friday; a production of Tchaikovsky’s Eugene Onegin from the same season (and strongly recommended) and a production of Handel’s Agrippina from the 2019-2020 season on Sunday (also recommended). You can see details and clips from all three productions here.

On Monday the Met begins a weeklong celebration of Myths and Legends with a production of Gluck’s Orfeo ed Euridice from the 2008-2009 season. We’ll have full details on Monday with our preview of the the week’s full line-up.

I trust you’ll find something amongst the Four Days of Best Bets: March 19th – March 22nd to keep you entertained! Have a great weekend.

Photo: Artwork of the balcony scene from Romeo y Julieta by Erick Davila (Courtesy The Public Theater)

Correction: The name of Eryc Taylor Dance program is Uncharted Territory and not Unchartered Territory as we originally listed. Cultural Attaché has corrected the post above and regrets the error.

The post Four Days of Best Bets: March 19th – March 22nd appeared first on Cultural Attaché.

My top pick for the weekend is Close Quarters #6 from the Los Angeles Chamber Orchestra. Their ambitious series has redefined how classical music can presented in the 21st century. With innovative direction from James Darrah and interesting choices of music, LACO’s series is well worth exploring.

Here are my Best Bets: January 15th – January 18th:

OPERA: The West Is a Land of Infinite Beginnings – LA Opera – January 15th – January 29th

Missy Mazzoli’s opera, Proving Up, had its world premiere in 2018 at the Terrace Theatre in Washington, D.C. and is based on a short story by Karen Russell. Royce Vavrek wrote the libretto. This short film is inspired by the opera.

James Darrah directed this digital short for LA Opera. As he recently told me, “Proving Up is an excerpt, but I didn’t want it to feel like an excerpt. It was an opportunity to lean into 80s/90s counterculture. I’m using all my favorite horror movies. There’s a twist that allows you to think about the mystique of it. Let’s not tell the story of Proving Up, but let’s build mythology around this character and what would he look like in LA in 2021. The West is a Land of Infinite Beginnings is, I hope, a little unexpected.”

This digital short will have its premiere at 2:00 PM EST/11:00 AM PST on Friday, January 15th and remain available for free streaming for two weeks.

JAZZ: Virtual Halston – Cast Party Network YouTube Channel – January 15th: 5:00 PM EST/2:00 PM PST

If you’ve read this column on a regular basis, you know I think there’s no better way to start the weekend than with the charming and delightful Julie Halston and her Friday afternoon salons. Of course, if you’re on the West Coast, you’re getting an early start, but what’s so bad about that?

Her guests this week: jazz musician John Pizzarelli and his wife, actress Jessica Molaskey (Parade).

Mix your favorite cocktail and enjoy and hour of witty repartee and maybe even some music!

JAZZ: Kenny Garrett Quintet – SFJAZZ – January 15th – 8:00 PM EST/5:00 PM PST

Saxophonist Kenny Garrett announced himself to the world when he was a member of the Duke Ellington Orchestra in 1978 (at the tender age of 18) under the direction of Mercer Ellington. He would go on to record with Art Blakey, Miles Davis, Freddie Hubbard and Woody Shaw before striking out on his own as a bandleader.

His first album was appropriately entitled Introducing Kenny Garrett in 1985. He’s never needed an introduction since. He’s won one Grammy and has received seven other nominations.

Joining him for this 2019 concert from SFJAZZ are percussionist Rudy Bird, pianist Vernell Brown, Jr., bassist Corcoran Holt and drummer Samuel Laviso.

This concert is party of the Fridays at Five series from SFJAZZ and requires a one-month digital membership ($5) or an annual membership ($60) to watch it.

JAZZ: Thumbscrew – Village Vanguard – January 15th – January 16th

Giovanni Russonello, writing in the New York Times, selected a streaming concert by Thumbscrew in October as one of the 8 Things to Do This Weekend. He described them this way:

“The guitarist and MacArthur fellow Mary Halvorson works in all kinds of scenarios, but there’s no better way to get acquainted with her wavy, wiry style than to hear her play with Thumbscrew. In that trio, featuring the drummer Tomas Fujiwara and the bassist Michael Formanek, a playfully sympathetic rapport prevails whether the group is handling jazz standards, Brazilian folk songs or one of the bandmates’ own deceptively precise compositions.”

Doesn’t that sound intriguing? You can find out for yourself as Thumbscrew has two performances streaming from New York’s Village Vanguard this weekend. Each performance is $10.

CLASSICAL MUSIC: Close Quarters #6 – Los Angeles Chamber Orchestra – January 15th – 9:30 PM EST/6:30 PM PST

Two weeks ago, in the first of two Close Quarters films curated by Juan Pablo Contreras, the Los Angeles Chamber Orchestra released its most ambitious, so far, of this multi-film series. Which makes me all the more excited to see what’s in store from James Darrah and the musicians of LACO in #6 of the series.

Opening the program is the world premiere of Mariachitlán for Piano Four-Hands by Contreras. Also being performed is Seduccíon for flute, clarinet and piano by Miguel del Águila and Tangódromo by JP Jofre.

Performing Mariachitlán is the duo Hocket (composer/pianists Sarah Gibson and Thomas Kotcheff).

If you want to see just the performances without the surrounding filmmaking and storytelling, LACO makes that available on their YouTube channel. I recommend watching the full films.

DANCE: Matthew Bourne’s “Cinderella” – Center Theatre Group – January 15th – January 17th

In 2019 Matthew Bourne’s “Cinderella” returned to the Ahmanson Theatre in Los Angeles. This marked the 20th anniversary of the show’s original run at the theatre.

The ballet uses Sergei Prokofiev’s music, but is set in War-torn England during the Blitz. Ashley Shaw and Andrew Monaghan star.

If you are seeking a traditional ballet, Bourne’s work is not for you. What makes his projects compelling is he is constantly seeking out new ways of telling familiar stories. Bourne has had a long relationship with Center Theatre Group with many of his other projects, including The Car Man, Edward Scissorhands and The Red Shoes having appeared there.

As part of Center Theatre Group’s Digital Stage Plus, they are making a film of this production available for rent. There are five available performances: Friday, January 15th at 8:00 PM PST; Saturday, January 16th at 2:00 PM PST and 8:00 PM PST and Sunday, January 17th at 1:00 PM PST and 6:30 PM PST. Tickets are $10.

OPERA: Romeo & Juliet – San Francisco Opera – January 16th – January 17th

This production of Charles Gounod’s opera, directed by Jean-Louis Grinda, was new to San Francisco Opera when it was performed in 2019 and marked the first time this opera has been performed there in 32 years. Grinda is director at Opéra de Monte-Carlo and this was his American directorial debut.

Starring as Romeo is Pene Pati (who assumed the role after the announced Bryan Hymel withdrew a few days before opening). In the role of Juliet is Nadine Sierra. Additional members of the company were Lucas Meachem as Mercutio, Timothy Mix as Capulet, James Creswell as Friar Lawrence, Daniel Montenegro as Tybalt, Philip Skinner as the Duke of Verona, Stephanie Lauricella as Stéphano and Eve Gigliotti as Gertrude. Yves Abel conducted.

Joshua Kosman, writing for the San Francisco Chronicle, said of Pati’s performance, “He’s got a vigorous, full-bodied sound with a lustrous mid-range and glorious, perfectly placed top notes, including one long-held stratospheric closer that would have sounded like showboating if it hadn’t been so magnificent. Pati sings in a gleaming, sensuous stream of sound, with heroic accents in more athletic passages and a warm, tenderly inviting depth for moments of romantic intimacy.”

PLAY: Sinatra: RAW – The Wallis – January 16th – 11:00 PM EST/8:00 PM PST

If you went to central casting for the perfect type to portray Frank Sinatra in 1971, you probably wouldn’t think of hiring a British actor. Richard Shelton, however, had other ideas and put together a show that depicts Sinatra being Sinatra – warts and all – and allows Shelton to shine.

It’s late night in Palm Springs and the singer has had a few too many drinks. He starts to tell stories about his career, the Rat Pack and, of course, sings a few songs.

Press notes indicate that this is a cabaret version of his show. When Sinatra: Raw was reviewed by Donald Huerta for the Times of London, he said, “This solo performance (with pianist) is a mesmerising distillation of Shelton’s talent for inhabiting a showbiz legend. If you are in any way, shape or form a fan or, indeed, want to know more about a complex man, Shelton’s masterful take on Ol’ Blue Eyes is a must-see.”

Tickets are $25 and allow for streaming for 24 hours.

CABARET: Kelli O’Hara with Seth Rudetsky – Seth Concert Series – January 17th – 8:00 PM EST/5:00 PM PST

If you’ve seen Tony Award-winner Kelli O’Hara on stage in any of the musicals in which she has performed*, you know why any opportunity to hear her glorious singing is one not-to-be-missed. If you haven’t, do yourself a favor and watch this show.

Seth Rudetsky’s concert series performances are not glamorous. She’s in her home and he’s in his on a keyboard accompanying her. They communicate online through their computers. But somehow it all works and makes for some beautiful performances and always good stories.

*The Bridges of Madison County, The King and I, Kiss Me Kate, The Light in the Piazza, Nice Work If You Can Get It, The Pajama Game and South Pacific

If you cannot catch the performance live on Sunday, there will be an encore showing Monday, January 18th at 3:00 PM EST/12:00 PM PST. Tickets are $25.

CLASSICAL MUSIC: Mutual Admiration – Gershwin and Ravel – Music@Menlo – January 17th – 8:00 PM EST/5:00 PM PST

In 1928, composer Maurice Ravel was on a tour of America where he performed several of his works. During his stop in New York, he had a chance to meet George Gershwin. The two shared a keen interest in jazz.

This concert, featuring violinist Kristin Lee and pianist Orion Weiss, looks at their Mutual Admiration from the perspective of the music each man wrote.

The concert comes from Music@Menlo in Atherton, California.

On the program is Ravel’s Violin Sonata No. 2 in G Major, op. 45; five songs from Gershwin’s Porgy and Bess arranged for violin and piano by Jascha Heifetz and closes with Ravel’s Tzigane for violin and piano.

Tickets are $25.

CABARET: Pajama Cast Party – Cast Party Network YouTube Channel – January 18th – 8:00 PM EST/5:00 PM PST

Jim Caruso’s Cast Party is so much fun. It’s a shame that we can’t see this wildly entertaining show in person. But he’s putting on his pajamas, as are his guests. And you should, too! Switching to the online format as Pajama Cast Party allows Caruso to continue his show where performers from various genres show up and sing whatever they want.

Joining him on Monday (the show runs every Monday) are Claybourne Elder (the new production of Company that hadn’t officially opened when Broadway was shut down); Capathia Jenkins (Newsies), married opera singers Jessica Fishenfeld (New York City Opera’s Stonewall) and Scott Joiner (San Francisco Opera’s The Secret Garden) and singer/songwriter Susan Werner (composer of the musical Bull Durham).

PLAY: Crowndation – Center Theatre Group – January 18th – 9:00 PM EST/6:00 PM PST

Center Theatre Group is launching a new series called Not a Moment, But a Movement on their Digital Stage. The series centers on Black artists and combines the work of a musician, a theatre artist and a visual artist.

The series gets launched with Angelica Chéri’s Crowndation; I Will Not Lie to David. This one-woman show finds Fatima Seed struggling to define herself at the exact same age her mother was when she passed away. In the course of her journey she uncovers something previously unknown about her father.

Composer Jessica Lá Rep and visual artist Kenyatta A.C. Hinkle are paired with Chéri for this program.

Since Monday is Martin Luther King Day, Center Theatre Group is making this first showing available for free for all viewers. But only this one showing. It’s considered a sneak peak. Beginning on January 21st, the program will be free only for donors and subscribers, $10 for all others.

A few reminders before closing out Best Bets: January 15th – January 18th:

New York’s Prototype Festival concludes on January 16th. There is some terrific programming here. If you’re a bit on the adventurous side, I strongly urge you to check it out.

The Public Theater’s Under the Radar Festival 2021 concludes on Sunday, January 17th. This festival also has interesting and entertaining options. I strongly recommend the motown project by Alicia Hall Moran. (You can read my interview with her about the show here.)

PlayhouseLive began streaming You I Like – A Musical Celebration of Jerry Herman this week. This is a thoroughly entertaining 90 minutes guaranteed to please fans of musicals.

Finally, the Metropolitan Opera concludes a week of productions starring soprano Renée Fleming with Richard Strauss’ Capriccio on Friday; George Frideric Handel’s Rodelinda on Saturday and Antonín Dvořák’s Rusalka on Sunday. And here’s a preview of next week since we’re including options for Monday. Next week’s theme is Leading Ladies: Opera’s Greatest Heroines and the week gets started with a 2014 production of Georges Bizet’s Carmen.

That officially ends my Best Bets: January 15th – January 18th. Stay safe. Stay healthy. Enjoy the holiday weekend.

Main Photo: Piano duo Hocket (Courtesy Hocket.org)

The post Best Bets: January 15th – January 18th appeared first on Cultural Attaché.

the motown project (and it is purposely put in all lower-case letters), finds Moran combining many of the great songs from the Motown catalog with arias from operas by composers like Bizet, Mozart and Purcell. This might sound like a strange mash-up, but Moran has been working on various versions of this show since she debuted it in 2009. For the festival, she has created a film that goes beyond traditional performance and becomes a combination of performance and performance art. The end result is utterly compelling.

The complete show is now available for free viewing and we have it for you!

Moran appeared on Broadway in The Gershwins’ Porgy and Bess (and also sang the role of Bess on the national tour); she regularly performs with symphonies around the country; she has traveled internationally with Bill T. Jones and regularly collaborates with her husband, jazz pianist and composer Jason Moran.

I spoke by phone earlier this week with her and we discussed the project, her relationship to it and how ritual plays a part in her ability to navigate an ever-changing world.

These excerpts from our conversation have been edited for length and clarity.

How has your relationship to the motown project evolved since you first presented it over 11 years ago?

I feel so free in opera and in classical music. I feel like the composers of [Motown music] have proved their mettle to an extent that they even went through evolutions of music during my own lifetime and I’m only in the first part of my life. Motown has come through so many cycles of contemporary life. I’ve been here. I’ve seen it. To get the opportunity to present the music now, when I’m in a different place in my life, I guess I call it a vibrational overview of everything I care about. If I get to touch opera and Motown, that’s everything.

Me putting it with opera, sometimes you get laughs. I honor the story of my family in this country through these generations by presenting my classical music arm-in-arm with Motown, the other crown. It’s very intentional. That’s me in the music.

You’ve spoken before about the plane ride you had from Europe back to New York and that listening to a Motown channel influenced the project’s creation. How did that manifest itself for you?

I listened to Motown for six hours straight. I couldn’t sing anything out loud, but my larynx was approximating the music. It was changing shape in my throat. When I got off the plane, I knew I could sing all these notes. What feels good about Motown is what feels good about opera to me. There’s a very orgasmic part of Motown and it’s everywhere.

One highlight in the motown project is your pairing of “Signed, Sealed, Delivered” and the “Habañero” from Bizet’s Carmen. When did you have the “a ha!” moment that those two compositions could be paired so beautifully and hauntingly?

Love is haunting. I really just have a musical memory. When I’ve sung something before it just doesn’t leave me. I think it had to do with me being a trained classical singer. All that switching I do from style-to-style is the actual footpath of my change in techniques and the resonance between the phrases.

Is there a historical through-line from opera to Motown? If so, what does that allow you to express?

I’m sure that I know why I’m doing it. It just tells a story about money. How opera gets to the colonies, why we have the music of Europe here. Europeans came in search of a better life. Classical music reigns here as European imprints. Then when people salute jazz as the American invention that’s emancipation of the African colonists. Then it’s understanding of economic systems so that when you write a song it can also carry your name. You can have a bank account. With Motown we could own the record company. We can own the means of production, the promotions team and the marketing team. Those were all firsts. Berry Gordy integrated every one of those categories – provocatively and intentionally.

I want to ask you the same question I asked Jason last February. Given the state of the world right now, as an artist, a wife and mother of twin boys, where do you find the faith, if you do, that things will ultimately get better?

Ritual. Because there is a ritual there is something we can lean on and set up in better times. Everybody can choose to make something happen. We’re pretty strong and we know what we’re doing. And we can do this. That’s how everything works. That’s why I go back to Motown. It’s rock and it’s classical music. Everyone’s still alive, but in 300 years everybody will still be singing it.

Photo: Alicia Hall Moran rehearsing Two Wings at Carnegie Hall (Photo ©John Rogers/Courtesy AliciaHallMoran.com)

Update: This post has been updated with “the motown project” in its entirety. Thank you Alicia Hall Moran for making the link available to Cultural Attaché

The post Alicia Hall Moran and Her Ultimate Mash-Up – UPDATED appeared first on Cultural Attaché.

Barbecue is this week’s offering in the Spotlight on Plays series from Broadway’s Best Shows. The streaming reading becomes available on December 10th and will remain available through Monday, December 14th.

This is a very funny play that has an early twist you don’t see coming. Reviews of the play have often given away that twist, but I say, the less you know the better.

On a very basic level the play is about a family intervention disguised as a barbecue. They are all there to help one family member who has a substantial drinking problem. Things from there don’t go quite as the characters planned, nor as the audience thinks they will. And there are more twists ahead.

Christopher Isherwood, writing in the New York Times, had issues with the second act, but admitted, “Mr. O’Hara, the author of last season’s audacious Bootycandy, has a heat-seeking imagination when it comes to style and structure.” (There are spoilers in his review, so if you want to be surprised, don’t read it.)

I enjoyed the play when I saw it at the Geffen Playhouse in 2016. That production was directed by Colman Domingo who appears in this reading.

The rest of the cast includes Carrie Coon (2013 revival of Who’s Afraid of Virginia Woolf?), Kimberly Hébert Gregory (By the Way, Meet Vera Stark), Annie McNamara (Tony nominee for Slave Play), S. Epatha Merkerson (Come Back Little Sheba), Laurie Metcalf (Three Tall Women), David Morse (The Iceman Cometh), Kristine Nielsen (Present Laughter), Tamberla Perry and Heather Simms – both of whom appeared in Barbecue at The Public Theater.

Tickets are only $5 with proceeds benefitting The Actor’s Fund.

Photo: Robert O’Hara (Courtesy Playwrights Horizons)

The post Spotlight on Plays: Barbecue appeared first on Cultural Attaché.

So let’s get to it. Here are your Best Bets at Home: October 23rd – October 25th:

Zoot Suit – Center Theatre Group – Now – December 20th

Amongst one of the most memorable shows ever to appear at the Mark Taper Forum was Luis Valdez’s Zoot Suit. Upon its premiere in1978, it was immediately hailed as a masterwork. Zoot Suit returned to the Taper in 2017 for their 50th anniversary season.

Zoot Suit tells the story of Henry Reyna, the leader of the 38th Street Gang, who gets accused of the murder of José Williams at Sleepy Lagoon. Reyna and his gang were about to fight their rivals, the Downey Gang, when the mythical El Pachuco stops it. Police nonetheless arrive and arrest Williams and his gang. This sets in motion a very magical show that uses dance, Latin music and surreal moments to reveal what happens to Reyna and how El Pachuco guides the actions and reveals certain truths.

In collaboration with Los Angeles Theatre Works, Center Theatre Group is making their radio play version of Zoot Suit available for free listening.

Marco Rodriguez plays El Pachuco, Kinan Valdez is Henry Reyna, Daniel Valdez is Enrique Reyna and Alma Martinez is Dolores Reyna.

This is a wildly imaginative and entertaining play. Well worth your time to give it a listen.

Skeleton Crew – Atlantic Theater Company – Now – October 23rd

Playwright Dominique Morisseau’s Skeleton Crew had its world premiere at New York’s Atlantic Theater in 2016. It is the third play in her Detroit Cycle and depicts one auto plant department’s work family. Everyone has challenges in their own lives that will have to be navigated if the plant closes. In the middle of this is Reggie, the manager who was once one of the workers. He has to determine whether to be loyal to his work family or maintain the discretion required of his job.

As part of their Fall Reunion Reading series, Atlantic Theater is bringing most of the original cast back: Jason Dirden as Dez, Wendell B. Franklin as Reggie, Nikiya Mathis as Shanita and Adesola Osakulumi (choreographer and performer.) New to the company is Caroline Clay who takes on the role of Fay which was originated by Lynda Gravatt. Ruben Santiago-Hudson returns to direct.

Ben Brantley, in his New York Times review of that production said, “It is, in other words, a deeply moral and deeply American play, with a loving compassion for those trapped in a system that makes sins, spiritual or societal, and self-betrayal almost inevitable.”

I saw the Geffen Playhouse production of Skeleton Crew. It’s quite a good play. This should be an excellent reading.

There is no charge to watch Skeleton Crew, but reservations are required. A donation of $25 is suggested.

Beethoven Symphony No. 7 – LA Philharmonic Sound/Stage – Starts October 23rd

In this fifth episode of the Los Angeles Philharmonic’s Sound/Stage series, Gustavo Dudamel leads the orchestra in a performance of Beethoven’s Symphony No. 7.

Composed in 1811-1812, the symphony’s debut took place in 1813 in Vienna. There are four movements: Poco sostenuto – Vivace, Allegretto, Presto – Assai meno presto and Allegro con brio.

Dudamel and the LA Phil performed a full cycle of Beethoven’s symphonies in 2015 that earned rave reviews. Given that this work is orchestrated for 2 flutes, 2 oboes, 2 clarinets , 2 bassoons, 2 horns, 2 trumpets, timpani and strings it is perfect for a socially-distanced performance at the Hollywood Bowl.

Of course, it’s also great music.

dwb (driving while black) – Baruch College – October 23rd – October 29th

The New York premiere of Susan Kander and Roberta Gumbel’s dwb (driving while black) was meant to take place in March at Baruch Performing Arts Center. As a result of that postponement, they have created a directed-for-video performance of the work which will have its world premiere on October 23rd.

The 44-minute dwb portrays the dilemma every Black parent faces when his/her son is of age to drive. How do you both encourage him to enjoy the freedom that comes with the ability to drive while also making sure he’s fully aware of the challenges and anxiety that come with driving while Black.

Gumbel sings dwb. She is accompanied by Hannah Collins on cello and Michael Compitello on percussion. Chip Miller directed.

The work had its debut in Kansas City in 2019. The Pitch, the alternative newspaper, said of dwb, “In pinpointing and relating the terror racial biases and injustices cause, Kander and Gumbel created one of the most singularly devastating theatrical moments of the last year.”

You must register to watch the video of dwb. Baruch Students can watch for free. General admission is available and you can pay what you can to watch it.

Ravi Coltrane Quartet – Village Vanguard – October 23rd – October 24th

New York’s Village Vanguard has straightened out their streaming issues and returns with two performances by saxophonist Ravi Coltrane.

Coltrane had not even turned 2 when his father, John Coltrane, passed away. But he inherited true musical talent from both his father and his mother, Alice.

He became a bandleader and released his first album, Moving Pictures, in 1998. At this point in his career he had already worked with Geri Allen, Kenny Barron, Stanley Clarke, Steve Coleman, Herbie Hancock, Branford Marsalis, Pharoah Sanders, Carlos Santana and McCoy Tyner.

For these performances he will be joined by David Virelles on piano, Dezron Douglas on bass and Jonathan Blake on drums.

Tickets are $10.

Michael Tilson Thomas: Where Is Now – American Masters on PBS – Check Local Listings

Earlier this year, and perhaps not quite as ceremoniously as planned, Michael Tilson Thomas concluded a 25-year run as the Music Director of the San Francisco Symphony. It was just one accomplishment in a truly amazing career. He has 11 Grammy Awards, has received a National Medal of Arts and was a Kennedy Center Honoree. Not too bad for a guy who grew up in Los Angeles and accompanied musicals while a student at USC.

American Masters on PBS will presents Michael Tilson Thomas: Where Now Is on October 23rd. The 90-minute documentary by Susan Froemke and Kirk Simon follows his young life in Southern California to his time as a protégé of Leonard Bernstein through to his becoming one of the world’s most acclaimed conductors.

Amongst those appearing in the documentary are composer Steve Reich, architect Frank Gehry, LA Philharmonic’s CEO Chad Smith, Carnegie Hall’s Clive Gillinson and Thomas’s husband, Joshua Robison.

For me personally, Thomas was one of the most influential people discussing, creating and performing classical music as I was growing up. Watching him talk about this music instilled in me a great appreciation for it. I would turn to his many recordings on a regular basis from the classics to a live concert with Sarah Vaughan and the LA Phil – which if you haven’t heard, you must.

While scheduled for October 23rd, you should check your local listings.

Taj Mahal Quartet – SFJAZZ – October 23rd – 8:00 PM EDT/5:00 PM PDT

This week’s Fridays at Five concert from SFJAZZ is one of the last concerts to take place this year before venues were required to shut down. Taj Mahal Quartet performed on February 28th, 2020 in the concert being shown.

Taj Mahal began his career in an ill-fated band called Rising Sons with Ry Cooder in 1964. When that failed to come together successfully, he recorded with a few artists before going on his own with his first album in 1968. 31 studio albums, 7 live albums and three Grammy Awards later, he is considered one of the best ambassadors for the blues. Of course, he does more than the blues. His influences range from soul music, international rhythms and so much more and all find their way into his music.

Fridays at Five requires you have either a one-month membership ($5) or a year-long membership ($60) to watch the performances.

Charles Lloyd Ocean Trio – Lobero Theatre – October 23rd – 11:00 PM EDT/8:00 PM PDT

Jazz legend Charles Lloyd just keeps performing. Aren’t we lucky? For this live performance from Santa Barbara’s Lobero Theatre he will be joined by pianist/composer Gerald Clayton and guitarist/composer Anthony Wilson. As Lloyd says in this video, he’s trying to keep live music alive.

Tickets are $15.

State of Darkness – The Joyce Theater – October 24th – November 1st

In 1988 choreographer Molissa Fenley debuted a solo project called State of Darkness. The 35-minute seriously intense work is set to the music of Igor Stravinsky’s Rite of Spring.

Anna Kisselgoff, writing in the New York Times in 1988, said of State of Darkness , “Molissa Fenley’s use of Stravinsky’s ‘Sacre du Printemps’ as music for a new dance solo succeeds beyond expectation. A dancer who has been unmatched on the experimental scene for her explosive, even primal, energy, Miss Fenley has found her true center here.”

For these performances, Fenley has restaged the work and will have seven different dancers performing State of Darkness. This weekend’s schedule is as follows:

Saturday, October 24th: Michael Trusnovec of Paul Taylor American Dance Company performs at 5:00 PM EDT/2:00 PM PDT; 2020 Juilliard graduate Jared Brown performs at 8:00 PM EDT/5:00 PM PDT.

Sunday, October 25th: Annique Roberts of Ronald K. Brown/EVIDENCE performs at 5:00 PM EDT/2:00 PM PDT; Shamel Pitts (formerly of Batsheva Dance Company) performs at 8:00 PM EDT/5:00 PM PDT.

There are three additional performances next week by Lloyd Knight of Martha Graham Dance Company, Sara Mearns of the New York City Ballet and Cassandra Trenary of American Ballet Theatre.

Tickets are $13 to watch each individual performance.

Le Nozze di Figaro – San Francisco Opera – October 24th – October 25th

Conducted by Patrick Summers; starring Phillippe Sly, Lisette Oropesa, Nadine Sierra, Luca Pisaroni, Catherine Cook  Greg Fedderly and John Easterlin. This Robin Guarino production is from the 2014-2015 season and is a revival of their 1982 production. Guarino was new to the production.

Mozart’s Le Nozze di Figaro is based on the 1784 play La folle journée, ou le Mariage de Figaro (translated: “The Mad Day, or The Marriage of Figaro”) by Pierre Beaumarchais. Lorenzo da Ponte wrote the libretto. La Nozze di Figaro had its world premiere in Vienna in 1786.

Figaro and Susanna are getting married. They are in a room made available to them by the Count who plans to seduce the bride-to-be based on an old law that gave permission to lords to have sex with servant girls on their wedding night. When Figaro gets wind of this plan he enlists several people to outwit the Count using disguises, altered identities and more.

Critics mostly lauded this production. Many were intrigued by a younger-than-usual cast that brought a freshness to Mozart’s oft-performed opera. Of particular interest to me is Oropesa as Susanna. She should be delightful in this performance.

Diana Damrau and Joseph Calleja – Met Stars Live in Concert – October 24th – 1:00 PM EDT/10:00 AM PDT

After some schedule changes, Met Stars Live in Concert returns this weekend with a performance by soprano Diana Damrau and tenor Joseph Calleja. Accompanied by pianist Vincenzo Scalera, they will be performing from Caserta, Italy.

The program will include three arias from Puccini’s Tosca, one from Donizetti’s L’Elisir d’Amore, one from Verdi’s Un Ballo in Maschera, one from Rossini’s Semiramide, two from Bizet’s Carmen, Bach/Gounod’s Ave Maria and more.

Damrau made her Met Opera debut in 2005 in Ariadne auf Naxos. Since then she’s performed nearly 150 times at the Met. Calleja made his debut at the Met one year later in Rigoletto and has given almost 100 performances there.

Tickets are $20

Patti LuPone Live from the West Side – Segerstrom Center – October 24th – 8:00 PM EDT/5:00 PM PDT – $30

Two-time Tony Award winner Patti LuPone is the first of three performers in Live from the West Side: Women of Broadway series. The series features intimate live-streamed performances from New York’s Shubert Virtual Studios. Songs, stories and apparently questions responded in real time are all part of the show.

LuPone, as you certainly must know, is the two-time Tony Award winner for her performances in Evita and the 2008 revival of Gypsy. She has received five other Tony nominations. She was in rehearsals to open in a new revival of Stephen Sondheim’s Company when the pandemic forced the closure of Broadway.

If you watched Ryan Murphy’s Hollywood, you would have seen her as the strong-willed and risky Avis Amber.

This series will include two additional concerts: Laura Benanti (LuPone’s co-star in Gypsy and also a winner of the Tony Award) will perform on November 14th; Vanessa Williams (who appeared in the 2002 revival of Into the Woods with Benanti) performs on December 5th.

The three concerts are being held to help support 22 theaters around the country. In Southern California that venue is the Segerstrom Center for the Arts.

Tickets are $30 for each individual concert. A three-show package might be available depending on the venue. You will be able to stream the concert for an additional 72 hours after its completion.

Gateway to Cabaret: A Star Studded Virtual Event – The Cabaret Project of St. Louis – October 24th – 8:00 PM EDT/5:00 PM PDT

Fans of musical theatre will want to catch Gateway to Cabaret from The Cabaret Project of St. Louis. Their line-up is impressive: Norm Lewis (The Gershwin’s Porgy and Bess), Faith Prince (Tony winner for the 1992 revival of Guys and Dolls), Brandon Victor Dixon (Shuffle Along or The Making of a Musical Sensation of 1921 and All That Followed), Alexandra Billings (Wicked), Sidney Myer (Don’t Tell Mama), Christine Andreas (On Your Toes, Oklahoma), Tony DeSare (jazz singer), Capathia Jenkins (Caroline, Or Change), Billy Stritch (pianist/singer) and Steven Brinberg (Simply Barbra).

Tickets are $25/household.

Jeremy Denk Recital – Caramoor – October 25th – 3:00 PM EDT/12:00 PM PDT

I’ve written about Jeremy Denk before. I think he’s one of our most talent and interesting classical pianists. This program on Sunday from Caramoor in New York only proves how interesting he is. The program is scheduled to include: Mozart’s Piano Sonata in C Minor, K 457; Thomas “Blind Tom” Wiggins’s The Battle of Manassas; Joplin/Chauvin’s Heliotrope Bouquet; Tania León’s Ritual; Frederic Rzewski’s Winnsboro Cotton Mill Blues
and Beethoven’s Piano Sonata No 32 in C Minor, Op. 111.

You’ll get two classical period compositions, ragtime, the work of a young Black man during The Civil War and the work of two contemporary composers. How’s that for diverse?

Tickets are $10 for non-Caramoor members. No charge for members.

LaChanze with Seth Rudetsky – October 25th – 8:00 PM EDT/5:00 PM PDT

In 1990, LaChanze originated the role of Ti Moune in the Broadway production of Once on This Island. She was nominated for a Tony Award. In 2005 she originated the role of Celie in the original Broadway production of The Color Purple. She won the Tony Award. In 2018 she originated the role of Diva Donna in Summer. She received another Tony Award nomination. Throw in some Sondheim, Dreamgirls and being one of sixteen performers to play Fanny Brice in a concert presentation of Funny Girl and you’ve got someone with serious talent and certainly some great stories.

All of that is a good thing as she is Seth Rudetsky’s guest for this week’s concert and conversation. One more thing she can discuss: her daughter, Celia Rose Gooding, just received a Tony nomination for her performance in the musical Jagged Little Pill.

As usual, there will be an encore presentation of the show on Monday, October 26th – 3:00 PM EDT/12:00 PM PDT.

Tickets for either date are $25.

That’s our official list of the Best Bets at Home: October 23rd – October 25th. We do have a few reminders:

Last week we wrote about Shakespeare Trilogy on Film from Donmar Warehouse and St. Ann’s Warehouse. The series continues this week with an all-female version of The Tempest.

Charity, the final play in The Mexican Trilogy by Evelina Fernández, is now available from Latino Theater Company. For our preview of the trilogy, please go here.

This weekend’s Table Top Shakespeare: At Home includes Coriolanus, The Merry Wives of Windsor and King Lear. To read our preview, please go here.

The Public Theater’s Forward. Together. virtual fundraiser remains available through Saturday, October 24th. This was a terrific show. You can read our preview here.

The reading of Kenneth Lonergan’s This Is Our Youth remains available through Saturday, October 24th. Details can be found here.

SFJAZZ members can watch Terence Blanchard’s opera in jazz, Champion, through Sunday, October 25th. Our preview has all the details. You can read it here.

Metropolitan Opera’s week of Operatic Comedies concludes with Verdi’s Falstaff on Friday, Rossini’s Le Comte Ory on Saturday and Strauss’s Der Rosenkavalier on Sunday. You can find our preview here.

The 1999 Broadway production of Death of a Salesman that originated at Chicago’s Goodman Theatre will be available through the weekend on Playbill. For more details, you can read our preview here.

That officially ends our Best Bets at Home: October 23rd – October 25th.

There are only 72 hours in a weekend. How can you possibly watch it all? You can’t, but wouldn’t it be great if you could?

Photo: Patti LuPone (Photo by Rahav/Courtesy Segerstrom Center)

​

The post Best Bets at Home: October 23rd – October 25th appeared first on Cultural Attaché.

Where else would you find these people all in the same show?

Jelani Alladin, Jacqueline Antaramian, Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Jenn Colella, Elvis Costello, Daniel Craig, Alysha Deslorieux, Jesse Tyler Ferguson, Holly Gould, Danai Gurira, Stephanie Hsu, David Henry Hwang, Oscar Isaac, Nikki M. James, Alicia Keys, John Leguizamo, John Lithgow, Audra McDonald, Grace McLean, Lin-Manuel Miranda, Mia Pak, Kelli O’Hara, Suzan-Lori Parks, David Hyde Pierce, Phylicia Rashad, Liev Schreiber, Martin Sheen, Phillipa Soo, Meryl Streep, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall and Kate Wetherhead.

Tony Award-winning director Kenny Leon (A Raising in the Sun) is putting this all together. The music director is another Tony Award winner, Ted Sperling (The Light in the Piazza).

Why did all these people come together for Forward. Together.? Simply put, The Public Theater has supported playwrights and artists for decades. Amongst the show that began their life at The Public are A Chorus Line, Girl from the North Country, Take Me Out, Elaine Stritch: At Liberty, Caroline, Or Change and Hamilton.

There is also an online auction where there are 20 items you can bid on ranging from posters from Shakespeare in the Park seasons, to a ten-year premium seat pass for those annual summer gatherings at Delacorte Theater in Central Park to virtual drinks and meals and more. To view the items and bid, you can go here.

The fundraiser premieres at 8:00 PM EDT/5:00 PM PDT and will remain available for viewing until October 24th at 11:59 PM EDT/8:59 PM PDT. The show can be watched on The Public Theater’s website, their YouTube channel and Facebook page.

Having watched the show I can tell you there are some very real highlights. Amongst them, Antonio Banderas and Laura Benanti singing “What I Did For Love” from A Chorus Line; Danielle Brooks singing a Burt Bacharach song as a lullaby to her young child and to us all; a song from Shaina Taub’s musical, Suffragette and Oscar Isaac singing a song from Two Gentlemen of Verona.

Photo: The Public Theatre (Photo by Joseph Augstein/Courtesy The Public Theater)

The post Forward. Together. – The Public Theater appeared first on Cultural Attaché.

As I mentioned a couple weeks ago, cultural events are picking up now that we’ve entered the traditional fall season. This week proves that point as we have 13 different shows for you to consider. Plus a few reminders, just in case you don’t find something you like. But seriously, what are the odds of that?

So here are our Best Bets: October 16th – October 18th:

Shipwreck – The Public Theater – October 16th – 12:00 PM EDT/9:00 AM PDT

Starting on Friday – for an open-ended run – is a radio play from The Public Theater called Shipwreck. This is a recent work from playwright Anne Washburn who was named a Guggenheim Fellow in 2009.

The play was scheduled to be part of The Public Theater’s 2020 season and has been recorded and produced for listening at home.

In Shipwreck a group of friends have gathered in upstate New York. What starts out as a glorious day, suddenly turns dark and stormy. That applies to both the weather and to the relationships. It turns out that even close, liberal friends, can find their belief systems challenged in present-day America.

Performing Shipwreck are Mia Barron, Brooke Bloom, Phillip James Brannon, Rob Campbell, Bill Camp, Raúl Esparza, Jenny Jules, Sue Jean Kim, Bruce McKenzie, Joe Morton, Jeremy Shamos and Richard Topol. Saheem Ali directs.

When the Almeida Theatre in London produced Shipwreck in 2019, the play earned strong reviews. Amongst them was this comment from Michael Billington writing in The Guardian: “…this is an important play that not only examines the Trump phenomenon but also asks why he was elected: one character shocks his friends by explaining that he voted for Trump because a failing democracy needs a shock to the system. It is precisely the argument you sometimes hear in Britain about a no-deal Brexit being a catalyst for change.”

Andra Day – Los Angeles Philharmonic Sound/Stage – October 16th – 1:00 PM EDT/10:00 AM PDT

The fourth episode of the Los Angeles Philharmonic’s Sound/Stage online series starts running on Friday and it is the first one to feature a solo artist without the orchestra: singer/songwriter Andra Day.

Day is perhaps best known for her hit song, Rise Up. She’ll perform that song along with Gold (both songs are from her 2015 album Cheers to the Fall) and also Nina Simone’s classic song, Mississippi Goddam. She will also appear in an interview as part of the program.

Included in the program as well will be performances from Flypoet Summer Classic that was filmed at The Ford.

For details about the full Sound/Stage series, please check out our full preview here.

Henry IV – St. Ann’s Warehouse – October 16th – October 22nd – 7:30 PM EDT/4:30 PM PDT

Brooklyn’s St. Ann’s Warehouse has partnered with London’s Donmar Warehouse to stream Shakespeare Trilogy on Film, three of his plays performed by all-female casts. They began by streaming the 2013 production of Julius Caesar last week. (Don’t worry, you have another chance to see it).

This week the 2016 production of Henry IV is streaming.

Phyllida Lloyd (who, for better or worse, was the director of Mamma Mia! both on stage and screen) directed all three plays.

In this version of Henry IV, the two Shakespeare plays have been condensed into one 135-minute play. Harriet Walter, who is perhaps best known for her roles in Sense and Sensibility and Atonement, plays Henry.

Ben Brantley of the New York Times, called Walter “one of the great Shakespearean interpreters of her generation” in his review of this production when it played St. Ann’s Warehouse in 2015.

He also said of Lloyd’s Henry IV, which is set in a women’s prison, “It’s a multilayered act of liberation. Prisoners are allowed to roam the wide fields of Shakespeare’s imagination; fine actresses are given the chance to play meaty roles that have been denied them; and we get to climb out of the straitjackets of our traditional perceptions of a venerated play.”

The third play in this trilogy is The Tempest, which will become available on October 23rd – October 29th. But fear not, the entire trilogy (which includes Julius Caesar) will be available for streaming at will October 30th – November 1st. All viewings are free.

Mary Stallings and Bill Charlap Trio – SFJAZZ – October 16th – 8:00 PM EDT/5:00 PM PDT

This week’s Friday’s at Five concert from SFJAZZ features vocalist Mary Stallings with the Bill Charlap Trio (which includes Peter Washington on bass and Kenny Washington on drums). The concert is from March, 2018.

If Mary Stallings isn’t familiar to you, let me start by sharing this review from her concert.

“At 78, Stallings has entered territory that’s largely uncharted. Her voice sounds remarkably lithe and strong, and her gift for blues-tinged phrasing links her directly to matriarchs Billie Holiday and Dinah Washington.

“The only precedent for a world-class jazz vocalist sounding this good closing in on 80 is Ernestine Anderson (the extraordinary Sheila Jordan is still going strong at 89, but she’s a very different kind of jazz singer). Considering how relatively little Stallings has recorded, her performances feel like precious, ephemeral experiences, and she made the most of her time with Charlap’s trio, a unit that’s been touring and recording together for more than two decades.”

Those were the words of Andrew Gilbert writing in the San Francisco Classical Voice.

Stallings’ most recent album was last year’s Songs Were Made to Sing. She has kept some pretty fine company during her career: Tony Bennett, Billy Eckstine, Ella Fitzgerald, Dizzy Gillespie, Joe Williams and the list goes on. Her best known recording was Cal Tjader Plays, Mary Stallings Sings which came out in 1960.

This collaboration with the Bill Charlap Trio should be a great way to start your weekend.

Sticks & Stones – October 16th – 8:00 PM EDT/5:00 PM PDT

The story of David versus Goliath gets a new telling in the musical Sticks & Stones which was written by composer John McDaniel and lyricist/bookwriter Scott Logsdon.

A concert performance of Sticks & Stones will stream this weekend as a fundraiser for Broadway Cares/Equity Fights AIDS and Lady Gaga’s Born This Way Foundation.

Teen bullying is the theme of Sticks & Stones with the Biblical story serving as the setting for the story.

An impressive cast has been assembled for the concert. Audra McDonald plays David’s mother, Nizevet. Javier Muñoz, who was the first actor to take over the title role in Hamilton after Lin-Manuel Miranda left the show, plays David’s father, Jesse. George Salazar, who appeared in Be More Chill, plays King Saul. Joshua Colley (2014 revival of Les Misérables) is David and Mykal Kilgore (Motown: The Musical) is The Prophet Samuel.

The concert will be available for streaming through October 20th. There is no charge to watch Sticks & Stones, but donations are encouraged.

Aaron Diehl Trio – Caramoor – October 16th – 8:00 PM EDT/5:00 PM PDT

Because I think he is one of the finest pianists working today, I’ve written about Aaron Diehl a few times and have interviewed him. He plays both jazz and classical music. (You can read the interview here.)

For this concert he’ll be performing standards and some of his own compositions with Aaron Kimmel on drums and Paul Sikivie on bass.

Rather than reiterate his credits or offer more praise, just listen to the music.

This concert is streaming from Caramoor in Katonah, NY which is a bit more than 40 miles from Manhattan. They are presenting the Aaron Diehl Trio in association with Jazz at Lincoln Center.

Tickets are free for Caramoor members. If you’re not a member, there is a $10 fee to watch the live stream concert.

Ben Williams Live – Blue Note New York – October 16th – 8:00 PM EDT/5:00 PM PDT

At the 2009 Thelonious Monk Institute of Jazz International Bass Competition, the musicians had a mightily impressive jury to win over. Ron Carter, Charlie Haden, Dave Holland, Robert Hurst, Christian McBride and John Patitucci were the judges. They awarded 1st place to Ben Williams.

Williams will be performing live from Blue Note in New York on Friday.

In addition to the live stream listed above, there is an encore showing at 11:00 PM EDT/8:00 PM PDT.

Lest you think his competition victory was a fluke, he’s gone on to work with George Benson, Terence Blanchard, Dee Dee Bridgewater, Stefon Harris, Roy Hargrove, Chaka Kahn, Pharrell and many more.

His most recent album is I Am a Man which was released earlier this year. It’s a terrific album. He also released an instrumental-only version called I Am a Man: Mentals.

Tickets for either the live performance or the re-stream are $15.

Los Angeles Dance Festival Week #3 – October 16th – October 18th

The third week of Los Angeles Dance Festival is upon us. The show, which runs two hours, becomes available at 9:00 PM EDT/6:00 PM PDT on October 16th and will remain available until 3:00 AM EDT/12:00 AM PDT on October 19th.

This week’s line-up features Charlotte Katherine & Co (modern dance), Nannette Brodie Dance Theater (modern dance), Kybele Dance (multi-cultural contemporary dance), Poets In Motion, MarieElena Martingano & Camryn Eakes, John Castagna (contemporary ballet), Louise Reichlin & Dancers/Los Angeles Choreographers & Dancers (contemporary dance), The Dance Narrative Project, Lula Washington Dance Theatre (modern dance) and SIDFIT South Korean Artists: Lee Jihee, Kim Jubin. 

Atilla – SF Opera – October 17th – October 18th (begins 10:00 AM through 11:59 on 10/18)

This marks the second weekend of opera productions streamed by San Francisco Opera this fall. This weekend finds a rarely performed opera by Giuseppe Verdi: Atilla.

Verdi’s opera, his ninth, had its premiere in Venice in 1846. The libretto was based on Zacharias Werner’s play Attila, König der Hunnen (Attila, King of the Huns) and was written by Temistocle Solera.

Atilla isn’t an easy man to please. Odabella, a prisoner of war, hopes to kill Atilla in retribution for his killing of her father. Ezio, a Roman Envoy, wants to cause havoc in the empire with Atilla’s help. Instead he infuriates him.

Amongst those who have survived the carnage that is dividing the empire is Foresto. He reunites with Odabella who had assumed he was dead.

Meanwhile Attila has a dream where an old man tells him not to enter Rome. He disregards the advice and marches in. In doing so, he sets off a series of events that will ultimately lead to his death.

This 2012 production marked the return of Atilla to San Francisco Opera after 21 years. Ferruccio Furlanetto sings the title role. Ana Lucrecia García sings Odabella. Diego Torre is Foresto and Quinn Kelsey sings the role of Ezio. Gabriele Lavia directed and Nicola Luisotti conducted.

In looking up reviews of this production, my favorite quote comes from Joshua Kosman writing in the San Francisco Gate. He wrote, “…it was a swift, short onslaught marked by ferocity and thunder. The difference was that only the title character died, and everybody else had a grand time.”

Atilla runs 1 hour and 50 minutes. It will become available at 1:00 PM EDT/10:00 AM PDT and ends on Sunday, October 18th at 11:59 PM PDT/2:59 AM EDT on October 19th.

Speaking Truth to Power – Orpheus Chamber Orchestra – October 17th – October 22nd

Most classical music fans are well-acquainted with Ludwig van Beethoven’s Egmont Overture. Fewer are familiar with the subsequent nine pieces that follow which call for soprano, narrator and orchestra.

In Beethoven’s work (inspired by a play by Johann Wolfgang Goethe) he used the story of Lamoral, Count of Egmont, whose execution prior to the start of the Eighty Years’ War inspired a movement that led to Netherlands’ independence.

The composer was using this work as a statement against Napoleon.

The Orpheus Chamber Orchestra has commissioned a new translation to reflect our present-day world. Egmont was adapted by playwright/translator Philip Boehm.

Joining Orpheus for this performance are Liev Schreiber as the narrator and Karen Slack singing the soprano parts.

Schreiber won a Tony Award for his performance in the 2005 production of David Mamet’s Glengarry Glen Ross. He also starred in the Showtime series Ray Donovan.

Slack made her Metropolitan Opera debut in their 2006 production of Verdi’s Luisa Miller. She also sang the role of Emelda Griffith in Terence Blanchard’s Champion at San Francisco Opera. (That production will be streaming next week by SFJAZZ beginning on October 21st.)

The concert was recorded in Beechwood Park in Hillsdale, New Jersey, following social distancing guidelines.

Speaking Truth to Power begins streaming at 8:00 PM EDT/5:00 PM PDT on October 17th and remains available through October 22nd. Tickets to watch the performance are $15.

Lizz Wright – Mandolin – October 17th – 9:00 PM EDT/6:00 PM PDT $15

I’ve seen singer Lizz Wright several times in concert. From the first time I heard her 2003 record, Salt, I was hooked. She has a beautiful voice and has a unique ability to make each song she sings her own.

Rather inexplicably she has only recorded five other albums since her debut. The most recent was 2017’s Grace. She does appear on No Beginning No End 2 by José James which was released earlier this year.

If you don’t know Lizz Wright, I strongly encourage checking out this concert. If you do, you know how terrific it’ll be.

Ticket are $15.

March – Los Angeles LGBT Center Anita May Rosentein Campus Parking Lot – October 17th – November 15th

Our first live and in-person event (and the reason the title of this column was changed). The venue is the parking lot below the Anita May Rosentein Campus at the Los Angeles LGBT Center. Sixteen cars will be admitted per performance. The audio will be broadcast to you through your radio.

The title of this play is March and it was conceived and directed by Jon Lawrence Rivera. The cast has contributed to the writing of the play during exercises and rehearsals.

A pandemic is gripping the world in March. The time could be a quarter century into the future – or not. Three Trans/Gender Non-Confirming women need to find a place where The Military will not find them. Not much is known beyond that. A little mystique never hurt anyone, did it?

The cast of March includes Miss Barbie Q (MJ), Chad Christopher, Matthew Clark, Amir Levi, Marcelino Mendoza, Coretta Monk, and Roland Ruiz.

What makes this so appealing is that Rivera is one of the most interesting and talented writer/directors working in Los Angeles theater. I have no idea what to expect from March, but I have absolutely no doubt that it will be fascinating.

Performances take place only on Saturday and Sunday. There are two performances each night. One at 7:30 PM and one at 9:00 PM. The per car price to attend is $20.

Keala Settle & Seth Rudetsky – October 18th – 8:00 PM EDT/5:00 PM PDT

Anyone who saw The Greatest Showman knows who Keala Settle is. She introduced the song This Is Me to the world in her role as Lettie Lutz, the bearded lady in the film. She is Seth Rudetsky’s guest this week for his conversation/concert show.

If you only know Settle from that film, you’re missing out. She was memorable as Norma Valverde in Hands on a Hardbody. It’s a role that yielded multiple nominations including a Tony Award nomination for Best Featured Actress in a Musical. She’s appeared in the musicals Les Misérables, Waitress, Hairspray and South Pacific.

If the Sunday live performance does not work for you, there will be an encore showing of the concert on Monday, October 19th at 3:00 PM EDT/12:00 PM PDT. Tickets for each showing are $25.

That’s the official list of Best Bets: October 16th – October 18th. A few reminders before we go:

Donizetti Week at the Metropolitan Opera concludes this weekend with Maria Stuarda on Friday; Roberto Devereux on Saturday and Don Pasquale on Sunday. You can read our full preview here.

Table Top Shakespeare: At Home has the following plays this weekend: Henry VI, Part 2 on Friday; Henry VI, Part 3 on Saturday and Richard III on Sunday. You can read our preview here.

Part 2 of Evelina Fernández’s A Mexican Trilogy is now streaming from Latino Theater Company. The play is called Hope and will be available through October 22nd. For details read our preview here.

That is my complete list of your Best Bets: October 16th – October 18th. Whatever you choose to watch, I hope you enjoy!

Photo: Aaron Diehl (Photo by Maria Jarzyna/Courtesy AaronDiehl.com)

Update: Center Theatre Group has changed the dates for Luis Alfaro’s trilogy of plays. Though originally announced to start this week, they have been rescheduled to start November 6th. We have removed “Electricidad” from this weekend’s Best Bets.

The post Best Bets: October 16th – October 18th appeared first on Cultural Attaché.

You will notice that as the inability to hold in-person performances continues to be the reality for performing arts organizations that more original programming is becoming available. With that comes fees to view many of those new offerings. It’s just a fact that performing arts organizations are struggling like any other business during these troubled times. Not only does this new material keep the conversation going between venue and audience, it helps keep the theatres in business.

This weekend there are truly options for everyone in your family: from kid-friendly programming to cutting-edge explorations of topical events; from a new vision for two popular one-act operas to a Latinx Broadway extravaganza; from an exploration of parallels between present-day America and the Rome Republic to gender-bending farce. And more. Much more.

Without further ado, here are your Best Bets at Home: October 1st – October 4th.

Still. – PlayhouseLive – Now – November 1st

PlayhouseLive is a new digital platform introduced yesterday by the Pasadena Playhouse. The site will offer a combination of free material and paid material – all of which is completely new and/or newly discovered. To help launch the site they enlisted three-time national poetry slam champion Jovan Johnson. Still. is his show.

Still. finds Johnson performing his poetry.

Fans will recognize some of the material (Cuz He’s Black, Black and Happy) and there will also be new work that has never been filmed or recorded.

Johnson directly tackles several of the major issues of our time. But he does so in a way that both forces the viewer to confront his/her own thoughts while at the same time generating tremendous empathy. By the time Still. is over, you have gone through an incredible journey that will ultimately leave you somewhat hopeful.

I interviewed Johnson recently. You can read that interview here.

Update: This post has been updated to include a period – “.” at the end of the title of the show. Still. is the show’s complete title.

Kiki & Herb: Seeking Asylum! – Joe’s Pub/The Public Theater – Now – November 5th

Justin Vivian Bond and Kenny Mellman are well known, when performing together, as Kiki & Herb, a lounge-singing duo in their 70s who have failed in their pursuit of fame. In 2016 their show Seeking Asylum was both a critical and commercial hit. The show sold out at Joe’s Pub. In fact, the entire one-month run sold out within minutes.

Promo materials for the show describe their misadventures leading up to this show like this:

“After major successes at Carnegie Hall, on Broadway, and on the International Concert Circuit, cabaret legends Kiki and Herb took a break from the live performance grind to explore other opportunities. Kiki’s sabbatical included a stint as a Middle East correspondent for Al Jazeera, while Herb found himself in hot water—both literal and proverbial—in Southeast Asia.”

Joe’s Pub and The Public are making the show available on both Joe’s Pub’s YouTube page and The Public’s website for viewing through November 5th. There is no charge to watch this thoroughly entertaining show.

Bob Baker Marionette Theater’s The Circus – PlayhouseLive – Now – November 18th

Pasadena Playhouse’s new series, PlayhouseLive, launched on Wednesday. Amongst the shows available is a new film of a classic show by the Bob Baker Marionette Theater: the 1950 classic The Circus.

With over 100 hand-made marionettes, the lives and performances of a circus troupe come to vivid life. Everything you expect from the circus is performed with these amazing creations: animals acts, clowns, trapeze artists, acrobats and more.

For those who went to Bob Baker’s theater downtown before they moved to Highland Park, you know how magical their performances have always been. Puppeteers are not separated from the audience. That brings an immediacy to what they are doing and also makes the marionettes approachable for younger audiences.

This filmed version of The Circus is available for $14.99 and allows repeated viewings over the course of 48 hours. Trust me when I say that these shows appeal to the kid in all of us, regardless of age.

The Tribute Artist – Primary Stages/59E59 Theaters – October 1st – October 4th

Playwright/actor Charles Busch debuted The Tribute Artist in 2014. The play tells the story of a female impersonator who assumes the identity of his newly-deceased elderly landlady. Since he doesn’t have work, why not pretend to be her and live in her townhouse? Because this is the work of Charles Busch, you don’t really think things are going to go as planned do you?

The Tribute Artist was the last show presented by Primary Stages at 59E59 Theaters.

The original company of that production has reunited for virtual readings of the show. Joining Busch are Mary Bacon, Julie Halston, Keira Keeley, Carole Monferdini and Jonathan Walker. Carl Andress, who directed the original production, returns to direct this reading.

Tickets are $36.50 which includes a $1.50 service charge.

The Boys in the Band – Netflix – Now Available

Does history repeat itself? Mart Crowley’s play The Boys in the Band opened in 1968 at Off-Broadway’s Theater Four where it ran for 1,001 performances. Before the show closed in September of 1970 it was already a feature film. William Friedkin (The French Connection; The Exorcist) directed the film adaptation. Friedkin’s film featured many of the play’s original cast members.

In 2018, the first Broadway production of the play opened at the Booth Theatre. The limited run of the play was directed by Joe Mantello.

The cast included Matt Bomer, Robin De Jesús, Jim Parsons, Andrew Rannells and Zachary Quinto. The show went on to win the Tony Award for Best Revival of a Play.

Mantello and the cast reunited and the film of The Boys in the Band just started running on Netflix.

What is The Boys in the Band? It depicts a group of gay friends who have assembled for one of their birthdays. During that party each man is challenged by the party’s host to place a phone call to someone he has loved and tell them about it.

Edward Albee had the “game about the baby” and Crowley (who passed away earlier this year) has “the game about love.”

New York’s 92 Street Y is streaming a conversation with Jim Parsons, Zachary Quinto, Matt Bomer and Joe Mantello discussing The Boys in the Band on Friday, October 2nd at 4:00 PM EDT/1:00 PM PDT.

WHAT THE HELL IS A REPUBLIC ANYWAY? – New York Theatre Workshop – Now – November 8th

If you had the opportunity to experience An Iliad by Denis O’Hare and Lisa Peterson, you know how powerful their approach to history and theatre can be. What might first appear as merely an intellectual pursuit, in their hands, becomes palpably exciting.

New York Theatre Workshop was the home for An Iliad. So it is only appropriate that their latest project, WHAT THE HELL IS A REPUBLIC, ANYWAY?, finds itself streaming through the company’s website.

O’Hare and Peterson look at what is going on in American democracy through the prism of the Roman Republic. This is a four-part series. Part one launched live on September 22nd, but there are two remaining “re-runs” of that episode.

Here is the full line-up:

Episode 1: Rome & America: Joined at Birth (Special Guest: Roberta Stewart)

Encore showings: October 4th at 2:00 PM EDT/11:00 AM PDT; October 5th at 7:00 PM EDT/4:00 PM PDT

Episode 2: Citizenship (Special Guest: Sonia Sabnis)

Live presentation: October 6th at 7:00 PM EDT/4:00 PM PDT

Encore showing: October 11th at 7:00 PM EDT/4:00 PM PDT

Episode 3: How Republics Fall Apart

Live presentation: October 20th at 7:00 PM EDT/4:00 PM PDT

Encore showing: October 25th at 7:00 PM EDT/4:00 PM PDT

Episode 4: The Election

Live presentation: November 2nd at 7:00 PM EST/4:00 PM PST

Encore showing: November 8th at 7:00 PM EST/4:00 PM PST

Not only will audience members be watching what’s going on, they will be asked to participate in the democratic process (at least during the live presentations).

Tickets for each episode are $10.

Coming Together – 5 Boroughs Music Festival – October 1st – 5:00 PM EDT/2:00 PM PDT

This is the world premiere of a film featuring the Quodlibet Ensemble and countertenor Reginald Mobley performing Frederic Rzewski’s Coming Together.

The text was written by Samuel Melville, a leader of the revolt at New York’s Attica Prison in 1971. Melville was killed during those riots. The text is from a letter he had written that was published after his death.

Rzewski composed Coming Together shortly after the riots took place.

The film, created with Pastor Isaac Scott, presents the journey we’re all probably on right now – navigating our way through difficult times and still finding a way to have hope. Footage of the musicians performing remotely and safely is included.

Bach’s Cantata No. 54 and songs and spirituals by Florence Price are also performed. Part of these performances were filmed this month at the Baryshnikov Arts Center.

There is no charge to watch the film. However, donations are encouraged. The date listed is when the film becomes available. It will remain available for viewing after its premiere.

The Skivvies: Classic Undie Rock – Radio Free Birdland – October 1st – 7:30 PM EDT/4:30 PM PDT

Lauren Molina made her Broadway debut in the 2005 revival of Stephen Sondheim’s Sweeney Todd as Johanna. She also appeared on Broadway in Rock of Ages. Around the same time she was in Sweeney Todd, Nick Cearley was making his Broadway debut in All Shook Up.

No Broadway shows together, but they do appear together as The Skivvies.

They are the duo that performs unique arrangements of songs uniquely. Make that stripped down arrangements while stripped down. Yes, they perform in their underwear.

Perhaps you’ve seen their videos on YouTube?

They have filmed a concert at Birdland in New York. Their show is part of the programming of Radio Free Birdland. The performance was filmed without an audience, but they do have two special guests.

Matt Doyle, who appeared on Broadway in The Book of Mormon and was in previews for this season’s revival of Company, and Tamika Lawrence, who appeared in Come From Away and is in the revival of Caroline, Or Change that was forced to postpone its opening, will both be joining. They’ll be stripping down to their underwear, too.

The only fully-dressed people at a Skivvies show are usually in the audience. But you’ll be at home. Who will know if you’re wearing clothes or not?

Tickets are $23.50.

¡Viva Broadway! Hear Our Voices – October 1st – 8:00 PM EDT/5:00 PM PDT

In spite of the success of In the Heights and On Your Feet, Latinx talent isn’t frequently seen or heard on Broadway. Since October is Latinx Heritage Month, Playbill and The Broadway League have teamed up to present ¡Viva Broadway! Hear Our Voices. The show will be available on Playbill’s website, their YouTube Channel and on The Broadway League’s website.

Andréa Burns, who originated the role of “Daniela” in In the Heights, serves as the host. The show is directed and choreographed by Tony Award winner Sergio Trujillo (Ain’t Too Proud).

The show will feature a reunion of In the Heights cast members (including Christopher Jackson and Karen Olivo) who will be joined by Anthony Ramos who stars as “Usnavi” in the upcoming film of the musical.

There will also be a presentation from the Spanish language production of A Chorus Line that starred Antonio Banderas and was co-directed by Banderas with original cast member Baayork Lee.

Lest this all be a trip down memory lane, three new shows will be given an opportunity to shine during ¡Viva Broadway! including John Leguizamo’s Kiss My Aztec!, Arrabal and Passing Through.

The list of artists making appearances and performing includes Lucie Arnaz, Gloria Estefan, Yvette Gonzalez-Nacer, Quiara Alegría Hudes, Moisés Kaufman, Leguizamo, Matthew López, Lin-Manuel Miranda, Chita Rivera and Daphne Rubin-Vega.

This show will remain available for viewing through October 5th at 8:00 PM EDT/5:00 PM PDT.

Chicago Symphony Orchestra: Sessions Episode One – Chicago Symphony – October 1st – October 30th

The Chicago Symphony Orchestra is launching a new series of small ensemble performances filmed with social distancing guidelines as a way of keeping the music playing.

For their first episode of Sessions, the program features Three Preludes by George Gershwin; Fuga y misterio by Astor Piazzolla; Bachianas brasileiras No. 6 by Heitor Villa-Lobos; Rapide et brilliant from Sonatine for Flute and Bassoon by Pierre Gabaye and Carl Nielsen’s Wind Quintet.

The small ensemble includes Stefán Ragnar Höskuldsson on flute, William Welter on oboe, Stephen Williamson on clarinet, Keith Buncke on bassoon, David Cooper on horn, Jennifer Gunn on flute and William Buchman on bassoon.

Tickets are $15 to watch the performance.

Salón Los Ángeles – Los Angeles Philharmonic Sound/Stage – Begins October 2nd

The second newly-filmed concert in Los Angeles Philharmonic’s Sound/Stage series is called Salón Los Ángeles. The concert features performances of Arturo Márquez’s Danzón No. 1 and George Gershwin’s Rhapsody in Blue.

Gustavo Dudamel is conducting and Jean-Yves Thibaudet is the soloist for Rhapsody in Blue. Given these performances were filmed with social distancing and minimal musicians, it is probably safe to assume the original jazz band version of Rhapsody in Blue will be performed.

Márquez appears in an interview during the show and there will be performances of Mexican danzón and boleros.

There is no charge to watch this program. However, donations are encouraged.

Sound/Stage is a multi-episode series. For a full preview of the entire series, please go here.

Cavalleria rusticana/Pagliacci – Royal Opera House – October 2nd – November 1st

Perhaps no pairing of one-act operas is more popular than the combination of Cavalleria rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo.

Cavalleria rusticana had its world premiere in Rome in 1890. The opera is based on a short story which later became a play by Giovanni Verga. Giovanni Targioni-Tozzetti and Guido Menasci adapted them both for their libretto.

Mascagni’s opera centers on a love triangle. Turridu, who has returned from military service, goes to see his ex-lover, Lola, before seeing his current lover, Santuzza. Lola is married to Alfio. Santuzza decides to tell Alfio about the infidelity and the two men decide to duel. At the end of the opera, multiple hearts are left broken.

Pagliacci had its world premiere in Milan in 1892. Leoncavallo also wrote the libretto.

The opera tells the story of a married couple, Canio and Nedda, who are performers in a small theatre company on the road. Canio is insanely jealous and that jealousy drives Nedda to seek affection from another man, Silvio. Nedda and Silvio make plans to elope, but their plans are overheard by Tonio, another member of the company. He tells Canio about Nedda’s plans. Looking for revenge, Canio, during a performance of their touring play, makes his personal life mirror the drama in the play.

In 2015 Damiano Michieletto staged the two works for the Royal Opera in London. One of the conceits of his production is that both operas take place in the same village. So you might find characters from one opera appear in the other.

The end result was an Olivier Award for Best New Opera in 2016. Michieletto shared the award with the production’s conductor, Sir Antonio Pappano.

This production will remain available for one month. The cost is £3 which equates to just under $4.

Orfeh and Andy Karl with Seth Rudetsky – October 4th – 8:00 PM EDT/5:00 PM PDT

I’ve previously written about Broadway performers Orfeh and Andy Karl. They are married and met during the Broadway production of Saturday Night Fever. By the time they appeared together again in Legally Blonde sparks were flying. More recently they appeared together in Pretty Woman.

The two join Seth Rudetsky for conversation and performance this weekend. (Rudetsky took last week off.)

To get a sense of their chemistry (and their history), take a look at this clip from an appearance at Feinstein’s/54 Below:

The live performance takes place on Sunday, October 4th. There is an Encore showing on October 5th at 3:00 PM EDT/12:00 PM PDT for those unable to watch the live stream on Sunday.

Tickets for either date are $25

While that might seem like a lot, there’s more to your Best Bets at Home: October 1st – October 4th by way of a few reminders:

This week’s Table Top Shakespeare: At Home features Hamlet on October 1st; Love’s Labour’s Lost on October 2nd; The Winter’s Tale on October 3rd and All’s Well That Ends Well on October 4th.

Most of our choices in this week’s Jazz Stream take place in the next four days. Artists like Catherine Russell, James Carter, Joey Alexander are performing. I won’t recap them all in this space. Go here to see our listings.

Metropolitan Opera’s Mozart Week continues with Julie Taymor’s production of The Magic Flute on October 1st; Don Giovanni on October 2nd; The Marriage of Figaro on October 3rd and Idomeneo on October 4th.

I hope you have a lot of devices in your home to watch all this great programming. If not, you’ll have to choose. And who wants to do that?

Enjoy the Best Bets at Home: October 1st – October 4th and Happy October!

Photo: The company of The Tribute Artist (Photo by James Leynse)

The post Best Bets at Home: October 1st – October 4th appeared first on Cultural Attaché.

New York’s Public Theater has given birth to some of theater’s finest accomplishments. From the Pulitzer Prize-winning That Championship Season to Caryl Churchill’s Top Girls to Caroline, Or Change and a couple musicals you might have heard of: A Chorus Line and Hamilton. They will be celebrating their history and looking passionately towards the future on Monday, June 1st with their online gala event We Are One Public.

No pun intended, but the public is invited to join The Public for this event. We Are One Public begins at 8 PM EDT/5 PM PDT on their website. Hosting is Jesse Tyler Ferguson. Tony Award-winning director Kenny Leon directs and the music director is another Tony Award-winner, Ted Sperling.

If you want to see a list that defines an embarrassment of riches, the participants for Monday’s fundraiser will serve as just that:

Todd Almond, Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Troy Anthony Burton, Michael Cerveris,  Glenn Close, Jenn Colella, Elvis Costello, Daniel Craig, Claire Danes, Carla Duren, Danaya Esperanza, Jane Fonda, Nanya-Akuki Goodrich, Holly Gould, Danai Gurira, Anne Hathaway, Stephanie Hsu, David Henry Hwang, Oscar Isaac, Brian d’Arcy James, Nikki M. James, Alicia Keys, John Leguizamo, John Lithgow, Lin-Manuel Miranda, Audra McDonald, Grace McLean, Brian Stokes Mitchell, Margaret Odette, Kelli O’Hara, Sandra Oh, Mia Pak, Suzan-Lori Parks, David Hyde Pierce, Phylicia Rashad, Jay O. Sanders, Liev Schreiber, Deandre Sevon, Martin Sheen, Phillipa Soo, Meryl Streep, Trudie Styler & Sting, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall, Kate Wetherhead and more.

During We Are One Public, there will be two special honors awarded. The first is to benefactors Audrey & Zygi Wilf whose philanthropy has greatly benefited The Public Theatre. The second is to actor Sam Waterston.

The actor, who will be the artistic honoree, has appeared in over a dozen productions at The Public Theater. His work there began in 1963 and usually finds him performing the works of William Shakespeare – most often during The Public Theater’s Shakespeare in the Park season. His most recent appearance was as Prospero in the 2015 production of The Tempest.

Obviously donations are encouraged before, during and after this event. There is also an on-line auction that is already open for bidding. Amongst the items available are a virtual conversation with Queen Latifah and director Lee Daniels; a decade of premium Shakespeare in the Park seats; a signed sketch of the set of Hamilton by David Korins and a Zoom chat with ballet dancers Ethan Stiefel and Gillian Murphy. There are many more items available.

We Are One Public is scheduled to run 90 minutes. There is a virtual dance party immediately following the event.

Photo from Cymbeline courtesy of the New York Public Library.

Photo of The Public Theatre Courtesy of The Public Theater

Update: This post has been updated to include the postponement of the event.

The post We Are One Public – POSTPONED appeared first on Cultural Attaché.