I hadn’t necessarily planned on discussing politics with mezzo-soprano Elīna Garanča, but it was inevitable that during our conversation earlier this week the subject would arise. One of opera’s most highly-acclaimed mezzo-sopranos, the Latvian-born Garanča is deeply concerned about what’s going on in neighboring Ukraine. She’s also thinking about the presence of Russian composer Sergei Rachmaninoff’s music in her upcoming recital at The Broad Stage in Santa Monica on Tuesday, March 15th.

“Particularly today the Russian political situation is difficult and artists are very often challenged nowadays: is the Russian music allowed to be performed?” she pondered during our conversation. “We kept it because this program was announced long before the disaster that’s going on at this very moment happened. I was thinking the music per se is not at fault, and the literature and art per se is not at fault. Latvia has a lot of rooting into this music and this wide soul. We are sentimental and we are melancholy some times. I find that Rachmaninoff particularly has written incredibly beautiful [music] for a mezzo-soprano voice. So why not? I will try then to to give the feeling of how I see Rachmaninoff.”

Garanča, who will be accompanied by Malcom Martineau on piano, has conquered many of the major roles for mezzo-sopranos including Dalila in Samson et Dalila, Margueritte in La Damnation de Faust, Kundry in Parsifal and, of course, the title role in Carmen.

When asked if there’s any role she’s terrified of doing she revealed her nerves of steel and that her dream role will soon become a reality.

“I think I’m too old to be terrified. No, I’m not terrified. I still would like to do Amneris [in Verdi’s Aida] which has been my dream role. Regrettably up to now it still hasn’t happened. Hopefully it will happen in 2023 in January. I’m curious about somebody like Azucena from Il Trovatore because I think it will be very interesting to play. I think it will be interesting to do somebody like Ortrud [in Wagner’s Lohengrin] or Mistress Quickly [in Verdi’s Falstaff]. But I have to say for me Amneris, because I haven’t sung the most exciting and most beautiful role. I always said when I sing it, that’s all. I’m ready to stop singing because I have achieved that goal and that mountain that I wanted to achieve and reach.”

Not that Garanča will retire. But after several years of singing that role she will consider switching to recitals and recordings. Fellow mezzo-soprano Cecilia Bartoli compared an opera singer’s voice to a fine wine that has to be aged. Garanča thinks there’s more to it than that.

“I can agree that you have to give time to develop, but just time will not do it. You have to work really on that. You need to adjust technique, you need to research repertoire, you need to push your limits sometimes and you need to challenge yourself, you know? Twenty-five or 30 years ago when I started to actually think about singing I never thought that I will be able to make such a big circle of starting really with Baroque and Mozart and bel canto and really to end up in Wagner.

“It’s not my, how should I say, continuous repertoire, but you know, I’ve started to develop and sing it. But it’s not just like I’m sitting and waiting. I had to work a lot for that, then I had to go to many coaches and many lessons with the teachers.”

Her first recording, Arie Favorite, was released over twenty years ago. In order to look forward often requires looking back. When Garanča does that she has a full understanding of how her voice has matured.

“If I listen now to some of my earlier recordings I still remember that feeling going on and my thinking, Oh my God! Now I listened to some of the things actually, not that bad really. Probably the thing is that you’ll learn to also love your aging instrument. You realize and you accept that certain things are not anymore possible. But I don’t get sad about it because there are so many more things that I can do with it now. And I believe that the voice is also what you are as a person and your personal experiences. Your life experiences also translate in how you sing and how your body becomes and how your personality as a singer becomes.”

If she has concerns it is about the challenges artists have to face in a world where it is becoming increasingly difficult to navigate a prickly public.

“When I voice my voice or I express myself, I do not think about if it’s now politically correct or it’s artistically correct. My heart needs to express it and it’s for my own dignity. I think the human being at this very moment is living in this consumer society that very quickly switches from right to left and from left to right. We are very limited in seeing different colors in between. It’s either white or black and I think that at some point that also has to change because we are all different and we all should have the right and must have right to live life and be free of expressing.”

Garanča goes on to explain that this doesn’t just impact the artist, but also the art.

“Also, art in a way is suffering in that respect. Before actually believing and listening to the message that art actually wants to give we start to take it apart. Are we correct in this way? Are we correct in that way? If we do that do we offend this part of the humanity or can we challenge this part? And I think it loses its purpose. We are there to communicate with emotions. We are there to transport. We are there to support history, the imagination of somebody. And if it all gets just corrected by politics, it loses its purpose.”

Though her idol Christa Ludwig once described opera as “an impossible art – if you can say it is an art at all,” Garanča still firmly believes in the power of a great production of a great opera. In other words, in her art.

“You know what? Music has its magical power that when all of the ingredients suit to each other – meaning conductor, staging, costumes, voice – that’s so magical. Where you say, ‘Oh my god, it’s already finished. I didn’t notice how quickly or how long the opera was.’ You know what I mean? It just went in one breath from their first moment down to the last moment; from the joyful meeting up to the death of one or the other one. It was just one breath and we aim to give those nights and they become special and then art.”

To watch our full conversation with Elīna Garanča, please go to our YouTube channel here.

For tickets and more information on Garanča’s recital at The Broad Stage, please go here. She will be performing Mahler’s Rückert-Lieder with the Chicago Symphony Orchestra March 31st – April 5th. For details go here. At the end of May Garanča will begin performances as Dalila in Saint-Saëns’ Samson et Dalila at The Royal Opera in London. For details go here.

Main photo: Elīna Garanča (© Sarah Katharina)

The post Mezzo-Soprano Elīna Garanča Believes in the Magic of Opera… appeared first on Cultural Attaché.

You will notice that as the inability to hold in-person performances continues to be the reality for performing arts organizations that more original programming is becoming available. With that comes fees to view many of those new offerings. It’s just a fact that performing arts organizations are struggling like any other business during these troubled times. Not only does this new material keep the conversation going between venue and audience, it helps keep the theatres in business.

This weekend there are truly options for everyone in your family: from kid-friendly programming to cutting-edge explorations of topical events; from a new vision for two popular one-act operas to a Latinx Broadway extravaganza; from an exploration of parallels between present-day America and the Rome Republic to gender-bending farce. And more. Much more.

Without further ado, here are your Best Bets at Home: October 1st – October 4th.

Still. – PlayhouseLive – Now – November 1st

PlayhouseLive is a new digital platform introduced yesterday by the Pasadena Playhouse. The site will offer a combination of free material and paid material – all of which is completely new and/or newly discovered. To help launch the site they enlisted three-time national poetry slam champion Jovan Johnson. Still. is his show.

Still. finds Johnson performing his poetry.

Fans will recognize some of the material (Cuz He’s Black, Black and Happy) and there will also be new work that has never been filmed or recorded.

Johnson directly tackles several of the major issues of our time. But he does so in a way that both forces the viewer to confront his/her own thoughts while at the same time generating tremendous empathy. By the time Still. is over, you have gone through an incredible journey that will ultimately leave you somewhat hopeful.

I interviewed Johnson recently. You can read that interview here.

Update: This post has been updated to include a period – “.” at the end of the title of the show. Still. is the show’s complete title.

Kiki & Herb: Seeking Asylum! – Joe’s Pub/The Public Theater – Now – November 5th

Justin Vivian Bond and Kenny Mellman are well known, when performing together, as Kiki & Herb, a lounge-singing duo in their 70s who have failed in their pursuit of fame. In 2016 their show Seeking Asylum was both a critical and commercial hit. The show sold out at Joe’s Pub. In fact, the entire one-month run sold out within minutes.

Promo materials for the show describe their misadventures leading up to this show like this:

“After major successes at Carnegie Hall, on Broadway, and on the International Concert Circuit, cabaret legends Kiki and Herb took a break from the live performance grind to explore other opportunities. Kiki’s sabbatical included a stint as a Middle East correspondent for Al Jazeera, while Herb found himself in hot water—both literal and proverbial—in Southeast Asia.”

Joe’s Pub and The Public are making the show available on both Joe’s Pub’s YouTube page and The Public’s website for viewing through November 5th. There is no charge to watch this thoroughly entertaining show.

Bob Baker Marionette Theater’s The Circus – PlayhouseLive – Now – November 18th

Pasadena Playhouse’s new series, PlayhouseLive, launched on Wednesday. Amongst the shows available is a new film of a classic show by the Bob Baker Marionette Theater: the 1950 classic The Circus.

With over 100 hand-made marionettes, the lives and performances of a circus troupe come to vivid life. Everything you expect from the circus is performed with these amazing creations: animals acts, clowns, trapeze artists, acrobats and more.

For those who went to Bob Baker’s theater downtown before they moved to Highland Park, you know how magical their performances have always been. Puppeteers are not separated from the audience. That brings an immediacy to what they are doing and also makes the marionettes approachable for younger audiences.

This filmed version of The Circus is available for $14.99 and allows repeated viewings over the course of 48 hours. Trust me when I say that these shows appeal to the kid in all of us, regardless of age.

The Tribute Artist – Primary Stages/59E59 Theaters – October 1st – October 4th

Playwright/actor Charles Busch debuted The Tribute Artist in 2014. The play tells the story of a female impersonator who assumes the identity of his newly-deceased elderly landlady. Since he doesn’t have work, why not pretend to be her and live in her townhouse? Because this is the work of Charles Busch, you don’t really think things are going to go as planned do you?

The Tribute Artist was the last show presented by Primary Stages at 59E59 Theaters.

The original company of that production has reunited for virtual readings of the show. Joining Busch are Mary Bacon, Julie Halston, Keira Keeley, Carole Monferdini and Jonathan Walker. Carl Andress, who directed the original production, returns to direct this reading.

Tickets are $36.50 which includes a $1.50 service charge.

The Boys in the Band – Netflix – Now Available

Does history repeat itself? Mart Crowley’s play The Boys in the Band opened in 1968 at Off-Broadway’s Theater Four where it ran for 1,001 performances. Before the show closed in September of 1970 it was already a feature film. William Friedkin (The French Connection; The Exorcist) directed the film adaptation. Friedkin’s film featured many of the play’s original cast members.

In 2018, the first Broadway production of the play opened at the Booth Theatre. The limited run of the play was directed by Joe Mantello.

The cast included Matt Bomer, Robin De Jesús, Jim Parsons, Andrew Rannells and Zachary Quinto. The show went on to win the Tony Award for Best Revival of a Play.

Mantello and the cast reunited and the film of The Boys in the Band just started running on Netflix.

What is The Boys in the Band? It depicts a group of gay friends who have assembled for one of their birthdays. During that party each man is challenged by the party’s host to place a phone call to someone he has loved and tell them about it.

Edward Albee had the “game about the baby” and Crowley (who passed away earlier this year) has “the game about love.”

New York’s 92 Street Y is streaming a conversation with Jim Parsons, Zachary Quinto, Matt Bomer and Joe Mantello discussing The Boys in the Band on Friday, October 2nd at 4:00 PM EDT/1:00 PM PDT.

WHAT THE HELL IS A REPUBLIC ANYWAY? – New York Theatre Workshop – Now – November 8th

If you had the opportunity to experience An Iliad by Denis O’Hare and Lisa Peterson, you know how powerful their approach to history and theatre can be. What might first appear as merely an intellectual pursuit, in their hands, becomes palpably exciting.

New York Theatre Workshop was the home for An Iliad. So it is only appropriate that their latest project, WHAT THE HELL IS A REPUBLIC, ANYWAY?, finds itself streaming through the company’s website.

O’Hare and Peterson look at what is going on in American democracy through the prism of the Roman Republic. This is a four-part series. Part one launched live on September 22nd, but there are two remaining “re-runs” of that episode.

Here is the full line-up:

Episode 1: Rome & America: Joined at Birth (Special Guest: Roberta Stewart)

Encore showings: October 4th at 2:00 PM EDT/11:00 AM PDT; October 5th at 7:00 PM EDT/4:00 PM PDT

Episode 2: Citizenship (Special Guest: Sonia Sabnis)

Live presentation: October 6th at 7:00 PM EDT/4:00 PM PDT

Encore showing: October 11th at 7:00 PM EDT/4:00 PM PDT

Episode 3: How Republics Fall Apart

Live presentation: October 20th at 7:00 PM EDT/4:00 PM PDT

Encore showing: October 25th at 7:00 PM EDT/4:00 PM PDT

Episode 4: The Election

Live presentation: November 2nd at 7:00 PM EST/4:00 PM PST

Encore showing: November 8th at 7:00 PM EST/4:00 PM PST

Not only will audience members be watching what’s going on, they will be asked to participate in the democratic process (at least during the live presentations).

Tickets for each episode are $10.

Coming Together – 5 Boroughs Music Festival – October 1st – 5:00 PM EDT/2:00 PM PDT

This is the world premiere of a film featuring the Quodlibet Ensemble and countertenor Reginald Mobley performing Frederic Rzewski’s Coming Together.

The text was written by Samuel Melville, a leader of the revolt at New York’s Attica Prison in 1971. Melville was killed during those riots. The text is from a letter he had written that was published after his death.

Rzewski composed Coming Together shortly after the riots took place.

The film, created with Pastor Isaac Scott, presents the journey we’re all probably on right now – navigating our way through difficult times and still finding a way to have hope. Footage of the musicians performing remotely and safely is included.

Bach’s Cantata No. 54 and songs and spirituals by Florence Price are also performed. Part of these performances were filmed this month at the Baryshnikov Arts Center.

There is no charge to watch the film. However, donations are encouraged. The date listed is when the film becomes available. It will remain available for viewing after its premiere.

The Skivvies: Classic Undie Rock – Radio Free Birdland – October 1st – 7:30 PM EDT/4:30 PM PDT

Lauren Molina made her Broadway debut in the 2005 revival of Stephen Sondheim’s Sweeney Todd as Johanna. She also appeared on Broadway in Rock of Ages. Around the same time she was in Sweeney Todd, Nick Cearley was making his Broadway debut in All Shook Up.

No Broadway shows together, but they do appear together as The Skivvies.

They are the duo that performs unique arrangements of songs uniquely. Make that stripped down arrangements while stripped down. Yes, they perform in their underwear.

Perhaps you’ve seen their videos on YouTube?

They have filmed a concert at Birdland in New York. Their show is part of the programming of Radio Free Birdland. The performance was filmed without an audience, but they do have two special guests.

Matt Doyle, who appeared on Broadway in The Book of Mormon and was in previews for this season’s revival of Company, and Tamika Lawrence, who appeared in Come From Away and is in the revival of Caroline, Or Change that was forced to postpone its opening, will both be joining. They’ll be stripping down to their underwear, too.

The only fully-dressed people at a Skivvies show are usually in the audience. But you’ll be at home. Who will know if you’re wearing clothes or not?

Tickets are $23.50.

¡Viva Broadway! Hear Our Voices – October 1st – 8:00 PM EDT/5:00 PM PDT

In spite of the success of In the Heights and On Your Feet, Latinx talent isn’t frequently seen or heard on Broadway. Since October is Latinx Heritage Month, Playbill and The Broadway League have teamed up to present ¡Viva Broadway! Hear Our Voices. The show will be available on Playbill’s website, their YouTube Channel and on The Broadway League’s website.

Andréa Burns, who originated the role of “Daniela” in In the Heights, serves as the host. The show is directed and choreographed by Tony Award winner Sergio Trujillo (Ain’t Too Proud).

The show will feature a reunion of In the Heights cast members (including Christopher Jackson and Karen Olivo) who will be joined by Anthony Ramos who stars as “Usnavi” in the upcoming film of the musical.

There will also be a presentation from the Spanish language production of A Chorus Line that starred Antonio Banderas and was co-directed by Banderas with original cast member Baayork Lee.

Lest this all be a trip down memory lane, three new shows will be given an opportunity to shine during ¡Viva Broadway! including John Leguizamo’s Kiss My Aztec!, Arrabal and Passing Through.

The list of artists making appearances and performing includes Lucie Arnaz, Gloria Estefan, Yvette Gonzalez-Nacer, Quiara Alegría Hudes, Moisés Kaufman, Leguizamo, Matthew López, Lin-Manuel Miranda, Chita Rivera and Daphne Rubin-Vega.

This show will remain available for viewing through October 5th at 8:00 PM EDT/5:00 PM PDT.

Chicago Symphony Orchestra: Sessions Episode One – Chicago Symphony – October 1st – October 30th

The Chicago Symphony Orchestra is launching a new series of small ensemble performances filmed with social distancing guidelines as a way of keeping the music playing.

For their first episode of Sessions, the program features Three Preludes by George Gershwin; Fuga y misterio by Astor Piazzolla; Bachianas brasileiras No. 6 by Heitor Villa-Lobos; Rapide et brilliant from Sonatine for Flute and Bassoon by Pierre Gabaye and Carl Nielsen’s Wind Quintet.

The small ensemble includes Stefán Ragnar Höskuldsson on flute, William Welter on oboe, Stephen Williamson on clarinet, Keith Buncke on bassoon, David Cooper on horn, Jennifer Gunn on flute and William Buchman on bassoon.

Tickets are $15 to watch the performance.

Salón Los Ángeles – Los Angeles Philharmonic Sound/Stage – Begins October 2nd

The second newly-filmed concert in Los Angeles Philharmonic’s Sound/Stage series is called Salón Los Ángeles. The concert features performances of Arturo Márquez’s Danzón No. 1 and George Gershwin’s Rhapsody in Blue.

Gustavo Dudamel is conducting and Jean-Yves Thibaudet is the soloist for Rhapsody in Blue. Given these performances were filmed with social distancing and minimal musicians, it is probably safe to assume the original jazz band version of Rhapsody in Blue will be performed.

Márquez appears in an interview during the show and there will be performances of Mexican danzón and boleros.

There is no charge to watch this program. However, donations are encouraged.

Sound/Stage is a multi-episode series. For a full preview of the entire series, please go here.

Cavalleria rusticana/Pagliacci – Royal Opera House – October 2nd – November 1st

Perhaps no pairing of one-act operas is more popular than the combination of Cavalleria rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo.

Cavalleria rusticana had its world premiere in Rome in 1890. The opera is based on a short story which later became a play by Giovanni Verga. Giovanni Targioni-Tozzetti and Guido Menasci adapted them both for their libretto.

Mascagni’s opera centers on a love triangle. Turridu, who has returned from military service, goes to see his ex-lover, Lola, before seeing his current lover, Santuzza. Lola is married to Alfio. Santuzza decides to tell Alfio about the infidelity and the two men decide to duel. At the end of the opera, multiple hearts are left broken.

Pagliacci had its world premiere in Milan in 1892. Leoncavallo also wrote the libretto.

The opera tells the story of a married couple, Canio and Nedda, who are performers in a small theatre company on the road. Canio is insanely jealous and that jealousy drives Nedda to seek affection from another man, Silvio. Nedda and Silvio make plans to elope, but their plans are overheard by Tonio, another member of the company. He tells Canio about Nedda’s plans. Looking for revenge, Canio, during a performance of their touring play, makes his personal life mirror the drama in the play.

In 2015 Damiano Michieletto staged the two works for the Royal Opera in London. One of the conceits of his production is that both operas take place in the same village. So you might find characters from one opera appear in the other.

The end result was an Olivier Award for Best New Opera in 2016. Michieletto shared the award with the production’s conductor, Sir Antonio Pappano.

This production will remain available for one month. The cost is £3 which equates to just under $4.

Orfeh and Andy Karl with Seth Rudetsky – October 4th – 8:00 PM EDT/5:00 PM PDT

I’ve previously written about Broadway performers Orfeh and Andy Karl. They are married and met during the Broadway production of Saturday Night Fever. By the time they appeared together again in Legally Blonde sparks were flying. More recently they appeared together in Pretty Woman.

The two join Seth Rudetsky for conversation and performance this weekend. (Rudetsky took last week off.)

To get a sense of their chemistry (and their history), take a look at this clip from an appearance at Feinstein’s/54 Below:

The live performance takes place on Sunday, October 4th. There is an Encore showing on October 5th at 3:00 PM EDT/12:00 PM PDT for those unable to watch the live stream on Sunday.

Tickets for either date are $25

While that might seem like a lot, there’s more to your Best Bets at Home: October 1st – October 4th by way of a few reminders:

This week’s Table Top Shakespeare: At Home features Hamlet on October 1st; Love’s Labour’s Lost on October 2nd; The Winter’s Tale on October 3rd and All’s Well That Ends Well on October 4th.

Most of our choices in this week’s Jazz Stream take place in the next four days. Artists like Catherine Russell, James Carter, Joey Alexander are performing. I won’t recap them all in this space. Go here to see our listings.

Metropolitan Opera’s Mozart Week continues with Julie Taymor’s production of The Magic Flute on October 1st; Don Giovanni on October 2nd; The Marriage of Figaro on October 3rd and Idomeneo on October 4th.

I hope you have a lot of devices in your home to watch all this great programming. If not, you’ll have to choose. And who wants to do that?

Enjoy the Best Bets at Home: October 1st – October 4th and Happy October!

Photo: The company of The Tribute Artist (Photo by James Leynse)

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For those of you who will be missing the annual Tony Awards, we have a clip of James Corden celebrating the pleasure to be found in live performance.

First amongst your Best Bets at Home: June 5th – June 7th stars a man who stood a very good chance of walking away with the Tony Award for Best Actor in a Play.

Coriolanus – National Theatre Live – Now – June 11th

Tom Hiddleston (most recently seen on Broadway in Betrayal/”Loki” in Marvel’s Avengers movies) stars in this 2013 Donmar Warehouse production of Shakespeare’s play.

The title character is one of Rome’s greatest heroes and fiercest defenders. He answers the call as the city faces an old enemy. But Rome is not the only one with enemies, Coriolanus has them, too. As circumstances get worse for the citizens of Rome, Coriolanus must find a way to keep the people on his side and address their issues.

In Paul Taylor’s review for The Independent he wrote, “Hiddleston’s magnificent performance compels you to feel what an awful fate it is to be Coriolanus. There’s an extraordinary sequence here in which, blood-soaked after battle, he stands under a shower of water gasping with pain. We are suddenly privy to the lonely willpower of the man behind the myth.Hiddleston’s magnificent performance compels you to feel what an awful fate it is to be Coriolanus. There’s an extraordinary sequence here in which, blood-soaked after battle, he stands under a shower of water gasping with pain. We are suddenly privy to the lonely willpower of the man behind the myth.”

Joining Hiddleston in the cast are Mark Gatiss, Hadley Fraser, Alfred Enoch and Deborah Findlay. Coriolanus is directed by Josie Rourke.

Gustavo Dudamel and the Simón Bolivar Symphony Orchestra of Venezuela – Medici.tv – June 5th – June 7th

Carnegie Hall opened their 2016-2017 season with this concert celebrating dance. Dudamel, best known to audiences as the Music & Artistic Director of the Los Angeles Philharmonic, is also Music Director and Conductor of the Simón Bolivar Symphony Orchestra of Venezuela.

The program for this concert included Ravel’s La valse, Brahms’ Hungarian Dance No. 5 in G Minor; Copland’s Hoe-Down from Rodeo; Strauss Jr.’s Tritsch-Tratsch Polka, Op. 214; Ginastera’s Malambo from Estancia and Leonard Bernstein’s Mambo from West Side Story. The event closed with Gutierrez’s Alma Llanera from Aires de Venezuela as arranged by José Terencio.

Director’s Choice – San Francisco Ballet – June 5th – June 12th

San Francisco Ballet’s Artistic Director and Principal Choreographer Helgi Tomasson selected the three ballets to be included in this performance from February of 2020. Excerpts from the following ballets are included: Tomasson’s own Soirées Musicales and Concerto Grosso and the pas de deux from Christopher Wheeldon’s After the Rain.

Tomasson, a former dancer, became the Artistic Director of San Francisco Ballet in 1985. Wheeldon is also a former dancer having been a member of the Royal Ballet in London and New York City Ballet. He won a Tony Award for his choreography for An American in Paris.

Il trittico – Royal Opera – June 5th – June 19th

Il trittico is a trilogy of one-act operas by Giacomo Puccini. The three operas are Il tabarro, Suor Angelica and Gianni Schicchi. The latter is the best-known of the three as it is the most commonly performed.

Jealousy and murder are on tap in Il tabarro involving the love triangle of Michele (Lucio Gallo), his wife Giorgetta (Eva-Maria Westbroek) and her lover Luigi.

Suor Angelica is the dramatic story of a nun (Ermonela Jaho) dealing with loss.

Gianni Schicchi (Gallo) depicts what happens when someone dies and the will goes missing. And you think your relatives were difficult?

Richard Jones directed this 2016 production (a revival of his 2011 production) and Antonio Pappano conducted.

Agrippina – Great Performances at the Met (PBS) – June 7th (check local listings)

If you aren’t getting enough opera from the daily streaming operas made available by the Metropolitan Opera, PBS is adding another production for your viewing pleasure: Handel’s Agrippina. Joyce DiDonato stars in this David McVicar production from 2020. Henry Bicket conducts.

Agrippina (DiDonato) is the Roman empress who is fixated on the idea of having her highly unqualified son, Nerone (Kate Lindsey), take over the throne. To do that, she will stop at nothing to get her husband, Claudio (Matthew Rose), to cede it to him.

Zachary Woolfe, in his review for the New York Times said, “Three centuries on, Agrippina remains bracing in its bitterness, with few glimmers of hope or virtue in the cynical darkness. But it’s irresistible in its intelligence — and in the shamelessness it depicts with such clear yet understanding eyes.”

As with all PBS broadcasts, it is best to check your local listings. In Los Angeles this production will not air until June 9th at 11:00 PM with additional broadcasts on June 19th at 9:30 PM and June 20th at 4:00 AM. In New York it will air on June 14th at 12 PM.

Cosi fan tutte – Glyndebourne – June 7th – June 14th

Mozart’s opera (written with librettist Lorenzo da Ponte) debuted in Vienna in 1790. It was not warmly embraced and only became popular long after the composer’s death.

The opera hinges on a bet that Ferrando (Topi Lehtipuu) and Guglielmo (Luca Pisaroni) make with Don Alfonso (Nicolas Rivenq) about the fidelity of their fiancées, Dorabella (Anke Vondung) and Fiordiligi (Miah Persson).

This is a film of the 2006 production directed by Nicholas Hytner (The Madness of King George, The History Boys). The orchestra was lead by Iván Fischer.

Uncabaret – June 7th – 10:30 PM EDT/7:30 PM PDT

With everything going on in our world right now, the need for laughter is probably greater than ever. As she has done for more than a quarter century, Beth Lapides is assembling some of the brightest and funniest comedians she knows. They are coming together for an online version of Uncabaret.

For the uninitiated, Lapides describes the “un” part of her cabaret as “Unhomophobic, unxenophobic, unmysogynistic. Unhacky.”

Joining her for this week’s show are Sandra Bernhard, Julia Sweeney, Alec Mapa, Jen Kirkman, Alex Edelman, Tim Bagley and Jamie Bridgers. Music is provided by Mitch Kaplan and his band.

Registration on Eventbrite is required, but there is no fee to watch the performance. Donations, of course, are accepted.

Those are our selections for the Best Bets at Home June 5th – June 7th.

A couple reminders:

SFJazz has Fridays at Five with Marcus Shelby Quartet w/ Angela Davis in a program entitled Blues Legacies and Black Feminism. The concert features Terri Lyne Carrington, Tia Fuller, Tammy Hall, Paula West, Kim Nalley, & Tiffany Austin. This concert takes place June 5th at 8 PM EDT/5 PM PDT.

The Met Opera productions available this weekend are Thomas Adés’ The Exterminating Angel on Friday; Verdi’s Otello on Saturday and Massenet’s Thaïs on Sunday.

As I mentioned, Sunday would have been the Tony Awards. You can always find plenty of Tony Awards clips of performances to entertain yourself in the absence of the annual broadcast. One example: James Corden’s opening from the 2019 show which celebrates the joy of live performance.

There you have it. Enough Culture Best Bets at Home June 5th – June 7th to keep you entertained all weekend long.

Main photo: Tom Hiddleston in Coriolanus (Photo by Johan Persson/Courtesy of National Theatre Live)

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A Streetcar Named Desire – National Theatre Live – Now – May 28th

This week’s offering from National Theatre Live is the 2014 production of Tennessee Williams’ A Streetcar Named Desire starring Gillian Anderson as Blanche, Ben Foster as Stanley and Vanessa Kirby as Stella. Benedict Andrews directed this Young Vic production.

Williams won the 1948 Pulitzer Prize for Drama for this play about two sisters (Blanche and Stella) who find themselves sharing a small apartment in New Orleans with Stella’s volatile husband, Stanley. He doesn’t trust his wife’s sister and thinks there’s much more going on with her than she admits. Tensions rise as he becomes more distrustful and Blanche’s drinking, which she tries to conceal from them, becomes more and more problematic.

Andrews took a non-traditional approach to this production which was modern in look and feel and involved a set that was constantly in motion. Anderson earned rave reviews for her performance. Susannah Clapp, writing for The Guardian said of her performance:

“Gillian Anderson captures both Blanche’s airy pretensions to grandeur and her desolate loneliness. Her Blanche is a deeply sensuous, tactile woman whose natural instinct is to stroke Stanley’s hairy forearms or to provocatively disrobe in front of a flimsy curtain. But Anderson also conveys Blanche’s emotional solitude: she is especially fine in the scene with her nervous beau, Mitch, where you sense two helpless people desperately reaching out to each other.”

Anastasia – The Royal Ballet – Now – May 28th

The classic story of the young girl who may be Anastasia, the daughter of Tsar Nicholas II and the only person to survive the assassination of the Romanovs in 1918, was first turned into a one-act ballet by Kenneth MacMillan in 1967. Four years later he completed the full-length ballet set to music by Tchaikovsky and Bohuslav Martinu.

As part of their programming available for home viewing, The Royal Ballet has made this 2016 production of this ballet available for free streaming. Natalia Osipova dances the role of Anastasia. Christopher Saunders dances the role Tsar Nicholas II. Christina Arestis dances the role of Tsarina Alexandra Feodorova and Thiago Soares dances the role of Rasputin.

PBS Shows – Now – May 26th

Social media has been filled with posts about PBS making 20 Broadway musicals and/or concerts available for viewing through May 26th. A careful examination found that not all productions are available in all areas.

The following titles may be available regardless of where you live in the United States:

Annaleigh Ashford in Concert; Megan Hilty in Concert; Celebrating Sondheim; Leslie Odom, Jr. in Concert; A Broadway Celebration at the White House; Macbeth with Patrick Stewart; Alfred Molina in Red; Doubt from the Minnesota Opera and Cynthia Erivo in Concert.

Residents in these counties: NY: Bronx, Dutchess, Kings, Nassau, New York, Orange, Putnam, Queens, Richmond, Rockland, Suffolk, Sullivan, Ulster, Westchester; NJ: Bergen, Essex, Hudson, Hunterdon, Middlesex, Monmouth, Morris, Ocean, Passaic, Somerset, Sussex, Union, Warren; CT: Fairfield; PA: Pike have access to the following titles:

Buried Child with Ed Harris and Amy Madigan; Richard Thomas in Incident at Vichy; Bill Irwin and David Shiner in Old Hats; School Girls or, The African Mean Girls Play; Jay Sanders in Uncle Vanya and Kelli O’Hara in a New York Philharmonic concert of Rodgers & Hammerstein’s Carousel.

Sutton Foster in Concert seems to be an expired link.

Timon of Athens – Stratford Festival – Now – June 11th

In this Shakespeare play, the title character starts off rather care-free. He’s generous to a fault which prompts his friends to take full advantage of that generosity. When suddenly he finds himself bankrupt, he also finds himself without those same friends. Disillusioned and bitterly disappointed, he leaves Athens and becomes a hermit.

Joseph Ziegler plays Timon in this 2017 production directed by Stephen Ouimette. Ben Carlson plays the philosopher Apemantus; Tim Campbell plays Timon’s friend Alcibiades and Michael Spencer-Davis plays Timon’s steward, Flavius.

This is part of Stratford Festival’s At Home series where each week a new production becomes available for streaming for three weeks. Still available are productions of Macbeth and The Tempest.

Anne-Sophie Mutter: Mutter Virtuosi – May 22nd – May 24th

This 2014 Carnegie Hall concert by violinist Anne-Sophie Mutter found her leading the Mutter Virtuosi Ensemble and playing violin. The ensemble is comprised of young students and professional string players who are alumni of the Anne-Sophie Mutter Foundation. 

The program for this concert included: Bach’s Concerto for Two Violins, Strings, and Continuo in D Minor, BWV 1043; the US premiere of André Previn’s Concerto for Violin and String Orchestra (with two Harpsichord interludes); Vivaldi’s The Four Seasons and the Presto from Concerto in G Minor for Violin and Orchestra, RV 315 (L’estate) and Bach’s Air on the G String.

The program is available of Medici.tv and does not require membership. It is free.

Are you ready for more Best Bets at Home: May 22nd – May 25th?

Cendrillon – The Royal Opera – May 22nd – June 4th

Of Jules Massenet’s best-known operas, his version of the Cinderella story isn’t top of the list. The opera had its world premiere in 1899 in Paris and features a libretto by Henry Caïn.

This 2011 Royal Opera production stars Joyce DiDonato as Cendrillon, Alice Coote as Prince Charming, Ewa Podlés as the Stepmother and Eglise Gutierrez as the Fairy Godmother.

Laurent Pelly directed this production. The orchestra is lead by Bertrand de Billy.

Moby Dick – San Francisco Opera – May 23rd

The next in the streaming productions from San Francisco Opera is Jake Heggie’s opera based on the Herman Melville novel no one wanted to read in high school. The libretto is by Gene Scheer. For those who might be worried, they have condensed this whale of a book into an opera that runs just shy of two-and-a-half hours.

Heggie, who is perhaps best known for his opera Dead Man Walking, was commissioned by the Dallas Opera, San Francisco Opera, Calgary Opera, San Diego Opera, and the State Opera of South Australia to write Moby Dick. The opera had its world premiere in Dallas in 2010. Reviews were overwhelmingly positive.

Jay Hunter Morris sings the role of the single-mindedly determined Captain Ahab. First mate Starbuck is sung by Morgan Smith and Queequeg is sung by Jonathan Lemalu. Interestingly, Ishmael, the narrator of the book, is not part of the opera.

Leonard Foglia directed this 2012 production (which was a San Francisco Opera premiere) and the orchestra is conducted by Patrick Summers.

This SF Opera production is available for viewing beginning at 1 PM EDT/10 AM PDT on Saturday, May 23rd through 2:59 AM EDT on May 25th/11:59 PM PDT May 24th.

Our Lady of 121st Street – LAByrinth Theatre Company – May 23rd

In the movie The Big Chill the characters talk about how there’s always great post-funeral bash. When friends of the family of Sister Rose show up at the funeral home in Our Lady of 121st Street, they can’t have that bash…until they find out who stole her body.

Don’t get carried away thinking this will be a riotous broad comedy. It comes from the mind of Pulitzer Prize-winning playwright Stephen Adly Guirgis. This dark comedy reveals what happens when life’s circumstances bring old friends back together who haven’t fully sorted out lingering issues nor overcome old wounds.

LAByrinth Theatre Company, who first premiered the play, will do a virtual reading with many of the members of the original off-Broadway cast on Saturday, May 23rd at 8 PM EDT/5 PM PDT. The reading will be available for viewing for 24 hours.

The reading will be directed by Elizabeth Rodriguez and feature eight members of the original Off-Broadway cast: Elizabeth Canavan, Liza Colón-Zayas, Scott Hudson, Russell G. Jones, Portia, Al Roffe, Felix Solis, and David Zayas. Joining them are Bobby Cannavale, John Doman, Laurence Fishburne, and Dierdre Friel. David Deblinger will read stage directions.

The Marriage of Figaro – Glyndebourne – May 24th – May 31st

Michael Grandage directed this 2012 production of the Mozart/DePonte opera at Glyndebourne in Sussex County, England. He updates the setting to the 20th century during the waning days of Franco’s regime in Spain.

The Marriage of Figaro is a comic opera in which Figaro and Susanna plan to get married. In order to do so, they must navigate the wandering hands and eyes of her employer, Count Almaviva.

The opera continues the story that was started in Rossini’s The Barber of Seville.

Figaro is sung by Vito Priante. Lydia Teuscher is Susanna and Isabel Leonard sings the role of Cherubino. The countess is sung by Sally Matthews and her husband, Count Almaviva, is sung by Auden Iverson. Robin Ticcati conducts the orchestra.

Grandage, best known for his work on stage (he’s a Tony Award-winner for directing the play Red by John Logan), made his debut as a director of operas with Billy Budd at Glyndebourne.

Lyrics and Lyricists – Jerry Herman: You I Like – May 24th – May 31st

The 92nd Street Y in New York is celebrating the 54th anniversary of the opening of Jerry Herman’s musical Mame at the Winter Garden with this concert from the Lyrics and Lyricists series celebrating the composer.

In addition to Mame, Herman’s musicals include Milk and Honey, Hello Dolly!, Ben Franklin in Paris, Dear World, Mack and Mabel, The Grand Tour and La Cage Aux Folles. Herman, who died in 2019, was the recipient of three Tony Awards and a Special Tony Award for Lifetime Achievement.

Participating in this concert (which took place earlier this year) are Tony Award-winner Cady Huffman, who made her Broadway debut in the original production of La Cage Aux Folles; Quentin Earl Darrington (who starred as Coalhouse Walker in the 2009 revival of Ragtime); Bryonha Marie Parham (Prince of Broadway); Andrea Ross (The Sound of Music) and Ryan Vona (Beautiful).

This concert was conceived and music directed by Andy Einhorn (Hello, Dolly! revival) and was directed by Huffman.

Jerry Herman: You I Like becomes available on May 24th at 7 PM EDT/4 PM PDT and will remain available through May 31st at 11:59 PM EDT/8:59 PM PDT.

Don’t forget you can also check out SFJazz’s Wayne Shorter Celebration Part 1 on May 22nd. The Metropolitan Opera offerings this weekend are Don Giovanni, Faust and Manon.

That’s it for this weekend’s Best Bets At Home: May 22nd – May 25th

Enjoy your long weekend!

Update: This post has been updated to correct the composer of The Barber of Seville as Rossini, not Mozart. Cultural Attaché regrets the error.

Main Photo: Gillian Anderson in A Streetcar Named Desire (Photo by Johan Persson/Courtesy of NT Live)

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