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Scott Dunn: Rediscovering Film Music’s Second Golden Age

"They changed the language of scoring from the Wagnerian model to something influenced by modernism and jazz."

Best Bets: November 17th – November 23rd

Ian Barford plays Antonio Salieri in Steppenwolf Theatre Company's production of "Amadeus"

Best Bets: November 3rd – November 9th

Cultural Attaché's Best Bets: November 3rd - November 9th is bursting at the seams. We open with a world premiere opera and follow that...

BEST BETS: DECEMBER 9th – DECEMBER 15th

The Wit & Wisdom of Meow Meow, Jeremy Denk, Charles Ives and Rainer Maria Rilke are part of this week's selections

Lara Foot Brings “Life & Times of Michael K” to Life...

"When it's spoken through a puppet, the audience leans forward and starts to imagine and engage in these thoughts in a very different way. It's almost like the landscape of Coetzee is etched into the puppet and he into the landscape."

Marc-André Hamelin: A Franck Conversation About His Music

"A recital is really a one-to-one act of communication. And offering, an act of sharing with the audience."

Bo23: Isaac Mizrahi Is Singing Darling!

"I feel like the songs choose me the way clothes choose you or the way a pastry chooses you when you walk into a bakery."

Jessie Mueller And Her Beautiful Career

"How do you stay true to yourself, who you are and what you believe in, but also have the grace and humility to just keep it real."

Alonzo King: Silence Deep, River Wide

"The shocking realities of being in movement all my life is that it is stillness where transformation really begins."

Camille Zamora Rediscovers “The Last Sorcerer”

"Her music has that sense of being arresting and shakes us up. But it also just sounds so right and so organic."
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