<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" > <channel> <title>War Horse Archives - Cultural Attaché</title> <atom:link href="https://culturalattache.co/tag/war-horse/feed/" rel="self" type="application/rss+xml" /> <link>https://culturalattache.co/tag/war-horse/</link> <description>The Guide to Arts and Culture events in and around Los Angeles</description> <lastBuildDate>Tue, 08 Mar 2022 21:49:38 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.2</generator> <item> <title>Actor Seth Numrich: “We’re All Complicated”</title> <link>https://culturalattache.co/2022/03/08/actor-seth-numrich-were-all-complicated/</link> <comments>https://culturalattache.co/2022/03/08/actor-seth-numrich-were-all-complicated/#respond</comments> <dc:creator><![CDATA[Craig Byrd]]></dc:creator> <pubDate>Tue, 08 Mar 2022 21:32:30 +0000</pubDate> <category><![CDATA[Featured]]></category> <category><![CDATA[Performers: Close-Up]]></category> <category><![CDATA[What's Hot]]></category> <category><![CDATA[Amy Brenneman]]></category> <category><![CDATA[Bryan Cranston]]></category> <category><![CDATA[Clifford Odets]]></category> <category><![CDATA[Daniel Talbott]]></category> <category><![CDATA[Daryl Roth]]></category> <category><![CDATA[Geffen Playhouse]]></category> <category><![CDATA[Golden Boy]]></category> <category><![CDATA[interview]]></category> <category><![CDATA[Paul Grellong]]></category> <category><![CDATA[Power of Sail]]></category> <category><![CDATA[Rattlestick Playwrights Theater]]></category> <category><![CDATA[Seth Numrich]]></category> <category><![CDATA[Sweet Bird of Youth]]></category> <category><![CDATA[Tennessee Williams]]></category> <category><![CDATA[The Merchant of Venice]]></category> <category><![CDATA[Tom Stoppard]]></category> <category><![CDATA[Travesties]]></category> <category><![CDATA[War Horse]]></category> <category><![CDATA[William Shakespeare]]></category> <guid isPermaLink="false">https://culturalattache.co/?p=15936</guid> <description><![CDATA[<p>"We don't share everything about ourselves. And of course, we move through the world trying to project an image of ourselves that has some relationship to the totality of who we are and our experience. But it's curated, right?"</p> <p>The post <a href="https://culturalattache.co/2022/03/08/actor-seth-numrich-were-all-complicated/">Actor Seth Numrich: “We’re All Complicated”</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></description> <content:encoded><![CDATA[ <div class="wp-block-image"><figure class="alignleft size-medium"><img fetchpriority="high" decoding="async" width="169" height="300" src="https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-169x300.jpg" alt="" class="wp-image-15941" srcset="https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-169x300.jpg 169w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-576x1024.jpg 576w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-768x1365.jpg 768w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-864x1536.jpg 864w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-696x1237.jpg 696w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-1068x1899.jpg 1068w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse-236x420.jpg 236w, https://culturalattache.co/wp-content/uploads/2022/03/Seth-Numrich-Photo-by-Janette-Pellegrini-Courtesy-Geffen-Playhouse.jpg 1080w" sizes="(max-width: 169px) 100vw, 169px" /><figcaption>Seth Numrich (Photo by Janette Pellegrini/Courtesy Geffen Playhouse)</figcaption></figure></div> <p>“We don’t share everything about ourselves. And of course, we move through the world trying to project an image of ourselves that has some relationship to the totality of who we are and our experience,” actor Seth Numrich recently told me. “But it’s curated, right? We’re always trying to put our best foot forward or show people what we think they want to see from us.” </p> <p>It’s an intriguing concept going into an interview with an actor like Numrich who is currently appearing in <em><a href="https://www.geffenplayhouse.org/shows/power-of-sail/" target="_blank" rel="noreferrer noopener">Power of Sail</a></em> with Bryan Cranston and Amy Brenneman at the Geffen Playhouse.</p> <p>Written by Paul Grellong, <em>Power of Sail</em> is about a Harvard (Cranston) professor whose invitation to a White Nationalist to speak there stirs up a hornet’s nest of controversy amongst the staff and the students. Numrich plays Lucas Poole who is a grad student who is hoping to get a prestigious fellowship that has launched several other Harvard students into high-profile and well-paying jobs.</p> <p>“We come to understand and make and form opinions and judgments about these characters early in the play,” says Numrich. “And then because of the nature of the journey that the play goes on, each one of the characters something new is revealed about them. Then the audience gets to learn something and then reassess the assumptions that they made earlier in the evening. And I just think that that’s so cool and exciting because we’re all complicated.”</p> <p>Numrich is accustomed to playing complicated and complex characters. He’s appeared on Broadway in Tom Stoppard’s <em>Travesties</em>, <em>Golden Boy</em> by Clifford Odets and <em>The Merchant of Venice</em> by William Shakespeare. The 35-year-old actor also appeared opposite Kim Cattrall in a 2013 production of <em>Sweet Bird of Youth</em> by Tennessee Williams.</p> <p>“What I get really excited about is when the storytelling is truly happening through the characters. With the best writers you never feel like you’re being explained anything or you’re being taught anything. I appreciate plays that can find an entry into big, interesting, important – whatever that word means – questions about the human experience.”</p> <p>Sometimes those roles require that Numrich do soul-searching to discover what he may or may not have in common with his character. When he appeared in <em>Afghanistan, Zimbabwe, America and Kuwait</em> by Daniel Talbott at Rattlestick Playwrights Theater in 2015 he told <a href="https://stagebuddy.com/theater/theater-feature/seth-numrich-interview" target="_blank" rel="noreferrer noopener">StageBuddy.com</a> that “I truly believe as an actor, as well as a person, that we all have the same capacities inside of us. We don’t like to look at the dark side of our nature, and we often say, ‘Oh, I could never do that. That would never be me.’ But in the right circumstances, you really don’t know.” It’s a perspective he brings to every role.</p> <p>“I still believe that and it’s very important to me, in terms of the work that I do as an actor, that judging our characters makes it impossible to play any character. It’s never my job to sympathize with a character and their actions and beliefs. But it is my job to empathize with them as a human being. I feel like it’s kind of our superpower as actors is that we are professionally empathetic because we always have to be looking for and trying to understand, why is this person doing what they’re doing? Why are they behaving the way that they are? Why do they choose to move through the world in the way that they do?”</p> <p>With <em>Power of Sail</em> Numrich says that exploration starts with the play itself.</p> <div class="wp-block-image"><figure class="alignleft size-medium"><img decoding="async" width="300" height="169" src="https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-300x169.jpg" alt="" class="wp-image-15942" srcset="https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-300x169.jpg 300w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-1024x576.jpg 1024w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-768x432.jpg 768w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-1536x864.jpg 1536w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-696x392.jpg 696w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-1068x601.jpg 1068w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse-747x420.jpg 747w, https://culturalattache.co/wp-content/uploads/2022/03/Tedra-Millan-and-Seth-Numrich-in-22Power-of-Sail22-Photo-by-Jeff-Lorch-Courtesy-Geffen-Playhouse.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption>Tedra Millan and Seth Numrich in “Power of Sail” (Photo by Jeff Lorch/Courtesy Geffen Playhouse)</figcaption></figure></div> <p>“What I love about Paul’s writing is I think he does dialogue really well. When you’re speaking his words it never feels unnatural in any way. It always feels real and grounded, which is such a luxury.<em> </em>There’s so much to mine and that’s just exciting because I can just invest myself as the actor in the work I want to do there. And that feels like it naturally illuminates the text and vice versa. I don’t think I’m going to get bored by the end of this run. When I go into any scene I always have more to work on. And that’s not necessarily true of every writer.”</p> <p>One of the producers of <em>Power of Sail</em> is Daryl Roth (a 12-time Tony Award winner for plays and musicals that includes <em>War Horse</em> in which Numrich appeared) which is fueling speculation that the play might soon set sail for Broadway. If it does, Numrich is confident it will be just as provocative in its next incarnation.</p> <p>“There’s a lot that people can take from this play. I’ve talked to a lot of people after the show. What’s going on on stage is a mirror of what’s going on in the whole room. We’re asking people to sit for two hours with people living through these questions. It’s a nice reminder that [theater] does have something to offer that these other media do not have, which is that we’re going to all sit together in the same physical space breathing the same air. That feels like a radical, dangerous concept right now in the world. It also feels necessary and so I’m appreciative of this opportunity to do that in a way that feels really connected to the questions that certainly I have been experiencing and living through in the last couple of years.”</p> <p><em>Power of Sail</em> continues at the Geffen Playhouse through March 27th. More tickets and more information, please go <a href="https://www.geffenplayhouse.org/shows/power-of-sail/" target="_blank" rel="noreferrer noopener">here</a>.</p> <p>Photo: Seth Numrich in <em>Power of Sail</em> (Photo by Jeff Lorch/Courtesy Geffen Playhouse)</p> <p>The post <a href="https://culturalattache.co/2022/03/08/actor-seth-numrich-were-all-complicated/">Actor Seth Numrich: “We’re All Complicated”</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></content:encoded> <wfw:commentRss>https://culturalattache.co/2022/03/08/actor-seth-numrich-were-all-complicated/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>Tales from the Wings: Celebrating Lincoln Center Theater</title> <link>https://culturalattache.co/2021/05/12/tales-from-the-wings-celebrating-lincoln-center-theater/</link> <comments>https://culturalattache.co/2021/05/12/tales-from-the-wings-celebrating-lincoln-center-theater/#respond</comments> <dc:creator><![CDATA[Craig Byrd]]></dc:creator> <pubDate>Wed, 12 May 2021 21:27:44 +0000</pubDate> <category><![CDATA[Featured]]></category> <category><![CDATA[Musicals: 5-6-7-8]]></category> <category><![CDATA[Streaming]]></category> <category><![CDATA[The Play's The Thing]]></category> <category><![CDATA[A Delicate Balance]]></category> <category><![CDATA[A Lincoln Center Theater Celebration]]></category> <category><![CDATA[A Man of No Importance]]></category> <category><![CDATA[Anything Goes]]></category> <category><![CDATA[Audra McDonald]]></category> <category><![CDATA[Ayad Akhtar]]></category> <category><![CDATA[Bartlett Sher]]></category> <category><![CDATA[Carousel]]></category> <category><![CDATA[Flying Over Sunset]]></category> <category><![CDATA[Intimate Apparel]]></category> <category><![CDATA[Jordan Donica]]></category> <category><![CDATA[Lileana Blain-Cruz]]></category> <category><![CDATA[Lincoln Center Theater]]></category> <category><![CDATA[My Fair Lady]]></category> <category><![CDATA[Oslo]]></category> <category><![CDATA[Patti LuPone]]></category> <category><![CDATA[Paulo Szot]]></category> <category><![CDATA[Rosemary Harris]]></category> <category><![CDATA[Ruthie Ann Miles]]></category> <category><![CDATA[Seth Numrich]]></category> <category><![CDATA[South Pacific]]></category> <category><![CDATA[Steven Pasquale]]></category> <category><![CDATA[Tales from the Wings]]></category> <category><![CDATA[The King and I]]></category> <category><![CDATA[War Horse]]></category> <guid isPermaLink="false">https://culturalattache.co/?p=14415</guid> <description><![CDATA[<p>Lincoln Center Theater's YouTube Channel<br /> <br /> EXTENDED<br /> <br /> May 13th - May 23rd</p> <p>The post <a href="https://culturalattache.co/2021/05/12/tales-from-the-wings-celebrating-lincoln-center-theater/">Tales from the Wings: Celebrating Lincoln Center Theater</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></description> <content:encoded><![CDATA[ <p>With all of the announcements about the re-opening of Broadway shows, what better time to take look back and a look forward at the storied history of Lincoln Center Theater. <em><a href="https://www.lct.org/shows/tales-from-the-wings/" target="_blank" rel="noreferrer noopener">Tales from the Wings: A Lincoln Center Theater Celebration</a></em> will do just that beginning on Thursday, May 13th at 7:00 PM ET/4:00 PM PT.</p> <p>This one-hour event will feature archival performance footage and new interviews with stars of some of their most popular and awarded productions.</p> <p>The shows and performers being featured include:</p> <p>Patti LuPone talking about the 1987 revival of Cole Porter’s <em>Anything Goes</em>. The show was nominated for 10 Tony Awards and won three including Best Revival of a Musical. LuPone starred as Reno Sweeney.</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe title="Anything Goes" width="696" height="392" src="https://www.youtube.com/embed/UpjaqswBVIA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p><a href="https://culturalattache.co/2013/10/23/broadway-star-audra-mcdonald-returns-to-la-opera-for-one-night/" target="_blank" rel="noreferrer noopener">Audra McDonald</a> reminiscing about the 1984 revival of <em>Carousel</em> by Richard Rodgers and Oscar Hammerstein II. The show was nominated for five Tony Awards and won all five including Best Revival of a Musical and Best Featured Actress in a Musical for McDonald. This was the first of McDonald’s six Tony Awards (so far). </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="Audra McDonald performs "(When I Marry) Mister Snow" from CAROUSEL" width="696" height="392" src="https://www.youtube.com/embed/-4Wok-iG2jo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>Rosemary Harris discussing the 1996 revival of Edward Albee’s <em>A Delicate Balance</em>. Joining Harris in the cast were John Carter, George Grizzard, Mary Beth Hurt, <a href="https://culturalattache.co/2014/03/05/broadway-baby-elaine-stritch-is-still-here-with-the-ladies-who-lunch/" target="_blank" rel="noreferrer noopener">Elaine Stritch</a> and Elizabeth Wilson. The production received 7 Tony Award nominations and won three including Best Revival of a Play.</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="ELAINE STRITCH A Delicate Balance" width="696" height="522" src="https://www.youtube.com/embed/nlIZkg97Srw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>I saw this production and can tell you this was absolutely theater at its best.</p> <p>Steven Pasquale sharing memories from <em>A Man of No Importance</em>. This musical played in the Mitzi Newhouse Theater and featured a book by <a href="https://culturalattache.co/2013/09/25/playwright-terrence-mcnally-talks-about-taking-risks-l-a-theater-and-the-state-of-broadway/" target="_blank" rel="noreferrer noopener">Terrence McNally</a> with music by Stephen Flaherty and lyrics by Lynn Ahrens. Amongst the cast were Roger Rees, Faith Prince and Jessica Molaskey. </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="STEVEN PASQUALE A Man of No Importance" width="696" height="522" src="https://www.youtube.com/embed/CnXuDKCsDk0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>Paulo Szot talking about the 2008 revival of Rodgers and Hammerstein’s <em>South Pacific</em>. This Bartlett Sher production was nominated for 11 Tony Awards and won seven of them including Best Revival of a Musical and Best Actor in a Musical for Szot. Co-starring with him was Kelli O’Hara as Nellie Forbush with Danny Burstein, Matthew Morrison and Loretta Ables Sayre. Szot made his Broadway debut in <em>South Pacific</em>.</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="Paulo Szot Some Enchanted Evening Kelli O'Hara" width="696" height="522" src="https://www.youtube.com/embed/wOqK_eWX3YY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>Seth Numrich telling stories from the 2011 production of the play <em>War Horse</em>. Nick Stafford adapted Michael Morpurgo’s novel for this show that received five Tony Award nominations and won all five including Best Play</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="WAR HORSE Video Montage" width="696" height="392" src="https://www.youtube.com/embed/iY5YMshpCcw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>Ruthie Ann Miles reminiscing about another Rodgers and Hammerstein musical, <em>The King and I</em>. This revival is from 2015 and found Kelli O’Hara as Anna Leonowens and Ken Watanabe as The King of Siam. Bartlett Sher’s production received 9 Tony Award nominations and won four including Best Actress in a Musical for O’Hara and Best Revival of a Musical. </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="THE KING AND I - Lincoln Center Theater (Montage)" width="696" height="392" src="https://www.youtube.com/embed/xY9LJQxDcjU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>Bartlett Sher sharing memories of the play <em>Oslo</em> by J.T. Rodgers. The play received 7 Tony Award nominations and won two including Best Play. Jennifer Ehle and Jefferson Mays starred in the play.</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="OSLO Newhouse Montage" width="696" height="392" src="https://www.youtube.com/embed/70bAEAk6Olo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>Jordan Donica talks about the 2018 revival of Lerner and Loewe’s <em>My Fair Lady. </em>Donica played Freddy Eynsford-Hill in Bartlett Sher’s revival that was nominated for 10 Tony Awards. This was a terrific production (which I saw with <a href="https://culturalattache.co/2018/01/08/tony-winner-laura-benanti-strips-away-everything-to-reveal-herself/" target="_blank" rel="noreferrer noopener">Laura Benanti</a> who assumed the role of Eliza Doolittle after Lauren Ambrose left the show), but it only received a single Tony Award for Catherine Zuber’s costume designs.</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <iframe loading="lazy" title="MY FAIR LADY - "On the Street Where You Live"" width="696" height="392" src="https://www.youtube.com/embed/6kX3PZ_ynss?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> </div></figure> <p>As for the looking forward part of the show, this should include previews of the musical <em>Flying Over Sunset</em> and an opera by Ricky Ian Gordon based on Lynn Nottage’s play <em>Intimate Apparel</em> with Nottage writing the libretto. Both were postponed due to the pandemic. </p> <p><em>Flying Over Sunset</em> will begin previews at the Vivian Beaumont Theater on November 4th in advance of an official opening on December 6th. <em>Intimate Apparel</em> will begin previews at the Mitzi E. Newhouse Theater on January 13th in advance of an official opening night on January 27th.</p> <p>Resident Director Lileana Blain-Cruz will offer this segment of <em>Tales from the Wings</em>.</p> <p>There will also be an appearance by playwright Ayad Akhtar (<em>Disgraced</em>; <em>Junk</em>).</p> <p>There is no charge to watch the show, however registration is required. <em>Tales from the Wings</em> will be available for viewing through Sunday, May 23rd on Lincoln Center Theater’s <a href="https://www.youtube.com/user/LincolnCenterTheater" target="_blank" rel="noreferrer noopener">YouTube channel</a>.</p> <p>Photo: Patti LuPone in <em>Anything Goes</em> (Photo by Brigitte Lacombe/Courtesy Lincoln Center Theater)</p> <p><em>Update: </em>This post has been updated with opening dates for <em>Flying Over Sunset</em> and <em>Intimate Apparel</em></p> <p><em>2nd Update: This post has been updated to include the extension of the availably of the show until May 23rd.</em></p> <p>The post <a href="https://culturalattache.co/2021/05/12/tales-from-the-wings-celebrating-lincoln-center-theater/">Tales from the Wings: Celebrating Lincoln Center Theater</a> appeared first on <a href="https://culturalattache.co">Cultural Attaché</a>.</p> ]]></content:encoded> <wfw:commentRss>https://culturalattache.co/2021/05/12/tales-from-the-wings-celebrating-lincoln-center-theater/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>