for colored girls who have considered suicide/when the rainbow is enuf – Booth Theatre – New York – Now through May 22nd

Ntozake Shange’s “choreopoem” first opened on Broadway in 1976 and ran for 742 performances and also earned a Tony Award nomination as Best Play. 7 Black women, nameless but identified by the color of the clothes they wear, explore their lives and experiences through poetry that has been choreographed to music.

Camille A. Brown makes her directorial debut with this revival. She recently co-directed and choreographed Terence Blanchard’s opera Fire Shut Up In My Bones at the Met. The ensemble of women appearing in the show are Amara Granderson, Tendayi Kuumba, Kenita R. Miller, Okwui Okpokwasili, Stacey Sargean, Alexandria Wailes and D. Woods

For tickets and more information please go here.

Who’s Afraid of Virginia Woolf? – Geffen Playhouse – Los Angeles  – Now – May 29th

Edward Albee’s Tony Award and Pultizer Prize-winning 1962 play about marriage as seen through the eyes of a hard-drinking and embittered middle-aged couple  and a younger couple with mixed motivations for being their guests after a faculty party gets a new production in Los Angeles.

Zachary Quinto and Calista Flockhart play George and Martha – the older couple. Nick and Honey, the younger couple, are played by Graham Phillips and Aimee Carrero. Gordon Greenberg directs.

For tickets and more information, please go here.

A Strange Loop – Lyceum Theatre New York – Now playing

The 2020 Pulitzer Prize for drama went to Michael R. Jackson’s musical A Strange Loop. It’s an aptly named meta-musical about a gay Black man who’s writing a musical about a gay Black man.  Reviews were through the roof when it ran off-Broadway.

Last week’s reviews were even stronger for the Broadway production. This is going to be a very hot ticket this season and quite possibly the musical to beat for the Tony Awards.

Stephen Brackett directs A Strange Loop. The ensemble features Antwayn Hopper, L Morgan Lee, John-Mihael Lyles, James Jackson, Jr., John-Andrew Morrison, Jaquel Spivey and Jason Veasey.

For tickets and more information, please go here.

An Evening with Fran Lebowitz – Multiple Venues – April 28^th – May 6^th

It probably surprises no one more than Fran Lebowitz that after the Netflix series Pretend It’s A City debuted she would be a hot ticket around the world. But here she is participating in conversations – exactly what she did with Martin Scorsese in that series.

April 28^th – May 1^st will find her at The Broad Stage in Santa Monica. On  May 2^nd she’ll be at the Balboa Theatre in San Diego. On May 5^th she’ll be at Roy Thomson Hall in Toronto and on May 6^th she’s at St. Jean Baptiste Church in Montreal. A European tour launches in late June.

For tickets and more information, click on each venue’s name.

MJ The Musical – Neil Simon Theatre NY – Now – September 4th

It was, of course, inevitable that there would be a jukebox musical showcasing the countless hit songs by Michael Jackson. What may set this musical apart from failed attempts to use songs by The Beach Boys, Cher John Lennon and more is that the book is by two-time Pulitzer Prize-winner Lynn Nottage and the show is directed and choreographed by Christopher  Wheeldon.

Myles Frost makes his Broadway debut as MJ. Walter Russell III (so good in Fire Shut Up in My Bones at the  Metropolitan  Opera) and Christian Wilson alternate performances as Little Michael. Interestingly Tavon Olds-Sample is listed as playing “Michael” in the show. 

Will this musical be a Thriller or will audiences tell this show to Beat It? Either way it’s bound to be interesting.

For tickets and more details, please go here.

American Ballet Theatre on Tour – Now – May 15^th

ABT is on tour with two different programs. Opening this week at the Segerstrom Center for the Arts in Costa Mesa is ABT Forward. Leonard Bernstein is celebrated in Bernstein in a Bubble; Alonzo King premiere’s Single Eye with music by Jason Moran and Tony Bennett is front and center in Zig Zag. This same program will be performed at the Kennedy Center March 29^th and March 30^th.

Don Quixote is on the program for performances at Chrysler Hall in Norfolk, VA; the Kennedy Center and the Mahalia Jackson Theatre in New Orleans.

For tickets and more information click on each venue’s names.

Take Me Out – Hayes Theater New York – Now – October 2^nd

Richard Greenberg’s 2003 play Take Me Out won the Tony Award for Best Play. It tells the story of a professional baseball player (Jesse Williams) who comes out as gay. His doing so reveals a lot about his teammates and their prejudices about his sexuality and his race.

Also appearing in the play are Patrick J. Adams and Jesse Tyler Ferguson. This is a very adult show that features a nude shower scene with most of the cast. So few professional athletes on major teams have come out in the 19 years since this play was first performed on Broadway. That means Take Me Out is just as topical today as it was then.

For tickets and more information, please go here.

Plaza Suite – Hudson Theatre (NYC) – March 28^th – June 26th

Neil Simon’s comedy about relationships and marriage opened on Broadway on February 14, 1968. The show ran for 1,097 performances and featured George C. Scott and Maureen Stapleton as three separate couples who all visit the Plaza Hotel in New York at different times. 

This first-ever revival of the play stars Matthew Broderick and Sarah Jessica Parker. John Benjamin Hickey (Tony Award-winner for his performance in The Normal Heart) directs. Danny Bolero, Molly Ranson and Eric Wiegand round out the ensemble.

This limited engagement is scheduled to close on June 26^th.

For more information, please go here.

(Photo by Joan Marcus)

Cyrano – Brooklyn Academy of Musc – April 5^th – May 22^nd

The recent Joe Wright film of Edmond Rostand’s play presented a variation from tradition in telling the story of the man with a large nose who falls in love with Roxanne. Get ready for an even more radical approach.

James McAvoy stars in this new version by Martin Crimp. Gone after the period costumes and pleasantries. This Cyrano is more interested in the love of language than in unrequited love.  Modern clothes, hand mics and stand mics are the tools at the cast’s disposal.

Directed by Jamie Lloyd, this production earned the Olivier Award for Best Revival.

For tickets and more information, please go here.

Alvin Ailey American Dance Theater –multiple venues –  April 6^th – May 8^th

For over 60 years the Alvin Ailey American Dance Theater has celebrated what it is to be an African American through innovative dances that utilize a wide array of musical styles. 

They are on tour to celebrate the 10^th Anniversary of Artistic Director Robert Battle. Amongst the pieces on the program are 2004’s Mass; Ella from 2008 and For Four from 2021. Also on the program is Revelations created by Ailey in 1960.

This tour takes them to the Dorothy Chandler Pavilion in Los Angeles (April 6-10); The Granada Theatre in Santa Barbara (April 13^th and 14^th); Marcus Performing Arts Center in Milwaukee on April 20^th; KeyBank State Theatre in Cleveland (April 22^nd – 24^th); The University of Massachusetts on April 26^th; Boston’s Boch Center Wang Theatre (April 28^th– May 1^st); University of North Carolina (May 3^rd and 4^th) and concludes at Prudential Hall in Newark (May 6^th – 8^th). Click on each venue’s name for more information and tickets.

Sheku & Isata Kanneh-Mason Tour – April 19^th – May 8^th

Pianist Isata Kanneh-Mason and her brother, cellist Sheku Kanneh-Mason, launch a recital tour on April 19^th at Campbell Hall in Santa Barbara. The core repertoire finds the duo performing works by Frank Bridge, Benjamin Britten, Karem Khachaturian and Dmitri Shostakovich. The Khachaturian is replaced by a work by Beethoven at a few concerts.

The tour takes them to Los Angeles; Costa Mesa; La Jolla; San Francisco; Ann Arbor; Princeton; Kansas City, MO; Baltimore; New York; Toronto; Boston and Atlanta.

For tickets and more information, click on the name of the city above.

Funny Girl – August Wilson Theatre – Now playing

It’s been 58 years since the musical Funny Girl opened on Broadway and turned Barbra Streisand into one of the world’s greatest stars. Since then producers have long considered a revival, but let’s face it, those are big shoes to fill.

Enter Beanie Feldstein who is tackling the role of Fanny Brice. Like Streisand, Feldstein has only played a supporting role in one musical before this one (Hello, Dolly!). Joining her are Ramin Karimloo as love-interest Nick Arnstein and Jane Lynch as Mrs. Brice. Michael Mayer directs the show which has a revised script by Harvey Fierstein.

People, people who need tickets and more information should go here.

Top Album Choices

Jeremy Pelt: Soundtrack

Jazz composer and trumpeter Jeremy Pelt releases his new album this week. It features 10-tracks with Vicente Archer on acoustic & electric bass; Victor Gould on piano; Chien Chien Lu on vibraophone; and Fender Rhodes and Allan Mednard on drums. Anne Drummond plays flute on two tracks and Brittany Anjouy plays Mellotron on two track.

Pelt is a terrific musician and his previous two albums, The Art of Intimacy Vol. 1 and Griot: This Is Important!revealed an incredible range and are essential listening.

Spencer Day: Broadway by Day 

These two albums couldn’t be more different, but both are immensely satisfying works. Vocalist/songwriter Spencer Day offers his interpretations of songs from some of Broadway’s greatest musicals including A Chorus Line, Follies, My Fair Lady and South Pacific on Broadway By Day. His unique stylings provided a new way of hearing these classic songs.

Gerald Clayton: Bells on Sand

Composer/pianist Gerald Clayton’s new album is one we’ve been listening to for over a month. It’s a quiet and gentle album that is filled with inventive music that requires your concentration. That commitment will be deeply rewarded with an inner-peace that Bells on Sand brings to your ears.

Main Photo: Stacey Sergeant, Amara Grandson, Okwui Okpokwasilli, Tendayi Kuumba, Kenita R. Miller, D. Woods and Alexandria Walles in for colored girls who considered suicide/when the rainbow is enuf (Photo by Marc. J. Franklin)

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Los Angeles has seen many a great production of Beckett’s work (particularly when Alan Mandell is involved.) On Beckett is not a production of one of his shows, but rather a view into many of his works (both the well-known and lesser-known) through the prism of Irwin’s imagination.

What separates Beckett from other playwrights is his dark sense of humor. Beckett is best known for such plays as Waiting for Godot, Krapp’s Last Tape, Endgame and Happy Days. He was awarded the Pulitzer Prize for Literature in 1969.

In this show, Irwin will look at the Irish playwright and novelist’s work from the point-of-view of the role humor and clowning play in his work. That will serve as perfect fodder for Irwin who, in addition to being a Tony Award-winner for his performance in Broadway’s Who’s Afraid of Virginia Woolf?, is also a celebrated clown. Full Moon, a show he created with his partner in that show, David Shiner, showcased his amazingly versatile clowning skills. (They performed the show at the then-named James Doolittle Theatre in 1994. The theatre is now known as the Montalbán.)

Irwin first performed this show at The Strand Theatre in San Francisco while developing the work with ACT in 2017. It was subsequently performed at the Irish Repertory Theatre in New York in 2018.

Irwin is joined on stage by Carl Barber and Benjamin Taylor who rotate playing “The Boy.”

On Beckett runs approximately 90 minutes with no intermission.

For tickets to On Beckett go here.

Photo of Bill Irwin in On Beckett by Craig Schwartz/Courtesy of Center Theatre Group

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