And yes, they can finish each other’s sentences. As I experienced when I spoke with them last week. Charlap was in New York finishing the second of two consecutive weeks at the Village Vanguard. Bridgewater was at her home. They will be performing together in Los Angeles on Friday night to open the 2023-2024 CAP UCLA season at Royce Hall. If you love jazz piano and jazz vocals, you owe it to yourself to check out this concert.

Rather than follow a traditional format of questions and answers, for this interview I will allow Bridgewater & Charlap to do their own performance of themes and variations on the concept of musical partnerships. What follows are excerpts from our conversation that have been edited for length and clarity. To see the full interview with Bridgewater & Charlap, please go to our YouTube channel.

The key to a good musical partnership is…

Bridgewater: …being open and listening to each other; keeping that line of communication going. It’s no different, I don’t think, than in a relationship without the music, but I think that’s the most important thing. Keeping your ears open and your mind open to receive. And in my case, all of this beautiful musical information from Bill Charlap. 

Charlap: Well, the same is happening to me. There’s all kinds of beautiful information coming to me from Dee Dee. It’s essentially listening first and foremost and chemistry and that we had right away. The chemistry continues to grow, but chemistry, just like any relationship, sometimes you just catch on fire right away and that’s how it is with us.

Bridgewater: It was the first step when we came together. When I approached Bill with this idea I just started calling out tunes and Bill started playing them and then we were putting keys on them. And before we knew it, we had amassed something like 50 songs easily.

Charlap: And there’s plenty more that I’m certain that could just happen. We may choose songs beforehand and say, let’s do these ones, but it could change at any moment. 

Bridgewater: We’ve kind of narrowed the song selections down to some songs that we really feel comfortable with. We’ve kind of worked out, without even saying it, kinds of arrangements in that there’s a beginning and ending and Bill puts some some special little tags on phrases and then I’ll pick those up. We have unspoken arrangements, don’t we, Bill? 

Charlap: I think so. But they can also change on a dime. Both could change on a dime. It’s not necessarily me setting a tempo or you setting a tempo. It could be both of us. Either one of us could take the reins at any point. In fact, that’s the beauty of it. It’s a true collaboration. It’s a true partnership. She accompanies me, too. Were accompanying each other in a sense.

Bridgewater: I don’t know of any vocal piano duo that can do what we do. 

Charlap: It’s great trust. That’s an important word. But beyond that, Dee Dee is such a great storyteller. That’s what [lyricist] Alan Bergman said the first time he heard her. He said she is the storyteller. So there is that. Then there’s Dee Dee Bridgewater the musician. Perfect time, perfect instincts. The ability to hear harmonically exactly what’s going on. The instincts. But it’s beyond telling the story. And it’s beyond the music. It’s all of those things.

Bridgewater: I just saw that that extraordinary documentary, Zero Gravity. So wonderful. Oh, my goodness. I’ve seen it twice. It’s so inspirational. 

Charlap: It’s a knockout. 

Bridgewater: Listening to Herbie [Hancock] talk about the duo that that he had with Wayne [Shorter] I was really struck. I said, Oh, okay, this is where we’re coming from. Except I remember Herbie saying that he felt like Wayne was the master and he was the student and that he just paid attention. I just I feel in a lot of ways that Bill is is such a master with his music and what he does that it would behoove me to pay attention and to listen because we feed off of each other. This is where the inspiration comes from.

Charlap: One can’t hold the other at bay. We jump into the deep end of the pool together at the same time. It’s not sometimes one washes and one dries, one leads and one follows. It changes all the time. It’s in balance. And it’s a dance. it’s also a palette. It’s like a canvas. It’s an emotional canvas, a story canvas. It has humor. It has depth, of course, with the lyrics and the storytelling. There are layers to all of the lyrics, so it’s not always exactly what every word is, too. It might be something else. All of that.

Bridgewater: Bill knows the lyrics. Bill knows all the lyrics. There have been moments where I go up on a word and he just quietly inserts the word that I’m searching for in that moment. I have never worked with a musician who knows every lyric and the stories behind how they came about. This is extraordinary.

Charlap: I’m playing 50% lyrics and 50% music there. They’re wedded to each other. They’re equal partners.

Bridgewater: Yes, but you are unique in that. What can be said about this duo and the beauty of it is because you just have these two sounds coming at you. We are able to dig deeper into the song, into its meaning; exploring the melody more than would be possible, even if it’s Bill’s magnificent trio. We broke that puppy down to just the two of us. That was really the moment. So I think we have this beautiful relationship now. It just tells its own story and it just amplified the uniqueness of it.

Charlap: I must tell when she first called me and said it would be great to do some stuff together. Of course I would love to do that, but I said, “Well, that would be wonderful if you want to do that with the trio.” And she said, “No, I want to do it as a duo.” And I thought, Wow, now that’s special. And that’s great risk. That was great courage. I’ll never forget that first gig.

Bridgewater: I felt naked and I said that to the audience. I said, I feel completely exposed. Nowhere to hide. I remember running around the piano. 

Charlap: It was that feeling of what’s this? This is working. I don’t feel naked. In fact, if I do, I feel very comfortable in it. It has made something that’s really uniquely of itself and a place that is a center that so many things can grow out of. It’s all about exactly being yourself in this music or in any art. So that’s where we’re going to shine the most. 

Bridgewater: Of course, we’re different and our backgrounds are different and all of that. I know that people were really surprised and still are surprised to hear that the two of us are working together and then to experience it and go come back and go, what is that? That was amazing. I think it is the fact that we are different and we are bringing our individual experiences into this duo is the thing that makes it so magical. And there has to be some sort of similarity between the two of us or it just wouldn’t work. I feel like Bill and I are both very adventurous musical spirits and we’re ready to go anywhere.

Charlap: That’s really nice. 

Bridgewater: Something else that that has happened with Bill and I as we’ve gotten more and more comfortable with each other is the the clowning and the having fun. The moments where it’s silly. I think for people to see that with the two of us they’re kind of like, wow, this is different. Like break out in our whistle, do our little whistle things and when I’ll come around behind the piano bench and have my hands on his shoulders and be doing stuff.

Charlap: Well, it’s supposed to be fun and we’re having lots of fun. Kids in the sandbox.

Bridgewater: Exactly. 

Charlap: Would you ever want to lose that finger paint?

Bridgewater: Go play. Yes. 

Charlap: Don’t be afraid to get messy.

Bridgewater: Exactly. Exactly.

And play they do. Beautifully.

To see the full interview with Bridgewater & Charlap (including a very passionate discussion of Billy Strayhorn’s “Lush Life,” please go here.

Main Photo: Bill Charlap and Dee Dee Bridgewater (Photo by Todd Rosenberg/Courtesy CAP UCLA)

The post Bo23: Bridgewater & Charlap Are Musical Partners appeared first on Cultural Attaché.