{"id":2835,"date":"2018-05-09T15:45:13","date_gmt":"2018-05-09T15:45:13","guid":{"rendered":"http:\/\/culturalattache.co\/?p=2835"},"modified":"2020-01-10T23:56:09","modified_gmt":"2020-01-10T23:56:09","slug":"composer-ellen-reids-new-work-cautionary-tale","status":"publish","type":"post","link":"https:\/\/culturalattache.co\/2018\/05\/09\/composer-ellen-reids-new-work-cautionary-tale\/","title":{"rendered":"Is Composer Ellen Reid&#8217;s New Work a Cautionary Tale?"},"content":{"rendered":"<p>Depending on with whom you are talking, classical music is either dying or thriving. Perhaps it finds itself in the same conundrum as jazz. People will find themselves on either side of the argument. One person who truly believes classical music is thriving is composer Ellen Reid. She was one of the composers on Yuval Sharon&#8217;s <em>Hopscotch<\/em>. Her opera <em>Prism<\/em>, will be part of the 2018-2019 LA Opera season. She has a commission from the LA Chamber Orchestra. But more immediately on Sunday, May 13th, the LA Master Chorale will be presenting the world premiere of her new work for ensemble and chorus,\u00a0<em><a href=\"http:\/\/www.lamasterchorale.org\/reid-and-riley\" target=\"_blank\" rel=\"noopener\">dreams of the new world<\/a>.<\/em> Joining the LAMC for this premiere is local ensemble wild UP.<\/p>\n<figure id=\"attachment_2840\" aria-describedby=\"caption-attachment-2840\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2840\" src=\"http:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-300x169.jpg\" alt=\"The three women used interviews as the basis for &quot;dreams of the new world&quot;\" width=\"300\" height=\"169\" srcset=\"https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-300x169.jpg 300w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-768x432.jpg 768w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-1024x576.jpg 1024w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-696x392.jpg 696w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-1068x601.jpg 1068w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9-747x420.jpg 747w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/Reid-collaborators-16x9.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-2840\" class=\"wp-caption-text\">Sayd Randle, Ellen Reid and Sarah LaBrie<\/figcaption><\/figure>\n<p><em>dreams of the new world<\/em> presents three different stories from three different time periods that are all based on interviews Reid conducted alongside her librettist Sarah LaBrie and her researcher Sayd Randle. The first section is set in Memphis in 1890 and tells the story of Robert R. Church, a slave who accomplished a lot for his community in the Jim Crow-era. Part two is set in Houston during the boom era for the oil industry in 1970. The final section is set in Los Angeles in present day and is seen through the perspective of the pursuit of further space travel and exploration.<\/p>\n<p>I spoke with Reid a couple days after she first heard the LA Master Chorale in a piano rehearsal of\u00a0<em>dreams of the new world<\/em>.<\/p>\n<figure id=\"attachment_2842\" aria-describedby=\"caption-attachment-2842\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2842\" src=\"http:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Memphis-300x169.jpg\" alt=\"Memphis is part one of &quot;dreams of the new world&quot;\" width=\"300\" height=\"169\" srcset=\"https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Memphis-300x169.jpg 300w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Memphis-768x433.jpg 768w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Memphis-696x392.jpg 696w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Memphis-745x420.jpg 745w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Memphis.jpg 853w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-2842\" class=\"wp-caption-text\">Ellen Reid her collaborators visit Memphis<\/figcaption><\/figure>\n<p>I&#8217;m intrigued by a comment on your webpage about the Memphis section: &#8220;the idea of the dream relies on erasure of such retreats, to continually slot the present into a hopeful, forward telos.&#8221; Does\u00a0<em>dreams of the new world<\/em> ultimately explore the circle of life as it relates not just to be people, but cities?<\/p>\n<p><strong>Absolutely. In Memphis and in Houston you feel the\u00a0impact of these time periods we were researching still. You see that the way the cities have adapted or shifted because of those histories. For example, the oil bust that came after the boom we&#8217;re\u00a0talking about lead Houston to invest a\u00a0lot energy into diversifying so it wouldn&#8217;t just be an oil city. They have new medical industries and now they can buoy themselves when the oil business falters.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WxApyQlmVCQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_2843\" aria-describedby=\"caption-attachment-2843\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2843\" src=\"http:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Houston-300x129.jpg\" alt=\"Part two of &quot;dreams of the new world&quot; is set in Houston in 1970\" width=\"300\" height=\"129\" srcset=\"https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Houston-300x129.jpg 300w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Houston-768x329.jpg 768w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Houston-696x298.jpg 696w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Houston.jpg 935w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-2843\" class=\"wp-caption-text\">Researching the oil boom of 1970 in Houston<\/figcaption><\/figure>\n<p>What then can a city like Detroit learn from Houston&#8217;s experience?<\/p>\n<p><strong>I think what you see in situations like Detroit is that the solutions people are coming up with are really creative. There&#8217;s always light and there&#8217;s always shadow. What we were interested in doing is sharing both sides of the story. Not just the\u00a0happy part, but what has to happen to make that\u00a0possible or the reality of that moment in time.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/9T7I_0GEf1w?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_2844\" aria-describedby=\"caption-attachment-2844\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2844\" src=\"http:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-300x192.jpg\" alt=\"Los Angeles 2018 is the final section of &quot;dreams of the new world&quot;\" width=\"300\" height=\"192\" srcset=\"https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-300x192.jpg 300w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-768x491.jpg 768w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-1024x654.jpg 1024w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-696x445.jpg 696w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-1068x683.jpg 1068w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE-657x420.jpg 657w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/dreams-of-the-new-world_Google-Lunar-XPRIZE.jpg 1718w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-2844\" class=\"wp-caption-text\">Exploring space at Google&#8217;s Lunar X Prize<\/figcaption><\/figure>\n<p>You explore the boom and the bust in Memphis and Houston. You only have the boom of Los Angeles given the date of the story you&#8217;re telling. Is it inevitable that bust will follow here just as it did in the other two cities?<\/p>\n<p><strong>Yes, but the piece is also asking the question, &#8220;So what can we do with this information?&#8221; Maybe there doesn&#8217;t have\u00a0to be a bust, but if we&#8217;re following in the same exact way it&#8217;s almost a biblical cycle. It&#8217;s been happening for so long. It feels like such an interesting time to\u00a0have this piece.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NDMnAXVL8PQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>We started working on it before we knew who was running for the last\u00a0election. We were\u00a0interested in telling these stories and politically raising these\u00a0<\/strong><b>questions about westward progression and human achievement. Over the course of developing it, it started feeling more intense to put these\u00a0different conversations and dialogues with one another across time. And these are conversations that can&#8217;t happen right now because of the heat around the political discourse. To hold these different stores in the warmth and the sound of the LA Master chorale right now feels so potent.<\/b><\/p>\n<p>Does this make\u00a0<em>dreams of the new world<\/em> a cautionary tale?<\/p>\n<p><strong>I think that&#8217;s strong language. I think it&#8217;s more than a cautionary tale. I think it&#8217;s a celebration and I think that it&#8217;s devastating and I\u00a0think that it is more than to caution but to spark a conversation around what do we do now. What&#8217;s next? What does this mean? What are we not seeing? It&#8217;s not just what we do not know, but what we aren&#8217;t willing to look at.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hpeeeC-QDoM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>You had a workshop in November 201 at UC Irvine. What did you learn from that workshop and how did that influence the work that is having its world premiere with the LA Master Chorale?<\/p>\n<p><strong>That workshop was so great. The students at UCI and Seth Houston, who runs the choir department, they were so engaged and so deeply involved in the subject matter and every aspect of the piece. It really helped us\u00a0<\/strong><b>believe the piece was engaging. I think one of the biggest differences from the workshop to the premiere is I wrote it pretty focused and wasn&#8217;t writing much else before the workshop. There\u00a0were times when I would hold the musicians back\u00a0because I had written so much more for the choir that I thought we&#8217;d lose it\u00a0because we had so much. I wanted to let the choir be more free and have more space\u00a0just to sing because they are amazing. That was the big shift that happened.<\/b><\/p>\n<figure id=\"attachment_2838\" aria-describedby=\"caption-attachment-2838\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2838\" src=\"http:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-300x169.jpg\" alt=\"Ellen Reid wrote &quot;dreams of the new world&quot; with wild UP in mind\" width=\"300\" height=\"169\" srcset=\"https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-300x169.jpg 300w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-768x432.jpg 768w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-1024x576.jpg 1024w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-696x392.jpg 696w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-1068x601.jpg 1068w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9-747x420.jpg 747w, https:\/\/culturalattache.co\/wp-content\/uploads\/2018\/05\/wild-UP-16x9.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-2838\" class=\"wp-caption-text\">Christopher Roundtree conducts wild Up<br \/>Photo Credit: \u00a9Stephanie Berger.<\/figcaption><\/figure>\n<p>Chris Rountree, who leads wild UP, told me in 2015 that disruption is the key to the survival of classical music. Do you agree with him?<\/p>\n<p><strong>I think disruption is a word that doing these interviews for\u00a0<em>dreams<\/em> we heard a lot in the tech community. And it&#8217;s a word used in tech a lot. I wonder what the difference is between innovation and\u00a0<\/strong><b>disruption. Innovation\u00a0is also disruption. Definitely innovation has a role to play, but sometimes the\u00a0word disruption is\u00a0something that is off-putting versus something that is new and different and engaging. If new and\u00a0different and engaging is disruption, then I&#8217;m all for it. Maybe disruption is an\u00a0expansion of what we are considering as to what we can hear in the concert hall and that&#8217;s exciting. Life is change. That&#8217;s the only thing that is given. Of course change is what keeps\u00a0something alive.<\/b><\/p>\n<p>Ellen Reid photo by\u00a0Arnaud Pyvka.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;If new and\u00a0different and engaging is disruption, then I&#8217;m all for it.&#8221;<\/p>\n","protected":false},"author":3,"featured_media":2837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[6,24],"tags":[782,1764,1763,1769,423,496,92,39,1768,1767,1765,1766,1771,1770,850],"class_list":{"0":"post-2835","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-classical-metronome","8":"category-featured","9":"tag-christopher-rountree","10":"tag-dreams-of-the-new-world","11":"tag-ellen-reid","12":"tag-houston","13":"tag-la-chamber-orchestra","14":"tag-la-master-chorale","15":"tag-la-opera","16":"tag-los-angeles","17":"tag-memphis","18":"tag-robert-r-church","19":"tag-sarah-labrie","20":"tag-sayd-randle","21":"tag-seth-houston","22":"tag-uc-irvine","23":"tag-wild-up"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Is Composer Ellen Reid&#039;s New Work a Cautionary Tale? 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