How do you write a play in a setting where dialogue isn’t necessarily the engine driving the play? I asked Wohl about her experience at the retreat and the role of silence in her life and work.
If you were one of the many thousands who attended Phantom of the Opera during its first run in Los Angeles (at the Ahmanson Theatre), chances are good you saw Davis Gaines in the title role. After all, he played the part for two-and-a-half years. But you also may have seen him in Man of La Mancha or perhaps singing the...
