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Cultural Attaché talks to cellist/storyteller Seth Parker Woods about his latest album, "Difficult Grace"
"These works have changed me. I think it's allowed me to show more of my humanity."
Cultural Attaché talks to costume designer Emilio Sosa about his five Broadway shows this season
"What's very powerful about this piece is when you hear these words spoken by people that look like you, who were never, everwhat's very powerful about this piece is when you hear these words spoken by people that look like you, who were never, ever represented in the room represented in the room."
Cultural Attaché talks to jazz composer and saxophonist Walter Smith III
"There is the part where you're dispensing knowledge to people, but there's the part where you actually inspire them to do something."
Graham Wetterhahn talks about creating an immersive production of Shakespeare's "The Tempest"
"Immersive is definitely the buzziest word that gets used. I think we do more event style theater."
Cultural Attaché talks to composer/pianist Conrad Tao about Rachmaninoff, jazz, Broadway musicals and drag queens.
"Having played a lot of his music, that it feels remarkably good to play at the instrument, which makes a lot of sense given his virtuosity."
Cultural Attaché talks to American Ballet Theater's Artistic Director Susan Jaffe about Christopher Wheeldon's "Like Water for Chocolate"
"Good ballet, just like any good art, comes not from the technical execution of it, but the transformation of that technical execution into depth, authenticity, beauty, humanity."
Cultural Attaché talks to composer Felipe Lara about his Double Concerto and the artists for whom he composed it
"No one can play bass and sing like esperanza. Who can play all those flutes like Clare? The minute that they stop playing the piece it's gone."
Cultural Attaché talks to composer about her new work for the LA Master Chorale
"Malhaars are ragas that are designed to beckon rain...am I somehow beckoning the thing that I am trying to write about the disappearance of?"
Cultural Attaché talks to tenor Lawrence Brownlee about his new concert and album "Rising"
"So much of what I've learned from these writers, from these musicians of the past, makes me the artist that I am today."
Cultural Attaché talks to composer Gabriel Kahane about his piano concerto, "Heirloom"
"I think if composers are being honest, whenever we assign a program to abstract instrumental music, we're always doing a little bit of myth-making."
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