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Cultural Attaché talks to director Zi Alikhan about how his own immigrant experience shapes his production of "Sanctuary City" at the Pasadena Playhouse
"Something that Martyna does that is so that is so gorgeous and effortless is she lifts the stories of these three characters to the highest of value that you can in a play. She centers the story around the lived experiences of these three people whose lived experiences are very different than many of our audience members may be."
Cultural Attaché talks to cabaret artist Jeff Harnar about singing Stephen Sondheim's music and finding his life in those songs
"I was intrigued and dazzled and humbled and intimidated until I was 51. That was the first time I ever performed as an openly gay man onstage through the courage that his lyrics gave me."
Cultural Attaché talks to Emily Johnson about "Being Future Being," having its world premiere at The Broad Stage
"Are we in great relationship with the land that we occupy? Are we in the right relationship right now with everyone who has gathered? Maybe, maybe not."
In 1997 our publisher interviewed John Williams, Maestro of the Movies. These are his memories.
"Our hands are occasionally guided in some of the things that we do...you want to use the word divine guidance behind it." - John Williams
Cultural Attaché talks to Julie Benko and Jason Yeager about their new album "Hand in Hand"
"It's not a jazz record. It's not a theater record. It's our record and it's very emblematic of the music that we enjoy listening to and the music that we enjoy creating together."
Cultural Attaché talks to LA Phil keyboardist Joanne Pearce Martin about Mozart, silence and listening
"You have to match it a lot with great precision in some places because in this film, quite a few times, the video will cut to Mozart's hands at a piano."
Cultural Attaché talks to playwright Johnny G. Lloyd who is having his first off-Broadway production with "Patience"
"I feel very lucky that I've been able to, in a way, fail at certain parts of the theatrical tradition in order to learn things. We're all trying to create something together and having the opportunity to simply exist is how you learn and how you grow."
Cultural Attaché talks to Broadway's Bobby Conte about the cabaret show he's doing now that "Company" has closed
"When you and I have to exist in the art, entertainment, artistic world, I know I need to choose gratitude when the pendulum swings at the end of the day - even in these hard situations."
Cultural Attaché talks to producer Bill Damaschke about his work on "The Prom" and "Moulin Rouge"
"If we put all of our love and heart and soul into it, maybe someone will want it when we're done with it. I put the same kind of love and care into The Prom as we did in Moulin Rouge."
Cultural Attaché talks to Yvette Gonzalez-Nacer about her role as alternate Satine in the touring production of "Moulin Rouge"
"I think we could all agree it's a beast on the show. She's on that freight train until the end."
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