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Janai Brugger Looks at La Bohème from Both Sides Now

"Having done Musetta helps me bring things into Mimì, and if I do Musetta again, Mimì will inform her too."

Nicole Cabell Returns to Handel’s Opera “Alcina”

"Alcina is a very complex character. She's a catfish. I think she gets what she deserves."

LYNN NOTTAGE TELLS A GHOST STORY IN “THIS HOUSE”

"I think that moving into opera is sort of reconciling my love for musical storytelling and my desire to stretch and grow as an artist and to continue to challenge myself in new ways."

Kitty McNamee Choreographs Her Move Into the Director’s Chair

"In my mind it should have gone smoothly. This should've been a romantic comedy, but the parents had to get in there and society had to get in there."

ANNA SCHUBERT AND HER BOLD EMBRACE OF NEW OPERAS

"I'm going to be honest, this is one of the hardest things I've ever put together."

Kaneza Schaal Takes a Trip Down Highway 1, USA

"We rely on our dreamers and the people who have built worlds when the world was against them."

Bass-Baritone Luca Pisaroni Believes There are No Small Parts

Though he's sung the title role of "Don Giovanni" at the Met, he jumped at the chance to sing Don Basilio at LA Opera

Rachel Willis-Sørensen: Desdemona Is Strong

"I just don't see her as weak because I think it's too easy to say that only weak people become the victims of abuse."

Camille Zamora Rediscovers “The Last Sorcerer”

"Her music has that sense of being arresting and shakes us up. But it also just sounds so right and so organic."

John Adams Revisits an Old Friend

"In some ways it's the most personal piece of mine because of that resonance with the land and with the history."
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