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Camille Zamora Rediscovers “The Last Sorcerer”

"Her music has that sense of being arresting and shakes us up. But it also just sounds so right and so organic."

John Adams Revisits an Old Friend

"In some ways it's the most personal piece of mine because of that resonance with the land and with the history."

Opera Interview Highlights from 2022

Dupuis, Garanča, Gordon, Puts, Reif and Du Yun

Angel Blue Comes Home with “Tosca”

"Any woman who can put herself into Tosca's shoes, make it through the whole evening and come off stage with their head held high - you've done a great thing."

UPDATED: Composer Kevin Puts Discusses “The Hours”

"The emotional situations; I live for these these things as a composer. I live for the moments when I can let these situations wash over me and let music come out. This is why I do it."

Jamez McCorkle Contemplates His Role in “Omar”

"I myself am very contemplative about everything. I don't necessarily wear my emotions on my sleeve, but when I'm on stage as an opera singer something just changes and I just become this extremely emotive person."

Michael Fabiano Tackles Tosca & Arts Education

"I am not, as an artist, trying to be anyone else. I am Michael Fabiano. I am imperfect. I make mistakes. But I also am proud of the music that I make..."

Conductor Lina González-Granados Considers “Lucia”…

"I honestly think that there is nothing more gaslighting than this opera. Even the orchestra speaks for her before she can."

Composer Kirsten Volness and the Opera RBG Supported

"This is a great moment to show all the different ways that they did stand up and put in their effort toward finding peace and bringing the soldiers home safely."

Soprano Christine Goerke Revisits Brünnhilde

"This isn’t just a concert. This is a fully-staged 'experience.' It is a way to approach the storytelling that I have never experienced in opera."
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