Home Blog Page 52
Cultural Attaché talks to Veronica Swift about the importance of story and narrative in the songs she sings
"Whether you're a musician or a writer everything comes down to story and narrative. And that's why I like to call myself a storyteller more than a singer or a musician."
The cast of "Head Over Heels" at the Pasadena Playhouse talks about the themes in the musical with Cultural Attach´´
"I want to welcome audience members who feel like they stick out like a sore thumb. Come here and stick out like a sore thumb with all of us. " - George Salazar
Ukulele master Jake Shimabukuro talks to Cultural Attaché about the instrument he loves and making music with friends
"There are four strings, two octaves and there's something about the sound when I hear it. It just it takes me back to the islands and it makes me feel young."
Cultural Attaché talks to violinist and LACO concertmaster Margaret Batjer about their return to live performance
"The most amazing artistic moments of my life have happened in a live performance where you feel the silence, the absence of noise."
Baritone Davóne Tines talks about Julius Eastman and "The Holy Presence of Joan D'Arc"
"All of the aspects of identity that he outlined, I also embody. So by being able to realize his words, I’m able to be very closely in conversatoin or community or connection with his aspirations."
Composer Isaiah Gage talks to Cultural Attaché about his score for Ate9 Dance Company's "Joy"
"There might be certain spots in the performing in which it’s literally just me responding and vice-versa to what the dancers are doing. Utilizing the moment to really come up with a unique approach to it every night. I think that’s exciting to all of us to have that.”
LA Opera called on director Louisa Muller to dust off Ian Judge's 2007 production of Wagner's "Tannhaüser"
"I think my role as director is to unlock something specific, more specific, so there's a sort of universality to what you feel from the music."
Playwright Rajiv Joseph talks to Cultural Attaché about his new play, "Letters of Suresh"
"The most beautiful plays and the most beautiful origami are the surprising ones. And it's not because they have so many folds but it's because somebody has taken a simple piece of paper and made something unexpected and beautiful out of it."
Cultural Attaché talks to baritone Alan Titus who performed in the world premiere of Leonard Bernstein's "Mass" in 1971
"I was totally in sync with Lenny's mind. He heard what he wanted through me. So he gave me permission to go deeper into whatever emotional reservoir I had to bring it out."
Billy Childs straddles the lines of jazz and classical music, but doesn't need labels.
"My answer to that is to keep writing music that I think is important. I think there's an element of people when they hear the truth, they respond to it"
Advertisement

Newsletter

Sign up for our newsletter and stay up to date on cultural events in and around Los Angeles.