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Cultural Attaché talks to Tony nominee Adam Pascal about his 27-year career and being in "Pretty Woman The Musical"
"what I'm trying to do is de-doucheify him so that he comes off as somebody that you hopefully like and root for and understand why she would be with him."
Cultural Attaché talks to Stephanie Matthews, co-founder of The Re-Collective Orchestra
"I think there's something really valuable about building this space for Black musicians and also to inspire the next generation of of creatives to say, you can do something different, too."
Cultural Attaché talks to Grammy winning saxophonist Ted Nash about John Coltrane and Johnny Hartman
"I want to try to find the spirituality behind Coltrane's playing. I want to copy the feeling that he had back at this time because that's what's truly sticks out."
Cultural Attaché talks to actor Simon Russell Beale about "The Lehman Trilogy"
"It does make you think about your own desire for money or need for money. I mean, how much is is regarded as a feasible amount? How much becomes no longer really morally right."
Matt Doyle talks to Cultural Attaché about his show-stopping role as Jamie in the revival of Stephen Sondheim's "Company"
"I don't think I'm ever going to really process how truly profound all of this is. I don't think anything will ever top that. How could it possibly?"
Deirdre O'Connell plays Lucas Hnath's mother in "Dana H"
"I challenge anyone to have to do this particular task with anything and not have strange empathy for the person they've been putting into their head."
Cultural Attaché talks to composer Ted Hearne about "Place," its themes and how they resonate with him.
"I am really interested in living in a way that helps other people be better. But I have to help myself be better. Composing is just the whole apparatus for that."
Cultural Attaché talks to mezzo-soprano J'Nai Bridges about her upcoming performances of Peter Lieberson's "Neruda Songs" with the Los Angeles Philharmonic
"I've experienced love. I've experienced loss. And I do have a subtext for every piece. But I always ask myself who is J'Nai in this?"
Cultural Attaché talks to Director/Musical Stager Wayne Cilento of "Bob Fosse's Dancin'" now playing at The Old Globe and destined for Broadway
"When it's done correctly, it's completely rewarding because it's the essence of him and the essence of his work as a choreographer and as a performer. I hope I managed to capture that and put it on the stage."
Cultural Attaché talks to soprano Latonia Moore about her history with Aida and her passion for Italian operas
"I feel like my place in a business like this is to show you that what you look like as a person will never matter more than what it is you can create as an artist."
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