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Cultural Attaché talks to violinist Johnny Gandelsman about his new project, "This Is America," a series of newly composed works for solo violin.
"I can't say that I'm an activist in any way. I'm hoping that through the work of being a musician there's something positive that I can bring to the conversation or people's experience."
Cultural Attaché talks to composer Leslie Burrs about his new opera, "I Can't Breathe"
"If this helps to open your eyes to what is more just, what is more equal, then that is one of the things to take away from this experience today."
Pulitzer Prize-winning composer Ellen Reid talks to Cultural Attaché about her new work, "Floodplain"
"Sitting with the unknown brought up some new things I'm interested in and things that I'm not interested anymore in in a very clear way that it might have just taken a lot more time to find had we not had that experience."
The 2022 Tony Nominees include the revival of Stephen Sondheim's "Company"
Revisiting our conversations with six of this year's nominees!
Cultural Attaché talks to composer Tarik O'Regan about the upcoming world premiere of his new work, "The Quickening"
"There's a lot of magic in music that I am not in control of, but that I love being a part of. Maybe just triggering it and then sitting back and watching and listening."
Cultural Attaché's May 2nd list of best bets still available
The May 2nd list of previous Best Bets that are still available to you.
Cultural Attaché talks to three-time Tony nominee Joshua Henry about his career on Broadway
"What struck me when I just got here was how it was just absolute fun. Now it's not just 'fun' for me anymore. It's trying to do the right thing."
Cultural Attaché talks to "Hadestown" producer Dale Franzen about the hit musical and her other female-driven projects
"Let's be honest, men aren't telling those stories and I think that women have been shortchanged. I want to be part of changing that."
Cultural Attaché talks to Robert Horn, the Tony Award-winning book writer of the musical "Tootsie"
"Unlike the movie, the women will not become better women by virtue of this man dressing as a woman. He will become a better person by being surrounded by the women in the piece. "
Jane Lynch talks to Cultural Attaché about her role in the first-ever Broadway revival of "Funny Girl"
"I think it's about wanting something so bad and knowing that you've got something in you, but the world doesn't know yet. And damn it, you're not going to stop until the world knows it."
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